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Ige 2.0 & Batch Fai 
ipGear2 A1200 

lareware bonan 



IJQyejLtB.FR -CumpBlltal* wllfcall ip«iJi W*i%*«Wh 1A*IJ| ■*•»• j1 

"" i! £0Z7£ B.D 

An exclusive sneak 

preview of the late ji 
■ Amiga text editor - E, 
1 Has CygniiS Ed seen If a 




NOVEMBER 



K>r 




lie! 

demo of Cr? 
Graphics' new racing 
game on A12Q0. Pur rhe 
pedar (o the metat and bum 
rubber in breathtaking AQA glory 



The Amiga 





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The wry first preview of the l-ales-1 
and perhaps besi batcti file ^^^^ 
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do the wort! ^QH rl 1 


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All you'll 
ever need 
to know 
about 
keeping 
your 
Amiga 
alive and 
kicking 




ImageFX 2 • Warp Engine 
• Workbench 3.1 • Cybersex and much 




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MenuStay 

Tak* contfol ol your 
Work twrrtfi menus 
and eradicate wrong 



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Additional spec for KX - P440G 
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■ 

Bra Bssvntial guide to Mm gaming 

System On-line 92 

• 'twore return with mori onnon Foddei cornagr. imptre go on 
Down Patrol, Team 1 7 go bvdgti troxy, pkti news on thh nutumn's £CTS 

Beat the System * 96 

The second and final port in System's romplfte guide to Kings Quest 6 
Paul Matter, adventure gnat, guides you round the tropi 

Feature: A life on the ocean waves 118 

Manchester's lines! software hOtae S impeded by Tina Haciiett who 
diats to people wtthin aboal the pan, preterit and future 

Feature: The Genesis of MysterX 120 

Neil Axe, karat? expert with atktude, u about to iter in his very 
awn game. Millennium how treated it and Tina Haehtft 
■ man about his forthcoming beat- 'em-up 

Preview: ATR 124 

Team 17 m up their releases with an offering that'll get your heart racing 
Created by the men behind Body Bhws and Nitre, Paw Cusfc* checks it out 

System Essentials 1 27 

Shoot-'em-up and platform lw on the CDJ2 with RansHee o^d Out 
to lunch, Tina Hacketl takes a loot at these essential selections 



CflfTlE HEUIEUJS 



Ishar 3 



Theme Park 
Top Gear 2 _ 
On the Ball _ 
Putty Squad, 
Util Divil 



,100 
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Literally thousands of design backdrops 
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■ihiiranmfrEi ■niisfrfih^ni 

The \earch for the ultimate in super fast The bailie continues for the Image 

modem technology continues processing top-spat. Will this tip It t 

4rt jr font, any time, any style, the all new Pro quality video with the latest in 

TypeSmithlJ givei total font control editing technology from Hama 

hi r ^^^ 

■ HRRiamfflil^M CTil I 

Tripte your rendering speed with the Adam Phillips puts bis body to the test with 

ultimate in Amiga acceleration the latest in cardiovascular technology 

Is il really worth upgrading your OS? M last the long awaited Intuition 

Kevin Kitching has all the answers front end for Amos enthusiasts 



Pro quality video with the latest in 
editing technology from Hama 



Adam Phillips puts his body to the test with 
the latest in cardiovascular technology 



imtHH 



At last the long awaited intuition 
front-end for Amos enthusiasts 



iU LU5 



J lllnllT l 



A spectacular sequel to the Syndesis if> An essential ColorFont collection or 

CD-ROM, plus the Avalon collection limply another expensive add-on? 



The ultimate in Lightwave tuition plus a classic tiling texture collection 



:b mid d 



More essential info for those consumed by coding 



1 



Create your own installation scripts using our guide to Installer 



iniPflf uinnnfiRTtr 



The assembler story goes from strength to strength 



Rent bam 
on sale 

SB tittaberl 



Page 

E2 






Edge 2.0 and Batch factonj 

Exclusive trial versions of what promises to be the ultimate text editor by 
INOVAtronics of Directory Opus fame - Edge 2.0 - and Batch Factory, an 

essential Amiga aid to getting the most from your computer. 





ml 



Gear B 



Top 

Put the pedal to the metal and race your 
heart out in our exclusive demo of 
Gremlin Graphics' Top Gear 2 A1 200 




GJ 



urTlSWorkbench 

Uncrunch your disks in seconds with 
the latest and best addition to DMS 

flmiQurk 

Provide a unique interlace 
to your Workbench 

fTlenuStau. 

Keep those menus on that screen 

SutierDupgril 

The latest version of the 
fastest disk copier in town 



IE11IS 



Pleosance comes dean about Contntodore'i corporate position. 



UI5h 0FFEH5 



38 



Upgrade to a complete package and save money loo! 




n naus 



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An exclusive took at World Contraction Set 



For anyone in search of the amwer to the eternal question 




i ■ l ■ ■ 

H! 



Can Qoitirnadore rejuvenate to i'fs past success 



itltlllC STHHIEI 



Essential ZnverOisit info for every Amiga beginner 



Dodgy drives, diclty <rtfAj arid all thirtgi lethy token in hand 



UBIir SECTOR 



if it s cheap and cheerful it's here - itoch PD headline number 1S7. . 



Memory management made easy the Afl«K* way 

Hideo 

Adam Phillips continues his adventures in the industry 

music 

All your sequence editing answers from Paul Oweraa 



AMIGA 



1*6® 



J£i [omins 

The surreal and spiritual side of the Internet 

llfti&fe flmos 

Phil Sflttth's amazing fading routines revealed 

Publishing 

Sen Pointer offers up some essential styling tips 





GUIDE 


Home Video 


130 


Scroller Guide 


132 

152 


Classifieds 



CDUER 
5T0RV 




The Amiga 



ping qnur Amiga art it 5 
t can be a triiku husi- 
s. Ben Unst reueals all 
'II euer need to know 
ut Rmiga maintenance 



ee page 31 I 



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THE WORLD 5 FIRST PCMCIA SLOT 
CD ROM DRIVE FOR THE AMIGA A120C 



7 ^%i 

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MEMBERSHIP FEES UK EC WORLD 

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Software and peripharals are sent by posl. hardware cy White Arro* 

Pflflse add 4<jp per posied Mem II you r*qyir« Firti am pen 
Peaae add E10. per hardware Hem If you require ovemlgn c^rnaoe 
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Ahowong or two days ter processing antldespatcfi of sSoct rttmc 
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Di^(B6"V twt" ="*™Tv Wi i*t*IV« r* ftoHl L. tlft 1 *! pri«*4 HI UltOn * ltii:il V£< 

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Deal Direct, with Digital Direct 



Music Samplers etc. 




aLOQ 

masTRiK 



Mrgalosound is the new H-bit, memo, 

fJnjTCt In rli'k sampler package: the soflware 
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special effects and extras such as the ability to 

print waveforms and sample information, 

The pac&age allows sampling up to rWKI lz 

muno dnd 56KHz stereo to memory and up to 
2 LKHz stereo to hard disk on an A12130. 
Supplied with a hardware volume control and 
an extensive 1 W-page manual. Megalnsound 
is impressive value and Gold-rated by CU 
Amiga, with 89% from everybody's fa vounte 

magazine. Arnica Fortnati 

ProMIDI Interface 

The ideal MIDI mterfaue fur all Amigas, this 
smart-looking device comts with MIDI in, 
M II il thru and two MIDI out portl <md Is 
complete with manual, sr.ifrwn.rc and a flying 
cable for convenient positioning 




AlidioMaster [V is regarded as tht' 
de-facto standard in mind sampling 
and editing software. With its 
mm n'liili i .ii ■■■.!■ lit features and* leal 
informative displays it la hard to bead 
hi mind editing system. 

AudsoV aster I Vis compatible with 
Megalosound and any other sound 
sampling hardware thai connects 
through the Anil's parallel port. 
Please call for further information. 



Graphic Design 




VistaLite 
3.0 

t ' re.ite stunning land-i. a] 'i 
n in -lii-.,iin,i/i . 
simulation program. 
Support* KAMI and 
colour mode and nequire» 
:'MI ,.| HAM and 
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simply superb product 
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Distant Suns 5.0 

Be tht' star i*r vnur own tnjk through space! Animate the solar system, view the 
sairu! night sky as the 3 wist 1 [fieri and navigate by the stars with this 3D Desktop 
Planetarium. Requires 2Mb RAM and Workbench 2,04 or gre.i In 



Pricing & Ordering Details 



HlSolt BASIC 2 


£59 


MegalDSOunrj 


HiSol! Devpac 3 0,4 


£49 


AutJioMaster IV 


Highspeed Pascal 1 10 


£49 


ProMIDI Interface 


Maxon Magic 




VistaLlle 3.0 


TurboTexl 




Qjslanl Suns 5 


WldeoMasiet A500A500+ 


£39 


SBase Personalis 


VidcoMlaslcf A6OO/A1Z00 


£59 


SBase Professional 1 3n 


ColoufMasltif with VtdeoMaster £ 




CokmiM asiur separately 


£49 


Power BASIC Amiga 


VJdeaSlage Pro 


£99 


K-Spread2.KData Pack 


Ight 


£10 


(A50WA5G0+ anlyl 



Simply cal 1 from 9am to 6pm. Monday (a Friday, armed with your 

credit or debit card number and we will despatch your goods within 3 working 

days, assuming they are in stock. It fliere should be any delay we will notify you 

immediately. Alternatively you can sent! us a cheque or P0 made out to Digital 

Direct. Please add £3 postage within the UK (£6 for a next working: day delivery}. 

£4 within toe rest of Europe, £8 elsewhere , 

All goods are oWered wrth a no-nonsense 

30-day money- back guarantee, <l you are not 

completely satisfied with ffle product. 

AH prices include UK VAT ® DdgHal Direct 1 934. 





The best-va lue real-time video dig 1 1 1 * <\ 

uv; WetooiM ■■ a i gji a foa the 
ability to record real-time monochrome 
video with sound at 23 frames per 
second as well as quality full-screen hi ills 
fmm vour camcorder or video recorder. 
VideoMastiJT RtiB includes our new 
colour Splitter, ColourMaster, and 
produces amazing quality colour stills. 

Video Master At- iA works on the A 12O0 
and A&OO, connects via the PCMCIA slol 
for extra speed and frCudom to use other 
peripherals, allows hicji quality stereo 
sound and ■iupporti I iAMt* and I JAMS 
Up ':ift4i\ \ Sll resolution for stills. 




ColourMaster 

ColourMaster js a new electronic colour 
splitter which works in conjunction with 
Vidi'i Master for srunning colour stilk 



VideoStage Pro 



■ i-ii', 



• 






d»kand 



Business Applications 



SBase 4 




,,| || Hjjij . I --; .1 .► -IJ 



We are pleased to announce that Sbase i 

is back in the LK with Digital Direct 

Sliase 4 Personal and SBasc 4 

I Yoti-sion.il are op to vtrsion 1.3n now 

.11 ,- we have both In si<tck, re.idy for 

immedutedetpatch 

■ ln'M' products are renowned for their 
power and their range of features and 
have 1>xtl available on the Amiga 
pLatfonn for many years in earlier 

Version ^ii^^v 1 1 -• ■ - > h,nv k-|(i heen 

brought right up-to-date with support 
for the very latest Amiga computers 





Hoih Sli,i-,e I'l-rsonal and Professional ate 
(tiH-teaturvd. Jully relational and powerful 
databases with pull-down menus, multiple 
windows and complete occesg to your 

Amiga's nntlti-tasldngenvironmenl and 
they are now compatible with Amip.iix^ 
.?.*) and llie AGA chip set. 

SBase Professional includes a powerful 
database managemem language and 
supports ARej(.v. Please call for our 
datasheets cut these superb products. 



Digital Direct 

The Old School, Greenfield 

Bedford MK.4S5UE UK. 

Tel +44 (0)525 71 S271 

Fax +44 (0) 525 713716 
Digital Dirrct b the dm 



■Ih 

Bi] flDflfH PHILLIPS H^^^^^M 



Bidding Far their rights 



WITH all the high profile chest beating of product 
saden companies al the ECTS this month, it came 
as something of a pleasant surprise 10 be ushered 
into an exclusive hotel room on the first floor of the 
Holiday Inn, London tor a low-key press 
conference. 

The meeting was to discuss the future of the 
Amiga and the validity of Commodore UK's bid. 

Present, along with a host of journalists, were trie 
two key figures at Commodore UK, David 
Pleasance and Colin Proudfoot, ready to answer 
and explain a few burning issues thai have been 
taking up so much space in recent news articles: 
whal is happening with Commodore? 

According to Pleasance, the UK team are still 
highly confident of a positive outcome for their bid. 
"Over the weekend, the final bid has been pulled 
together - it'll be on the Bahamian liquidators' desk 
by tomorrow morning (5th September)." 

CONCLUSION 

The decision makers have been given ten work- 
ing days to draw a conclusion to ihe lengthy pro- 
ceedings concerning Commodore UK's bid. If suc- 
cessful, (he team will end up owning (he rights to 
past, present and research and development ptans 
for the Mure. 

Despite (he apparent organisation and efficiency 
of the UK bid, the process has been beset by prob- 
lems in recenl weeks. 

The main setback has been the major inventors 
ol components being held at a factory in the 
Phiflipines. 

Vital lo any mass production in the 
future. Commodore UK has been told by the courts 
that the stock cannot be touched until after 
Chnsimas. 

What this means, m the short lerm,, is that if suc- 
cessful,, there will be a stock shortage of 1200s and 
CD32s come Christmas, no matter what happens. 
The only good news is that 40QCs will be in ample 
supply. 

David Pleasance is ready to accept that the stock 
will be "less lhan originally expected. We can't sell 
hundreds of thousands of units because we can't 
make them." 

As far as competition goes, Samsung and two 
Stales-based companies are the only apparent con- 
tenders in the financial boxing ring at Ihe moment. 

The Japanese giant has already made It all too 



clear that It has no interest in Injecting new life into 

Commodore but simply wants new technology to 
use in other areas. 
Pleasance is well aware thai another company 

could step in al the last minute but is prepared lor 
that occurrence. The lack of competitors may sug- 
gest a lack of interest in Commodore, but Pleasance 
believes that it is something else: There is a stigma 
round Commodore's performance (in the past) - if 
has frightened people away," 

If the UK bidders labours do not pay off, a fulure 
strategy has already been drawn op to polish the 
lamished image of the once great company. 

NAMING 

First will be a name change. Computer Trade 
Weekly, the industry's newspaper has reported that 
the new company will be called Amiga International. 

From Ihere, the short term plan is to "concentrate 
on the core business, sell current products and con- 
tinue the employment of some people." 

The next stage will involve discussions with dis- 
tributors to draw up forecasts for the next 12 
months. Bearing the results in mind, a marketing 
plan can be produced lo maximise the company's 
resources. 

Apparently, the team is not interested "in a quick 
killing at Christmas" bul instead want to cut back on 
all major subsidiaries and "grow organically' in Ihe 




David PPea*ane*."~ T"h* tinat bid ham bean pulled together... 
wa wmt to convmntrmta wi tha corn bu«;™i.i, »ll currenl 
products and eenrlnu* tha employment ol memo paoplo" 



words of Proudfoof. As for the future, plans are 
already in place, ready to begin if ihe bid goes 
through. The employment of new staff is of para- 
mount importance. "There are currently 17 
research and development engineers still on staff 
but we want to move thai up lo the 60 mark' com- 
mented Proudlool. 

"We also want fo establish 22 people to aid the 
246 software publishers in whatever they do." 

The CD32 was met with, it seemed, less enthu- 
siasm lhan in the pasl. With the oncoming wave 
of next generation consoles snapping at ihe 
small but well formed heels of Commodore's CD- 
ROM machine, Pleasance said: "the CD32 
is in lairly good shape" and that competition 
such as Sony "doss have a future in Ihe market 
place." 

According to the managing direct or. there will 
be 200 titles available for the CD32 come 
Christmas. We'll wait and see, 

Probably the biggest news were the plans for 
future technology, The much speculated and often 
discussed AAA chipset has been dropped and 
replaced with designs for a RISC-based system. 

One Df the principal reasons lor the switch is the 
lack of an operating system for the new defunct 
chipset - it would simply take loo long to develop 
one. 

DEVELOPMENT 

The new machine will go into development 
straight away if the bid is accepted. Pleasance 
estimates the development systems will be ready 
in six months for the community to begin work on 
software and a further 12 months for it to hit the 
retail shelves.. 

There are also plans lo produce a high-end 
work station "that'll be £0-30 limes fasier lhan a 
4000." The managing director is adamant though 
that the Amiga should be "a multimedia platform - 
and not just for games," 

Despite concerns over the potential shortage 
crisis at Christmas, il would seem Commodore UK 
has a definite and well thought out strategy for the 
future of Amiga machines. 

Perhaps as an indication of their confidence, the 
team are already planning the relaunch party lo be 
held on 13 October. Whichever way the bidding 
battle swings, we'll know next month and the wait- 
ing will finally be over. 



Amiga Computing 



NOVEMBER 1994 



El 



NEWS 



HEU15 BRIEFS 



multi-platforms 

wm 166 exhibitions under their bell, ihe 
AM Formats Computer Fairs are conimu- 
irvj their regular lours round the country. 
Covering Ihe latest in ST. Amiga, PC, 
shareware, games and even 8-W prod- 
ucts, a full rundown of shows can be 
obtained from Bruce Everlss on 0608 
662212. 

monitor magic 

Idek. the makers ol the popular MF-8&17 
Vision Master, are set to release the 
world's lirsl 21 inch, full remote control 
colour monitor with memorised tilt and 
swivel base. Based around Mitsubishi's 
-Diatron" tube, it displays 160GM200 
non-interlaced resolutions at 72Hz verti- 
cal refresh. 

WUh its microprocessor- control via the 
On-Screen Display, the user is able to 
adjust basic picture si^e and location, 
picture disunions such as pm cushion 
(barrelling effect), trapezoid (vertical par- 
allelogram} and raster rotation (picture 
twist with betel). 

Costing a healthy El .649. the monitor 
can be seen at the Business Computing 
Exhibition In late September and Idek 
can be reached on Q43S 7454B2. 



tlirus uirilrtq 



After (tie success ot ihe Virus Checker 
Compilation Disk, Craig Holmes has 
launched a subscription service lor 
Workbench 2 & 3. which provides cus- 
tomers with the latest Amiga anti-virus 
software as soon as il is released. 

It is possible to subscribe to either six 
or 12 updates which are mailed to cus- 
tomers. Upon, subscribing, owners are 
then entitled to free telephone software 
support. 

Six issues cost £14 and twelve issues 
cost E2S. However, it customers mention 
Amiga Computing when ordering, they 
are entitled to £2 off the above prices. 

For more information, contact Craig 
Holmes on 0902 305209. 

Amiga shams 

For those who want to know more about 
tne forthcoming World of Amiga show 
being held in mid December, information 
<s available on Kixx 

Commodore will also have a stand at 
the Motor Show/Future World/Ideal 
Home exhibition which is taking place at 
the NEC m Birmingham Irom the 18th to 
30th of October. 



(lew Epson 
scanner unueiled 



Continuing in its success with tne GT scanner range, Epsoi 
Have released the GT-9000, a 30-bit, single pass colour scanner 
bundle ai £1,299. Suitable for high-end desktop publishing 
users, the hardware allows the recognition of over one billion 
different colour Nues Irom the image being scanned, 

"The new GT-WOO is last. Inexpensive and looks good... this 
scanner is perfect for those wanting high resolution and relia- 
bility at an exceptional price," Commented Tonmy Petford, a 
representative lor the company. 

For further information, phone Epson on 0442 61144. 




GT-9000: Otlrrm a Mgfr rtfsalutfoft ot tWlSQO <*fii 



Uideapilot resurfaces 

After a somewhat shaky pasi in terms of distribution, ihe 
Videopilot, a highly rated editing system for the Amiga, 
has climbed out of commercial limbo, been given a new 
cipset and software and been picked up by Ambervane 
for distribution in Britain. 

The Videopiiol V330 enables three source players to 
be used with one recorder and offers VITC, LTC and 
Snny RCTC time codes to aid editing accuracy. 

The hardware also includes special effects such as 
three machine AiB roll plus the control Of external equip- 
ment like Panasonic mixing desks, 

The Videopilot costs £S50 plus VAT and can be 
ordered via Ambervane on 0792 476076. 



Help group 



ID 



The Samaritans have been offering emotional support to the 
suicidal and depressed lor over 40 years but now, in a 
response to new technology, the charily has opened an e- 
mail service for Internet users. 

Called "Help By E-mail", the on-line service was lest 
launched in July and proved so successful it has been set 
up indefinitely. 

"During the test month we received av&r 200 messages. 
Many were from well wishers, journalists and academics but 
there are around 15 very desperate people as well, The 
need for a full launch of our service with the easier address 
was amply demonstrated." said Mike Haines, Ihe Director. 

To use the service, e-mail on; jo@samaritans.org and tor 
anonymous mail, type; samarltans@anon.penet.fi. All mes- 
sages will be handled in ihe strictest confidence. 



Amiga Computing 



[rime unit crafts 
down an porn pirates 

Following the recent discovery of pirated CO soft- 
ware valued at £10 million, ELSPA's crime unit 
headed by John Loader has recovered over 200 
CD-ROM discs and writing equipment from two 
addresses in Manchester. 

The software, worth £500,000, has been 
examined by both ELS PA investigators and the 
Greater Manchester Obscene Publications 
Department, "Not only does illegal activity pose 
an enormous threat to the commercial interests 
of the UK's legitimate computer games software 
industry", stated Loader," but it highlights the 
increasing problem of production and distnbution 
of illegal, pornographic software through out the 

UK" 

This month also saw the conviction and impris- 
onment of two counterfeiters, Donald 
George Brown and David Doyle. Brown was 
recently found guilty of four offences relating to 
copyright infringement and was given 
three months in prison. 5,600 disks containing 
copied software and copying equipment were 
uncovered at his premises by police and ELSPA 

officials. 

David Doyle was found to be manufacturing 
counterfeit software and received a six month 
sentence plus a £5000 bill for court costs. 

It you have any information thai should receive 
the attention of the crime unit, phone John 
Loader in confidence on 0356 333610. 



Internet opened up 

With the Super information highway starting 
to take shape, CompuServe have begun 
the testing of a new service that allows 
members to participate in discussions on 
USENET. This access should allow the user 
to enter thousands ol discussion groups on 
a huge variety of differing subjects. 

Once testing has been complete, 
CompuServe members will be able to read 
and contribute to ihe USENET News 
groups. "CompuServe recognises our mem- 
bers want to augment the wide array of 
products and services available on 
CompuServe by expanding their information 
horizons on the Internet as well," said 
Charta Beaverson, Internet protect manager 
at CompuServe. 

Also recently introduced is the on-line 
support directory, According to 
CompuServe, with over 800 hardware and 
software companies available for consulta- 
tion about anything Irom a printer and hard 
drive to a monitor and catale, the service 
provides a comprehensive and useful data- 

be**, 

"Support Directory mafces it very easy for 
members to get help with their hardware 

and software problems and make informed 
buying decisions. 1 * said Jim Hogan, director 
of product marketing, 

For more information, contact 
CompuServe on DBOO ZBS378. 



NOVEMBER 1994 





R D I 



\ V A [ LA B I . I FR( ) \ I ALL GOOD CD STOCK ISTS 



iVJiiJtimediaBK 
Toolkit CL> ^ 

AN -\Mir.A i I) CD12Q0, CDTV&CD32 APPLICATION 

CONTENTS 





OVER 10.000 FILES 
500 24 BIT IMAGES 

ALSO IN HAMS & HAM 

1308 COLOUR CLIP ART 

2 139 MONO CLIP ART 

93 SCALEABLE CLIPS 

750 MUSIC MODULES 

2300 SAMPLES 



195 BITMAP FONTS 
120 COLOURED FONTS 

107 ADOBE FONTS 

80 POSTSCRIPT FONTS 

79 CG FONTS 

214 ICONS 

& MUCHMORF 



Ol \L Y -l 19.9-j 





PC i 




THE OmCIAL AMOS PD 
LmRARY ON COMPACT DISC 

The OtficJaJ Amos I'D Library is ihe largest wwix 
Amos related source cade ami iirogporu, in ihe Mild 
today, The library is run b> Leu & Awe Tucfecf nd 
is endorsed by Eurapress Software, tv. pt>! 
Amws and Arrets Pre. This compacl due iGnuias ihe 
enlirc library Tram disk I to 620, each one arranged in 
il's own directory ami eaUilogued. The due contains 
in excess uf 33J0O0 files with over 1600 Ames source 
Code files, I (XI spnte kink*. 2ft0 Ctett banks, 800 
mnplwi. iiuniL'Dus music hanks and several 
emenskirvs to Autos A \mos ftft Workbench is also 
irH.li.jdcd as arc Pnmel ami Scmct to allow, transfer of 
(he ranienis Kress a network (ram brth ihe CDTV 
ami (lie rr> IJ This en is mily u testament lo the 
B n m e n w fouowing ihm Amos and Amos Pro has 
achieved in ilk.- fusr lew years and nrprcwiis 
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mMI pnnvc to be an invaluable source of help and 
mitton to ihe Ann* user, Weind Science b proud to 
hring you [his r c narkaM c resource foi i ct) ^*~ ^» 

rpmpalihle wilh all Amigas 



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Network CD 

SIMPLE NETWORKING TOOLS FOR AMIGA CD 

. link between j CDTV ai CD32 and any other 

a remote drive for your Amiga, allowing 

ii.i available on CD Rom. The CD32 cable . I ■ 

^Ha' X socket of the CR?0 ami Limit--, L.implele with a 

ihuv Mill maintaining the ability to connect FMV ur 

I) sets jp ;i Workbench environment anil disables the 

the CD to be changed and access, to any other 1SQ9660 

CONTENTS 

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Twin Express 

Fred Fish 800 to 975 

Amos PD 47K to 603 

74 Utility Disks 

PhotoCD Conversion 

SOI ' Images in 236 cols. 

Network CD £ 14.99 
CD '- Cablet 19.95 
Parttet Cable £ 9.99 



CLIP ART FONTS 



**1 




Over 550megs of Clip Art for Amiga* 
lurI PCs. The mosi comprehensive 
collection of Clip Art ever for the 
Amiga range of computers. In total 
over 26,000 tiles, The following 
formats arc catered for, B&W If] 
Bitmap, Coloured Uf Bitmap, ProcKps, 
EPS, Pagesetter, Pagestream, IMG, 
Corel Draw and coloured brushes for 
DPainl All ready to u^ and easily 
accessible in subject directories. 



A complete CD dedicated to Fowls lm 
the Amiga range ol computers. Also 
PC compatible. The following formats 
are catered for, viobe. CO Font*. 
Coloured. Postscript, PTodraw, III 
PCX. Pagestreara, TrueType, Calamus 
ami ODOS. Adding up lo the moat 
nplete CI I - For the Am 

ever, In total over 18,000 Hies in < 

directories. All ready lo use and easirj 
ssible in type direclories. 






owlandaonao shire, Ll 

del. ft Fax. 01162340682 



SOUNDS TERRIFIC 

A double CD pack Containing over 1.2 Gi of musical and sounds data fi 

the Amiga and IBM PC computers. The contents include Modules, Santx Scores, 
Midi Files, Samples in RAW, IFF, WAV & VQC formats and utilities for both 
the Amiga and PC. This all adds up to the moat complete collection of sounds on 
any plaiform and will form a vital pan of an} musicians CH collection. 

CIjjj Ai'i & Funis £ DJJD sacii 
^oiiJids Tarrilk £ IJUJ3 

(IXHIRI.F.f l>i 









NEWS 




Fractal heauen 

American company, MegageM. have 
released the first In a series of CD disks that 
contain an extensive amount of Iractal 
images. The FractaliPro Image Library 
Volume One contains over 35D pictures 
plus dozens of VistaPro DEM files of fractal 
objects. 

The GIF and IFF files have been broken 
down in to a series ol 16 which can be 
viewed as "thumbnails" on screen. IS sets 
of zoom sequences are available through 
the user interface and Ihe makers claim that 
the program is compatible with any CD 
drive and Amiga with AG A machines have 
been accommodated for via higher screen 
resolutions, 

In Itie Slates, the package is retailing at 
$59.95 and, for furlher details, contact 
Daniel Wolf on 0101 S05 349 1 104, 






Objects galore 



The Imagine 3D package continues to 
gather support with a set of object disks 
from Kyto Products that feature various use- 
ful creations for artists. Horses, underwater 
scenes and human forms are the main con- 
tent of the pictures library with prices rang- 
ing from IS up to £35. 

For more information, phone Steven 
Edwards on 0272 4008905. 






Ookg and spoohq 



For the last two months, Creepy BBS's 

Amnet has surfaced for all serious Amiga 

users. Offering echoes, the service has a 

variety of different services to inform and 

aid Commodore owners. Comms, chat, 

news and DOS help are just some ot tho 

■,es available to users. 

David Lascelles ol Creepy BBS believes 

that Amnet offers a deined and moderated 

network unlike Fidonet. Lascelles can be 

contacted via netmail on either 39:137/13.1 

Amiganet) or 2:256/503 (fidonet). 






Oops 



Las* month, we printed an incorrect number 
to* Ramiga International. The actual number 
required is 0690 770304. 






music maqhem 

To help young children to learn about the fundamentals ol 
music, Canada-based company, WindShadow, have pro- 
duced an edutainment title called " Waking Music with Bertie 

Bunny' 

Made up trom a set of differing exercises, the "player can 
move Beftie round the screen, selecting him to play different 
instruments and tunes. 

The child is also able to leam the sound of certain musi- 
cal instrument and to recognise various musical tunes: 
the melody, a counterpoint to the melody, an obligate 
accompaniment or a rhythmic accompaniment. There 
are also many ol her features on offer for the budding 
musician. 

According to Gordon Wilkes. President of WindShadow 
software: This product is unusual in that it is easy to use for 
children as young as two-years old, while providing opportu- 
nities tor older children to explore." 

The package retails at £24.99 and can be ordered directly 
from Gordon Wilkes on 0101 905 B36 4400. 




Passport to Uideo 
Toaster PHI 

After signing an agreement with NewTek, makers 
of the award winning Video Toaster, Prime 
Image, also based in the States, has released 
the Passport 4000. 

The company claims that the device offers dig- 
ital video signal handling capabilities such as 
conversion to international video standards 
including PAL, SECAM, PAL-M, PAL-N and 
NTSC 4.43. 

This means thai all British video companies 
and individuals who have been waiting lor the 
PAL version of Video Toaster can now have 
access 1o the power of 
NewTek 's television stan- 
dard product, 

The Passport 400O also 
offers lime base correction 
and sychronisalion and 
adds AT bus expansion 
slots for the Amiga 4000. 

"Prime Image's cus- 
tomers around the world 
have let us know ihere's 
tremendous pent-up 
demand for the Video 
Toaster in diverse video for- 
mat applications," com- 
mented Bill Hendershot, 
founder and president of 
Prime Image, 

"Given this demand and 
given the standards conversion technology PI 
has pioneered, it's a natural fit for Prime Image 
and NewTek lo work together." 

Passport 4000 costs $6,750 for the basic unit 
with two additional PAL input channels increas- 
ing the price by $2 ,250. For more details, contact 
Bobble Hendershot on 0101 408 867 6519. 



[omputer comms 

Portable computers are becoming more arid more 
common place and Sector Software are set to 
release several packages to enable users to 
transfer their wordprocesseo files front portables lo an 
Amiga. 

Catering lor the Cambridge ZB9, Tandy WP2/3, and 
Amstrad NC lOOKCD, the links packs reiaii et £25 each 
tor the software and cable, According to the company. 
Ihe utility is useful for brushing up portable-created doc- 
uments with the Amiga's DTP skills and as a backup for 
the portable's memory, 

The links will be available in October and, for further 
details, phone David Batty on 0772 452414. 




Heard the latest? 

Have you heard any interesting Amiga news re- 
cently? If you've picked up some hot gossip ihat you 
ihink we could be interested in give Adam Phillips a 
call now on 0625 87B8S6 



ID 



Amiga Computing 



NOVEMBER 1994 



Power Computing 

DESIGN ft tl t) INN VATION 



POW E RSCAN 4 






^ 




Produce 256 greyscale images (on a AGA 

int). scan in 64 grayscales (ron AGA 

Amiga can only display I 6). add colour to 

ktytcale images, special effects, new support 

IB-bit scanner, add ten.-, to scans. 

•'■>W version available. 



POWERSCAN 4 


(in 


POWERSCAN 4 OCR 


£l J» 


SCAN INTERFACE 


£50 


POWERSCAN 4 i/W 


£10 


OCR SOFTWARE 


£49 


EPSON SCANNER, 



GT-6S00 and GT-600Q 24-bit colour 

; fatted scanners from Epson scan up to M in 

with output resolutions of up to 

DPI on the GT-4500 and 1 600DPI on 

""-8000 in 1 t-7 million colours, greyscaie 

re art. The scanners include eittier 

- : ttttntan or Image FX scanning software. 





GT. 


6 500 


POWERSCAN 


£599 


GT- 


4500 


IMAGE fX 


its') 


GT- 


B00D 


POWERSCAN 


£849 


GT 


h ODD 


IMAGE FX 


£919 


DOCUMENT FEEDER 


L1V9 


COLOU RSCAN 



■ew 1 8-bit colour hanoscanner prr>duces 

"ing colours with clarity and verve, 

■ "iing up those presentations. With over 

50.D00 colours and award winning 

PcNverSean software, anything is possible! 

jt and mono software 
. our manipulation 
to 40QDPI 
256 grayscale (.AGA machine) 
8-brt colour (AGA machine) 
OCR optional extra 

COLOUR POWERSCAN £111 



HARD DRIVES 


We can supply SCSI or IDE 15"fl5" hand 
drives in many different sizes, including cables 
and installation software. 




BOMB IDE 2.5" 


£110 


13 M i IDE 1.5" 


£199 


1 7 G M B IDE I.I" 


£149 


1AGMS IDE 2.1" 


£3 19 


51QMB SCSI/IDE 


1149 


14 0MB SCSI'IDE 


£199 


IGOHR SCSISIDE 


£149 


5 4 0MB IDE ].!" 


£3 49 


OPTICAL DRIVE 


Power award winning QSMBopteal ditfc drw 




I11HB OPTICAL INT. 


£549 


118MB OPTICAL EXT. 


£449 


1 ! 1MB OPTICAL DISK 


£19 


SCSI CONTROLLER 


£119 


S Y O.U E S T DRIVE 


Removable storage systems from Syqufist. 




I.I" IDE INTERNAL 


£399 


I.I* IDE EXTERNAL 


£499 


I.I" 1 flSMB CART. 


£T9 


],5" SCSI VERSIONS 


£POA 


TANDEM CD- 


DE 




III 



For the Amiga 1 500/2000/3000/4000 

Supports Mrtsyma CD-ROM drive 

Supports Syquesl 3,5" drives 

Supports IDE hard dwes 

Play audio CD utility 

Requires Kickstart 2.04 and above 

Indkjdes cable, software and manual 

TANDEM CD-OE CARD £49 
CD-DE A I ZOO CARP £49 

CD-OE CARD, CD-ROM £119 
MITSUMA CD-ROM i I fc ¥ 



AWARD win n i tl t; PR DUCTS 
44a/b Stanley St. Bedford MK4I TRW 
ttiepbont 0134 2 7 3 D 
fatiimitt 13 4 3 5 2 2 7 



•» z*m njux Wfl Spsf [Men ru i>"t« n HtRO B flWfl wnnoj man, tl mkmiita re aduwteititd Pncn tit nM 
■ j'pU-fcilej-ortf c&Ct D*»7"»t<*rO J-Jinfiaifl Siu-rU, HClOcUra I* slt(H± » Hock mU** 




DISK EXPANDER 

Disk Expander includes trie following features; 

Can add 50% to your hard drive capacity 
Fast compression and decompression 
Reliabte in tests- no data corruption 
Works wrth all dnves. SCSI, IDE, Floppy, etc 
Works on an/ Arr+sp and any Kickstart 
Once installed the program is transparent to 
the user 



M EG AC H I P 





DISK EXPANDER £3$ 


FLOPPY EXPANDER £9.95 


VIDEO 


BACKUP 



Use a VCR as a backup device. 2DG floppy 
disks fit on to a 4Hr tape . Video Backup 
afbws you to watch tele^won on your 1084s 
monitor 

VIDEO BACKUP SCART £45 
VIDEO BACKUP PHONO £(0 

ACEE X MODEM 



NQTBT 
APPROVED 



9 




External Fax and Data modem 

Receive and ser*d faxes in the background 

Full Haynes AT command set supported 

Supports class 1 . 2, and 3 fax commands 

Fix send and receive 

Auto dial and auto answer 

Supports error correction and detection 

Leased fine support 

At! cables and manuals supplied 





ACCEX MODEM v libit 


£149 


ACCEX w3t TRAPFAX 


£199 


MISCELLANEOUS 




MIDI INTERFACE £ 


19.95 






VGA ADAPTOR 


£11 






PSU FOR HARD DRIVES £39 



Own** pint* lo faur Ccnyafri lid 



i 



Name 
Addrrii 




Increase your Amiga 500/2000 chip RAM to 4 
total of 2MB MegaChip does- this by using its 
own 1MB of RAM and (rawing extra memory 
from any other RAM you have rata ■■ 
yoir Amiga. No soldering is requ^ed 

MECACHIPRAM £159 

MEMORY 

We manufacture a vast range of memory 
cards for all the Amiga range of romp . 
Please telephone us for prices and availacubty, 

WARP ENGINE 

The high speed 040 board which ;- 
drectiy into the CPU slot, not a Zorro III slot 

WARP ENGINE ZSMHl £799 
WARP ENGINE 40MHifll99 

WORKBENCH 2.1 

Rde-ase 2. 1 enhancer, including 1 1 software 
and user guide manuals. 



Z. I ENHANCER 
ROM SHARE INC, 
1.04 ROM CHIP 



1.04 



£49 
C99 
£19 



PREMIER VISION 

YouVe heard how the Amiga ha made TV 
prof^immes possible such as Star Trek-TNG. 
Babylon 5 and Seaquest DSV We are the 
ulbmate multimedia service for corporate and 
business jte^s \ e r ange of 

services, including monthly events on mute 
media, design and install complete systems, 
training CO-FtOM mastenng and cupfraODn. 
Some of our clients include: CIC Video, 
Granada TV. Shell, National Trust MOD. 





CALL 


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ove Over, VistaPro. Make 
room, Scenery Animator. 
There's a new contender 
in the world-rendering ring, and it 
looks like il could pack a knockout 
punch. 

World Construction Set, from 
Qucstar Productions, combines 
traditional 3D rendering technolo- 
gies with a new "natural' ecosys- 
tem modelling technique to pro- 
duce dazzling, realistic landscape 
images. 

Word Construction Set uses a 
Geographic information System 
database to allow it to render much 
larger areas with a greater degree 
of detail than competing programs. 

It uses on-demand object load- 
ing to allow il to render large 
amounts of data without needing 
an incredible amount of memory. 

The company claims that you 
can render the entire US state of 
Colorado in 90-metre square 






"iLt 




m r 


]fy 





World building 



samples, 80 million polygons total, 
in BM6 of RAM. 

Given enough time to render, 
I his system would even allow you 
lo animate a continuous zoom out 
from a single forest clearing to a 
view ol the entire planet. 

WCS will render US Geological 
Service standard GEM files. 
(VistaPro DEM support is planned 
lor a coming update.} 

But WCS does more than just 
creale pretty pictures. It includes a 
layering system and a map module 
that allows you lo place vector 
objects, such a$ political bound- 
aries, roads, buildings, streams, 
and coastlines on your image; you 
can also label images. 

You can even load AutoCAD 
DXF vector objects and place them 
on your image. If you have a 
Summagraphics graphics tablet, it 
can be used with the mapping 
module. 

The algorithmic ecosystem map- 
ping prevents too-regufar-iookmg 
distributions of trees end plants, 
making for a more natural looking 



image, You can choose hetween 
water, bare, rook, conifer, decidu- 
ous, or grass ecosystems. 

Skies and backgrounds can be 
gradients, or you can use animated 
bitmap image backgrounds. 

WCS supports 24 -bit rendering 
at any resolulion and aspect 
ratio up to 32767 x 32767 pixels 
(memory permitting). Fractal recur- 
sion levels can be adjusted to 
speed rendering, and detailed 2D 
trees allow you to create realistic 
vegetation density without taking 
forever to render. 

The program also sports sophis- 
ticated animation features. 
Automatic turn-banking and looka- 
head features, as well as spline 
control of all motion parameters, 
allow you to easily create land- 
scape overflights. 

An interactive 3D wireframe lay- 
out display lets you preview and 
tweak your work; real -lime motion 
previews are supported as well. All 
spline parameters can be edited 
using a timeline motion graph, 

The program is multi-threaded. 




news 



So tfau want to credti 

a place that's perfect A 

hqw needs? Benny Rtkk 

discouers the only contends 



similar to Real 3D, so you can go 
on and do other work while creating 
images or animations. 

The user interface is gorgeous - 
it uses MUI (Magic User Interface), 
which you may have already seen 
used in programs like the AVM 
voice mail syslem. 

The program retails for S250. but 
until October 30 it is available direct 
tram the manufacturer for 5195. 

For more information, contact 
Que star Productions, 1Q5& WCR 
231/2, Brighton, Colorado 80601; 
phone (303) 659-4028. You can 
also e-mail wcsinfo@arcticus, burn- 
er, com. 



HSDC is historq! 

Yes, it's true, there's no more ASDG.. But don"l panic, the 
company hasn't closed, it's just changed its name for the 
better. 

Taking advantage of the success ol its Elastic Reality 
morphing program (a souped-up version ol Morph Plus for 
the PC, Mac, and SGI), ASDG has changed its name to 
Elastic Realily, Inc. Despite the name change and the 
success ol its non-Amiga products, the company has 
pledged lo continue lo support our favourite computer. 



DK8 relocates 

OKB, manufacturer of the MegaChip, Muttlslarl II 
and A4091 SCSI-2 controller, has moved to new 
quarters. Now that the move is over, the company is 
turd at work on Its new Talon graphics card. 

The new address to contact the company is: DKB, 
P.O. Box 433. Wixom, Michigan 48393 The new tech- 
mcjtl support number is . (A 10) 348-3755, and the com- 
pany can now be taxed on (810) 348-3531 . 



Uideo super 
companq 

Some of the most creative forces in desk- 
top video have now joined forces, Digital 
Creations, creators of Brilliance. DCTV, 
and the SuperGen; Progressive Image 
Technology, creator of peripherals for PCs 
and Macs, and Play, formed by a group of 
renegade former NewTek employees, 
have merged into one large company 
which will be known as Play Incorporated. 

The President ol ihe company will be 
former NewTek VP Paul Montgomery, as 
well as Kiki Stockhammer, video-savvy 
spokesperson and dream date of many an 
Amiga nut. Digital Creations' John Borteri 
will serve as CEO. 

Although two-thirds of the new company 
is made up of ex-Am igans, tha initial prod- 
ucts will be for the IBM-compatible 
platform. 



Top tip 



It's not a new product, but it's news from a US company 
thai will be welcome to folks who bought Digits 
Creal ions' Brilliance 2.0 and found that it won 'I work 
properly in a system wilh a Picasso II installed. 

To make il work, you jusl need to add a few Tool 
Types to the program icons, using the Workbench 
Icons/Informal ion menu item. 

For Brilliance, add these tooltypes: 

SCREEN.DEPTH=5 

SCREEN HEIGHT=2QQ 

SCREEN. WIDTH =320 

SC RE E N ,OVE RSC AN=Text 

SCREEN. MODEld=0x0001 1000 

For the 24-bit TrueBrilliance version; 

SCREEN.DEPTH=6 

SCREEN. HE1GHT=2O0 

SCREEN .WrDTH-320 

SCRE E N , O VERSCA N=Text 

SCREE N.MODEID=0* 5001 1800 



D 



Amiga Computing 



NOVEMBER 1994 



DEBt 

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■ ■I VHS aflfi S-YK5 twlae m>*U fm cnsp 
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EDITORIAL 



MD 



trending shows is part and parcel of 

almost any consumer magazine. As 

you'd expect such gatherings gener- 

iiow the same formal - kiss hands, 

f-.'f cac-res, chsM-up go&sip hassle for 

products and so on. 

MWt this in mind, I packed a bag and hea- 
dad off to Florida to aliended the world's 
biggest computer graphics extravaganza, 
namety Eiggraph 94. Equipped with Ihe siiflesi 
Of strtf upper lips, I battled through glorious 
sunshine and on to Ihe show. 

Alter the ubiquitous trip to Ihe press office, it 
was bme to hit the glands and slip into show 
mode. However, it was at this point that the 
usual format went oul ihe window. Within min- 
jtes I found myself answering rather than ask- 
ng the questions. 

Even the biggest guns on the American 
Amiga scene were desperate for all and any 
news. Jusl prior lo ihe event the Management 
buy-out rumour had hit. Now everyone previ- 
ously secure in the knowledge lhat Samsung, 
Hewlett Packard or Superman would save the 
day were back lo square one. 

Obviously being one of the few limeys in 'the 
attendance f was an obvious target, but unfor- 
tunately I was as much in the- dark as every- 
body else. After explaining as much, the con- 
versation invariably turned lo research and 
development. Would they continue to support 
ihe Amiga? 

Amazingly enough ihe vast majority had no 
hesitation in saying ye$ - providing Ihe new 
>ook Commodore could gel its acl togelher! To 
be honest, I fully expected the vast majority to 
say enough's enough, we're packing up and 
moving qn lo Ihe PC or Macintosh, 

Obviously, even the biggest names wouldn't 
fed il easy (o change direction al ihe drop of 
the hat, but it was the underlying willingness lo 
stay with the machine that took me by sur- 
prise. The will ts there, and so is Ihe demand 
(or machines, but as it stands there's simply no 
more high-end Amigas left lo buy - both home 
and abroad. 

According to gossip,, production ol A.4Q00S 
won't start until November at ihe eartiesl - 
assuming Ihe corporate capers are sorted out. 
And as far as R&D on new machines is con- 
cerned. God only knows. However there is a 
ten glimmer of hope. 

Although there's been no official announce- 
mens, ii appears thai Commodore have dou- 
bled ihe wages of Ihe engineering department 



The R[ team 



H question 

of confidence 




pjyru^ 



Rs time runs out all eyes luoh to turope. Ihe Question is can fllr 
Pleasame la. repair the damage inflicted by months of Indecision 



at West Chesler R8D research facility, no 
doubt in an attempt to keep the remaining staff 
until the long-awaited announcement is made. 

For those waiting lor the mythical A5000 
with its Rise based CPU and Windows NT 
compatibility, I suspect rfs going lo be a long 
wait. However, one of the high points ot the 
show was Ihe first official look at the Raptor II 
and Raptor Plus rendering engines. 

Both units use Rise technology to bring 
workstation performance to the Amiga - in 
particularly lighlwave. 

Each uses Elhemet connection to link direct 
to the Amiga while operating under Windows 
NTasthebasicOS. 

SAVIOUR 

This move towards compatibility between 
formats could well prove the saviour of Ihe 
Amiga as the premier ^ideographic desktop 
platform. Another massive announcement at 
the show was the launch of Lighlwave on both 
PC and SGI formats. 

Although seen as yel another nail in the 
Amiga coffin by some, I feet il can only help 
the cause In Ihe long-term. If NewTek want to 
maintain and develop a loot-hold in bolh the 
PC and SGI markets they'll have to work hard 
in the F&D department - the fruits of which will 
also be applied to the Amiga version. 

OK, the PC market may be massive but it's 
ihe Amiga that dominates the video market. 
quite simply because the PC is useless for 



videography. They don't like, nor understand 

video, and to teach them costs an absolute 
fortune in additional hardware. 

They may be last, but will that really 
inspire videographers lo trade their existing 
Amiga systems, especially when they could 
out render an SGI for a fraction of the price 
by simply adding a Raptor to their existing kiL 

Basically, the only thing lhat will kill the 
Amiga off is Commodore, The willingness lo 
develop and buy the machine is there, All 
they have to do is get in gear before it's too 
late. 

If this farcical situation isn't sorted out soon 
many developers will be forced to look else- 
where, whether they want to or not 

The future of the Amiga hinges on one key 
factor. If the new look Commodore can't get 
Ihe range back in manufacture before 
Christmas it looks very grim. 

Fortunately the likelihood of the 
Commodore bid being accepted seems more 
and more certain. According to a reliable 
source, a manufacturing deal is already in 
place to start production of the entire range in 
mainland China, while R&D will remain al 
West Chester. 

Lets hope the red tape is kepi to a mini- 
mum and ihe announcement made so we 
can ail get back to business. 

t'tmlAuMin 

Editor 



EDITOR 


Paul Autfo 


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St*re Whit* 


ART EDITORS 


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CIRCULATION DIRECTOR David Wrai 

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DISTRIBUTION COHAG JAB95 | <M«5i 

SUBSCRIPTION US I -1ST H 1 1 



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July.DK IW3 

Published by Euronrea Pubkrjuin Ltd 

Europa Home, Adlneten Park. 

MacdesneWSKHHNP 

Tcl'JUigraSH 

Fu C«S«K5i 



Amiga Computing 



NOVEMBER 1994 



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For sii years Amiga CeropurJnf lui been die leading 
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THE MICRO ADVENTURES OF... 








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THE $££NE f THE Pt3tS HAD 

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X-Backup Pro is the most 
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The SOUNDBLASTER is a 1 watt stereo amplifier that 
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• Optimise,, formats, repairs, verifies, 

• Includes the AIJTOSWITCH CYCLONE 
cartridge- Simply plugs in Id the external disc drive 
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FULL MONEY BACK GUARANTEE. 

If you can find a more powerful disc backup utility, we 
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Deluxe disc drives 

Whisper quiet- Slimline design, Suits any Amiga. Coclino, 
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Sony/Citizen drive mechanism. On/Oft switch and 
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Governmeni. hrsutaiiDn and PLC oro^rs welcome. 

AM prices include VAT si me curreni rate Postage ar»d packing will 

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Please note that 5 working days musi be allowed for cheque 

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Wilton House, 
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Frontier Innovations Pack 



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Batman Returns 
Wordwonh AG A 
Print Manager 
Personal Pa5nt V4 
Day by Day 
Total Carnage 
Brian the Lion 
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Hard Drive Options 



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1 20 Mb Hard Drive P^dc £519.99 1 70 Mb Hard Drive Pack £579.99 

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Dazy* Crystal Kingdom £18.45 
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ACT English 12- 13 £16.54 

A£M French 12-11 £19.89 

ATM French GCSE 14-16 £ I 1 .95 
AEH)u™urC«x«*mg«-7 £1234 
ACH French GCSE 14-16 £1 L95 



Real 3D V2 £295.99 
Aaen Breed II £16.69 
HkkeysJ2J L\i.2S 
Cool Spot £9.85 

Canrwroddv £17 JO 
Dune I £9.2 

Sim Life £11 87 




Price IDE Intb*nal Hard Drives 



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Take Two. Animation package is 3 must for computer artists and enthusiasts Of alt ages 
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GRAPHICS 



■h 






Bargain 



fuer wished you could create professional 

presentations without spending a fortune 

on the software ? Qareth lofthouse finds 

out if Pro-fills offers a solution. 



o 



ne idea behind Pro-fills is very sim- 
ple, ll offers a range of attractive pat- 
terns and textures mat can be used 
video and desktop presentations, 
gn«8 the user ihe opportunity le design 
own backdrops. Not loo interesting in 
perhaps, but used with other utilities it 
scope for some impressive affects. 



first bit ol good news is that you don't 
a super-fast Amiga to use the package. 

i range of Amiga resolutions is available 
i-ir^rig trom low to high) allowing Ihe user to 
Mw an option thai suits their needs and 
re speed of their machine. 

= mlarly. there is a choice between eight 
and 16 colour palettes, a useful point since 
r* Amiga will move images with an eight 
:: zj? palette more quickly than with the 

^jcfcily for European users, this American 
package can be configured for PAL as well as 
MTSL Another basic but important, point is 
fftal it comes with an option to install and 
sssjgn the program into a hard-drive. 

When booted, the user is presented with a 
arab but functional contra! menu from which to 
generals and. save an impressive range of 
racKdrops quickly and easily, 

There is also support for overscan in a 
number of settings, an important addition if 
the owner wants to use Pro-fills for video 
applications , 

The quality of the backgrounds fe generally 
ot a good standard with some detailed shad- 
ing, and with three disks to choose from there 
should be more than enough choice for most 
jsers, 

Patterns range from simple brick tiles and 
.-.eaves to sandstone or wood-like effects, all 
Boasting fully interchangeable palettes, This is 
one reason why, with a bit of experimentation, 
ft becomes clear that the simple control bo« 
oelies the package's versatility. In (act, the 



How does it work 



Compared to some other programs 
designed to create backgrounds. Pro- 
fill uses only a tiny amount of memory. 
Trw reason behind this is that the pat- 
terns are composed of small brushes, 
each of which only lakes 1 -3K. 

These brushes can be seamlessly 
tiled together, allowing entire screens 
to be generated in arty resolution with- 
out making large demands on hard- 
drive space. 



backdrops 



distributors claim that Ihe Pro-fills package 
can generate 34,625 backgrounds at a maxi- 
mum resolution of 10.240 by 10,240. 

Having said this, other packages offer back- 
drops that are more visually impressive. 
However, ihese tend to use up huge chunks 
of memory while at ihe same time costing a 
great deal more. 

The point about Pro-fills by comparison is 
that each backdrop brush takes only a mini- 
mal amount of memory. Furthermore, the pro- 
gram gives an estimation of the memory that a 
new backdrop will use, which is another small 
but well considered touch. 

Of course, the possibilities offered by Pro- 
tills come to life when it is used in conjunction 
with other utilities. Pro-fills is particularly good 
value because you can use it with packages 
like Deluxe-paint, Brilliance and Scata to cre- 
ate customised effects, 

For instance, you can generate your own 
brushes in D-Paini, though you may have to 
adjust your palette - taking care you leave 
enough colours lor your text and logos. 

For people who own presentation soft- 
ware like Scala or MediaPoint. Pr 
tills could make a very useful 
accessory, Purchasers should 
be able lo use the package to 
good elf act for all kinds of 
multimedia and video appli- 
cations. Amkjas are already 
being widely used for rnuHi- 



♦ ♦♦♦♦♦♦ 
»*♦♦♦♦#♦ 

♦ + ♦*♦♦♦ 

»#♦♦♦♦♦♦ 

+ « + * + + 
*♦♦♦♦♦♦ 

♦ ♦ ♦ ♦ 

4 



The CiinlrQl BOH; 

It doesn't vxactiy 

tilt r ou with 

excitement, rfoci 

II? surf, ail the 

•tznnfJ*Ja ere 

rJiere in an aaty- 

ta-umm interlace 





media and presentation purposes, so there 
should be a high level of demand for a pack- 
age that can deliver the goods at a bargain 
price. 

Considering Ihe minimal amount of mem- 
ory required, the range of possibilities are 
surprisingly good. What's more, il makes 
attractrve presentations available to owners 
of Amigas both old and new. 

rffl a humble package that doesn't offer the 
flashy effects available with other, more 
expensive utilities, but il does its job well 
because its makers have been thoughtful in 
its implementation 

Used imaginatively. Pro-fills could be 
invaluable when it comes to presention. 
Mediascape deserve! credit for coming up 
with a modest but capable little package. 
Highly recommended. A>f 



The bottom line 



Here we fntt brick, weave and 

JieidgenaJ tlf-iqnf.. juxt ,t few 
backdrop* 

chain from the 

wide runs* vf 

op \ ions. 

you own pie* 

different 

paleM** loo, 

rjiougn yovr 

choice at colour 

gcheirw mdy 

be less gerish 

tttmn ours 



Amiga Computing 



NOVEMBER 1994 




Product: Pro-fills. 

Supplier: Meridian Software, 

Price; Approx. £47.96 per volume. 

Tel: 0533 863501 



Ease of use 
Implementation 
Value for money 
Overall 



8 

a 

9 

9 



E 



ALL WORK AND ALL PLAY 




THE TWO-IN-ONE MONITOR 
FROM MICROVITEC 



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Designed and built to exacting standards for 



assured reliability and quality by Microvitec, 
die UK's leading monitor manufacturer, 
features include: 

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aif- 



De-archiuing applications - UJarhbench 2.D and aboue getting 



boot (rom your CoverDisk when de- 

;appliCfltions. The installer pro- 

grv>s can be located via the install icon 

- the appropriate name in ihe 

|w6_2A3_Ortly drawer, 

de-archiving procedure has been 

— -:* 1 improved and now combines the 

;•:*€' of the official Commodore installer 

bogram with thai of Workbench 2.0 and 3.0 

The installer program is designed to be 

[powerful yet simple lor tho beginner and 

features a user-friendly interface allowing 

ton to de-archive programs with a minimum 

mount of fuss. The installer programs for 

Workbench 2 and 3 users can be located via 

ne icons named; 



Don't forgot 

to Insert a 

blank dp*k at 


hlMlri 11 Hlii IpwJ":'^ 

rim » mm [iSBl '■ « 1 


Me prompt 




and buf ore 




pressing. 

Proceetf 


»thiI 1 H I"lnl 








■111 ■* m -■* Lwiulrilfw Pp.m 1 

mil U. >.-.«( tirnlpV 


any 

cornmrfj*da 
tlwt n«rd '" 






b* aiM*et Co 






rcw IfM* 






Startup e*n 






be done with 


f!ttHt_,. 1 


ll.p MbM 


fhe pre** if 




■art lHtn> 









i The Files drawer con- 
tains all the utilities 

j set up so that you 
can use them from 
the CoverDisk. A 
Games drawer is also 
provided so that you 
can play these imme- 
diately. If you want to 
install the games 
make sure you copy 
all the necessary files 
across as listed in the 
CoverDisk pages. 




star 






Ini t0l 1 1 prngraa na«] 



[nitaUPFN 



To run, simply double click on the icon 
which will load up the installer program. 

Using the installer 

Ignore the bullons thai appear when the 
nstatler program boots up and simply dick 
on the Proceed button. The program will 
then copy the necessary files to RAM. 

Once this has finished il will inform you 
tnat it is about lo format a disk in DFO. Click 



jTllcSw 1" H" I'pillh Hilt"" IPlilllUii* 
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on Proceed, at which point you will be told 
lo insert a blank disk ready for formatting, 

Once you have clicked on Proceed, the 
installer will indicate thai it is formatting the 
disk in DFO, When this has finished, dick 
on Proceed again to start the de-archiving 
procedure. When the application has been 
de-archived you will be told where the de- 
archived files are. Click once again on 
Proceed to finish. 

If at any time you are unsure as lo 
whether you want to continue installing, you 
can click on Ihe Abort install button. 

Occasionally, utilities may need to add 
instructions to your User-Startup tils located 
in Ihe S directory so that Ihey will function 
correctly. If you want to add the inslruc- 
tions, click on Proceed when prompted. 



The Amiga (ampitttng fouerSisk is 

designed to tie as simple to use as 

possible. Fallow these instructions and 

mull be up and running in no time! 




rh* Workbench 

2.0 iind J.O 
installer icon 



Don't warty about tint inztailtr option*. 
Simply cfic* en the Proceed birflo/t 



DG-arr-hiuing applications - 
UJarhbench 1.5 



Always boot from your CoverDisk when de-archiving 

applications. The installer programs can be located via 
Ihe install icon with the appropriate name in the 
WB_1.3_0nly drawer. 



eg: 



Jnsta.LlprtgrJI fllitlJ.J 



UtUllr'HU, 



When you load up the 1 .3 installer the program will first 
prepare itself ready to de-archive the program to a 






After 

m*mriing a 

blank disk 

preas y to 
cpnfin uc or 
"it" fo abort 






blank disk(s). You will then be asked to insert a disk to 
be formatted into DFO and either press y lo contirtue or 
n to abort. 

Provided you answer y, the disk you insert will be 
lormatled and ihe application de-archived. 

Installing utilities 

You should first nun the MakeUtili1iesDisk_1 3 to format 

a blank disk called AC Utilities which will be used to 
store any utilities you eventually install, 

This disk can be used with fulure CoverDisk utilities 
until il becomes full- The MakeUtilitiesDiskl.3 program 
wili be a permanent feature of Ihe CoverDisk. 

To install any utilities, boot your machine with your 
CoverDisk inserted in DFO. Utilities can be installed by 
clicking on their install icon found in the appropriate 
drawer in Ihe WB_1.3_Only drawer, You cannot specify 
their destination and any additions to the Startup- 
Sequence must be done manually, 

When installed the utilities are copied to a drawer 
called ACUtils on the AC Utilities disk. 



T 



We have new managed to fix the prob- 
lem with AmigaDOS displaying a disk 
is write protected" requester wh> 
write -enabled disk is inserted Just 
make sure you insert a blank disk 
when the installer programs tell you - 
and not before or alter. 



Installing utilities 

The procedure lor installing utilities ts much 
the same as installing applications, except 
that you can boot from your hard dnve or 
Workbench disk. As utilities don 'l need to be 
de-archived, you are asked to specify a 
directory on your hard drive or Workbench 
disk where you would like to install them. 

If you don't want to install to the default 
directory you can change it by clicking on 
Change Destination. The Show Drives but- 
ton will allow you lo select a new device and 
directory. You can create a new drawer for 
your utility to go in by clicking on Ihe Make 
New Drawer button and typing in the name. 

You can also make a utilities disk by run- 
ning the MakeUlililJesDiskl ,3 program locat- 
ed in the WB .1 ,3_only drawer and installing 
your utilities to here. Al times you may be 
asked if you want lo install a utility's docu- 
mentation, A tick box indicates that the docu- 
mentation is selected for inclusion, but you 
can click on the box to ignore it or simply 
click on the Skip This Part button. 

The utility installer programs can be found 
m the appropriate program drawer in the 
WB_2&3 Only drawer. 



Ynu can 

naalty install 

dwunwnd attd 

create new 

d™«f*r thank* 

re trie inrtmtlar* 

uamr-ttisntHy 

tntvrhice 



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Amiga Computing 



NOVEMBER 1994 



E 



II 



COVER DISK 





Fnjotf our emlusiue — r 

preview of what ^ 

promises to he the — i 

most feature-packed 



and user- friendly tent — 
editor on ths Rmiga — 



Giue qour tent 
the Edge 



ffdga i.o i* m 

vmry powerful 

ft*! editor 

whrcri 4S totally 

and faarure- 





i ii ,. 



ext editors have always been pop- 
ular with Amiga owners who want 
lo dabble with ARexx, Amiga DOS 
and other such scrupling languages and 
the most popular program has always, 
been Cyonus Ed. 

IWOVAtronics, creators of the exceJtenl 
Directory OPus, truly believe thai Edge 2.0 
has Cygnus Ed on the ropes and as an 
indication of their confidence! they are sup- 
plying you with an exclusive sneak pre- 
view of the package with limited 
restrictions. 

Before we start, (he limitations are ll 
text files are restricted to 32k {large for a j 
text tile), the new Toolbar feature is dis- 
abled, the configuration cannot be saved 
and there is a three-month timer that will I 
disablE Edge 2.0 after December 15th 







1*H 


\COGC SM 










'i-t nil rjir huni I 


'hflrtfyn'iiaiwiiHWOLo 


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flow you can ream let 

(four Rmiga do the work 

with our euclusiue look 

at Premiere l/ision's 

meiient Batch Factory 



eleome to Batch Factory, a mas- 
I irjr control program that will 

allow you to perform certain 
functions on multiple files while you get 
on with something else. 

Batch Factory uses ARexx to perform 
its functions, but don't worry, Merlin's 
Software have kindly supplied several 
pro-written scripts which you can use 
with various applications including 
ImageFX. ADPro and even AmigaDOS. 
The full package contains many more 




Bare* 

Factory 

.iJJfl w; you 

ro perform 

proamfiinrf 

tunc tiotih 

Dn rmiitiplr 
fitcm r giving 
Ifott time lo 
'U't on with 
samrlhintf 



pre-defined scripts. 

When you first load Batch Factory you 
will be presented with the main screen 
from which all actions take place. The 
source window is situated at the top-left 
of the screen and it is here thai you 
select the directory which contains the 
files you want to work on, 

When you have clicked on an 
appropriate device the files contained 
therein will be displayed in the 
directory window, just below the source 
window. 

From here you can select the files you 
want to work simply oy clicking on 
them. To indicate which ones have 
been selected. Batch Factory will display 
your chosen tiles in the file list window, 
the large area in the middle of the 
screen. 

Now that you have chosen the file you 
wisn to work on, you can select an 
ARexx script to work on the files. 

Click and hold the right mouse button 
and select Select a Script from the Select 
Script menu. You will then be asked it 
you want to perform Single scripts or 
Multiple scripts. Multiple allows you to 



Amiga Computing 

NOVEMBER 19H4 



COVERDiSK 



Hh 



grving you plenty of time to make up your 
mind to upgrade. 

Let's take a look at the many features of 
your demonstration version ol Edge 2.0. 
When the program toads you will be pre- 
sented with the main editing window. At Ihe 
ooltom of this window are several impor- 
tant variables - line number, column num- 
ber, I for insert tax! mode or O lor over- 
e typing mode, K if the keypad Is 
active, the decimal ASCII value of the char- 
acter under Ihe cursor, the number of lines, 
file size in bytes, number of changes, page 
number and page line number. 

Most ol Edge's menus are self explana- 
iiut you also have plenly of control 
over how Edge 2.0 looks, feels and works 
via the Settings menu, Click and hold down 
ihe right mouse button and select Sellings 
from the top of ihe screen. Move down to 
Local and release the button. 

You will be provided with the 
ConflgEdge window along with several 
preference topics. Ii is clearly obvious what 
'nese topics do but they also make up an 
important element in Edge's power. 

That is, to be able to customise the pro- 
gram to your own needs. Obviously you 
can'l save the configuration file but any 
changes you make will remain while the 
program is nunning. 

As we will be explaining Edge in much 
more detail next month we will cover ihe 
basic concepts of the program, including 
basic menu options this month. 

Looking at Ihe first menu - Project - the 
first three options read Clear, Open and 



Include. Clear will erase the current text 
from the page, Open will allow you to load 
up a text file no larger than 32k and Include 
will allow you to insen a chosen lexl file at 
the cursor position on the present editing 
window, The Save, Save As, Print and 
Print As all allow you to direct your test file 
to either a disk or printer. The Windows 
menu allows you to alter the way in which 
the text editing windows are displayed. All 
text editing lakes piece in a window. 

Edit is where you can basically cut. copy 
and pasta selected text If you double-click 
the left mouse button over a character in 
your text file ihe cursor turns black. 

If you click Ihe button again, but this hme 
hold it down and drag the mouse pointer, 
you will notice thai the texl between the 
pointer and the initial cursor position is 
highlighted in white. The highlighted sec- 
tion of text is referred to as a block. This 
means that you can cut. copy and paste 
large sections of text in one go. 

In accordance with all the best text edi- 
tors, Edge 2.0 supplies a comprehensive 
find and replace function appropriately 
enough in the Find/Replace window. This 
means thai you can search for specific cri- 
teria and replace any occurrences with 
something else. 

This is very useful for mailing lists or as 
a mail- merge faclity, Another very useful 
addition to the Find/Replace menu is the 
Block lo Find Buffer and Block to Replace 
Buffer. This allows you to select text, as 
explained above and copy it into eilher the 
find buffer or replace buffer, II you have 



loading 
Edge E.0 

To install Edge 2.0 
boot your Amiga 
with CoverDisk 1 

and then click on 
Ihe Edge2.0 icon. 

This will decom- 
press Edge 2,0 lo a 
fresh disk which you 

should have ready 
fo Insert when 
prompted. 



Canwm* MjTiMf-swnwi Iwn 




unwanted characters in your text that are 
not alphabetical or numerical characters 

you can simply select them and copy them 
into the appropriate buffer rather thai work- 
ing round the keyboard trying to find out 
what key combination produces them. 

Definitely a powerful addition to Edge's 
arsenal is its Macro facility We will be 
explaining Macros in the nexl tutorial but 
basically they allow you lo record a series 
of activated events which can then be 
replayed at a later date. 

For example, you may wani to change a 
text file and apply this change over all 
future Mes. You would Macro record the 
changes using the original file and I hen 
replay the Macro on all the other files. 

With the basic functions explained you 
should be fairly confident with Edge. There 
are many more exciting features to Edge 
2.0 and we'll have more on these next 
month. 



na 



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iidu .nil 



! _£Ji: hidrr <jitr 

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"J | at ruin- n*p 

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£Hq* 2.0 
alhwi you to 

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maktt Ed?* 
a mora pmr- 
ional p<*c« 

of lofti-. ,ire 



choose several script files which 
sill be run on the files you selected 
one after the other. Single indicates 
■hat you want to select only a 
»mgle ARoxx script. Select Single for 
raw. 

Ofice you have selected Single a file 

requester will appear asking you to 

select a script. Click on the directory 

abellcd amiga and then on 

AMIGA COPY FILES. 

Batch Factory will inform you Of the 
ARexx script you have chosen, at which 
point you can click on Process. 

The program will attempt to perform 
the operation you have selected 
on ihe files you selected, and if all goes 
well a file requester will appear 
asking you where you want to copy the 

■eta, 

Click on OK lo select RAM. at which 
ptwvl Batch Factory will run through Ihe 
processing until it has finished, at which 
port you will be notified. 

As this is a demo version of Batch 
Factory you will be limited to 15 files in 

ir batch. Now you know how to batch 

rs logelher and work on them, let s 




You can perform xmale Acti 
multiple actions on bntettrw uxing 
B.Hcri Fnclnry \v\ll da all tttv teat 



take another look at Ihe display. 

The Load and Save buttons allow you 
to load and save previously defined 
batches. However, as this is a demon- 
stration of Batch Factory these facilities 
have been removed. 

View will allow you to show a picture 
or read a text file. Simply select the file 
you want to view or read in the File List 
window and click on View. 

Delete will remove the selected file 
from the File List window and Clear wilt 
clear the entire File List. 

The Render and Loop buttons 
require more extensive explanation 
so we will be covering this in the 
nexl issue of Amiga Computing. Have 
fun! 



loading Batch Factum 

nstali Batch Factory boot your Amiga with CeverDisk 1 

i click on the BatchFactory icon, This will decompress B 
ory to a Iresh dish which you should have ready to insert d_ 
npted, 



Complete this coupon and return it lo: 

Premier Vision, The Foundry, 156 Blackfriara Road, 

London SE1 SEN 

You can order by card on: 

Tel: 071-721 7050 
Fax: 071-721 7W9 



'lease send me Batch Factory (Ihe full product) ail £39,95 

:ard No. Expiry date 



Cheque/Postal Order payabte to Premier Vision 

Name (Mr/Mrs/Miss/Ms) 

Address ,.,.., 

Postcode 



Amiga Computing 
NO VI MHER t9S I 



Take your Amiga Multimedia System to Warp Speed 

with the WarpEiigine4040 running a Motorola 68040 

at 80/40MHz for over 30 MIPS of Workstation 

ormance! 



Dramnliciilh Increase Speed Tor 5l> Rendering, Modeling and Layout. 
Reduces Screen redraw times for Graphic Design and DTP. 



■asi is I he \\u\ 



Ki'mliTinq the Texture example included A400O/»4O-25MHz 
with Lightwave: A400OWarp-40MHs 

A40(HIWurp-28Mllz 
Distorted using 2JGig Barracuda Drive: Ke;id from file 9 Mbytes/sec 



Coming Soon; 
The tmpulsEngine™ is a 50MHz Accelerator 

that can more than double the speed of an 

Vmiga3000 and add up to 64 Megabytes of 

Local 030 Burst Memory™ 



2 minutes, HI seconds 
Under a minute 
1 minute, 22 seconds 
CPU Available: tt4% 



- Approximately 3 Times Faster' 
• 2 Times Faster 

- up to 9 Times Faster! 



Tlu 40MHz and 33M!lz versions include the it'll) Processor, lour SIMM sockets and the NCR SCSI-2 hist HardUnve Controller. 

It is more cost effective to install a WarpEngine 4028 Accelerator if you have an Amiga 4000/040 than to buy a HardDrive con- 
troller memory board or one of each which will take up expansion slots and won't accelerate your Amiga f Ram speed is actually slow* 
erL This will double your Rendering Speed! 

The WarpEngme™ uses four standard 72 pin SIMMs and allows the use of lip to four different size SIMMs at the same 
b"me(4,8, 16,32MB SIMMs), CVP only has two SIMM sockets onboard and uses much more expensive (up to 1.5 times as much as 
WarpEngine SIMMs) custom SIMM modules (only 4 or 16MB SIMMs can be used but not at the same time) which are only available 

from GVR 

The NCR SCSI-2 K;sst :J2T3it DMA Ikis Master Processor makes it the Fastest Hardthiiv ContraUer avalktbie for the Amiga! It 
provides up to LOMB/s Transfers with 90 l<> 98% of the 68040 CPU Processing Power left available in your applications. All 
WarpEngines include the SCSI-2 HardDrtve controller and 128MB of Ram Expansion, unlike GW which SCSI module and optional 
Ram expansion module which are still not available! 

All WarpEngines are fully upgradable to 40MHz! 



Features 

m/. UptfraJal ''Mlly 

■iih J to 128M< 

ast Hard Disk Controller 

[MM Modules 
ii of SIMMs 

II sl< it 



WiiipK limine 

YKS 

YES 



GVP-040740 
NO 


X-Calihur 

Mi 


Fast Lane 

NO 


4091 

NO 


NO 




NO 


NO 






YES 


NO 
YES 


NO 


NO 


YES 



HKP.:nii.s 



than Amiga Ham 



ileitis 




MacraSystem De 



24282 Lynwood, Suite 201 • Novt, Ml 48374- Phone (810) 347-3332 • Fax (810) 347-6643 




Complete Acceleration Solutions for the Amiga A4000 and A3000 Systems. The 
WarpEngine™ provides the Highest Speed 040 Acceleration available with up to 128 
Megabytes of Local 040 Burst Memory™ and the Fastest SCSI-2 HardDrive Controller 
Available! All of this WITHOUT usinc a single Zorro III Slot! 



ig0± 















The WarpEngine™ can 

also be upgraded to use 

the 060 in the future! 



We have equipped half of our Toaster Systems with 40MH/ WurpEngines 
and have seen our rendering limes ii'iplo in throughpul speed. 
Now we ure going to install 40MH/ Warn En dues in the ivsi of our 
Toaster Systems. 

l.ee Wilson 

Visual Effects Supervisor 

RoboCop: The Series 



The Ideal Solution far anyone deal- 
ing with digital Video or Audio Post 
Production. Recommended far use 
with the DPS Par card, VLab Motion 
and the Sunrise AD51B 



Works in id I JOW), Jind 4IKHI strips 

* liigiis. 

II Two Year Warranty on Hoard 




WiirpKiigint? 404(1 
\Varpl\ngim' 3040 £ 1 199.IMH KKP) 

WarpKngine 4033 

WarpEngine 3033 t 9W.MKRRP) 

WarpEngine 402H w/CPU£ 799.0(I|RRP| 

lgim"4Q28 £ SWMKtiKRPl 

All Prices include VAT 



COVERDISK 



-SW i V 



£jr'UMJw 



fw*»f ra ff» pmW «rd brum 
ri^r&rr \n tjfat tUTakutf} AJjA g\'o/y 



<$: 



m 



lop Gear 

Put the pedal to the metal in — 

this gripping and emlusiue — 

81SBB raw game frnm race — 

supremos, Gremlin Graphics — 



-o 






op Gear 2 is the latest race game 
from Gremlin Graphics and utilises 
(he Full power of the A12QQ 
machine, Including speed and graphics. 

Gremlin have kindly suppliad us with an 
exclusive demo of the game in which you 
and a friend can race around ore of the 64 
different race Backs in true split-screen fash- 
ion. Strap yourselves in "cause here we go, 

When Top Gear 2 has loaded you will be 
presented with ihe main options screen. 
From here you can select the amount of 
players, one Or two and select your driving 
preferences via Options or Race Game 
where youll actually compete over the pro- 
vided circuil, 

Once you have chosen Ihe amount of 
players, select Options and you will be aWa> 
to alter certain parameters regarding how 
the game plays. 

There is no sound In this demo bul you 
can bump up Ihe skill levels of the olher dri- 
vers, making the challenge harder. 

With the correct players and options set, 
select Race Game in order to make your 
way to the grid. The nexl screen will allow 
you to enter names for players, change the 
gear controls between manual and automat- 
ic and choose between MPH or KPH tor the 
speed indicator and race. 

With your preferences chosen, click on 
Race and you will be shown Ihe course infor- 
malion. This particular course is a qualifier 
over Auckland, Australasia. 

All Ihe information you will need in order to 
prepare for the race is present, including 






Top Q*ar 2 

Maeotum 

Binlu%ivm prm- 

vimw of Qntnlin 

Hi— llflll' thrift* 

and wills racer 

at thm **m* 



► Pfflhn 

OPTIONS 

CONTINUE 

PACE GflME 



Running lop Gear 2 

Inse rl the Top Gear 2 CoverDisk demo info your A1200 
re-boot the machine. After a short while the game will lo. 
at which point you will be presented with the oplio 
screen. Couldn't be simpler than that now. could it ■ 



In Ihe lull gmmm you can 
mm yourself caatt by 
winninp rrco*. Th» men 
c.-txfr yav make the more 
you can Impntrm your 
vehicle 



Speed 
demom 



track length, taps, weather conditions 
and time allowed. Click the fire button to 
continue. 

The final screen before the race begins 
(phew!) Is the hardware shop where you can 
buy improved car components with the 
money won from races. 

This facility is nol available in l his demo 
bul makes the full version even more tanta- 
lising, Click the fire button once more lo 
race. 

Before we begin raring let's take a look 
around Ihe racing display. Press tha Help 
key to pause the game. At the lop left area 
of the screen is ihe speedometer and below 
that the currently selected gear. Car dam- 
age is indicated on the car icon lo ihe left of 



the screen and Ihe amount of fuel remain- 
ing i$ shown below mat. 

To the right of the screen you can 
see the timer counting up, a miniature mac 
of the irack, along with the 1st and 2n 
place positions, the amount of laps reman 
ing and finally your current position in the] 
pack. 

Once you arg familiar with Ihe display 
press the Help key again and at the end of 
ihe countdown press thai fire button lo 
accelerate, making sure to keep on the 
(rack. 

As you pass other cars your new pos 
will be indicated above your car and your 
ct>- pi lot will shout out his or her approval 
with some appropriate and witty remark 



Once you have the hang of controlling trie car you may 
wan I to know about its nitro ability. Press the Space bar 
and Ihe nitro will switch on, indicated by the flames coming 
from the exhausts. 

This wilt greatly improve your speed but only for a limi- 
ted amouni of time. Be warned, you only have a limited 
amount of nttros and they bum luel rapidly so use them 
cautiously. 

Also, make sure you employ Ihe nitro al the correct 
times. If you're haring up the track at 140KPH and then 
decide to switch in the nilro you may find yourself desper- 
ately trying to steer round a bend you hadn't noticed. If you 
sfchj the <&f you're looking at a lot of damage. Familiarise 
yourself with the track and Ihen lei loose. If you have a two- 



player game you can attempt to drive your opponent off the 
track, but beware ot damage. Sustain loo much damage and 
you will be disqualified which is no way for a dude to go 
out. 

At the end of the race, and provided you have success- 
fully qualified, you will be shown the championship table 
and the race grid positions. 

Unfortunately, that's where it ends. You'll have to go oui 
and buy the full version if you want to know whel happens 
next 

When the Top Gear 2 information screen appears, just 
wait for a short while and you will be returned to the main 
options screen. This is immediate lor those who fail to 
qualify, Have fun and bum rubber! 




n 



Two plarmrm can raea logathnr In 
our demo and light for fhp tap 
positions in thm championship 



Amiga Computing 



NOVEMBER 1 994 



P^^^^M 


^^^H 




D MS Workbench 

Th» ultimata disk 
ae!B *vrrrt betlerl 


— ' | 






— _J 



\ Nut* wHhllu ,11114. i |i;ii:|'miii Kill Lill 

■ ag ■■„ m I !■■ -1.-1 



MtnuS<#y 

T4w£pr#*i«l put 



Ml «mdtaitt immf 

■MMKtiT 



Shareware notice 

ise remember that these programs have 
been supplied by programmers who have writ- 
*en this software purely lor the enjoyment ol 
iters 

' you like a particular piece of software 
;-ease respect this by registering with the pro- 

-lrnar concerned. For a nominal lee you 
nay even receive an updated version 



Author: Gary Knight 

AmiDock is a superb little utility which allows you to launch 
programs simply by clicking on the appropriate linage. 

Implementing a very unique interface, you can create 
brush images for a particular application and incorporate 
them into the interface. 

Once you have created an appropriate assign (see instal- 
lation instructions) double-click the AmiDoch icon and a set 
of pre-delined Images will appear at the right-hand side of 
the Workbench screen. 

If you click on the square gadget alongside the two 
arrows you will then he able to access AmiDock's menus. 
You will also notice that by clicking and holding down the 
mouse button over the square, you can drag the icons 10 
wherever you want. 

The Item menu allows you to add and delete new files as 
you wish, but you should first design an appropriate icon In 
your lavourite paint package, grab it as a brush and save it 
to the drawer of your appropriate Workbench resolution - 
interlace or non-inierlace. 

With the brush defined you can then add the program 
into Ami Dock. Select Add from the Edit menu and click the 
Load button. This will allow you to select the file - the file 
name will be reflected in Ihe Name string, You then select a 



hruilui Iq 

jrruflr.mib 

| .incf run thorn 

, tram In* 






Workbench 
by M srngfo 
click 



brush for Ihe application and also choose whether it is a 
CLI or Workbench program. Once you okay your settings 
Ihe new program will be attached to Ihe AmiDock 

interface. 



Installation 



Once you have installed AmiDock you must set up an 
assign in your startup-sequence or user-startup for it lo 
work. Add the following assign: 

Aiifgn DOCK: 



Aiiign ga[K: JCJtihtiHiJLCUt'isi'tiiDgiUNnii-lfittrLiEf 



5 rp, fiKl ■■■Vafl 


L*J/'' 1 1 


*m& 




u1l' r ^Skr 





WOW JHDU 

need never 
misx thai 
mini i item 
wirJi rJn- lit'lp 
ot MvmiStw 



IHenuStaij 

Author: Alexander Loghis 

HenuSlay is a very small utility that will force 

ihe Workbench menus to stay open when you 
press the right mouse button. They can then 
be switched hack off by clicking the right 
Mouse button once again. To load MenuStay. 
iimply double-click on the icon and lo remove 
t do exactly the same again 



SuperDuper 11 

Author: Sebasliano Vigna 
Workbench 2 and above only 



SuperDuper is a lightning fast disk copier and formatter 
that is lar more efficient than Ihe Workbench diskcopy 
and format routines. 

The program also has the ability to buffer disk contents 
into RAM. which means that if you are duplicating a disk 
on to several other disks you only need read the source 
disk once. 

Once you have loaded SuperDuper you will be presen- 
ted with a very attractive user-interface which is divided 
into three sections. 

The first section allows you to choose which function 
you want to apply to disks - whether it be copying, for- 
matting or checking - Ihe mid -section provides buttons 
to select the source and destination drives and the last 
section oflers several modes allowing you to change the 



way in which the data is copied, formatted and checked. 
When perlorming an operation, you can click on the kilo 
buttons which will display the progress of the current 
operation and any information that may prove useful. 

You can also select preferences regarding 
SuperDuper's functions and storage areas by 
clicking Ihe Options button and changing the buttons. 
These preferences can then be saved by clicking 
SaveCon. 



irri*: > xftM 



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to 1 U 1 


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U von want 

liqhl/rrnq 
f.TSl disk 

copier, tor- 

Iln-.ind 

checliw vou 

9 ot m, 

Nothing 
rivals 

SuperDuper 
tor * p*wf 



DUlSUIorhBenth 

Author: ParCon Software 

Originally, DM5 was written as a CLI program which 
when run provided the user with somewhat confusing 
instructions on how to actually compress and decom- 
press disks. 

Fortunately, ParCon Software has come to Ihe res- 
cue by providing a user-friendly, intuition interface for 
QMS which provides a series of gadgets that allow 
complete control over QMS, without the need lor con- 
stantly relernng back to (he command Syntax. 

When you first toad up DMSWorkBench you are 
greeted by an attractive looking interface with a series 
of buttons. The most useful of these buttons is Read 
and Write. These allow you to actually compress and 



decompress disks with the minimum amount ol 
fuss. 
When you click on the Read button you will be 



Akbliaul rTftjrmunj NctulK [lata 



C<)j#fB PrtmSflte 




You cart bring ■& welcome tac&iHt to QMS wirh CMS 
Workbench. Comprtu And decompress disks with ease 



asked tor a filename and location where Ihe eventual 
compressed disk file should be stored. Users of 1Mb 
RAM are not advised to save their DMS files to RAM. 
When you have decided this, click on the Drive but- 



ton to set the target drive and then on Start lo begin 

compression. 

To the right-hand side of the interlace you will be 
able to monitor the progress ol compression, includ- 
ing Ihe current track being compressed and the lime 
taken, Any errors will also be Hashed., 

Write works in much the same way - you select Ihe 
DMS file you wish to decompress, Ihe disk drive you 
wish to decompress to and then click on Start to 
begin. 

You can also compress and decompress high den- 
sity and PC disks by clicking on the appropriately 
labelled button. 



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NOVEMBER 1994 



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its an undeniable fad that 
I modems are getting fast. V, Fast 
in fact, as this is the latest stan- 

ira to which every modem user aspires. 

The first modem out there with ihis stan- 
4kfd was the Supra mode! reviewed last 
■sue. and Ihis new Courier model is US 
=tatx)l(cs answer to that, if indeed the Supra 
•as a question. 

V. Fast modems operate at 28, BOD baud, 
vi extreme turn of speed for the information 
ruigry '90s, and a baud rats unsurpassed 
it the history gf comms. 

This is double the speed of the fastest 
-odems available, and they in turn were 
double the speed of the previous models. 
You have to ash yourself where all this is 
gang lo end? 

Modems which are so fast they download 
the tile, of any size, virtually instantly? A 
2Mb download in the time it takes to click 
vw mouse? It seems impossible now bul 
Mnk about it, 

The modem I have next to my Amiga is 
seven times lasier ihan I he first modern | 
; wned. and thai was only seven years ago, 
I the speed of modems doubles every year 
or so, where wHI we be in another seven 
.ears? The 3,686,400 baud modem will be 
a reality, for sure, and probably faster slill. 

VERSATILE 

The current crop of modems are fast, you 
got that bit right, bul they also have another 
Dunch of features to do with what modems 
30 as well as sit there being modems. 

Mosl modems are now also fax 
machines, enabling users to send and 
receive faxes lo and from their computers. 
No modem worth the name has anything 
iess than fax ability. 

Bul these new modems have other fea- 
tures in common too. The Courier is a 
28.800 baud modem, in the V. Fast class 
and, like many other modems of this class, 
:s software upgradable. Special software 
can load itself into E PROMS in the unit to 
ide the software in the machine to a 
er standard, 

US Robotics has a BBS in ihe US which 

carries software upgrades for the modems. 

it has a quick conned feature, which cuts 

i*aining" lime, like when the modem 

ronnects to a service. 

Usually Ihis can rage between nine and 
20 seconds wilh a conventional modem, but 



Sqhm or wot? 



* 



HARDWARE 




speed 



with the V. Fast, when you're on, you're on, 
The modem not only auto adjusts its con- 
nect rate lo match the incoming signal, but 
also it has ASL, or adaptive speed levelling, 
allowing the modem to change speeds for 
more reliable signals while it is on-line, 
{Normally if you had to change rales you 
had to disconnect and reconnect after you'd 
adjusted the speed.) 

It has fax ability, as both a class 1 and 
class 2 fax software. As yet dass 2 software 
is only available for the Supra (if memory 



Phil South looks at the 

latest in BB.8 tectjnnlogtf 

from IIS Bobaiks 



Is Ihis the besl modem ever? Well, okay it is sleek and black and sexy looking, and 
il is one of the fastest things on four little rubber feet. It's very flat too, so it can sit 
under your phone. 

Erm, well at least if your phone has enough clearance underneath, as there is a 
big ridge on top of the modem and on my phgne it lifted the rubber feet on the 
phone off the surface, meaning thai the phone just slid around on top. 

But that's a petty niggle, as I usually sit a disk drive or a pot of pens on fop of the 
modem anyway. 

Modems are really coming down in price, as there was a time whan the next big 
thing, which V- Fast certainly is, would be at least six limes more expensive than the 
current workaday standard. But it's now cheaper than ever before to gel Into V. Fast 




serves}, although it shouldn't be long until 
the guys at Greg Perry Software come up 
wilh a new version nf GPFax to match 
these new machines 

There is a button on the front of the 
machine which has a unique function. II is 
the voice/data toggle switch, and this 
enables you lo switch from voice to dala 
without issuing an AT command. 

Although most phones allow you to use 
the modem and use the phone one after 
the other without a problem, some 
phone/modem combinations have a prob- 
lem wilh handset exclusion. 

This enables you to switch from data lo 
voice and back again, as some units have a 
problem with that, and you may nof be able 
to get back to data once you've switched lo 
voice. 

You can only do ihis when ihe modem is 
off-line. If you are on-line and you hii the 
voice switch, you will terminate the data 
line. The button also enables you to set the 
modem for remote access, if you want lo 
call the modem and access your computer 
from a remote site, p'& 



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NOVEMBER 1994 



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PtCASSO il is a graphics card wiih a difference, offer- 
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Amiga. The installation is quick and simple. Just plug in 
the card, conned the cables and run a fully automatic 
install script. Von will then find new Picasso resolutions 
available from Ihe slandard preferences ScngenModes 
program, all useable by OS (riendly programs, The nsw 
CHUNKY option ofiers in-crediDle spee-d with a 256 
Workbench which is many times faster than AGA 1 
Picasso It will intercept any program on it's first run, 
allowing you to tests ii's compatibility and set your pre- 
ferred screen choice thereafter. All screens are stored In 
Fast RAM, hence removing tlw 2Mb Chip RAW limita- 
tion. Total screen configuration is provided Ih rough 
PicassoModa, wtilch allows Ihe creation of custom 
screens quickly and simply. Picasso it comes wilh 
TVPaint Junior and drivers lor ImagaFX. AdPro. 
ImageM-asler. Real 3D and GIF, IFF, JPEG and MPEG 
viewers. Also included is Ihe MainActor animation pro- 
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PABLO is the new Video Encoder option lor Picasso il 
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TrueCoiDur! A protective circuii Integrated into Pablo 
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MAfNACTOR FRnFFSSlONAl 

MamAetor Professional is a modular animation package 
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MACINTOSH EMULATION 
The generic Mac emulation will perform as a Quadra 
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J 



FEATURE 



Os many of my friends will tell you, I 
am pretty disorganised in lile. Sure. I 
like neatness, but I'd rather some- 
one else rook care of it lor me. I'm Ihe 
■n of person who only does the washing up 
■rer- there are no more clean plates. 
But on my machine I'm as strict as a drill 
I know where to find every file on 
machine and nothing gets introduced lo 
machine unless I know where it should be 

) guess this tidiness is an obsession made 

rse by the number of machines I tend lo 

are completely disorganised. Amiga 

have it easy in a number ot ways 11 

nto later, but they seem ihe worst of the 

most of the time, 

i ¥e visited clients and no) been even able 

stuff on their machine because I don't 

oow where it should go, and worse still, nai- 

i d they! 

Hopefully this article should be able to help 

if.sne with a hard drive-equipped Amiga to 

•x a little tidier with vefy Wtg effort (and make 



my |ob easier to boot! ). 

Firstly, many of you reading this article 
krww little about AmigaDQS and care less. 
That's okay, you don't need to know. For 
those interested there is a boxoul detailing all 
those different directories that come as stan- 
dard on every Amiga, but far the rest of you, 
rest easy, 

I'm not going to get you to write 
AmigaDQS scripts or ask you to remember 
obscure shell commands. Well, you might 
need to type in a couple of sentences, bul 
that's all 

The first way that (he Amiga beats Ihe PC 
and Macintosh l(BS in the assign command. 
This allows you to get access to Ihe files you 
want quickly and easily. 

Say you do a lot ot graphics work, pic- 
lures, animations, brushes and so on. 
Wouldn't it be easy if, instead of having to go 
through all the different drawers ol your hard 
drive picking files here and there, you coukl 
have ihem all in one place, easity accessible 
from any program that needs them? Well, it 





Fifes not found, 
crashing hard 
driues and m, 
messages. Bo ami 
of these sot 
famiiii 
Frank fiord dt 
his white a 
and patches up 
your Umiga 



ll| — 



is easy. All you need to do is make an assign. 
The way to make an assign is to create a 
drawer on your hard drive called, for the sakB 
of argument. Bitmaps. 

Done thai? Okay ifien, now all you need to 
do to assign that drawer is to open a shell 
window and type: 



Assigi a-tiipi: 



:EifnpE 



where "** represents the 

name of the hard drive where 
you put the Bitmaps drawer. 
Mow il you go into any 

paint, image process- 
ing or animation 



the best 




FE ATU R E 



program and hil the Volumes button when 
you use the Hie requester you should see 

Bitmaps: in the list. 

The best thing of all is it will lake the 
same amount of mouse clicks to reach no 
matter where it is on you hard drive. The 
onry problem is thai when you rebool ihere 
won't be a "bitmaps: assign" again unless 
you retype it in Itie Shell. 

I'm sure you don't really want to have to 
oo that, so the best way around H i$ to edit 
the User-Startup file. To do so just open a 
Shell window - I won't gel you to do this 
much more, I promise - and type; 

Ed $:Uier-st*flup 
Once you have hit the return key a new 

• Bitmaps; for pictures 

• Anims: lor animations 

• Brushes: tor brushes (you might want to 
put these in Bitmaps instead, seeing as 
they are pictures in Iheir own right) 

• Docs: for DTP documents or word 
processed letters 

• Text: for ASCII text files 

• WP: for word processed files 

• Sheets; for spreadsheet files 

• Downloads; for Comms, lo put all your 
downloaded files into 

• Uploads: same again for files for 
uploading. Vou might even want to sepa- 
rate the liles another way, say Homework: 
or by a clients name. 

Kafetel 



Its all UBS: and DEE 



If you are contused about all the different drawers 
with cryptic names on your Workbench partition, 
then read on. Your Workbench disk consists of 
various essential drawers necessary for the suc- 
cessful operation of Workbench. 

Listing them alphabetically, the first we come 
to is C. This drawer contains all the AmigaOOS 
commands used in the Shell, or by the startup- 
sequence and user-startup. 

Some C; commands over the years have been 
moved from the C; directory and put into the 
Kickstart ROM. which is why looking for the Echo 
command, for instance, is a waste of time- 
There are no icons for any of these files 
because the programs they represent are not 
used from the Workbench, bul only from the 
Shell, 

li you are running Workbench 3 the next 

— we come lo is Classes. Classes contains 

, items to do with running Workbench, the 

■ ones being datatypes for use with Mulhview 

(and any other datatype-supporting program). 

and gadgets for object-oriented programming. 

These gadgets are things like the colour gradi- 

■ in the Preferences program "Palette" - 

■ it easier for programmers lo incorpo- 

stmdard features in their programs without 

ag id recreate them from scratch 

The next drawer in our list is DEVS: This name 




Vdu might end 
up sEaminr, 
through an enormous list if 
assigns to tm anil find the 

oneiinuoflnt 




window should open up. It might say at ihe 

bottom "Creating new file* il you haven't 
had your Amiga long, but the chances are 
that it will have some text in it already. 

Just move the cursor down to the bottom 
ol the file and add the "Assign Bitmaps;" 
line we already tried. While you're in there 
you might want to add some more assigns. 
Table i shows you some to get you started 

Whatever is simplest usually works best 
After all, you might end up searching 
through an enormous list of assigns to try 
and find the one you want, which rather 
defeats the object of the whole exercise. 

Now, every time you boot your machine 
you will have all those convenient assigns, 

The location of the drawer is unimpor- 
tant because you will never have lo search 
through ihe norma? route to reach it - no 
more DH1 ;OtherSluff/Things/wOSsna 
mesmewbits/DPaint/Piclures . . . 

PARTITIONS 

By the way, before you reboot to take 
advantage of all those great assigns 
you've just made, make sure you have cre- 
ated the necessary drawers for them. 
There now, that wasn't so painful was it? 
And I promise that I won't get you to use 
the Shell again. 

Onto ihe next phase in reorganisation. 
This is a bit of a two-parter. The first bit is 
standard to any Amiga. First of all, let's 
assume mosl of you have the standard two 
partitions that hard drive-equipped Amigas 
come with, normally Workbench: and 
Work; lor A6Q0, A 1200 and A4uM owners 

If you only have one partition most of 
this stufl is going to be redundant, but don't 
stop reading. If you have leads of little par- 
titions, what are you doing? Each partition 
you have chews up exlra RAM and 
reduces the overall Size of your hard drive. 



The Tools menu 



In Workbench 2 there is a Tools menu at 
the lop of your screen. If you have just 
bought your Amiga it is quite likely that this 
menu only contains the command 
"ReselWrr. 

If you've had your machine for longer 
you might have already got either 
ToolManager, ToolsDaemon or one of the 
other Tools menu utilities in your 
WBStartup drawer. 

These programs are commodities that 
allow you to put your favourite programs in 
Ihe Tools menu or create new menus of 
your own to put your programs in. This 
saves all Ihe hassle of having lo click 
through endless drawers trying to find the 
programs you want to run, 

l use a combination of both 
ToolManager and Tools Daemon to give 






Try to keep the number of partitions lo a 
minimum if you have a hard drive under 
100MB, Even it you've got a really big 
drive you shouldn't need to have loo many 
partitions. 

1 have about 1 .3GB of storage and only 
have four pa rli lions; Workbench:, Work:, 
Other: and Data;. Other: has all the stofl 
thai can't be classified in it and games: 
Data: contains exactly that, pictures, anims. 
PageStream documents, text files, etc.. 
Workbench: has all my Workbench files 
and loo Is in it, and Work; contains all the 
programs I need to use to create all the 
files in Data:, 

The first thing is that your Workbench 
partition is really small, right? Between 5 



Is short lor devices and is inside other drawers 
pertaining to Ihe various devices attached to or 
part of your Amiga - for instance, monitor dri- 
vers, printer drivers or keyboard drivers. 

In the main part of DEVS: there are also files: 
the actual device drivers themselves, 
serial. device, parallel. device and printer.device 
and various others. If you used ParlMET, your par- 
netdeviee end parnet mountllst would go in 
DEVS:. 

Next up is Expansion, This doesn't get used as 
much these days as it did under Workbench 1.3 
bul is similar to OEVS: in that it is used to hold 
drivers for additional hardware like hard drive 
controllers or graphics cards. 

COMMANDS 

This drawer is more than likely empty on your 
machine. When your Amiga boots, a command is 
Issued in the starlup-sequence called bind- 
drivers. 

This loads all the device programs In DEVS: 
along with the selected printer, monitor and key- 
board drivers. It also then looks in the Expansion 
drawer lo see If there is anything in there, and if 
there is. il loads that too. 

On to L,. L: isn't used as much Ihese days 
either. It used to be where the disk validator lived, 
along with various other essentials which have 



now been incorporated into Kickslart. 

It still holds handlers" which are similar to 
.device programs. It doesn't have an icon 
because there is. no point loading the programs 
manually as they are all set up on booting. 

LIBS: is our next port of call in this tour of 
Workbench. UBS: (short lor libraries surprisingly 
enough) is where our Amiga scores another 
advantage over other systems. 

The Amiga uses a set of linked libraries that 
can be used by any program. They only get 
loaded as necessary and even if several pro- 
grams are using the same library, thai library only 
needs to be loaded once. 

Libraries era programs that never need to be 
loaded manually, hence the lack of an icon for 
this drawer or the files inside 

If you are running Workbench 2.1 or higher the 
next drawer we come to is Locale. Locale makes 
your Amiga more user-friendly to chums all 
across the globe. 

Next on our list of interesting places to visit on 
your Workbench disk is Prefs. This Is the most 
used drawer on many people's hard drive as they 
choose all sorts ol garish patterns lor Workbench 
backdrops, change their fonts for menus and 
icons, or show people how silly a mouse pointer 
they can create. 

Inside the Prefs drawer resides another 



NOVEMBER 1994 



FEATURE 



iii- 



- 



Srggrams in the Tools menu and seven other 
reiuding Prefs; which has all Ihe preferences 
m it, and Graphics; which has all my paint 
vwngtion tools, including a sub-menu for 3D 
i thai I use regularly. 
ol the nicest things about both these pro- 
mt s thai you don't have to type anything in lo get 
* programs running - all you have to do is drag 
r>» con for the program you wan! to run into the 
Mfttanager or TootsDaemon window and that's it. 

IOHUS 

At an added bonus for ToolManager users, it is 

astte to create a dock window or place icons on 
Wm Workbench screen. The dock can be spread hori- 

1 1 it]) or vertically and can have its items duplicated 
-"• menu. 

finely, a couple ol tips tor using these programs. 

Ifefte sore you pay careful attention to the "Work 

: -r.-:-» setting in ToolManagai N you are using b 

•so/am that only uses one sort ol file, text say, Ihen 

pneart set the "WorkDi rectory;" to your Text: assign. 

^hs means that when you load up your text editor 



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inep 

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jjfcw "*" 


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m AhtolMlDlMi 


lave | 


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Whether you choose T»/mjw«gpr or TuoliDjinun far baity, Iftey wjW certainly speed tip HtorhbefKrfr otfwntfon 



from ihe menu, whenever you open a file the file 
requester will automatically slari in your Text: 
directory. 

With TooisDaemon you can actually perform more 
than one action with a single menu click. By entering 
items manually in the right-hand window ol 



ToolsDaemon you can build up a list of events that 
occur, 

Vou mighl want to change screenmode and your 
mouse pointer at tbg same lime, or make an assign 
only when you run a particular program. Il's very 
easy, 



iflMB? Well, that's just not big enough if 

a going lo have lots of fonts. ARexx 

. and Tools is it? 

« only way to get around it is lo move 

' : sa files elsewhere, or lo limit what you 

pt on your hard drive. Now, I don't believe 

• w-*t>ng myself, so I'd rather go lor Ihe for- 

■■ ---i Ihe latter, t:ut it's up to yoi. 

* -a i know I promised not to have to 
•wa*e you use the Shell again, bul if you 
■art your machine to be in tip-top condition 
«x -e jusl going lo have to edii that startup- 



: open a Shell window and lype: 



Ed SiStsrtup-BBqumcE 



and hit reium. This time there should defi- 
nitely be some text extant in Ihe file. Now 
look out for the bit where all ihe assigns 
crop up. There should be one for FONTS:. 
one for FEXX: and a path statemenl for 
Tools. 

We'll deal with the REXX; assign first as 
it's the easiest, Simply change the line lo 
read: 



Miign Rtu: Ho. 



where *"' is the name ol your larger hard 
drive partition. This actually helps in more 
ways than one. 

Firstly, it will stop your Workbench parti- 
tion from getting clogged up and secondiy 



you might have noticed thai, by default, 
REXX: is assigned to S:, 

Well, S: is where your startup-sequence, 
user-slartup and other similar tiles are 
located and if you end up with umpteen 
ARexx scnpls In the same drawer it's going 
to make it tough to find your user-startup 
when you wgnl it. Agem, do remember to 
craale the ARexx drawer where you have 
assigned it. 

The part of the startup-sequence where 
FONTS: are assigned looks a little more 
complex whal with all the "If exists" state- 
ments, but ihey don't really matter. Jusl cut 
out these lines: 

IF tlvT ElliTS Rtlf-tM* AJiign fDNTS: EndlF 



■■portent directory by the name of Env-Archive. 
Ewr-Archive (which has the assign ENVARC;) 
carta ins all ihe settings for Workbench, as well 
to, quite a few other programs. 

Every time you boot your machine whatever is 
m ENVARC: gets copied to a directory called 
EHV: in RAM, This is lo allow temporary settings 
•t programs, 

For instance choosing Use rather than Save in 
any ol the Preferences programs will result in a 
Ma being saved in ENV: rather than ENVARC: so 
•at when you reboot it is lost. 

Alter Profs comes Rexxc which Is far less inter- 
ring Rexxc Is the place where the ARexx serv- 

programs reside and gets a visit from most 
iga users about as often as Outer Mongolia. 

SCBIPTS 

Slipping out of Rexxc we drop hurriedly into Si. 
S is for scripts and that is what we find in here. 
Th* two main inhabitants are the Startup- 
sequence and user-startup which are the scripts 
total the Amiga whal lo do when it is booting. 

After S: on some machines running 
Workbench 2 1 or higher there comes Storage. 
1Mb is a storeroom for unwanted tiles in DEVS:. It 
«aajs all the other printer keyboard and monitor 
drivers that aren't currently being used. 

Once you have found your Storage disk we'll 



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move onto ihe System drawer. The system 
drawer contains, for the most part, programs that 
might make more sense being in the C: drawer. 

Some ol the programs, of course, need lo be 
available via icons, and that is why they reside 
here. You should find Shell. Formal and 
RexxMasl in here, among others. 

After System comes T; for temp. T: is usually 
assigned to Ft AM: so you probably won't find 
much in here, Fifes you find in here immediately 
alter a reboot can be deleted as Ihey are 



temporary files created by some program or other 
that haven't been cleared up, either because the 
machine crashed or you rebooted without closing 
everything down first. 

Following that, the Tools drawer looms up. If 
you are really short on space a lot of the pro- 
grams in Tools can be deleted. If for instance you 
are not the proud owner of an A600 or A1200 you 
can merrily rid yourself of the PrepCard tool as it 
applies only to machines with a PCMCIA slot. 

CMD. GraphicDump and PrinlFiles have all got 
replacements inside other programs, and 
MEmacs is a text editor based on the Unix stan- 
dard EMacs It too cart be deleted if you are 
already using another program to edit text files. 

Our penultimate stopover Is Utilities. This 
drawer contains More: the text reader, a clock 
and, if you are running Workbench 3, Mulliview. 

Last but definitely not least, is WBStartup. 
When your Amiga boots it looks into this drawer 
and runs any programs it finds there. Most pro- 
grams that get put Into WBStartup are called 
Commodities and are useful little tools like 
scrcenblankers. virus checkers or Workbench 
improvers. 

If you am not sure about where to put riles and 
Ihe documentation accompanying them gives 
you no clues, it is not usually a good Idea just lo 
shove them into C: or UBS: or whatever. 



NOVEMBER 1994 



Hi 



ATU RE 



and replace them with this tine: 
luifs Fenti: '*":t»iiti 



where "" is the name ol your larger hard 
drive partition. 

Okay, trial's that sorted, Did you make 
ihe fonts drawer? The last part of massing 
with the startup -sequence deals with the 
palh statement for Tools. 

This is slightly less important than deal- 
ing with trie assigns, especially if you 
r\ev$r use trie Shell, However, just for 
completeness sake, if you are going lo 
make Work: the- new home for your Tools 
drawer, simply change the path statement 
from: 

»i:t H1L: Ml: C: HMtUftfti STMlnc 

i¥5:Syitii I; iTSirtilj I'S^BSiniup Stiitonis 
trj;T«U/t«wmifHn 



to: 



Pith >ML: HAN: Ci ITttlltllftfU ITSllCMC 
irsslyttll 5: SY!:Prtfs JYEiYlStirtup Yerlcfuols 
tbrkiTonUfCoMnditifs 

Right, now thai we've done all this editing 
we're tialf-way lo a better system. Did I 
only say half-way? Yes, because unless 
you've been doing stuff behind my back 
you haven't yet copied all ihe files you 
need into the new locations we've been 
creating. ' 

So now jusl transfer ail your fonts to 
your new font drawer, all your ARexx 
scripts to your AResx drawer (this one 
might be tougher as you'll have to be able 
lo tell Ihe difference between an ARexx 
script and an ordinary AmigaDOS script. 
The easiest way to work it out is that 
ARexx scripts always start with the 
characters /* }. 

You should also take some time moving 
all your pictures, text files, spreadsheets, 
and SO on into the new assigned drawers 
you have created. 

MANAGEMENT 

If you are sifting there right now wonder- 
ing how on earth you are going lo do 
all this his moving you obviously don'l 
have any sort of file management 
program 

If you don't, shame en you. Uncle 
Frank's rule number one: II you've got a 
hard drive, you need a Me management 
program, There are plenty of them out 
there, some are free and others cost dosh 
and I've listed a few of each in a boxout 
later on. 

Go to it, Once you have finished moving 
all the file* around that you need you 
should be ready for a reboot. You should 
rtOw have a hard drive that isn't difficult to 
navigate, and as long: as you continue to 
use tfie Bitmaps: drawer for all your pic* 
teas, the Docs: drawer for ell your DTP 
Ites. and the WP: drawer for alii your let- 
you should find life with your Amiga 
productive and even easier than 



zisr 




[j5TCTiising 
m file man- 
ager 15 one of the most 

profitable things p (an 
k * irradurint w 




Quarterback it 
extr&mety tea r at 

b.nrkirfcf up f a taps 



WhUmnSTI 



Dew buttons 



Customising your fits manager is one of 
the most profitable things you can do - 
productivity- wise. Being able to achieve 
complex operations like de-archiving 
or editing startup-sequences at the 
touch of a single button or menu item will 
save you an awful lot of time in the long 
run, at Ihe expense of a little tinkering 
now. 

For instance, now thai we have set up 
all those assigns in our User-startup, 
wouldn't it be nice to make them easy to 
get at in Directory Opus? 

Nothing could be simpler. Go into the 
configure program and click on the 
Buttons icon. Find an empty button and 
click on it. 

This should bring up the Sutton Edit 
screen. In here you should give your 
button a name, which should be the 
assign (let's assume we are working 
on a Bitmaps: assign, so call the 
button Bitmaps:), then where you 
enter what lhat button does, add the 
command; 

Seif'dir Bitiapn 

and hit return. That command should now 
appear in the command list. Next, hit OK 



HOIools 



To complement the list of useful commodi- 
ties elsewhere on these pages, here are 
sqme useful, if not essential, hard drive ulili- 
lies. You should dehnifeiy have at least one 
in each of the following categories, holh on 
your hard drive and on floppy should your 
hard dnve fail. 

Backup software - I know backing up's a 
drag and seems like a waste of time and 
disks, but il is a good idea lo al least make 
a backup prior te changing the status of 
your hard drive, repartitioning il for instance. 
Backup software available includes: 



IjLi/iJi 










T* 4ffw«nwrip«l mt. 



r •* > ■mnur f b« 

r yntt mm «n* »m 






□ 



Amiga Computing 



NOVEMBER 1994 







and carry on making as many new but- 
tons as you need. 

Jf you are using a recent revision of I 
Directory Opus, yDu can actually put two | 
commands on a single button by using ( 
either the left or right mouse button lo I 
select it which will double up the number | 
of assigns you can comfortably fit on your t 
Dopus screen. 

DiskMasler owners don't have it I 
so good in this regard. I can' l seem to I 
create the Cmd Menu commands to i 
get the same functionality, but never { 
mind. 

With DiskMaster, however, you car 
arrange matters so that every time 
you load DiskMaster it will have ihe 
same directory lisl up as the last time you I 
quit. 

The- only caveat with this method I 
is that you should keep a backup of ) 
your Starlup.DM file in case you do I 
something wrong, quit and it gets saved | 
that way, 

All you need do now is edit ihe start- 
up.dm file and where the Quit menu item 
is you should change it so lhat the line 
reads: 

MMcru Projtet, Suit, i, Siuetoniig 
TMi.tiSll'liip.D^Huit 

You might also want to put ihe following I 
line in after: 










■■il j/j 

Inn fe*> _| 

LJ I 



Thit partition rtanily rwtds opUml*Mtion 



• HDBackup: free with hard drive-based 
Amigas. Nol very good, bul will do at a 
pinch. 

• Quarterback: Getting better all the time 
Now up lo version 6 and can at last do muttl 
pie volume backups. Support for tape* 
Streamers is very good with excellent back- 
up rates. 

• Ami-Back: My choice of backup software 
Not as fast as Quarterback, but can perform! 
multiple backups and comes with a scheo-l 
uler lo give you reminders of when to back] 
up your hard drive, and which will perform! 
that backup automatically if desired. 

Utility software - This seel ion includes opt- 1 

misation, file recovery, crashed disk teeov-I 

ery and disk wiping. 

Ami-Back Tools - Companion to Ami-Back. ' 

this program handles all the categories men- ' 

tioned and can also save Rigid Disk Bloc- 

information in a file. 

Upper Disk Tools - A novel idea and beau- ; , 

lifully executed, Upper Disk Tools uses Ihe I 




. tult He Si**, tul l jmt In 



just a very small sample ot the cus- 

n ihat can be done wilh these 
Diner suggestions would be to 
r*s for either program to be able 
AmigaGgide documents, show 
CX and Jpeg piclures or display 



Other tools 



Making a button to 

Pet nw gat at this 

tout Hie Mikr 



%1f IWi'v 

Dim 

Coil'. 'lift 



e metaphor to create a new device 
acts like a hand drive and can be 
It recover lost files or reorganise 



ilv - By Dave Haynie, an ex- 

iaw uocrg member of siaff and all round 

xr. egg DisxSalv is a shareware prod- 

' asdy lor the recover/ of files, It does 

y good job of ii and is actually faster 

-,*■ -i-'-Back Tools at bringing loved 

■ sack from the dead. 
auarterback Tools Deluxe - A much 
imaec update to the original Quarterback 
m* *h»ch was first released, if memory 
mts, in 1933. This shares the "New 
Means' look and feel of Quarterback 
ods encryption to the lisl of useful 
ut can perform, 
'ooibox - Commodore's own brand 
e installation software. The newer 
bundled with Workbench 2.04 
■ an also be used with other peo- 
- I'd drivE controllers. By simply 
jrij the following looltype to the icon., 
mn erf GVP. IVS and other manufac- 
rs controllers can use it: 



JCHDEVIEE JAUi'"' 



is the name ol the device driver 
3 ie. gvpscsi.device RDPrep: 
itaety distributable hard drive mstalla- 
-;d written by Microbotics to allow 
i with A1200s to buy a hard drive al 
' sate and be able to install il without 
Tf\g Commodore's software. The 
e is very comprehensive, il a littles 
I at times. 



Here are some of my favourite time-sav- 
ing commodities. You might not want to 
use them all if your machine* is lacking in 
memory, drive space or processor power. 

ARQ - This makes Workbench look a lot 
prettier with animated requesters popping 
up centre screen rather than in ihe top left- 
hand comer. You can also use the Return 
key for OK and the Esc key for Cancel. 
AssignX - Ever get those annoying 
requesters popping up saying "Please 
insert volume blah in any drive...?" 
AssignX gives you new options apart from 
Retry and Cancel, The most important is 
Assign. Hitting this button will bring up a 
file requester allowing you to assign vol- 
ume Blah to whatever directory you 
choose, 

ClickToFront - One of the only 
Commodore-supplied commodities that I 
use, it is al its most useful when you 
change the tooitype to read: "QUALIFI- 
ER=NONE* This way, double-clicking on 
a window will bring it to the front of the 
stack. 

CycleToMenu2 - This changes cycle gad- 
gets into those nifty little pop- up menus 
you see on other machines. 
FOCO - or Formal Controller, With this 
commodity installed, inserting an unformat- 
ted floppy into a drive will bring up a 
requester asking it you wish to format it. 
FOCO's only downside is that il doesn't 
offer a facility to format DCFS disks, 
MagicMenu - This terrific tool lets you use 
your right mouse button to bring up menus 
anywhere on the screen, 
MFH - Magic File Requester is just that. If 
a program uses the standard ASL tile 
requester, Req or ReqTools requesters, 
MFR replaces them with its own. MFR has 
customisable positioning,, fonts and even 
scrollbars, but its most useful feature is the 
ability to delete or rename files and make 
directories while its window is open. 
Swazlnfo - Only for users of Workbench 3 
and up. ft replaces the normal icon infor- 
mation window with a much better one, 
giving drag and drop facilities for changing 
the icon image, networking ownership bits 
(nol too useful, this one) and various other 
features. 




As you can maa, I'm h»wlnu a utile 
troubl* with font* in ProPaaa here. 




Damn hand* that TltteCtotk! 

TrtleClock - I've been waiting for this tool 
for a very long time. I had always seen 
that on other machines that didn't have 
the multiple screen philosophy of the 
Amiga, titlebar clocks were always avail- 
able. Well now there's one tor the Amiga 
loo. Il will jump to the frontmost screen at 
all times and has a very configurable 
date/time. 

ToolManager & ToolsDaemon - The 
best aid to productivity. Look around 
these pages for the boxout about them. 
VirtisChecker - John Veldthuis' 
VinjsChecker is a program no hard drive 
owner should be without. It's better to be 
safe than sorry. 

Along with Ihese commodities, a few ol 
the Shell-based utilities I would not be 
without include: 

KlngCon - A replacement for the CON; 
device thai gives drag and drop direciory 
manipulation, command line history, 
name completion and saveabie buffer, 
among other benefits. 
Install New Alert - Whenever your Amiga 
crashes you get a red alert box with two 
cryptic numbers in it. One rs the task that 
caused the crash, the other is the reason 
it caused Ihe Crash. InstallNewAlert gives 
you these facts in plain English. 
FontCacheX - Got an enormous fonllist? 
FontcaeheX puts it into RAM: so although 
the first lime you check your fonts direc- 
tory it will take the same lime as normal, 
subsequent reads will be much swifter, in 
some cases almost instantaneous. A 
great help if you are using DPaint or 
changing the style of your Workbench. 
Move - This Shell command does exactly 
what it says, it moves files (what did you 
expecr?}. 

SnoopDOS - Don't you just hate it when 
you have a program that jusl won't run 
and you can't figure Qui why? Wall, 
SnoopDOS should be able to help out 
with problems of ihis sort, and as such is 
a necessity for all hard drive owners 
(especially as il is a Public Domain 
program). 

What is it? Well, as you should be able 
to see from the picture, SnoopDOS 
resembles a shell window with current 
tasks scrolling upwards through it. 
SnoopDOS will tell you whal files a pro- 
gram is looking for and, more importantly, 
will inform you if there are any failures lo 
load or open a file, Because SnoopDOS 
gives a path, il means it is usually pretty 
easy to see where any problems you are 
having lie. 



Amiga Computing 



NOVEMBER 1994 







THE PERFECT All IN PACKAGE FOR YOUR HOME OR BUSINESS 




A professional WORDPHOCESSQR with powerful graphics 
capabilities and a 50,000 word spell checker. Ideal lor a wide 
variety of correspondence and official documents. 



A flexible SPREADSHEET with more than 50 functions, 
simplifying the most complex domestic monthly budgets or 
commercial cash flow forecasts. 



A versatile DATABASE which a simple to use and powerful 
enough to deal with anything from basic address book 
functions to club membership lists, and business records, 

• Incredible GRAPHICS with more than IS types of graphs 
and charts available to brighten up your presentations or make 
your month by month financial situation as easy to appreciate 
as possible. You can even make use of eyecatching 3D effects! 



A supremely friendly DISC MANAGER to make using your 
Amiga as painless a task as possible, 



• TT-rrr'" I 



I i_ 






i i ■ — i 1- 






WordproteiKw : Compose a 
letter, check VOW spelling 
with the iff, 000* word 
dictionary, miilnwgc details 
Irom a database tile, jiIi! 
yrjrjh-rs, wrap text a'ound 
ft, tud ASCII text, hwjhligN 
wittl bold, italic and 
underline., and morel 





Graphics: Enter data direct!/ 
or load 'rem the spreadsheri 
or daiaoa.se. produce pir 
clwif with exploded 
irgmeiisi. cnsplay bar tr«Ti* 
side by Side or stacked, 
overlay your graphs on an 
m ported IFF picture; add a 
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and morel 



Database: Build up a 

versatile card index, 
incorporate up to 50 Fields 
with 70 characters each, use 
search and replace to modify 
data, do powerful mutti-tntd 
sorting,, perform arithmetic 
functions... 4ftd morel 




p— "=■— — , "HK/ 1 







Spreadsheet. Pre par? 

budgets or tables,, alter 
column widths, insert or 
delete colunlnj, cut and 
paste data, lock blocks, 
choose From over SO 
functions... and more! 




Disc Utilities: Avoid the 

confusion of Workbench, 
create bootable files, Formni 
discs, copy files from dist in 
disc; make directories; ctetete 
and rename files, make 
multiple copies of your disci. .. 
and mote! 



e 



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S O F T W A R E 



o 




f you use your Amiga for anything 
besides blasting Space Spuds from 
Planel Londo, ihen you'll appreciale 
fnpoflanoe of quality fonts. For desktop 
they make the difference between 
look-alike documents and attention- 
designs. 

:*o producers require fonts that are 
enough to be read on fuzzy TV dis- 
but distinctive enough to grab atten- 
Earty versions of Amiga DOS supported 
, ow-resolution bitmapped fonts, which 
t *ine for screen display (if the font hap- 
-ed to come in the size you needed), but 
■cd terribly biocky on the printed page. 
i-'gaDOS 2.04 and later support 
■npugraphic outline fonts, which can 
s*» be resized to provide top-notch results 
both the screen and printed page. 
Ifca perfect panacea for font users, nghl? 
muld be, except thai the PC and 
losh ptatforms standardise on Post- 
and TrueType, not Compugraphic, as 
w ton! formats. 

because of this, there are ihousands mora 

s available in those formats, ranging 

free TrueType fonts to professional 

TScript fonts lhat cost hundreds of 




Soft-Log ik's newly upgraded TypeSmith 

I lets you convert both PostScript and 

T«*p»Type fonts for use on the Amiga - now 

fau can find virtually any typeface for your 



"/peSmith allows you to design your own 

rtface and save it in any supported format. 

n fact, TypeSmith is primarily a font 

gn and modification editor, although 

Amigans use it primarily lot font con- 

, making only minor tweaks to type- 



TRUETYPE 

biggest improvemenl to version 2.5 is 
T» addition o! TrueType support. TrueType 
font slandard used by both the PC's 
■Wows 3. 1 and the Macintosh's System 7. 
The ability to convert TrueType fonts to 
Compugraphic or PostScript formats gives 
«ou access lo a huge library of inexpensive 



fypeSmlth has always supported 
PostScript import (Type 1) and export (Types 
a-m 3). Release 2.5 features significantly 
motor hinting for PostScript fonts. 

~ie program will also toad and 1 save IFF 
JR2D drawings (allowing you to create or 
-cdrfy characters in a drawing program, or 
clip art into a font), and load (but not 
i fonts in the Original PageStream font 
The program's native font format is 




1 ""»' '■ 



_ 



• tin I fen Is in any xtylo, and jtt 

in total contrast via mptlttaa 



If- 



Pauing 



lupeSmith has teen upgraded Haw — 

tfau ran use every popular font in — 
enisteme. Benny fltkin reveals aft — 




the inaq 




Looks fmmUimr, but ft'r »H 
champs inalda tha software 

BFF. an IFF formal lhaf allows for very lasl 

loading and saving, bul is so far only used by 
TypeSmilh, 

You can also load and save bitmapped 
fonts (standard Amiga bitmaps, PoslSchpl 
ABF. or Soft-Logik format), as well as Amiga 
IFF bitmap pictures (useful if you want to 
scan a printed typeface). 

New commands to remove unnecessary 
points and correct path directions to 
PoslScript standard are handy for both con- 
verted and traced fonts. 

TypeSmith's font editing features aren'l 
changed in this version, but they were 
already pretty complete to begin with. 

Using an interface similar to 
PaggStream's, wilh multiple ediling windows 
and a floating tool bar, you can load one or 
many fonts, and simultaneously dispfay mul- 
tiple characters from each font 

You can copy, cut, and paste characters 
from one fonl to another, a feature useful for 
adding missing characters, such as the 
pound or copyright symbols, to incomplete 
fonts. 

Outline fonts are edited using splines. You 
can also create and edil bitmap fonts, 
although TypeSmilfi's features are geared 
more for outline use. 

Characters can be rotated, flipped, or 
skewed (useful as a start for creating an italic 
font) individually or throughout the entire 
font, A help bar at the bottom of the window 



TypeSmith is the only game in town when it comes to creat- 
ing and converting outline fonts on the Amiga, so Soft-Logik 
could easily have rested on their laurels and expected It to 
sell itself. 

Instead, the company has taken an already good program 
and made it nearly perfect, There ere still a few nits to pick - 
autotrace could be made a bit smarter, for instance - but 
overall it's a wonderful program. 

If you use your Amiga for desktop publishing or video 
titling, this program is a must-have, as if opens the door to 
using virtually every popular font in existence on your 
favourite computer. 

And if you own a PC or Mac along wilh your Amiga, or use 
an emulator, you can use TypeSmith to convert typefaces, so 
you can have access to the same typefaces on all the plat- 
forms you use 



Almost 
perfect 



always displays I he function of I he gadget 
under the mouse, making it easy to learn 
how lo use Ihese features. 

If you wan l to sample your handiwork, 
TypeSmith allows you to print samples of 
your fonts. Earlier versions of the program 
would only print individual characters or a 
limited sample of the characters. 

Version 2.5 will prinl a complete lont refer- 
ence shoe!, with samples of all the charac- 
ters printed next lo their ASCII values 

A." 



.h«m. an • 



■ h l|U 4** b, h 1 1 iili, 




I "" " ' 

. l*m.M* 



U "'"" *"" 



--■» -I 



Thanks to the now version you can now <n?r a 
complete prinl -out of your entire chiraclrr **t 



SYSIEm I SSEflTIHlS 



RED 



BLACK = Racorniriencled 



<5£> 



2Mb 

Wo rkbench Memory (*is % chip* 



3 



2Mb 



Memory 1 1MA+ tuns, Hard drive 



Tj 



IhQ bottom line 

Product: TypeSmith 2.5 
Supplier: Soft-Logik 

Price: $199,95 
Tel: 314-894-3280 

Ease of use 

Implementation 

Value for money 

Overall 



8 

.9 
8 
8 



Amiga Computing 



NOVEMBER 1994 




A 



8UT FftaM HARW0OD5? 



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your fingertips. Combined with its user 

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Amiga Format, when reviewing word 

processors, said there was "little to fault 

Pen Pap, Quite a prediction it seems as 

in a later feature they confirmed Pen Pal was "still the 

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If you're not already a Pen Pal user, we hope you soon 

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rthe current Best Seller is bound 
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i 

Pen Pal is a superb package with immense 
power to fulfil all your Word Processing needs, 
and... a truly comprehensive Database too! Pen 
Pal is easy to use though and the extensive 250 
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Users frequently tell us that they've never found 
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nkfl Word Proctuer; Open multiple dnemm'iitu ninnUtaiif- 
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! k thfiifaisv: With S2 fields per record, .UtHUt record*. 
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Remember that just like other SuflWiHtd I'roduds. 
t'en Pal comes with free telephone support! 

Ptfi t'al if eompalibte with mtf Amiga • fmrn the H.flWfn ihr lnttst 
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Available fount all gwut Amiga miftifare det/trn itr SnftWaod. 
Pleau plume 1'iir a li\f i>f mttumwide stackisis. 



■■£•&£'&" 



SoftWood 



htf a|a*Ha|fc|a 



Ntw Street Afam ttcrbnkire DEIS ?Hf 
Tekphttne: 077A SI 1606 Facsimile: M73 ftJim 




ojarpi 



spent time installing additional twdwa 
will know, actually tilting and configuri 
hardware can often make you wish you' 
saved your money and sluck with wtiat yi 
had. 

I must admit, after reading through t 
insiallalion procedure I had an impendi 
feeling of disaster. In most cases, install! 
means removing Ihe case and perhaps n 
ting a few jumpers - not this time. 

In Ihe ease of the Warp there's lew 
any, jumpers to be set. However there was 
Uie minor inconvenience of dismantling the 
enlire machine. 

After getting half-way through, the only 
thing left in Ihe case was the motherboard 
Quite- literally everything else was out c* 
the desk, 



>^J) 



options 



s technology marches ever onward. 
even an 040 A40Q0 can be found 
wanting when it comes to rendering 
and using other high-end applications. As a 
result the race is now on to squeeze even 
more speed from: ihe machine, 

As it stands there's two schools ot 
thought, You can either pump up the exist- 
ing technology or opt for power of Rise 
technology and parallel processing. 

Although the latter offers astonishing per- 
formance, way above that of even the 
Fastest 040 or even 080, it does have two 
major drawbacks, namely huge expense 
and very limited compatibility. 

We'll took al the risk options later, and 
concentrate for ihe time being on ihe only 
approach to 040 acceleration which guaran- 
tees compatibility with almost all your exist- 
ing software, while still delivering rendering 



Although we tested Irie lastest Warp configuration, there's a number of 
alternatives including a 2SMHz. 33MH2 and 40 MHz board, if you're wor- 
ried about upgrading, (JSMacroSy stems claims it's possible to upgrade 
Iron both the 28MHz and 33MHz lrj the 40MHz very easily. 

It s also claimed that the standard board will be compatible with OGQ's 
when available. 

Like thr? 40MHz version, the MM Hi system comes complete However, 
the 26MHz uses your original CPU and clocks it up slightly. It's Ihe DMA 
that makes Ihe real difference - and should provide a very noticeable 
uprovemeril in the speed of applications and even rendering, 




speeds - in some cases Ihree times that ot 
a standard 2SMH2 040 A40Q0. 

Vdu may well wonder quite how such an 
increase in performance can be squeezed 
from an 040 without melting the CPU in its 
sockel. 

An obvious option is to increase the MHz 
of the chip - which in the fastest Warp 
Engine means swapping your 25MHz chip 
for an 40MHz, 

MONSTER 

Although this would make a difference on 
its own, it hardly accounis tor a near three- 
fold increase in rendering times. However if 
you combine such a chip with DMA - direct 
memory access - aelually on the CPU's 
daughter board, you have the makings of a 
monster, 

Due to the basic design of the A4000 
memory access, the motherboard of the 
machine doesn I even come close to Hilling 
the potential of the on-board RAM. 

Thanks to the Warp, the RAM being 
linked directly lo the 66040 bus, access 
leaps by more than a factor of four. 

Not surprisingly this means the Warp 
Engine provides jaw dropping performance. 
And of course there's the added bonus ot a 
fast SCSI II controller also built directly onto 
the board. Add all of the above tog el her 
and you have the fastest all round, none 
Rise-based acceleration and daia transfer 
system on Ihe Amiga, As anyone who's 



DISMANTLING 

The plastic front cover was Off, followed* 
by the floppy bay, then the hard drive anc 
finally the original 040 daughter board. The j 
only ihing that you don't need to touch arej 
Ihe Zorro slots - thanks to the fact that the 
entire Warp assembly comes on a direct' 
replacement for the aforementioned da ugh- , 
ter board. 

The fact that you can leave your Zr 
slots to their own devices - no pun 
intended - ts another bonus of ihe Warp 
Engine. Thanks to the daughter boat! 
replacemenl you obviously don't sacrifice 
a Zorro for the extra speed - and oli 
course the on-board SCSI II controller 
saves even more valuable Zorros, not lo 
mention cash. 

After contracting the usual case ol instal- 
lation rash Irom the razor sharp pressed 
steel interior ot the machine, it was time to 
pop In the new daughter board, throw all 
the bits back together and boot the 
machine - installation disk al ihe ready. 

Surprise, surprise, it booted first time. I 
checked (he menu bar and all the memory 
had configured perfectly - things were 
going, a little too well. What the hell, lets try 



....•■-i-jsjmi-^Liii- Uiwiiiliirll Irakis & 


E7 


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1 


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ijjj' 


.TIi;-: Bprrrar^ 


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1 aS-w 




Amiga Computing 



NOVEMBER 1994 



G R A P H 1 C Si 



Qdriue! 



ZZ, ■« Rustin goes batdk 
b&md the BSfUHs 



-g'i i! 
vondn 
islallir 
ips set- 






tamer wi tti the did of 
the Warp Fngine 




ie onr) 
rboarc 

OUI 0' 



few, 

ire was - ejs test - million of instructions per sec- 
ling the' xC After firing-up Syslnfo and clicking on 
i*« speed test, a whopping 3D. 5 mips 
wppeoHip as opposed to the usual 17,5, 
*r I still had the installation disk in my 
■Kfcy mitt? 

Br listing the instaM disk, II soon 

me clear thai the board doesn't 

ily require any configuration whalso- 

- the only none essential option 

a ROM Remapping utility, which if 

employs 51 2k to remap the 

ich are naem ROM, thereby speeding up intuition 




hat the' 

direr 

dauglv 



Leaving l his aside, the disk's sole pur- 
acse in life is to format and partition any 
•wrt drives you may wish to use with the 
tMft-<n SCSI II controller. 

ability of the board lo work first time 
rT*-out the assistance of any additional 



Atairtf 

nindarod in m 

traction of ihr 

(litie, thank* (a 

ttl* povuttr 

Of the Warp 

Engine 



software is just one of the many testam&nts 
to the inherent quality of the product. Over 
recenl years I've had the pleasure and 
•sometimes pain of using and reviewing 
quite a number of accelerators, the vast 
majority of which all demand at feast some 
sort of software intervention to operate 
properly - but not this time, plug it in and 
you're off. 

REFLECTION 

Although I've msde a point of the physi- 
cal problems associated with install all on, 
it must be stressed thai this is a reflection 
on the cramped and curious design of the 
A4000 rather lhan the Warp Engine. 

As far as the Warp was concerned, you 
only need do two things; plug it in the slot, 
and turn on the machine - installation com- 
plete, the tricky bit was the former... Aj»f 



Oh of the big advantages ol the Warp Engine 
IN ability So use your existing RAM. This is 
ire <or both, (he 2WWi and 33MHz configura- 
tors but m the case of foe 40MHz board you 
a»AJ run into problems. 

* no ugh the latter will work perfectly with 
•oil 80ns and 70ns 72 pin sims, it's only ai its 
:*£ with BOns RAM, Unfortunately il's almosl 
artain (he RAM shipped with your machine was 
«r«r 80ns or 70ns. 

As a result, investors in the 40MHz board 
*it need to shell-out for faster RAM if Ihey 



want the board a! its very pest. However, it's not 
essential, and in lact we tested the board with 
70ns RAM by adding wail slates, and as you 
can see Ihe results were still pretiy impressive, 

Thanks to some inspired design work it's 
even possible to mix and malch sims of varying 
sizes, ranging between 4Mb. 8Mb, 16Mb and 
32Mb, giving a theoretical maximum of 128Mb 
within (tie four sim slots provided, 

There are occasional restrictions to ensure 
ihe RAM is contiguous - fortunately all is 
explained in the brief but impressive manual. 



Uerdirt 




If you've got the cash get the card. 
Although Ihere are a number of 
acceleration systems lor the A400Q 
and A3000 this Is far and away the 
best yet. 

The only real challenger Is GVP'a 
G-Force 040 which costs roughly 
the same price but has the disad- 
vantage that it requires SVP's own 
sims. In addition the planned SCSI 
II add-on still isn't shipping. 

If Ihe boasts of up-chip-abihly 
are true it's unlikely you'll ever 
need to upgrade. All m all, an excel- 
lent product thats both reliable on 
all applications and better 
still, expandable. Very highly 
recommended. 



Warp speed 



Obviously rendering is Ihe primary target tor Warp Engine but general 
application speed also rockets. During testing we ran the following 
as a tasler: 



LightWave test 

Using Ihe slandard texlures exam- 
ple rendered at video resolution 
752 x 576 with low anti-aliasing. 



Normal A4000 25MHz 
Warp Engine 40MHz 



16.17 mins 

6.43 mins 



ADPro test 

Using internal IDE drive, a video 
resolution Jpeg image was loaded, 
scaled down by 75%, converted to 



a negative and rendered as a MamS 
image using small ordered dither- 
ing. Process automated via 
ProControl. 

Normal A4Q0Q 25MHz 23.92 sec 
Warp Engine 40MHz 14.07 sec 

Il's worth stressing that all applica- 
tions which regularly access files on 
dish - lmagine2/3 being prime 
examples - would show even big- 
ger improvements when employing 
the Warp's SCSI II controller. 




svsnm EssmiiRLs 

RED Essential BLACK ■ Recommended 



A40OQ/A3Q00 












60ns RAM 




la 


I'JMHa ran 


an 



a 





(Tleniorii 

warning 



1 



Woachball, Flop* 
and Men res I 

ijTdHvrdu.i!!y point 

towards f he 

pnwrr of tnc 

Warp Engine, it'a 
enty when 

ih&y'rts put 

togtthmr within 
flit application 
tttat rem **■• fft* 
teat effect 



Amiga Computing 



NOVEMBER 1994 



The bottom line 

Product; Warp Engine 
Supplier: Premier Vision 
Pries: 23MHz without 040 m £ 599 
2$MHz with $40 e C799 
23MHz with 040 = N/A 
40 MH? with Q4Q = £1 199 
Tel: 071-721 7050 



Ease of use 

Implementation 
Value for money. 
Overa I ^^_^^_ 



.10 
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_8 
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UPDATES 



■I 



The lighter side 
of life 



Ithough undoubtedly one of the 

friendliest modelling and animation 

systems on the market, the pure 

r e*f and variety of features inevitably 

-j-t .. uhlwavc, and il s accompanying 

- : :t er, a tough nut to crack for &ven 

pc« -feed 3D nnthujimsts 

e -eally needed is a little hands-On 
h«ce from a real expert. Thankfully, that's 

■acfly what's on offer courtesy of Desktop 

Mhough formally only available to our ex- 
Mamal cousins in the Slates, Lee- 
fcanahan's series of Lightwave and mod- 
mmr rjtonals are now out in PAL. 

-"yone who's waded through a fairly 
•crucaJ manual will know, ten minutes with 
mtaQerl often equates to exactly the same 
•tng - minus a couple of days of head 
Botching and frustration. Thanks to Mr 
•jonahan, this old adage is now proven 
:-: : 'i S\ ocubl 
As luck would have it, our omnipresent 
ier is not only blessed with a wealth 
:' «*owiedge and a natural air of confi- 
ne--.; e but also a dry wit which goes a long 
«ay towards negating the trip to the dentists 
■•Sing all too often associated with tutorial 






Durmg Lightwave Essenlials, our hero 
fifcrs off gently with a guided lour of Layout. 
Mm existing users will already know. Layout 



Pro-IeriturGS 



is by far the simplest 
element in rhe 
Lightwave repertoire. 

With (his in mind I 
sal back, fully expect- 
ing to learn very little, 
confident in the knowl- 
edge acquired during 
six months of hard slog 
wilh manual and soft- 
ware. 

At which point Mr 
Stranahan pul me firmfy in my place. 
Obviously most people will bo pretty au fait 
with the basics, but when it comes to time 
saving, tricks of the trade and basic wont- 
ing methods, a few choice comments soon 
translate into hours saved in design and 
rendering times. 

As the name suggests this, the first in 
the series, is fairly basic stuff and doesn't 
touch on some key stumbling blocks such 
as surfaces and the application of texture 
maps. 

However, what is provided during (he 
two hour mlroduction to the six -part cotlec- 
II on does lay the ground rules and may 
well provide enough informalion on its own 
10 cater for those who aren't likely to take 
their Lightwave creations any further than 
the ubiquitous flying logo. 

A gentle, but never the less essential 
introduction to the art of Lightwave anima- 
tion. Picture quality could be a little better 
though - no doubt due to the NTSC 10 PAL 
conversion. 

Nevertheless, I'd recommend every 
Lightwave user to watch it. The time saving 
tips alone will soon cover the initial outlay - 
highly recommended. 

Supplier: Desktop images 

Tel: 0101818 8418980 

Price: $49.95 





85 the lightwave 

invasion gathers pace, 

flmm [fffflputmg looks 

at video tuition and 

some amazing 

seamless tentvres 



Dmm Update 

For those who caught our September issue 
and subsequently rushed Qui to invest in a 
copy of Dynamic Motion Module, only lo dis- 
cover il didn't work with the new standalone 
Lightwave - don't despair. 

Like many third-party developers, Positron 
were caught unawares by the arrival o( 
Lightwave 15. However, the incompatibility 
problems have now been eradicated and 
updates should already be shipping, 

Contact Positron Publishing on: 0101 402 
4936280 



WiiSi the sudden profusion of CD-Rom and assorted tex- 
'.re collections, there hardly seems any room left lor yet 
another collection ol textures. 

However. In a seemingly flooded market Ihe Pro* 

"^lures combo collection does have one huge advantage 

over the opposition. Unlike almosl every oiher product on 

he market, Pro-Textures oilers the ability to tile 

^amlessly. 

Not Ihe kind of news to send most people gaily 
"Wping through the fields naked in a slate of 
.-controlled euphoria, unless of course you're a 3D fan ol 
course. 

The big problem with most textures is that when rapped 
around any 3D model, a very noticeable seam runs down 
he object Noi the case with thiscolleclion. 

After whal musl have been a torturous process, each 




Say ftoodbye (e n«ni court *ty of Pra-Tarlarex - 
enenlul aotl warn for »HoiJl 3D tana 

edge matches precisely with it's opposite number. As a 
result waves glide off inlo inlinily, bricks wrap effortlessly 
around walls and so on. In total, you receive 24 tenures 



over eight disks, each provided as a Ham, GIF and 24-bit 
Jpeg, Being an American import, the resolution 
is 736 x 4S0 which obviously will require some 
image processing for use as full screen backdrops, 
However, this isn't really what the collection is 
intended for. 

Purely thanks to the seamless texture mapping. I'd 
say the Pro-Textures series is a must lor any self 
respecting 3D enthusiast, And of course, although 
ideal for Lighiwave, Ihe collection is equally at home with 
Imagine, Real 3D or whatever package you prefer. 

Supplier: Visual Inspirations 

Tel: 0101 813 935 6410 

Prices: $99.96 



Amiga Computing 



NOVEMBER 1994 



EJ 




AMAZING OFFERS 

ON 3.5" DSDD DISKS 



25X3.5" DSDD 1 35tpi DISKS £8.95 

50X3,5" DSDD 135tpi DISKS £16-45 

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QUALITY MOUSE MAT £2.50 

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3.5" HEAD CLEANING DISK £1.95 

AMIGA EXTERNAL DISK DRIVE £54.95 

AMIGA REPLACEMENT MOUSE £12.95 

AMIGA A500 DUST COVER £2.95 

AMIGA A600 DUST COVER £2.95 

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+2X100 CAP. BOXES 



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OUR FLIP TOP STORAGE BOXES ARE OF A HIGH QUALITY 

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ROBOSHIFT MSE/JSTICK SWITCH £12.95 
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AMIGA STEREO SPEAKERS £17.95 
AMIGA PRO STEREO SPEAKERS £54.95 



THIS MONTHS SPECIAL OFFERS 



BANX TYPE STORAGE BOX 

THIS VERY POPULAR DRAWER STYLE BOX IS IDEAL FOR STACKING, 
BOXES CAN BE LINKED TOGETHEH HOHIZONT ALLY AND VERTICALLY 

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VISIT OUR SHOP WHERE THESE AND MANY MORE 
PRODUCTS ARE ON DISPLAY ALL AT LOW PRICES 




PLEASE ADD £3.50 FOR P&P 

< U) K MAINLAND ONLY OTHER DESTINATION S WILL SE CHARGED AT COST) 

CHEQUES, P/O'S TO:- 

MICROMANIAoeptAMP 

74 OLDBURY ROAD, ROWLEY REGIS, 
WARLEY, WEST MIDLANDS B65 OJS 

TEL: 021 559 1002 

ah cftari sublet to availability, aii prices subject to change without notice. E.& O.E. 







i 



HARDWARE 



Hi— 



01 has never been one- of 
Commodore's strong points. 
Advertising, that is. This latest oper- 
tag system upgrade is no exception to that 
we OK. perhaps that is a bit harsh bearing 
: Their current problems, but their veil 
r i a uu cy does them no good a! all. 

»Kickstart and Workbench 3.1 have 
sr -eieasad with the usual lack of fanfares 
i saremony. Even more surprising, is the 
t ft§t Commodore haven't released it 






id they opted to contract out to a 
e-party organisation, Village-Tronic - of 
Hcs&sc II fame - to blow the ROMs and 
»rt ~- manual!; 

aurvch was very high profile {not) wilh 
I bpbI mention In a couple of magazines. 
"*■* *Ajme of the sound was little more than 
i »*%sper. 

to upgrade has to be the most expen- 
M» .-et' Release 2,0 started life at around 
3C x The average man in Ihe street and this 
mt taty will set you back a cool EM 00. 

worse, there are two versions of the 

kit, depending on which Amiga you 

For (he A50Q.' 1500/2000 owners, the 

hcxstart version is 40.S3 on one chip, while 

• A3000 and A40Q0 owners get version 

5c on two chips, yet both are release 3,11 

nfused? You will be! Alrighl, you have 

,',-ith your hard earned wonga and 

I'unously opened the parcel which Has 

at your door. (It is loo large to fit 

r the average letter box). What do you 

tar your hard-earned cash? 

.: thing, you get is the rather roughly 

Workbench 3,1 and Amiga DOS 3.1 

These are obviously not the usual 

ngs from Commodore. 

colours here. Instead they have a plain 

«wt cover with a rather stark Commodore 

05c m black and the manual's title on the 

held together with a cheap plastic 









. look rather shoddy to say the least, 

j Ten who reads manuals? Lei's he hon- 

tftese wouldn't even look good on a 

<*r OK, they go back into the box, never to 

V wen again. Like I said, no one ever reads 

mjais unless something goes wrong. 

Workbench disks am the only items 
ric look like they have come from 
taamodore, and are the same standard 
■ue tor both upgrade versions. 



H little colour 







JiUiiU'J ■■- ■ ■■■■■ -.■■-■■ f.J.>ij±l> fi.^*u=i-!J-Jaj.-:ifj: 



| ,L.j. ,jr.^.:i J..JJ..L. 







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SI 

H<ric KHj 
Kittle Hi 
(WM If 

I** ItV 

Ef "tf 



elicit 



TwiniLSfrr^ 



JUL 



Add a Ptcjiso lo a non AQA machine and 
jw*i can mvmn mtoy a 23b coJnur Work bun l- h 



The Workbench 3,1 manual is basically 
the same as its predecessor, both having 
been written by the same team on a variety 
of Amigas, 

There is additional information in chapter 
one regarding the selection of monitors, lan- 
guages and keyboards, and chapter two 
expands on using pointers. This seems 
strange, as l his is an up-grade and many 
users will already know these operations. 

The pictorial screen representations (i.e. 
screenshols) within the manual are not as 
clear as in the original manuals , bul this is 
compensated for in the additional informa- 
tion and clear explanation of Workbench 
and its functions. 

MANUAL 

The initial "cheap and nasty" feel of the 
manual soon subsides as you realise that 
ihe book will stay flat on the desktop or can 
be folded over because of the binder. 

This is certainly a well written manual, 
and more surprisingly it was written by 
Commodore, VillageTronic make no apolo- 
gies for slating thai it was self-printed by 
them, although you do get the impression 
that they perhaps used Pagestream to do It. 
There is practically no need to buy a Ihird- 
party Workbench book, Ihis has It all. 

A very welcome addition is an appendix 
devoted entirely to AmigaGuide. whtch for 
some people has caused frustralion under 
Workbench 3.0 by being called MultiView 

AmigaDOS 3.1 is a joy to read! This is a 
mega-upgrade to the original. Not quite the 
incentive lo roll up your sleeves and get 
your hands dirty, but at least all the informa- 
tion is there in front of you if and when you 
take the plunge. 

The book even begins by explaining how 



of you who expect an improvement in the number of colours available for 
snch are in for a big disappointment. This upgrade does not turn your Amiga 
«n AGA compatible. 

Ml is unless, of course, you have a 24-bit graphics card in your Amiga, With a 
Jtavtoy card, such as the Picasso II, you can select a 2S6 colour Workbench with no 
*m& at all - who needs the AG A chipset? 
palette editor in Prefs really does show Ihe colour wheel which was previ- 
ammmtf otity accessible with an AG A Amiga, ECS owners wilt not be able to see this. 
1 a bar is shown with the words "colour wheel". Vau must click on this bar to 
up another screen, Clumsy, but effective. 
While in the Prefs drawer, IPrefs on non-AGA Amigas will not allow 
taTrnmotinn This feature effectively de-interlaces the display to prevent flicker, 
inquires the AG A chipset. 



. 



AH th» ififvnrtjition (Mi ttim 
new OS courteajH of Sysinto 



Operation 
hichstart 



toother operating system, another 

upgrade, tut can ihis one outdo its 

predecessors? tfeuin Hitching finds out 



to use the manual, and takes three pages lo 
fully explain this. Easy or what? 

There are more directions and cross refer- 
ences lo sections than an insurance docu- 
ment - the difference is you can read and 
understand this. A complete novtce can he 
up and running in no time, it really is that 
simple and well laid out. 

Now, down to the bones of the upgrade. 
The main ingredient of the package is Ihe 
chip or chips, depending upon which Amiga 
you have, 

This has a small white stick-on label with 
the words 'Kickstart 3.T typed on it. Again 
rather cheap looking, but once inserted into 
the Amiga's ROM socket, no one will ever 
notice. 

Fitting is very simple for anyone with nor- 
mal eyesight and a reasonable level of man- 
ual dexterity. All you have to do, observing 
the usual anti-static precautions, is identify 
and remove the old ROM and insert the new 
one. This is done, preferably, with the Amiga 
turned off I 

If you have never removed a chip. 0% is 
the most traumatic part of the operation if 
you have changed a chip, all you have lo do 



Amiga Computing 



NOVEMBER 1994 



E 



• 



HARDWARE 



*$ try to stay a wake. 

Remember, you will probably have to 
remove most of the Innards of the Amiga lo 
do this, especially on the A2QQQ"! Anyway, 
here s one we did earlier.. 

Alright, the chip is snugly in its new home 
and you can power up the machine. The 
immediate difference is that the normal start- 
up that Kickstart 2 gives, in the form of a light 
gray screen, has gone. 

The machine now looks lo have crashed. 
All you get is a quick grey flash, the screen 
goes black, and your heart misses a beat. 
Only the hard disk activity light gives a clue 
tnat the Amiga is booting up as normal, 

When the Workhench screen appears, it 
now has a white title bar, identical lo Ihe 
A4000. The speed al which Workbench 
loads is a little faster than with Kickstart 2, 
which indicates that there are some welcome 
changes in the ROM to boost performance. 

The next exercise is lo install the- sijt 
Workbench 3.1 disks lo the boot partition of 
your hard disk. This is simplicity in itself, 
being totally idiot proof, which is just as well 
as there are no instructions. 

Just insert the Install 3.1 disk into the disk 
dnve. double-click the Install icon, select 
your language and away It goes. 

OVERWRITE 

Commodore have used their standard 
installer software to overwrite your old ver- 
sion 2.x tiles, and the whole installation is a 
doodle. The software is all version 40.xx and 
takes up less disk space than Workbench3.0 
did. After the disk swaps have been compil- 
ed, all lhal remains is to reboot the Amiga 
and sit back. 

Many disk operations are faster, and so 
are the screen updates. The maths libraries 
have been reworked to provide extra speed 
with some applications, although I he re are 
PD versions around which are bolh smaller 
and much faster, 

Generally speaking, the new software is 
the GTi ol Workbench releases. And yet. 
strangely it seems, ihere are some die-hards 
out there who insist on staying wrth Kickstart 
and Workbench 1.3. Come on people, wise 
up, no One is writing for the aid system these 
days. Move with the limes. 

Workbench 2.x users will find that l hey 
now have the ability to display graphics and 
lext on workbench, thanks to the Datatypes 
of Workbench 3. 

Even non Amiga Mistypes such as the 
PC's PCX and BMP graphics formats can be 



— w 

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jTJ^J'dSU 



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A ifiimplrlc brv.ikdauvn at vysfrm 

information nt row lingrrtipt 



-Lsosa 



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\ 5 D. jBTlMfl 



Alt Ihs old icrmmn 
mvtSms pint much 
more thank* fo Ms 
mddrd power PicaBf-o 



Cheaper 
pro5pect5 



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□ 



In time, the price may fall, as it did with Workbench 2, but at the 
moment. Ihe quality of the product set against the usability does 
not equal thai much dosh. 

An interesting note is that the upgrade will not be available for 
AGOO or A 1200 owners, and there are no plans to offer any 
upgrade in the future. 

This is definitely art upgrade for those with "big box" Amigas 
who must have the latest operating system. After a while the 
newness wears off and you realise that It's Just another operat- 
ing system. 

Programmers (official Commodore developers) already have 
Kickstart «4Q.6B which they can soft-kick into memory. The point 
is. at the end of the day, if end users will not shell out £25 for 
KKhstart 2.04, who will part with LIDO for Kickstart 31? 



Amiga Computing 



NOVEMBER 1994 






»» pi-mtr Pro* run* mmn ■•■p 



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Int.fr up*. I H«iton 



"""" I **»""* I *"'«" I Lack» I 



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displayed in a window. There is support lor 
some CO operations too such as CDXL (CD 
animation files). 

Yes, Ihe software carries CD-ROM sup- 
port. This is not as good as Ihe PD 
AmiCDROM system, but al least it works. Ihis 
time! 

The formal command now gives additional 
options too, Directory cacheing allows faster 
window updates wilh the FastFileSystem. 

So far everything sounds too good lo be 
true, I must confess thai I have some reser- 
vations about the reasoning behind this 
release. 

Kickstart 3-1 was announced as being in 
the A4000T by Commodore. The version 
number of that chip was 40.70. Now it is 
common knowledge lhal the A40OQT has 
never seen the light of day in the UK, so 
therefore no one knows if the chip does sup- 
port Auto-Booting from a SCSI CD-ROM [as 
promised by Commodore). 

A little defective work reveals lhal 
ViflageTronic were going to use version 
40.70 ROMs, but here is the crunch - there 
were timing problems with the SCSI bus and 
it simply would not work with the 040 acoal- 
erators out there. 

So. a compromise was reached - use 
a version that does work, Simple, just go 
back to an earlier working version tested by 
developers. 

Consequently there is no direct support for 
CD-ROM and no real difference in perfor- 
mance on the A400Q (other than a speed 
increase on accelerated ECS Amigas). 



So what is the point of ihe costly upgrade' 
Well, tor Ihe ECS Amigas (A5QQ+- etc.) the*! 
are no real additional benefits. Okay, the ira 
bar and pull-down menus on Workbench an 
now black on while. This looks more pleas 
ing than the previous attempt. But these an 
just Ihe "balls and whistles." 

Workbench 0,1 is definitely for hard drs 
syslems only. Six disks are a lot to Swap v 
a floppy- based system, Some software wn 
ten with Kickstart 3 in mind will work, but i 
the AGA chips are required, you've had I 
Game over player one. 

The situation is even worse for A400I 
owners. The changes are so subtle thai th 
definitely is a non starter. The software doa 
not drastically outperform the previou! 
Workbench 3.0. Not for 100 folding loke.ni 
anyway £& 



Ihe bottom line 



Product: Kickstart 3, 1 

Supplier: Blfttersoft 

Price: £100 

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JoysiKf Splitters 12) ,..„„. £5.99 

Joystick Extervs»or> Leod 10ft, „ £5.99 

Printer Leod , £4.00 

Amiga 1 200/ 500/ 5Q0P/ 600 £4,00 

Commodore/ Phili ps monitor 4 , .£4. 00 

Stor/Ci tizen •■' Panasonic Printers ,,....,,,,.£4,00 

■ l!l!.IWl:H:l|.Hi«imim 

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At SoftWood we have o 



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them! 



...wLJKont just rest on 

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Hunt even harder to May ahead of course! New Final 
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more powerful. It s the best there Is, and it's 

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At SoftWood we offer you a choke of two Word 

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But why TWO? 

Well, this means that whatever specification 

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gntt ■' and Filial Miter an tbe onfy wotdpraxmn thai 
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:£ i smooth Industry Standard Adobe™ 
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'Ulmt the Papers Say 



Amiga Shopp«,„ t-'inut •S*f :■■ ft efcsM ■■ ■>.-=: (o Mawfl k'fmtto 
.■ Ji if* ,i nr^r Amiga Comput"*]-. hurl < jtfr II ihtat "But 
WPtKklfp' Amiga itiftpfwr.,. fi' WK liwc ays a pod reasupi .Vj hn r 
■' \i/ur .inti/pi fruit! K'/wrrh ibtit nanon Ami^M Won! 

m ■„'■. ■ i::i unto final Friar" Anwji Format,,, Pinal 
II u Tic Be* Want Publisher Amiga Pre... la io*$OH i 
Ibnirorr^ j). hnai U ri;,,v 1 n mV, it , ■■»■ anil u a damn 

■ .:•:. ■ Amiga User Inlernatinrial,.. Ftntit 9'nter is d fxxn>rfnt 
pvpum Uwi pnnlut if. rirji',' in n attn Amiga Comput'iMf... : 

fn»«f if itiii.'f rfn 1 nmuJ u.-Hii'i.nnrfiJik' .twifcn Kf'ftW CU AflBJS-.. Una! 
- -.1 ,■»■ ■!■ ■ r.'n ■ «.>" . it.'!. „nn, ■ ■■-!■ ,|ni,-. r j Amiga Format.. 
Id/fjfjr Fiml Ifflftr hit Wi.ntittftb Ijf - /(*»< tfWfcr 6 «Jbp fd (M 



Finn/ Writer, extending huwvtttioiL. 



\ ■:.:■ ,,- then arejvst starting to add similar feaium 

saying they're reoatudoruay', Pinal Writer extends tbe 
intiiHtitmti further with FastDrait Pitts'" - adding 
a/enfostur and morvfuntttoMl qptiota, Utdttdiitg a 
new rotate ammartd. Final Writer Hutense 2 is iu\u\ti 
lettdiii)* the tut} 1 utttt the imroductism of TatichTook H 
and Fowcrt'ser Bar™ tecbrtotsgfe 1 fn t» faaatra 
giw the user a definable arett at ifoe Up uftitk'b doat* 
merit window aha* itp la dgjti "une-lumh" button 
strips can he confiffimi Faeb slnp OMtattn <M-.;tv cui- 
Xmtsabk se& uf funciiims giving instant access to all 
tbe major > emmandyfaaatm - with a simple did of 
tbe mouset Wwrf ,■-. am a set of buttons aliwiitj> "one- . 
touch' selections of font >fi iV and size pfus variations 
Including i'iuin.Boid. RaHc and Undertint I 
It's no ifitider we'tv twwtoed t"p nricus. ratings and 
awards fnm nil the htidine nwtgOSdWS 



The Highest Accolades. 




r 






Final Copy If Release 2 



Oiu WDiii piiHi'^iSr.irs jyi hcytind SOfiy pr<idui.inj;]n.irmul 
letters and documcnl.s. :ii which (hey reUuiatty es.ce\, and 
pn ;;rrts into a *«rlJ wheft "how the wholii docufoeot 
kKjks" h jusi as imponaru ss "whui ii .says". Atinuttt'dSy, this 
can lx- aefcieved wfeb Desk Top Publishers but they'iu not 
'■■ ■ easily used sh word process k \ 
r^KCislly when s AOud lookirm 
[L'ttcr needs (.'renting quickly - 
they're- i j.r too CUBUbeuoOK 
fifrtaJ f'.i'^t' wnBeis I he perfect 
haliince between the two require- 
ments... Ese and spetd of me, with t*Jtal oontni over the 
perfect prided pwscnutiM 
< omplete control over how 
dncuments look, now you hinT 
it it your finger tips on your 
Ajnlga] Feature! include: 
FasslDnw™ (on-screen drawing 
tools for use with the xeiierjtion of botders, hoses and lines 
or arrows at any an^k-i. Mulnpl*- \i u>.p;fpi ■< Stvle snaking 
columns, PerfectPrint™ (the unique atoBty 10 ok Post 
Script 1 " outline funis i m ;il lsolutely any printer in either 
pottnut or litiMJst-afjf i and Text Auto Flows around graphic 
i ibjedts and ifflportEd picture 1 , i placed anywhere, scaled or 
cropped) with ilk- highest piim 
quality 1 . Text cm afe i lx 1 printed 
overgtaphli - 

It's features like liicsf ilia 1 ! exjrfain 
why iher*.- art- soffli; prtrfessiunal 
S, witlt - 111 "- pages, that are prcxluced enllR'ly with 
Finai <'.ii,"\ IS ' Publisher, anLl many others, \ax< ipekty 
discovCTfd thai 

No other Amiga Word Processor in the siime 
t atcijorj , utid at Midi :t competitive price, has 
all ih* capabilities Fimt Copy it users have 
always taken for grained! Isn't it time for you 
to take a look tool 




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.. '.i nfrT «;ih l;niik bed last year wilh Ihe power user in mind li is the Amiga's 
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toe been cumpftjtntsed to maintain compatihiliry with floppy drive only systems 
• • ■ i. a>. having si unique list offeatUWJ fur the author of longer dommenw ami 
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rt Renenlkm - ft™; Writer *iih its TextBlocks v ws tin- firs| wwd processor io 
■ j diameter < or group nl c hjr.uit.-rO anywhere on the page, ;it any size and any 
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»th both the new Touch 
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"cmHOUch'' rechncli ij.h> 
wiply ■clicking' a button, 
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layout Options' i M ttghl i entre or justified, bailees, line sparing, imk-nh eK I 
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(PJ!ea» ITrti 



It's the business 



star 
letter 



have recently purchased an A120O Amiga 
computer and have to confess to being 
completely lost as lo where to go next. 1 
have an 80 megabyte hard-drive and gol 
some Iree games with the package. 
I hope to be able lo use my Amiga for a range ol practi- 
cal purposes. Firstly, I wanl to do some business projects; - 
could you suggest a good database package? Also is there 
a pefsonal finance package thai would be suilable for my 
machrne? 

Secondly, is there a good but cheap package I can get 
lo develop smart presenlations lor my business projects? 

I already have a word-processor that came wilh the 
computer but it does nol compare too well with the ones I 
have used in my old job.. Please could you tell me which is 
Ihe best word-processor on the Amiga. 

Stevsn Ross, Berkshire 

OK, we'll go through Ihe standalone options first. As 
tar as a database is concerned it might well be worth 
scanning the PD section to see If you can pick some- 
thing up for a couple of pounds. 

If PD or Shareware doesn't really interest you could 
go commercial with either Superbase Personal or its 
big brother Superbase Pro4. 

An alternative would be Prodala. perhaps in concent 
with its word processing partner Pretext. As luck 
would have it, Protext also happens to be an excellent 



word processor. However, it must be stressed that 
although Protext Is Ideal for business It isn't the first 
choice when it comes to pretty presentation. The ques- 
tion la would you prefer glamorous printouts or a sym- 
biotic database and word processing system. 

As lor a personal finance manager. I'd definitely rec- 
ommend Maxiplan4. Although It's not the prettiest soft- 
ware in the world it's in my opinion by far the best. 

As for presentation, especially in a business envi- 
ronment, I'd seriously consider Scala HVT, Although 
Ihe acronym stands for home video tiller it's still ideal 
for simple presentation work, It's also easy to use, and 
better still relatively cheap. 

If you're still in the market for an opinion on the best 
word processor I'm a devoted Wordworlh3, although 
Final Writer has just as many devoted followers. 

Both offer a mixture of excellent word processing 
features mixed wilh a good helping of DTP add-ons 
which makes for very impressive hard copy, 

The final alternative is to invest in a combination 
of all of the above - with the exception of Scala HVT, 
And as luck would have It, good old Europress 
Software have the very thing in the form of Home 
Office. 

Although the individual components don't match-up 
to the Individuals head-to-head, the overall package 
does offer a nicely Integrated system at a bargain 
price. 



In communication 



I am Irving to slart a Blitz User Group which 
will enable Blitz Users to communieaie via a 

tree disk magazine. The system works like 
this: 

Users send one blank floppy plus a self 
addressed and stamped envelope. I then col- 
late all the elements of ihe magazine and 
send il return post lo members. As I said it's 
all completely free except for Ihe price of the 
stamp. 

If you're interested send your questions, 
answers, hdeas and programs to ihe following 
address: Daryl Booth, 22B St John Avenue, 
Ramsgate, Kent CT12 6HE, 



Died a grim death? 



Well It's great to see that users are contin- 
uing to support machines even though 
the remains of Commodore appear indif- 
ferent to plight of their product and its 
users. 

It there's anyone else who would like a 
shout for a similar non-profit making ser- 
vice, whether it be a newsletter or user 
group, feel free lo drop us a line and we'll 
get you in print 

Blunder blite 

On opening a recenl issue of Amiga 

Computing I discovered with greal surprise 
and joy a brand new Blitz 2 column. I fol- 
lowed the instruction and realised there was 
an error in the listings. The listing should read 







esip 



as follows: 




NStirtui 

(LtitM 

fcCLI 

n.W 

■ Brnch'.alroAt. 
VblQKrten 
■tt S:r«(i4 

YUdM o, uo, m, eon, *d, uddddim, -irr 

llfUt 

n=C 

H«lliitEv«ftt 
UMH er=tM 
tUieUintJ3u C 
End. 



Notice the changes in lines 5 and 6. Line 
5 was WorkbenchenchToFronL, and line 6 
was WorkbenchToScreen, 

Please don't take this as a criticism as I _ 
was otherwise very impressed with your 
excellent approach to (he subjeel, but ihis 
could cause some confusion. I am looking 
forward to the coming instalments ol the 
tutorial. 

Robert Folding, Calytor 

Well what can we say, apart from thanks 
for the help. If anyone spots errors in any 
of our columns please feel free to get in 
touch and we'll put things right as soon 
as possible. 

For those who prefer the e-mail 
approach here's how to contact Amiga 
Computing on-line: 

• CompuServe: 70007.4734 

• CJX: amigacomputing 

•Internet: amigacomputing® cix.com - 
pullnk.co.uk 



Can you tell me when the CD drive tor the A4000 will 
be released and approximately how much it will be 7 

Also, could you tell me whatever happened to the 
DSP sounrt chip wuh Ihe rumoured 32 channels, 
built In sampler, etc.? This seems lo have been 
«;nored since the CQ32 was released. 

Gideon Cressweli, Maidstone 

If you're waiting for an official Commodore 
A40O0 CD -ROM. I wouldn't hold your breath. As 
ft strands. Commodore will be hard pressed to 





get their existing hardware back on-line for 

Christmas. 

As a result, its highly unlikely they'll embark 
on an official release this year, Although you've 
not mentioned it, I assume you particularly want 
a Commodore drive primarily tor the Planar 
chip and FMV avaitable on the CD32, 

If that's the case, I'm afraid you'll have to wait 
and see what happens to Commodore. If, how- 
ever, you simply want an A 4000 compatible CD- 
ROM it's worth getting in contact with the First 



Computer Centre. They're already selling a 
standard IDE CD-ROM with the appropriate 
installation software and connections. 
Obviously this won't offer Planar or FMV but il 
will read any ISO 9&GO CD - the Industry stan- 
dard on all formats. 

As for the DSP chip, this, like many Amiga 
rumours, has bean consigned to the vapour- 
ware cupboard. I'm afraid it will be next year at 
the earliest before you'll see a built-in DSP on 
any machine in the Amiga range - if at all. 



Q 



Amiga Computing 



NOVEMBER 1994 






LETTERS 



ll|— 




What the future 
holds 

Die lo lei you know how much I enjoy 
like yours, dedicated as it is to the 
mputer enthusiast, 

foitowed your various Natures with 
mresi and have gained insight not only 
world of the Amiga btf also into the 
i af computing in genera!. 

exciting Ho wonder what surprises 
holds for us around the corner. Is 
Pat as good as people have been 
certainly hope so! Then there's (tie 
- as it touches more and more peo- 
c can doubt that it will entirely revolt 
tie way we live. 

kat us not be so foolish as to forget 
mstHlilies offered by virtual reality 
3 before we'll be able to 
rest and play all 
even having to leave our 
rooms. How long before 
all have our own Cyber- 
7 
Andrew Filter. Doncastee 




Image transplant 



1 



ri * + ■ ** ■* I 



esp 



Got 

something to say 

through the pages ot AC? 

Ezra Surf is our mailman. 

dedicated to reading your tetters 

and selecting the most interesting 

for publication. Drop htm a tine at: 



Ezra Surf's Postbag . Amiga Computing 
Adlington Park, Macclesfield SKW 4NP 



If I may introduce myself I am Enako. a Spanish sludent. I have recently finished my 
studies of fine arts fasl year. Since then I've been working on a study of both computer 
and traditional animation - believing the luture lies in ihe former of the two, I'd appreciate 
some much needed advice. 

As I regular reader of yaur magazine 1 know you have extensive knowledge of 3D 
imagery, more traditional graphics programs and of course the all-important hardwere. 

Ivly first idea was lo develop an easy way lo produce image* via the computer. Of 
course, most artists are frightened of the technology and need to see immediate results 
to maintain any prolonged mlerest 

As I know a little more than most, this soon evolved Into Ihe idea of making a film/video 
of animation, mixing both computer and traditional animation. My aim is to produce 
the whole thing over ihe next year using drawings, my Amiga 3000 and the Opal Vision 

system. 
What I need lo know is how to transplant the computer images to film. Any information 
on video or movie produclion which uses computer technology - particularly the 
Amiga since it is a computer easily affordable for the artist - would be welcome. 
What kind of technology will come in the future? I mean, could I make and ren- 
der my scenes in virtual reality in Ihe near future? I don't need concrete 
answers, just your personal opinion. 

I have many questions to ask, but I don"l want to waste your time. So if you 
can help me, or know someone who can, I would be gratelui for any contacts 

you can off or. 

Eneko Cajigas Mazomaga, Vizcaya. Spam 



6. L-- 
l ins 

m S: 

h yc 
IU1 ti 

ook " 
oi i- 

7oiytcr 

hanl> 
in a r 
gei 
I sotr 

>-ma 



r t jcod to know our efforts are 
-*i -g you so deliriously happy 
, jr ne you delirious by nature? 
m xx Lightwave, It is indeed a very 
product. However, It must be 
ed you need a fairly specia 
to use it - 8Mb being the mini- 
*- Ram configuration, 
4* tor the Internet, it's true there's huge 
lemal, but as it stands I doubt the mira- 
i of modern e-mail will be reaching out 
c awry home for quite some time. 
At present the net is still a very harsh 
ment for the novice and unless it's 
a little more friendly. It's likely to 
i the preserve of the technological 



Please don't enclose saes as Ezra fast 

hasn't got enough paper to reply 

personalty. He might also have to 

shorten your letters, so don't 

be offended (f you end up 

getting the chop. 



r 



i regards to your fantasies of nubile 

*&cr women, I'd suggest a trip to a cyber- 

-istrist as your first port of call 

4aa«ver, if we can put your strange taste 

r somen aside, it's still good to see such 

- ,siasm for the brave new world - lets 

> it lives up to your expectations. 




co fr- 



ig a 

iate 
ins. 
ul II 
itan- 

niga 
our- 

ar at 
J on 



fctis day and age it is refreshing lo find thai somebody still exists 
t\*r offers superb service with expert knowledge and a caring attf- 
\Ot I refer to Ihe 24Bit Club in Scotland. 

guys are the best. They have helped me immeasurably with 
CtaafVision, Imagine and some very senous problems with LighiRave 
sr-a now Lightwave). Please let your readers know about these 

.nu are serious about 24Bit processing, get serious with the 
. .= i Club A very satisfied 24Bit Ciub member who is wondering 
/ou. have never reviewed the club in your magazine, 

Steve Calkin, Canvey Island 
Aiias the Scottish 34 Bit Club - Ed 

• eiL. I'm very happy for you. As for a review of the club it's 
-wily a case of what they offer that warrants the coverage. 

As I've already mentioned, any club that feels they offer some- 
ntnq special will certainly get a shout in the magazine. Jusl 
in. it's that simple. 



As far as creating graphics quickly Is concerned, there are literally hun- 
dreds of alternatives on the Amiga. The real question is what sort of 
images you need? 
If it's simply a case of titling or presentation graphics, packages like 
Sea la and MedlaPoint are the obvious choices, 
Although they don't provide a lot of painting tools, they do offer a means of dis- 
playing existing artwork as backdrops and clips as part of a larger overall multime- 
dia presentation. 

For example, both can combine stills and animation with Midi, laser disks, CD- 
ROMs, Canon ion cameras, sound modules and samples. 

They also have the added bonus of being interactive with the user/audience - 
something which many artists find particularly appealing. 

I realise much of the above may have raised even more questions, but if you 
simply want quick results, pretty much any paint package will do the job. 

As for your existing system, it appears you're fairly well equipped. However, if 
you're planning to expand via the mythical addons from OpalVision. I wouldn't 
hold your breath. 

The OpalVision farce has been an ongoing saga for over two years and there a 
still no sign of the Roaster chip and the other videographic goodies. Vapourware at 

its best. 

As for your query about transferring Amiga art onto video, there's a number 
options. In the past the only accurate method was to invest In a BetsCam SP edit 

recorder, 
However, recently we've seen the arrival of desktop digital video via the PAR 

card from digital processing systems. 

Not only is the quality superior, bul Its also a much cheaper alternative - even 
when fully configured with a realtime frame grabber and the essential lOE hard 

drlve/s. 

However, before investing In the PAR it's well worth catching next month s 
review of the VLab motion system. Like the PAR. this new card provides real-time 
video capture and playback in both Composite and S-VHS. 

But perhaps the best news is that the system will retail considerably cheaper 
than the PAR and doesn't necessarily require Investment in an extra hard drive. 

It remains to be seen if VLab Motion can match the usability and reliability of the 
opposition, but if it manages to come even close it may well prove an attractive 
Option for those wanting a single frame and real-time recording facility at reason- 
able cost. 

As for you plans to model In virtual reality, I'd say it S very early days. Although 
VH is beginning to make its mark as a training and research tool in medicine 
and industry, the system overheads on the Amiga are simply too high to make it 
practical. 

As for the query about additional advice, I suggest you read on and take the 
advice of an obviously very satisfied member of the 24Bit Club. 



_ 



Amiga Computing 



NOVEMBER 1994 







yjJJJJUSJJJjJ 




33 Ormskirk Rd, 

Preston, Lanes, 

PHI 2QP 

ladbroke Compiling 
lnli'ii'.il:(jr:iiil are one al Ifte 
established tanw eoflWuler dealers in 
it U K. We have developed nn axltnakva 
Outtnmat serjicB policy which involv*s letting 
C< »H hardware, prior lo de^palch Co fins jro Irwtl 
geeti* ariiva in working order, cl'erir.y litw 
(ivee and auppot! over the phone and 
««eci"g tsiS'orfusr* inlpnned. AMhDogh cur 
prices are no! always I he cheapest we do 
•ndaWDul to odor consisLnntly flood ssrvica 
and backup. 

AH prusea/apaciiicatlona era corned a1 copy 
1»lo 1;9J94 (while Mocks last), and are s.ubjptl 
lo change wilhoul pi lor nonce All prices 
include VAT but erelude do*v«iy 

How to Pay 

You can orttor by m*H Chaquas,rPQatal Orders, 
made payable lo Lncfcrok* Computing. Or grim 
yout cradit card details crtf Mitt phom 

Delivery 

Puaml delivery is available on email item* 
undar E4Q .;Nfjrmally £3, phone for details) 
Add F7 for tfKinai dehuary. Nasi working day 
delivery on mainland UK subyKl to alcck (£20 
lor Saturday delivery) 

0(P*mi Mmi-fi»1 g JQam la b UUpm 
Lfldbroke Computing I hi Ruling as Ladb«*e 

Co*npi.l1inrj in*m;sl : n 1. 1! 

Fax:(0772)561071 
Tsl; 98m-5.30pm (5 Lines) 



print<* rB 




Star 

Star LC100 Colour £119.99 

Star LC24/1 00 Mono £169.00 

Star LC24/30 Colour £209,99 

• Built in 55 sheet feeder 

• 24 Pin Colour 

StarJet SJ4S Bubblejet £210.00 
Star SJ144 £369.99 

• Thermal max transfer colour 
printer 

• 1 44 element head 

• Glossy colour output 

• 360 dpi resolution 

Citizen 

C itizen Swift 240 Colo u r £250, 00 

Citizen ABC 24 pin Col. £179 99 

Hewlett Packard 

HP Deskjet 520 £259,99 

HP Deskjet 310 £239.99 

Ricoh LP 1200 £599,00 
Panasonic KXP440Q 

Laser £499 99 

Seikos ha O P 1 04 £479. 99 

Add £3 for Centronics cable 

and £7 for next working day 

courier delivery. 



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GVP PC -286 Emulator £69.00 



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Ergonomically designed Trak Ball. 
320Dpi resolution, 2 microswitched 
buttons. The Legend Trak Ball is 
very easy to use. Unlike normal 
Trak Balls the LEGEND is operated 
with the thumb freeing the fingers to 
click buttons. 

ONLY £19.99 

eVP Gel*"** 

• Video processor providf:-. i'..: 
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mi sable, wilfi software control of 
Volume, Bass and Treble effects. 
G - Loc k G e n I oc k £204.00 

Rendale 8802 Genlock £1 49.99 

tosoo »"* DriveS 

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Fully external, doesn't affect 

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2S0M b O verd rive £349.99 

Phone for higher capacities. 




If* ** 



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• 14,400 Baud 

• Fully BT approved 

• 5 years warranty 

ONLY E169.99 



Amiga GOO Summer Pack £184,99 

A 1 200 Race & Cha se £279. 99 

Includes A 1200 with, 2Mb RAM. 
Trolls and Nigel Manse 1 1 

A1200 Computer Combat Pack £329.99 

Includes A1200 with 2Mb RAM, 
Digila Wordworth, Digila Prim 
Manager, Personal Paint 4, Total 
Carnage, Zool 2, Brian The Lion, 

Amiga CD32 £279.99 

2Mb RAM. Dual Speed CD ROM. 

Multi session, plays music CD's, 
256000 colours on screen, includes 
2 games Oscar and Diggers. 

Amiga 4000 030 £999.00 

Includes A40O0, 030 processor. 
2Mb Chip RAM, 80Mb Hard drive. 




4*.** *■"" 



• 290dpi resolution 

• 2 Microswitched buttons 

• Qpto/Mechanical mechanism 

• Switchable between Amiga/ST 
9 Direct Mouse Replacement 

£9.99 
Floppy*** ' 

• 880K formaited capacity 

• Double sided. Double density 

• Through port 

Zydec Drive £59.00 

A500/600 Internal Drives Phone 



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RAM 

"SPECIAL LIMITED 
OFFER" 

A 500 512K upgrade 

£10.99 

A500+ 1Mb upgrade 

£1 4.99 

A600 1Mb no clock 

£24.99 

Plugs straight into A600 trap door 
compatible with A600, A600HD 

• 40MHz 68030 accelerator 

• Makes your Amiga 1200 run 
over 7 times quicker. 

• Allows up to 32Mb RAM 

• Optional FPU 

A1230/4Mb/No FPU £429.00 

A1230/4Mb/6B882 FPU £529,00 




Microvitec 1438 £289.9* 

The Microvitec 1438 Is a multisync 
monitor compatible with 
A50Q/A60Q/A1 200/A4000. 



.31 DP Colour SVGA 



El 99.95 



Colour SVGA Monitor £229.96 

High quality Colour SVGA Monitor 
>2B dot pilch. 



A 1200 VGA adaptor 
Falcon VGA Adaptor 
Philips SCART to Amiga 
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£9.95 
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% 16MHz 32 bit 68030 Central 
Processor. IGMHzBlilter, 
32MHz 56001 Digital Signal 
Processor 

• 1.44Mb 3.5" Floppy, up to 14Mb 
RAM'. Displays 65536 colours 
from 262144 palette 

• 8 Channel. 16 bit, high quality 
Stereo sound sampling 



FALCON 1Mb No HD 
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L\ep*ir ***"** 

Our Service department can repair 
Amiga's in minimum time at competitive 
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and return delivery of your machine 10 
ensure it's safety. We even have a 
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machine is given priority and subject to 
fault., completed the same day, We offer 
a Quotation service for £15 lor which we 
will examine your machine and report 
back with an exacl puce for repair. If 
you do not wish to go ahead with the 
repairs then just pay the £15. However | 
you do go ahead then the charge is 
included in (he minimum charge, Please 
note: The minimum charge covers 
labour, parts are extra. 



Quotation service 


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Min repair charge 


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Courier Pickup 


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£7.00 


Same day service 


£15.00 






TECHNICAL 



n- 



i' 



.95 









I Star is bom 



f 

^ I am writing to ask you how to set 

J up a Star LC100 colour printer. I 

have tried the Workbencha.Q 

manual and followed the steps open 

Mfcench and select devs printers, but 

•*<-= 5 not a Star LC10Q colour printer 

Therefore, I decided to rename another 

n*5e* Star LC100 colour and then tol- 

■Md me instructions again, but still no 

"aue checked the printer cable and 

Mer but nothing seems to work. Please 

you tell me what I am doing wrong? 

A.Powel. Kilmarnock 



i 



The files in the Dews: Printers 
drawer are called printer dri- 
vers. They allow you to print 
a dedicated printer driver. 
This means that printed output is 
utimlsed for neatness using the dri- 
■ that has been especially written for 

printer. 

However. Workbench doesn't come 
;omp(ete with a set of Star drivers, so 
rou will need to order one from Star 
Section ics- 
They will explain exactly what you 
to do and how much it will cost 
was tree as I remember). 
You can contact Star Electronics on 
XM 471111. 



Write enabled, 
protected disks 



^ I have had trouble loading 

-J KindWords 3 onto the required 

four disks and as a result I have 

■Curned Ihem as faulty and asked for 

^placements, Eventually, following my 



Ho mare 8-bit 



Vet another mined bag 

of computer worries 

comes under the 

surgeons knife in time 

for a speedy mourn 



letter dated iBth July, I did receive an 

Envelope with just two more disks. 

However, try as I might, there is no way 
l can de-crunch these two disk onto four 
working disks, because each time I follow 
the instructions I am told that the disks 
which will receive the de-crunched infor- 
mation are write protected, when in fact 
they are most definitely write enabled. 

As a result I have not been able to get 
into and use this word processing pack- 
age, it would appear that looking at the 
individual files from Workbench the pro- 
gramme does no! recognise Ihe drive 
DFO, allhough ihis is the defined drive in 
the loading instructions. 

The replacement disks have not in any 
way been tampered with, nor has the 
write protect been altered while trying to 
de-crunch the program. 

I would welcome your help in this small 
matter, as this KiodWords 3 program is 
just what I want for my A60Q and with 
your help I look forward to being able to 
load and use this programme. 

G. Earls. E. Yorkshire 



£0 



Apologies for wasting pre- 



cious ACAS space with a 
CouerDisk enquiry but 1 am 
still getting a horrendous amount of 
letters and phone calls regarding this 
problem which I have explained twice 
before- This is the last time. 

In order for our disks to de-archive 
successfully we are forced to use the 
A600 version of the Format command 
as it is the only one that works on all 
Ami gas. 

There is a problem though. The A600 
Format command has a bug so that if 
the disk that the machine is booted 




DCQS 

AMIGA COMPUTING ADVICE SERVICE 



from is write protected, further disks 
that are Inserted will be understood to 
be write protected, whether they; are or 
not. 

The solution to this is to make sure 
the KindWords 3 disks are write pro- 
tected before you boot your machine. 
Please, no morel 



Still no Uihing 
warrior 



■ ■- 



Many thanks for your response to 
, my problems wilh Heimdail 2. I 
' tried all of your suggestions and 
have just received, from Mark Price at 
Core Design, a new sel of disks and the 
request to remove my RAM expansion. 

I have sent him a letter which sets out 
further problems E encountered, When I 



■ I recently bought the September issue of 

* Amiga Computing for ihe Spectrum 

Emulator on the CoverDisk. Since then I 

have managed to load some old Spectrum games 

nto the emulator. 

Unfortunately, when t try to save the game as a 
.shot I get a window requester stating YOU 
NEED ASL OR ARP LIBRARY. The same hap- 
pened when I tried to load the Batman game 
already on ihe disk. 

What am I doing wrong, or what do I need to do 
to get them to save and load? 

W. Hepworth, Kent 



f^ The type of file requesters thai the 
fc. Spectrum emulator uses require the 

ASL or ARP libraries In order to func- 
tion, These libraries were written to improve the 
original, gaudy file requesters. If you own an 
A60Q or above machine and you used the 
installing program, there should be no prob- 
lems. 

If you have an A5Q0, ASL will not work and 
ARP was not included on the disk. You could 
look through the Libs drawers on AmlgaDOS 
disks in your collection for a copy of 
ARP. library, but if this proves fruitless send a 
letter asking (or ARP and I will send you a copy. 




Th* ZX SpBctrum amuldlcr Utilise* ARP 
or ASL tor improved film rnminat*ri 



Amiga Computing 



NOVEMBER 1994 



E 



TECHNICAL 



removed me RAM expansion and tried 
again I got the (allowing message: 



. fnjifnotlon 

■:■■;>■ 
1HIM* 



riirt and try agai- 



These numbers change each time I try to 
load the game. My Directory Opus shows 

that with my RAM expansion removed I 
have 748 k 

On checking my RAM disk 1 find that I 
have three li'les within it on startup. They 
are Clipboards, Env and T. 

Please can you help me further? If J can 
sort out what appears to he a memory 
problem on startup and the game runs 
without my memory expansion in place. I 
would like to disable this without physically 
removing the board each time 1 play trie 
game. Many thanks. 

A. Bemascome. W. Sussex 

rThis is a complicated one. As I 
have installed Heimdal! 2 sev- 
* era! times on an A120Q and 
have had no problems, I would Imagine 
this is a fault of your machine or possi- 
bly a virus. It may be a good idea to 
check your machine with a reputable 
virus killer such as John Veldthuis' 
Virus Checker. 

AG A machines do suffer from mem- 
ory fragmentation but not to the degree 
your machine Is reporting, and so 




UmigaGuidG 



Apologies for the missing AmigaGuide part. 2 article but it will be 
present in the next issue of Amiga Computing. Promise. 



p I Utllitie 



HlO 




HultiVieu flnigaGiide 






More from (ha world at jlmigiGuidt In nejet month'* irwvm 



^J 



You gat problems too? Ihen drop a 
line 1o Hmiga Computing RrJuite 
Seruice, Europa Moose, fldlingtDn 
Paris, macclesrield SKID W and 
we'll moue heauen and earth to 
hglp in thp-ii? loluitins But "mini. 
ujp tannot replq personally so saoe 

tfl05B Srl[5 



suddenly. You could be very trusting 
and send your Heimdall 2 game to me 
and I will try and install It for you. If you 
do want to try this please send only the 
disks. 

Otherwise t can only see this as a 
fault with your machine, but It may be 
worthwhile trying the alternatives sug- 
gested before you fork out cash for a 
check and repair service. 



,_ Ok! I give up. I've edited the teams in F1GP- 

J : Ed, saved them to the disk and finally tried to 

* save the flies to executable (disk two of the 

four F1GP disks), but each time I am no! asked 

for disk two of F1GP and once the machine finds out it 

tells me that I haven'l got the required disk inserted, 

Call me thick if you want, but how do you go about 
writing lo executable? I'm 33 years old and balding;, so 
please tell me before I pull out what little hair I have left 
m frustration? Aaaaah! 

S. Ramsey, Co. Antrim 

What I Leave that hair alone. We may have 

the answer yet. First off, It would have been 

great if you could have sent me some 

details on your Amiga set-up but as you didn't 

I'll have to take a rough guess. 

Bool your Amiga with the CoverDisk containing 
FtGP-Ed and load the program up. When that has 
happened take out the CoverDisk and insert your 
FiGP disk two in the drive. Now click on Read Data 
From Executable and use the file requester to load 
up the file called flgp- 

When this has loaded, edit the teams etc and then 
press Write Data To Executable. If any screen 
requesters appear asking For another disk, just click 
on Cancel till they go away. Select the flgp file from 



the file requester and click on Okay. This should 
save the new settings to the original file. Don't for- 
get to back up the original f 1gp file first. 

And that's IL ff you own a copy of F1GP from the 
Wild, Weird and Wicked A600 pack you should 
immediately upgrade to the Latest version of FtGP- 
Ed, details of which were printed in last month's 
Amiga Computing CoverDisk pages. Hope that 
helps. 




i:mir»:rrn:i 



I 




f f Op-Ed - impniv* your racing aktlfa And add a new tHMfannc 



PrDtEHt no tent 

..— On getting hold of my first hart 

J drive 1 attempted to install Pretax 

4.3 from your CoverDisk. 

In no circumstances was it going 

to work so I contacted Amor who toW ma 

thai the CoverDisk was lor demo purposes 

only and would not work on the hard dnVi\ 

They suggested that I buy the full wc 
ing copy which I did, On executing HDIN- 
STALL, all the files are successfully coi 
over to the partition WORK, but thai is as 
far as it goes. 

The program will not run by clicking on 
its icon, even if I boot from hand drive and 
insert the original floppy In DFQ. I can ana 
get the program to run if I boot directly I 
floppy. 

I wrote to Amor again and they co 
only suggest l hat there was some"! 
wrong with my startup files and that 
should remove them one at a time until 
solved the problem. 

This I have tried and still the prograr 
crashes every lime I click on its icon. The 
configuration setup is correct so that 
(he problem. Any suggestions? 

V. Storey. No: 

CWow! You have been pul 
through the wringer. The 
CoverDisk version of Pretext wiB 
install to hard drive but it was probably 
a wise decision to upgrade to the fully 
working version. 

Why it's not working is another matter 
and one that seems quite confusing. ! 
would imagine it is probably an error ir 
the HDINSTALL. although if such an 
error existed Amor would have probably 
known about it. 

You could try copying the program to 
your hard drive manually by using a 
directory manager program such as SID 
2 or Directory Opus. 

You could then add an assign into 
your startup-sequence by doing the fol- 
lowing. From the CLI type; 



ti i:stirt-j|r-srque!Kf 



Just before the Loadwb command add 
the following commands: 



HHiijn : Hint: 



As an example, suppose Protest was in 
a drawer called Pretext in the WORK 
partition and the Pretext disk was called 
PROTXT1 you would type: 



assign PIDHT: kDH:Prpl(it 



You could then save the new startup- 
sequence by pressing Esc, x and then 
Return. 

If this doesn't work write in again, 
but this time explain the crash in more 
detail and any requesters that may 
appear. 




Amiga Computing 



NOVEMBER 1994 



- 



a ACTIVE 






etrt ACS, P.O. Box 151, Darlington, County Durham, DL3 8YT 
H Fax: (0325) 352260 E-Mail: bux8@unn.ac.uk 



Public Domain Prices 

All PubJic Domain 99p 

Postage on all orders 50p 

Catalogue Disk 50p 



(risk Pack Prices 

1 Disk Pack £0,99 

2 Disks Pack; £1.99 

3 Disks Pack £2.99 

4 Disks Pack £3.99 

5 Disks Pack £4.99 

6 Disks Pack £5.99 



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DD67 A1200 "PoW of -$alo" [Urnio AfiA 

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D1 M Poika Bros igeviiB- . ae% Sapi CLr 

01S7 TranECflpbml [901 

D 1 33 MGC •Ar1b i <:.al ParndiS* - AS.A |»t 

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01 *0 RfrfJII TILIV* UoiE- fJD| 

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QMIi fcorchad Taptos vl oo 

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tiklBJ U Cnaaa v3.«9 |AGA| |4MB' 

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Bc<hanop 7 AG* |jlD| 

CirJyCrawlB-d "Tie Woite' Aj(3At3D] 

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ACTIVE SOFTWARE 



Essential Aminet Compilations 



The EsBarrllal Aminel oonxjIlHtions arrj a (johooiiari c4 ihe besi tubs end 
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pnrttouiar monlh. Superb ilulf guaranteed! 



Essenlial Amin&t Vol. 3 July 94 Jf3 Dis*;s| JWB21-I 

More bus angi pieces, .'.'iii time !m/r> 3oiV. faciuts&s CO'- Bits. Julys Amiga, 
Hnpcini and a iai6ctit}i\ oi modules Ifial flflpeanarJ m fie mowrsa enarb 
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Essenlial Aminet Vol. A August '94 |3 DiskeJ |WB2+| 

J-oarft ob new ubrrVbies: ito AupuFf Also jnpnWsir Amiga ITnJerTamvneini 

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Essenlial Aminet Vol, 5 September '94 |3 (>\s*s.\ IVVS2+; 

Due fey release in savfy Ocrotw PrwunJas your puck nomi 



AMIGA CDS 

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Professional CD £17.99 

New' 2.831 A<X>be Type f, JS8 CG. 1.369 True Type Fonts (over 
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Clipart CD Btf S .in! £8.99 

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Assassin's Games £17.99 

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SUBSCRIPTIONS 



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i reap all the benefits of the exclusive treatment 
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GRAPHICS 



hough billed as a disc designed to 

:e^onstrale Syndesis's Inter- 

Z'snge 3D objoct conversion soft- 

■ collection of models to reach 

i is one of the best yet. 

•w company's growing CD range 

I>Rom Volume 2 (3DR2), containing 

ot models, some superb, some 

ood. and at its pnce of approx £65, 

solid value for money. 

kocrg models when you don't 

I -tensive 3D digitiser can 

t jcc<tqus process, particularly if 

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-■'- itiis disc, mostly donated by com- 
modelling, companies as samples of 

could bu a real Godsend. 
- :=e who make a living from the 3D 
the facility to Call upon a permanent 
St objects at the drop of a hat makes 
■ must buy. 

models, arranged in directories by con- 
are very well organised, Unlike the 
ire approach taken by some CD- 
rom panes when putting compilations 
Syndesis have obviously put some 
*ftto the structure of the disc. 
'Mare are 202 models in total, many of 
ter are made up of several smaller objects. 
• is the scenes containing whole rooms or 
hk and every effort has been made to 
me tem as easy to use as possible. 

the major Amiga rendering systems, 
ive and Imagine, are directly suppor- 
are Wavefront (for Silicon Graphics 
si and the PC's Autodesk 3D Studio. 
■ quick previews, the manual carries 
piccies of every model, but for a 
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packed with GIF images showing the 
results. Most of these are 256-ook)ur 
:ales, but they show each model In 
mm to facilitate a bit 
» widow shopping. 
. ■ tWave users 
■: * spoiled more 
— *- most, as each 
is presented 
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■m image maps as well, 
ih in some cases the 
inies concerned have limited 
w jsefulness. 
~"ie tank shown here, for example , was 

net those models 



syndesis's other new CD-ROM lilla is the Avalon 
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light iofaotm 




complete in all respects, save the camou- 
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The originals, though much more suitable, 
had been rendered multi-coloured to lease 
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scene. 

In cases such as Tim Nign's superb 
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where image maps have been limited or 
scenes set up with groupings in awkward 
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As an educational aid on how to put good 
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Pro, (here's not much here to interest you apart from a 
directory of textures in raw RGB format. 

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There are those, such as the ubiquitous NCC-1701, 
which we've all seen a million times before, but others 
are more original, such as the ralher gruesome 3D 
scene set up to exactly match the last few seconds ot 
John F Kennedy's life. 

The latter is a new departure lor the Americans,, who 
seem at one slroke to have combined a hobby with a 
national tragedy,, and plumbed the depths of bad taste 
into the bargain. What next*> A Vista Pro animation of the 
Mount St Helens eruption? (Avalon CD Rom approx £32) 



Amiga Computing 



Ihe bottom line 

Product: 30-Rom volume 2 

Supplier: Syndesis Corp. 

Price: £65 
Tet:0WT4W 674 5200 

Ease of use 

Implementation 

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3210(AB)LOVB 

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Superb Raytraced pies 

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V. ..-II worth a look all 

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E1J.W. TSiifif 







GRAPHICS 



■h- 









Ot first glance, you'd noi even notice 
that ImageFX had been upgraded. 
Bui diving in and trying ImageFX 2.0 
> t«e taking a swig ol rum punch when 
n. ■» expecting Kool-Aid - il"s a lot slnonger 
•ar (looks. 

. ->ew release maintains the ease of 

jw of earlier versions, while add ing a suite of 

«a» and improved features that promise to 

aar * to the foralnont of the Amiga image- 

jajoessmg pack . 

eve. before we go any further Jt must 

» stressed this is a preview ol an almost- 

bai beta version of ImageFX, so some fea- 

HV could be dropped at Ihe last minute. 

-j'ly. though, you II Inn.: mSl NOVS 

snmed in a few more al the last minule. 

**e*t to version 2 is Ihe ability lo run on the 
ajrwiench, complete with the preview win- 

■ - previous versions forced you to work 

■hcf on the Workbench. 

forking on tho Workbench saves a bit of 
iric RAM, and is handy for creating art such 
"-;t>ench backdrops thai will normally 
■ _ : -e Workbench palette 

Another interface impravemenl is the addi- 

tcr- of previews lor most of the special 

■ When selecting settings for an effect 

wfr as punch, two thumbnail views open 

« a the control gadget, 

One shows the original image, and the 
■cryd window shows you Ihe image after 
ccwg the effect with ihe current sellings, if 
par effect looks great in ihe thumbnail view 
?.- ousy at full size, ImageFX features 
■■jfte-ievsl undo and redo. 

""sageFX 2.0 features a new optional 
il file-requester thai should be sian- 
on all Amiga graphics programs, 

Intead of just bringing up a list of file - 
vk, the requester displays thumbnail icon 
■ages of all the graphics in your directory. 
">ese are stored as small, separate files 
■■Med by ImageFX, for fast loading.) 



Rnimation station 



i 






. X isn't just an image proces- 
s's also an animation processor. 
I can load and save frames In IFF 
'" (OpS and Op7}, Grasp/DL, and 
HJ formats. 

in this version is support for 
eMDding and decoding animations in 
format. This heavily compressed 
ftomat. the same one used by the full- 
-non video cartridge for CD32, 
n't result in the highest-quality 
tions, but can be used lo reduce 
egebyte animations to a cou- 
hundred kilobytes. 
IP, mentioned earlier, makes it 
to perform image-processing 
ions on multiple frames of an 
lion. Add a dazzling lightning 
to your company logo animation, 
■ in some lens flares, and fade 
by swirling the graphic down a vir- 
" drain. You can alter animations so 
exhibit Video Toaster-like effects. 




looks can he deeming. - 

Benny Hthin shows qdu why - 

there is mare to ImageFH - 

than meets the eye - 





LH«r I r— — — I '"»- ■ . la ».!_!_ 



ImaqeFX running on m 259-cvfmr HfqrfcbBnch kjcl-b 

ImageFX 2.0 features a high degree of retar- 

getabilily, You can display the interface win- 
dow on jusl about any graphics card that 
installs itself legally in the Amiga's screen- 
modes list. 

The preview screen (the working screen 
before you render your final images} can be 
displayed on Amiga, DCTV, Firecracker 24, 
Ham-E, IV24, Opal Vision, or Retina cards, or 
on the Workbench on. unsupported cards that 
do feature Workbench emulalion. 

Final images can be directly rendered to 
Amiga-mode screens or DCTV, EGS, 
Firecracker, Grafexa, Ham-E. IV24. 
GpalVision, Picasso, Retina, or SAGE 
screens. 

A Foreign render module lets you render 
images for graphics boards you don't have 
installed on your Amiga - you could use this 
to create an AGA graphic on an ECS Amiga, 
for instance. No matler what graphics sub- 
system you use, ImageFX 2.0 will lei you use 
it to the fullesl. 

ImageFX 2,0 features a series of IMP 
(ImageFX Mulli Processor) which is a new 
batch processor module that lets you run a 
process or effect on a series of images auto- 
matically, without having to mess with AReitx 
scripting. 

IMP can work with .single images, a Series 
ol images, or OpS ANIM animation files. IMP 
lets you do processes such as doing a videc- 
colour-limit operation on all the images in a 



Some of thw Ititum *»*if*lJl» In lnt*0*FX 2.0 

directory, or adding a waier-droplet effect 
over a senes of animation frames. 

Browser is a stand-alone version of 
ImageFX's thumbnail file-requester which 
can be used to select image files, animations, 
and Mpeg streams for viewing. 

And as in earlier versions, a complete ver- 
sion of Nova's Cinemorph image-morphing 
program is included, &n$ fully integrated wilh 
ImageFX. 

Needy every individual feature of ImageFX 
has been dramatically improved - even the 
most simple have been fine-tuned lo the 
fullesl. 

ImageFX sports a wide variety of image- 
processing effects, accessible from the 
Toolbox menu You'll find all the expected 



Im.iijcfJCa new icon- 



J^ 



s 





* 






■SB"'-! 



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rav«- 



JSJ 



Amiga Computing 



NOVEMBER 1994 



GRAPHICS 



There's a lot more to ImageFX 2.0 than I had room to 
cover hare. I haven't even touched on Cmemorph. 
which allows you to create high-qualily single- image or 
animation morphs. 

Of on the lull ARescx interface, with dozens ol pre- 
-n macros, which adds even more image - and 
toatch-processing capabilities. Or on CMYK support, 
region loading and saving, or auto-cropping 

ImageFX has the best memory- handling of any 
Amiga image-processing program - not only does it 



colour effects, such as- colour-lo-grey, solar 
ne. negative, ere: plus a tew bonuses such 
as halftone (nine types, including special 
brush and alpha channel options) and antique. 
Filter operations include colour limiting, anti- 
aliasing, video filtering, and median filtering. 

The Convolve option allows you to do oper- 
ations such as sharpening, edge-detection, 
motion- blurs, or relief maps ot the current 
image - Ifs even possible to create your own. 
You can composite pictures, using both the 
swap buffer and an alpha channel. Image 
transformations now include not only Hip, mir- 
ror, roll, and shear, but also fantastic two- 
dimensional and three-dimensional perspec- 
irve rotations thai are much faster than those 
found in Amiga paint programs- 
Distort operations include alpha-channel 
and wave distortion, swirling, pinch/punch, 
polar blur and mosaic, and spherize. 

The Dream distortion is a particularly nice 
effect for use in animations. It creates a wavy, 
swirling effect, similar to what you often see 
on low-budget television shows when a char- 
acter moves in or out of a dream sequence. 
All of these effects are completely adjustable 
in intensity. 

The real fun, though, comes under the 
Special Effects menu, There are 12 menu but- 
tons here, hut you'll actually find hundreds ol 
special eflects available to you, 

The classic ImageFX Remove Feature 
(remove everything in a selected region by 
pulling the edges together) and Oil Transfer 
(makes the Image look like an oil painting), as 
well as Disperse and Roughen, are found 
here. 

Apply Texture lets you map a texture 
behind your graphic to make it appear as if it's 
actually been painted on another surface. 

Dozens of lectures are included, such as 
bond paper, granite, libers, sidewalk, tile, stuo 
co. iree bark, leather, and woodgrain, or you 
can creale your own in a painl program. 

Straw makes it appear as if your painting 
was drawn on coloured si raw - it's a weird 
effect, hut interesting. Crysiallize is very 



work well even in a system with fragmented memory, 
but it has built-in virtual -memory support for working 
with large files, even on systems without memory-man- 
agement unils. 

Online AmigaGuide help brings answers (and full 
ARoxx programming documentation) at a press ol the 
Help key, And available documentation for ImageFX's 
operators and loaders means third parlies will continue 
lo extend the program's capabilities - some modules, 
such as a PhotoCD loader, are already availabie. 





ImagnFX'x preforming** 



impressive - depending on ihe grid size, per- 
turbation and sparkle amounts you choose. It 
can make your image look as if it's being 
viewed, through a jewel, or as if Iff actually 
made out of coloured crystals. 

Next is a series of lighting effects, and 
these can result in some ol the most dramatic 
effects of any image- processing program. 
These effects not only place impressive stars 
and lens Hares on your image, but they also 
affect the brightness of pixels around them. 

So if you place a bright star effect next to 
an aircraft image, the fuselage around the 
exploding Hare will be realistically brightened 
as If an actual flare had exploded next to it. 

This is particularly impressive when using 
the lightning effect - you can adjust the area 
around the lighlning bolt so thai it "lights up" 
as well- 
Lightning is fully adjustable and variable. 
By varying Ihe bolt slightly over the Irames of 
an animation you can create some very real- 
istic lightning effects. 

TILING 

Next, there's Hackney tiling, a completely 
controllable tiling effect that's uselul for creat- 
ing explosive wipes. Finally, there's PaintFX 

If you've ever seen Fractal Painter on 
Windows or the Macintosh, you've probably 
been impressed by the program's ability to 
reproduce realistic painting styles. 

PaintFX lets you choose a brush stroke 
and have it applied to an already completed 
■image, allowing you to automatically create 
Painter- like effects. You can choose simple 
stroke brushes, or complex IFF brushes for 
lruly weird effects. 

Speaking of painting, ImageFX 2-Q is no 
slouch in thai department either. You won't 
want to use it as your primary paint program 
- working on the preview screen is a bit awk- 
ward, although it's been made much less so 
than in previous releases. 

You can lock the aspect ratio of the pre- 
view screen so thai it matches the original 
picture, and work on HAM8 or high-colour 
preview screens, 

Almost all operations have been speedod 
up, particularly the airbrush, which now oper- 
ates in real -lime and has an adjustable 
radius, nozzle size, and roughness. 

There are now a wide variety ol drawing 
modes. Some emulate natural-media: water- 
colour, crayon, charcoal, chalk, felt tip, and 
tinge rpaint. 

Others affect colours already there: 
smudge, disperse, relief, add, sharpen, blur, 
value, saturation, hue, colour, lighten, darken, 
and colourize. 

There are also a variety ol styles, some of 
which allow you to combine your picture 



wilh another in the swap buffer. TheJ 
include maximum, minimum, fade out anc r 
mandate, pantograph, trace through, and rA 
through, 

when drawing, you can choose lo haJ 
the brush edges feathered out or in, or a-* 
aliased. I wouldn'1 use ImageFX to creal 
images from: scratch, bul I certainly wou» 
suggest it for changing mundane art into tm 
surreal and fantastic, 

Placing text on your image has been ma* 
much easier. Multiple lines of text can ngw a 
crnntad simultaneously, and you can ever 
load and sava short text files directly inl 
text requester. 

All of the draw modes can be applied « 
text, so you can, for instance, use text to rjj 
through lo an underlying image. SI mild 
effects- can be created with brush images. 

ImageFX now supports multiple brushes 
which can easily be swapped back and for^ 
Irom a brush list. It also supports loading J 
different graphic lormais, from the comma 
to the esoteric. 

Actually, one of the supported formats * 
the AmigaDOS 3.0 DalaTypes library, so 
you have DataTypes for additional form, 
installed on your system, they're support 
as well. 

There are only 27 savers, omitting so 
formats, but realistically you're probably na| 
going lo be using your Amiga to creati 
images in MacPaint or Koala formals. 

You can also grab screens and brushe 
from the system directly into ImageFX 
program also supports MAGIC, a 24' 
image-sharing standard thai is adopted 
others which will allow multiple applications 
open and work on a single image buffer. 

Finally, ImageFX can directly grab ima< 
from scanners and frame grabbers, it si 
ports Epson scanners, the PPS 
Framegrabber and Framegrabber 256, ■ 
1V24 frame grabber, VLAB, and the Sha*t 
JX-1Q0. 

Although its input features are strong 
the latest beta I examined, printing wa 
ImageFX's only weak point. It doesn't had 
the plethora of printing controls and postej 
creation abilities lound in ASDG's fi 
Department Professional. 

On the plus side, ihough, it does includi 
full-leatured drivers for outpulting 
PostScript or the Primera dye-sublimatkji 
colour printer. £& 



The bottom line 



Product; ImageFX 2.0 


Supplier: Nova Design 


Price: TBA 


Phone: Not available. Email 


kermit@cup.porial.com, or 


contact your local dealer 


Ease of use 8 


implementation 8 


Value for money 8 


Overall 8 





E 



Amiga Computing 



NOVEMBER 1994 

T 




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AnAnAnAnAiiAnAn 



Amiga Computing 



NOVEMBER 1 994 

— : — r 



A here is a great need for products like 

I his. If you've ever been subjected to 

^■^ a viewing of someone else's home 

i.*c you wili know this. Wobbly visual 

ji weddings, birthdays and holidays, 

tmse rambling tapes I urn our biggest days 

i catalogues of boredom, 

?ast now, wilh Ihe help of Hama A~Cu1, 
can scrap the irrelevant dross and start 

i some structure into your videos. 
« A-Cu( turns your Amiga into an editor 
jse with most video types including VHS- 
. VWS-S Of Hl-B. it is suitable for all players 
•yave a Control-L interface, meaning thai 
i be u&ed with most machines in practice 
Wat you gel is a control unit, an infrared 
controller and the all important A-Cul 
ire. Despite all the leads, setting il up is 
?. with the help of the good quality instruc- 
3-s supplied. 

Aihough it doesn't exactly look like £200, 

* control unit is sturdily designed with a few 

■asanliy simple controls.The source player 

mugged directly into the control unit where- 

■ »» recorder is operated by remote control.. 

means, that the A-Cut must be adju- 

eo to match the infrared system code ol (he 

order, Thankfully this can be done auto- 

illy via the program without too much of 

»cn?Wsm. 

Once the A-Cul has been configured, the 

»r is presented with the interface. Large 

ear icons make operating the editor a simple 

atter, with prompts to guide you through 

> complicated procedures, 
~he beginner is well catered for wilh an on- 
-■= help facility giving explanations on every 
xs&ble command or function. This is the sort 



GRAPHICS 



rww 



IWIHh, Jlf — IrWI MWI Hthl j 



J-J_J 



J 



J I I 



-!-M 



J^J^ 



■ 



II— 



Iltwtoti 
Mb* j 




•nt+rlac* hat large icons ana display* 

trun clearly, helping ih* umr lo 

tm an edit list elticienllr. 



Great potential 



of .detail that gives the package an air of 
professionalism.. 

When it comes to selecting clips- from the 
source tape, any number of scenes can 
be defined. To get professional results, accu- 
rate single frame editing is possible if the 
connected player features RC time code. 

The time code display on the A-Cut Inter- 
face is the same as you would find in a profes- 
sional editing suite, giving the user a point ol 
reference right down lo a specific Irame. 

Vital tor any would-be eriiior. the jog Bhutto 
is the most convenient method of finding spe- 
cific frames accurately. Unfortunately, this was 
the one area in which the equipment was dis- 
appointing. 

The shuttle's inner ring is fine when il 
comes to the frame-by-frame viewing ol film. 
However, it only works al one speed so if fails 
to give the level of control that il should over 
slow-motion speeds. This is a serious com- 
plaint considering its importance in an edilmg 
unit. 

Much better is A-Cul's edit list which aitows 

you to log each shot by a name with its 

respective time-code reading. This means that 

clips can be organised and found efficiently, 

Clips can be assembled from different 



From the moment you open the instructions, this product shows unusual class. At 
fftifi price you may think lhat a pood manual can be taken for granted, hut anyone 
who's torn their hair over Hi-fi instructions wiil know otherwise. 

The well-planned Interface makes defining the required scenes simple. With some 
guidance from the help facility, beginners should be able to become fully-fledged 
editors within an hour or so. 

It's a shame lhat such a well-designed package should be let down by an inade- 
quate jog shuttle; this problem will have to be resolved if the A-Cut is to perform as 
well as it should. Otherwise the unit works very well, giving the potential for some 
surprisingly professional results. It could have been cheaper, but A-Cut is well worth 
considering for the serious amateur or a budget business project. 

Buy one of these and you might start making videos that are actually worth watch- 
ing. Then you can start learning to hold the camera straight. 



•I— 




videos, although this will involve some fiddling 
since care must be taken to rewind each tape 
back to ihe beginning after each cassette 
change, 

Once an edit list has been compiled it can 
be previewed, allowing the user to check all 
clips prior to recording. The film can ce 
restructured at this stage since clips can be 
shifted or copied elsewhere m the edil lest 

For the Amiga enthusiast, an ARexx inter- 
face has been provided so that A-Cut can 
communicate with other programs supporting 
the language. This means thai a video film 
can be produced with a title program in a sin- 
gle operation while editing. 

Those wilh more technical experience may 
also find the optimisation facilities useful Most 
people, however, need not worry about this as 
Ihe default settings seem perfectly adequate 



svsnm EssEniiHis 

RED = Essential BLACK - Recommended 



1 Mb 



RAM 



Kickstart 



B 



Ihe bottom line 

Product: Hama A-Cut 

Supplier: Hama PVAC Ltd. 

Tel: 0256 708110 

Price £199 



Ease of use 

Implementation 
Value for money 
Overall 



9 

8 

.7 

.8 



Amiga Computing 



NOVEMBER 1 994 




(0903) 850378 



CIR EDUCATION 

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4 PLAYER ADAPTOR - £5.39 

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Sl»f1 aamo Iron Rednex 

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1414 FATAL MOHti ANA .;i:. 
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Page 3 style pics 

1340 FULL MOON (1> 
Blurviina AG* demo 
1411 GLADIATORS (2) 
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1341 GRAPHIC UTILITIES (1 1 
136.7HYPttOSIS|l| 
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13VSK RHODES PICS !1) 
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MUSIC 

1456 BAFWEY WARTTS l« ALLfl) 
OctaMED Modulfre 
IZ5SGUIO£TOMUSIC*(3| 
Guide to eleflraciK: noac (2 OiveEi 
14f7FfBENDSOF PAULA 1(1) 
OctaMED MwAilus Innn MUf! 
l4iE FRIENDS OF PAULA I (11 

1459 FRIENDS OF PAULA 3(1) 
Sunnng OclaMEO Wwluos 
"On Slaga - from MUG 

1460 FRIENDS OF PAULA4 f 1 1 
14£1 FRIENDS OF PAULA 5 jl 

1 436 MAKING TRAX VOL 1 * (1} 

4 OcttMED Modulas 

H20MlCP,OCfiAFT4IHl| 

Dri CfeMMCD RX4JIH 

1«3tPilDICHAFTV011i;n 

Demo ol LIusk: X and Mid songs 

H40tWJtCRAFTV0U{1t 

l1&10caSTUFF*m 

Mas CcaMED mods 

1449 ROSS ROCKERS 1 t (1) 

6 OdaWED Modulus 

MW ROBS ROCKERS 2 * (t} 

14S1 DRUMKrT 1(1) 

Quality :Jtut miplH rranMUG 

I4&2 DRUMKIT 2(1) 

1453 BASS SOUNDS (1) 
Bass sarrpes rcxni MUG 

1454 BRASS I WOODWIND (1} 
F>ass t Wixrinmd sampea 
14SSCflUMKrT3 (1) 

1323 SAMPLE PERFECTION 1 V) 
24 inslrumaiKS.'B samptas 
1447 XMAS SONGS (1) 
EKcellenl CtinHrnasMKigs 



timims 

1 47B A64 EMULATOR V3 * |1> 
1249 ABASE (I) 
Excellent 3a',aWra» 
147B ACC HARDWARE PRO- 
CRAMMERS MANUAL Ml (1) 
1473 ACC ISSUES 1-4(1) 
1481 600 BUSttSS LETTFFK ,;1 1 
1484 CHOBOOK ACCOUNTAWfl'l 
14&3 CODE MUNGUS V5.7 ('1 
Hflhrway code luloi 

1311 COMMUNICATE fl) 
Si^i 1lags, rroise c&ie ale 

1 ji D COiWEHS UWLBnTTED* (1 ) 

Enoolkinl odlkKHin of ccptrrt 
1216 D-COPY 3(1) 

LucmIIkiiI capyra program 
MM »5K MANAGERS 3(1) 
Excellent oaletsa ss 
1491 EA5Y C ALC PLUS * (1) 
' ■ ;i :n ■"■:■■ •;■•' -::ii -. !' IrJ -' •-! 

1312 B1GWEERS TOOL FOX (1 > 
1491 FOAMS UNLIMITED (1) 

1494 HD WORKSHOP (1) 

1495 ICON PL.US ffl 
Varcus \wz and useful uli(he-& 
12EflJPEGUTILrnESir|l) 
1200 KICK Win |1 S 

Run ease od AM1U p'ogramE. 

1498 LVAPUNOVIA V1.5H1( 
AGA Fraclal genaralnr 

1499 MENUM ASTER 111 (U 
CKHta ytiu Own Menus 
i!91 MOB6DW (1| 
Sprilee and Boos designer 
1261N-C0MMV3(1] 
Comms package 



GAMES 

1319 ACT OF WAR (1) 
Eicetam 8tra1»ay atfw 
12SS BATTLE CARS J fl) 
3D Car Bafia game 
1420 DfTHELt IN SPACE 11) 
Denxi exoeVam Pla^orn game 
1411. EXIT 14 (1) 
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HBFRUrr MACHINE W 
Tvpcal J rjil Tiachfig &rr 
12T4 GAME TAMER V4.59r.1p 
459 game cheats 
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Exoelleri Ptoemana clone 
13B6 HIGH OCTANE I' | 
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1388KUNGFU(1)' ' 
Platform bead em up 
142JPUZ7WORDI1J 
Exoelen! Puzjle game 

1425 ROAD TO HELL (l» 

7 Mik| ovathwd racing game 
1424'HOBOULDIX DE«0(1) 
Demo BoudefdiWh awr* 

1426 SKIDMARKS *(1) 
Playabe demo 

1251 SOLIlAlRESAMPlERll) 
§ 5<)lf|ftttt Q4IV49 
>427STARBASE13(2) 
Graphic ysara adventure game 
ASSASSINS GAME 1H (1) 
EhcBt out. Datender. S»eer Sweet 
ASSASSINS GAMES 1 95 1. 1 1 
;-:.i:Li f i l^-l.ixi r .:h.|:. iw, flrari 
ASSASSINS GAMES 194(1) 
Auhxnobles. Gcurili, Robot 
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ONLY £1.00 PER PISH FOR S OR MORE 



1 disk ■ £1 .50. 2 to 4 disks - E 1 £5, 5 to 24 disks El ,00. 25+ dlsk& - 9Dp 

Number ol disks shown in brackets 

Titles marked # will not work on ASOD <V1 2/Vi,3} 

Tilles marked (X) are suilable tor over l6sonly 



MUSIC UTILITIES 

1435 EAGLE PLAYER |1 1 
Miifii lormat muse playe* 

1462 MIDI TUTORIAL 1 11 
OdaMED Pro Mtf Tu«««l 
1«7 MUSIC ENGINE Ol 
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1463 NO SAMPLER? (3) 
Various nppefs & dher tads 

1443 OdaMED V2 i 

Fully WDrKing 3-dnannel sartor 

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Latest version popular tracker 

1471 Tl 5(1) 

Laa1 PD issua of the Med 
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1472 TM 993 (J) 

The best of Tl issues 1 to 4 



1004 NORTH C (2) 

1T96NUMPAD<1|i 

Numeric keypad lor vox AJ60Q 

1277 PC TASK ¥4(1) 

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Jtote mastered the window. Vou'ue conquered menus and screens. 
flow [flichael fflifne shows hou how to control gadgets in BIHb 



q 



Part 3 



adgets have been by far the most 

brilliant invention of any intuition 

system. Whether it is Workbench 

Amiga or Windows lor the PC, you 

id* t see a single program for sale without 

erne gadgets. 

Bu! why are they 50 popular? Well gad- 

?ks are by far the most interactive tool to 

.nd in workbench. With Ihem you can 

ate user input, display information or have 

•cur own logos and designs on screen, and 

M ihjs comes with such relative ease thai 

*nost puts you Ic sleep. 

So how do we do il? The first ihirtg that 

should know aboul gadgets in Blitz is 

tm they are handled in groups. A group is 

'-*« up of a window full of gadgets - i.e. 

ri gadgets relating to the gaihenng/display- 

rq ol information for one purpose. 

in example of such a. group would be for 

■base file where one group of gadgets 

I used to lake name and address informa- 

•»on from the user. 

The easiest way to group gadgets is to 

"rTiember that they can only be used in 

mndows and only one group of gadgets 

■ ne assigned per window, After you 



have decided which gadgets you need and 
for what purpose, you can then continue 
with the declaring of them, Yes, that's right, 
Gadgets are jusl like menus in the sense 
that they need to be declared before they 
can be used. 

This is how we do it. A typical 
Textgadgef is as below: 

ft1ljad3.it 0,10,10, A, VHeUd there ! ' 

II you check your relerence manual. 

Chapter 26-1, you can see that the first 
number is the group id number, or as Blitz 
calls them "GadgetLisls". 

After that follows ihe X,Y coordinates 
which are both relative to the lop-left corner 
of Ihe window in which they wilt be used. 

Then follows ihe flag parameter which is 
used lor extra functions, which can be seen 
on the table on the same page. 

I have currently set this to zero which 
makes the gadget a plain text ga.dg.et. bul If 
I had made it equal to one then it could be 
toggled on and off by the user. 

After that is the gadget's own id number 
so that we can identify the gadget itself and 



V£S 



£ 



Gadgets and GadtoolS: 
Are thBM compatible? 



in a word, yes. if you are having problems with getting those old gadgets to work with the 
- ew ones then don't despair as help is at hand. 

In the last issue I mentioned about subscribership to the Blilz User Magazine with con- 
tinual updates 10 the Blitz language. Well., if you are a subscriber then you should have 
'eceived issue number six. 

On the new libs included on the disks are some extensive updates to the gadgets' and 
jadgtools' libraries, making them almost completely compatible. 

Therefore, if you are experiencing difficulties with gadgets and gadtools and you are 
not a subscriber, write in straight away to: Blitz User Magazine Subscription, Guildhall 
Leisure Services, Unit 15. Gusidhalt Industrial Estate. Kirksandait. DoncasterDN3 1QR 



Amiga Computing 



NOVEMBER 1994 
1 



the text which appears inside the gadget. 

After you have declared all your gadgets 
you are ready to start using ihem. which 
couldn't be simpler as all you have to do is 
to extend the window command by one 
more parameter - this is the gadget lisl id 
number which tor the gadget above would 
be zero, 

Here's an example to demonstrate. First 
of all we need all the usual things for 
Workbench compaiability 






NbltBrtup 

Ub-rh c hT d F r a« t_ 

m>*cSr.r(ni 
Iile Strip 

Now let's define Our gadget: 



Teitfiairgf-t 0,20,11,11,1, Vnik on mt (g toil 

and Open Our window as the active window 

with our gadget attached: 

WinocN (1,1211, 711, ZDMD, "QUO, 'H) Hindon", 1,2,0 

We can use the Events system, as used in 
the last tutorial, to wail for the user to press 
our gadget This can be done by wasting for 
the value $20: 






Repeat 
evzlfaitErtni 






As you can see we can also check to see 
which gadget was hit by using 'GadgetHif 
Now we ilisI close down: 



CUsrilnco* D 
Free Eri|ttLfi1 9 

EAdtaipUi 



and run the program and you'll see 
how easy it is to produce an inter active 





TUTORIAL 



window with gadgets in only twelve lines 
of code 



Hadgvtm Simpler thmn btittaiirta ta**tl 



My Window 




C l i c k on ne to Qu it ! | 



By now you should have noticed how the 
grouping system of gadget lists works and 
how you can see which gadget was hit by 
using the id number, 

if you have two windows open and you 
have one gadget list for each then don't 
worry, because you can still lind out which 
window the gadget came from. 

You can do this by using the 
EventWindow command which tells you the 
id number of the window. Then you can 
check the gadgel in Ihe same way as above 
and you'll know which gadget was used 
from which list, by knowing which lisl was 
assigned to which window. 

The gadget just used is one of the four 
basic gadgets which the Amiga 500 sup- 
ported, the olhers being: Shape Gadget, 
String Gadget and Slider Gadget. 

But rl you own an Amiga 1200 then you'll 
almost delinitely know about theGadtools 
extension to the old gadgets, bringing 
almost complete flexibility to your programs. 

GadTools are just as easy lo use as 
Gadgets. You declare ihem ai ihe begin- 
ning just like menus and gadgets and you 
can even put them In ihe same Gadgel list 
as normal Gadgels. 

The difference comes in attaching them 
to a window. You si ill put the Gadgel List 
parameter at the end of the window com- 
mand but you also need to add another 



fietrieuing 
information 



I 



command after you have opened your 
window. 

This command is.:AtlachGlU$t. This com- 
mand has two parameters - GaogetLisl Id 
number and Window Id number. So if we 
had some GadTools in the previous pro- 
gram we would add the following line after 
opening our window: 

MtathStLiit 0,3 

Now let's actually add some GadTools to 
our program. Remember you can only pro- 
ceed with this section if you have an Amiga 
600 or higher. Workbench compataWe: 



YhStartup 
YliEiuhTofront. 
UbTolsrewi C 
Ike Ctr«tfl 

BY.L=Q 



Now let's define our gadgel and gadtool: 

TittGidget 11,20,18,0,1, "Click tt, *t to Unit! - 
iTTt.t C,r,20,20,t«Q,1V,D,"l«s ^ *" !»*« bMl' 

and open our window as the active window 
with our gadgetlist attached: 

tints* U,l2C,7(l,2aO^O,*10ilQ, h IIJ li«<W",1,I # 
attach our GadTool: 




in the original gadgets there is only one major gadgel 
which can gather information from Ihe user and this is 
the StringGadgel. The string gadgel has an area of 
memory dedicated lo receiving information from the 
user when he/she uses thai gadget. 

There are several options which you have in control- 
ling these gadgets, ranging from pre-setting the con- 
tents of this gadgel to clearing them completely, as well 
as being able to read the contents. 

Here is a quick lisl of the commands to hand: 

tlwrltrfif. 

It tit ring 
luttftrinj 

(See Ret. Manual Chapter 26-6 onwards for parameters.) 
If you wanted to pre-set the siring with a response 
you can do this with iheSetString command, whereas it 
you wanted the StringGadget cleared before the user 
uses it then this can be done with ClearString. 

There is one thing to note about StringGadgets, and 
that is they have to be activated before the usef can 
enter information into them, This is normally done when 
the user clicks on the gadget with the mouse and is 
shown by a cursor which appears in the gadget. 

But if you wanted lo ask the user a question and then 
make him/her write the response in the gadget, you can 



do this with the ActivateString command and then wait 
until he presses -return (Event code 64), 

To retrieve the response that was entered into ihe 
gadget into a string variable, you use the StringTetfS 
command detailed in Chapter 26-5. 

Information from GadTools can be retneved in almosl 
the same way by using GTGetStnrig to retrieve informa- 
tion from GTStnngs and by using GTGetlnieger to 
retrieve information from GTintegers. 

The only other information retrievable from 
a GadTool Is one of its tags, as explained in B,U.M.#5. 
by using GTGetAltrs. Here is the syntax for the 
GadTool retneval commands as I don't Ihink they are 
documented anywhere: 



Stfhgi-GfSltJtringUadjdLisUdS 
VI I 'IT GHlit tit 1 ( tti)t lit It, Wl 
UiL=trEetAttrs(&tdgE!LUt, 14,1*91 



Well ii's time for me to say goodbye but don't forget, 
keep practicing and try out as many gadgets as you 
can, as only practice will make you confident enough to 
keep going. 

In the next issue I will start on ihe firsl part of a 
WorkBench compatible program, using all the informa- 
tion I've fried to cram into your heads ta the last thrse 
issues, including this one. 




*E 



HELP is at hand 



If you have any questions that yc 
need addressing from reading ih 
column then you can write to Micha- 
Milne h Blitzing on the Amiga, c 
Amiga Computing, Europre-: 
Publications Ltd, Europa Hous 
Adlington Park. Macclesfield SK' 
4NP- (NB: Please stale what maehir 
you are using and any periferals yc 
navel) 



JitittGTList 0,0 



then we wait (or ihe user to press our 
mal gadgel by waiting for the event 
520 and ctose down: 

Repeal 
M*l 

tvaVlUlUCIt 

Vlttil, rr=12C rd GadsetlH l-V 
CLosHinann 
Frti tad|itltst 

End 

And as well as showing the simpiici 
GadTools this also demonstrates the 
plele comparability that the B.U.M. 
update brings between Gadg* 
and GadTools. 



Vfy Window 



JCl ick on m» to lluit ? 
pThTs is an info box 






Hoi re e our nww GndTaot under Iftn original or 




Jmt * title of whil GaSTools cj»n do tor \ 

Unfortunately there is one minor probJe 
with GadTools, and thai is (hat you 
use events lo lell you when a GadTool 
been pressed (i.e. Event = $20does 
work). 

So the only way around this is to 
until the GadgelHit command returns 
right GadTools id number instead of wa 
Ing for the event code. 

in a way this can be used to your ac 
tage in the sense that if you have a gad 
list of both gadgets and gadtools mi* 
together, you can determine whether or | 
an old gadget was used if an Evenl ol 
Is returned. If not then you know thai I 
GadTools was probably used. 



Amiga Computing 



NOVEMBER 1994 




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Image fX £99.00 



HARD DRIVES 

IDE Alfa Data controller and Hard Drive for 
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Controller £79.00 

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210Mb t Controller ,.., £279.00 

420Mb + Controller £329-00 

540Mb + Controller 099.00 

RAM for above 

2Mb £99.00 

4Mb „ w ™... £198.00 

8Mb „„„.„..„.„ „,.„..„. £379.00 

POWER SUPPLY 

ASOO.A50C+ „ .,..,,,..£34.99 

M&UU 1 + A ItUU » M II I I II MH HI I MIM I 1 11 a mi H Lli."" 

A1500+A200O £79,00 

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Amitec3.5" £57.00 

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ASOO, A50O+ internal . 

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.£49-99 

£39.99 



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FOR A4Q00 ONLY 



28MHz... £799,00 

40MHz £1189.00 



Disk Expander.,,,..,, 
Gig Mem., 



™,.„,.„£2995 

£39.95 



RAM FOR GVP A1 230 

1 Mb ™.„„,£69, 99 

4Mb. ........£189.99 



f**d|d;T 



VTORS 

Viper 68030 for A1 200 

Viper Turbo „„-.- ,..„.„,..„„ £ 1 59-00 

Viper + 1 Mb , ™.«, m ..H,.„™,...»«™.£ 1 7 9 00 

Viper + 2Mb £219.00 

Viper ♦ 4Mb £279.00 

Viper + 8Mb , £379.00 

5VPA123OllfDrAl200 

50MHz £289.00 

1Mb, „ .£319.00 

"iVlB ..nriKinnrmrn.^. ■ <-£"* * ?. Uv 

QTVl D -r MrriiiriiiriaBHli^HkHilhmfeFHrttH-'kHibMlkHiaHbEv'?- VV 

G FORCE 040 for A3MWA4000 

40MH2 4Mb RAM 11259.00 

G-FO«CEforA15OO-A2000 

03040MHz .£€79.00 

030 33MHz £979.00 

EG 5 Spectrum G29.Q0 

ROMBO PRODUCTS 

Vidi12RT £134.99 

Yidi24RT £204.99 



REPAIR SERVICE 

New service. 1 centre for most Amiga comput- 
ers. We offer a quotation servile of £10 for 
i which we will examine your computer and 
report back with an exact quotation price for 
'the repair, II the repair is carried out tbe £10 
: i$ then deducted from your bill. 



HOW TO ORDER 

When ordering by telephone please quote 
your credit card number followed by the 
expiry date and also your full name and 
address. If paying by cheque please make ft 
payable to Gasteiner Technology. In any cor- 
respondence please quote a phone number 
and also a postal code, please allow five 
working days for cheque clearance, 



DELIVERY CHARGES 

Small consumables and software items under 

tbe value of £59 please add £350 P&P. Other 
items above £59 please add £10 courier ser- 
vice. Offshore and highlands, please call for a 
i quotation. In addition, we offer the following 

express services;- Saturday delivery norma! 
rate plus £15 per box, Morning, next day nor- 
mal rate plus £10 per box. E&OE prices lubfect 
to change without prior notice. All trademarks 
acknowledged. 



Official purchase orders welcome from Rducationa) establishments and major coiporates. (Strictly 14 days nci), Please phone for approval. 

All pikes include VAT. I Vices and specifications subject to change without notice, E&OE, 
All goods under £50 please add £3.50 p&o and all goods above £50 please add £10 Courier Service. Next duy service phase call. 



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100 DISKS + 

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Slat LC 100 Colour 

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Star LC24-2QQ C 

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AT LOW PRICES- PLEASE CALL 



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Printer.. - £' 

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Amiga to SCART £7.99 

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Now you can print your own professional disk lanals 1 

BOO Plain white dish labels on tractor feed 
complete wild FCUfl disks of software and artwork. 

Yours for ONLY 

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ONLY £13.50 



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isks are supplied with lal 
RANDED DISKS are 10 
w tree. 
In the unlikely event ttiat any of 

our disks are faulty then we will 
replace the disks AMD reimburse 
ycjur return postage! 

,5" DSDD Grade A £037 each 

.5" DSDD Grade B £0.29 each 

3.5" Rainbow £0.44 each 

3.5" DSHD .,£0.58 each 

3.5" DSDD Fuji (box of 10) £4.90 

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5.25" DSDD Fuji (box of 10) ....£2.50 
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1000 3.5" labels £6.50 



HtIt.tgilN-^BIt^l*it*ltl-j-ii| 



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types are available tor 35' or 5.25' di 



1 capacity . 


....£0.96 


20 capacity 


....£1.95 


40 capacity 


£3.49 


50 capacity 


...C3.95 


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....£4.50 


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A 1200 Dustcover... 
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Amiga Ughtpen 

Optical Mouse 

Manhattan Mouse 

Megamouse 400 DPI 
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adala Trackball ... 

ysial Trackball 

"ruedox Trackball.,...,.,,, 

ti Amp/Speakers 

ZydeK Pro Speakers 

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A4 Copyholder .... 

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V1.3ROMW2.04 ROM... 

Microperf Tractorteed Paper. 500 sheets 



..£3.50 
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JOYSTICKS 



AH joysticks have autofire featu 


re 


except those marked '. 




Trigger Grip Models 






.,.£6,95 


Python 1M 


..,£7,95 


Jettiqhler 


.£11.95 




.£18.95 


Sigma Ray ... 




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Maverick 1M, 


..£12.95 


Megastar,,,, 


..£2150 


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Comp Pro 50-00" ... 


.£10-95 


Comp Pro Extra 


..£12.95 


Pro Star 


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....£9.95 


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£22,95 


Handheld Models 




Speedkinq 


..£10.50 


Navigatoi 


£1395 



ANALOG JOYSTICKS 



These Joysiitits wil l m any Amiga 

Gravis Analogue Pro £39.00 

Warriors,,,,.... £14.95 

Saitek Megagrip 3 £19,50 

Speedking Analog .£13.95 

Intruder 5 £25.50 

Adaptor to use any PC analog Joystick 
on an Amiga ONLY £4,99 




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DIRECT COMPUTER SUPPLIES 36 HOPE STREET, HANLEY, STOKE-ON-TRENT ST1 5BS 



^UI^ulUaUlUUUAMdhUdUiAUUUiMMMn 



SOFTWARE 



Jk ake two stereotypes - I he typical 
I exercise fanatic as perceived by 
^•^ the general populous. A heallh 
ssnscious, active and thoroughly body- 

» ~ed individual who likes the outdoors, 
tics high fibre food and believes that their 
soOes are indeed temples. 

The commonly perceived computer nul 
laugh is decidedly health ignorant, inactive 
seer than the stabbing motion of fingers on 

= .::iard and believe thai their bodies are 
jMually the equivalent of a Salisbury's TV 
er 

These extremes are changing; as. we 
sc*ak, as more and more people from all 
«i <s ol life realise thai computers can 
wake life much easier but, when confronted 
•* a program to aid body (raining, the two 
Memmgly alien-lo-eaeh-ether hobbies still 
m m the mind somewhat. 

Heart Track, to tho initiated, is a utility to 
"wp monitor that vital organ's activities dur- 
r^ exercise. To the uninitiated, the heart is 
i sump-like vessel situated slightly to the 
«fi on your torso. Opening the box reveals a 
ingle disk,, a chest band, a transmitter and 
reiver. 

The process is simple. Attach the trans- 
mitter to the Chest band and put it round 
pour rippling torso, plug the receiver into the 
Amiga, load in the software and you're in 
aossession of a package thai senses EGG 
tignals. 

The transmitter captures Ihese and sends 
lo the receiver, which in turn pumps 
in to (he program to be displayed on 
n for your delight. Thai's it. 

Well, almost. Also included is a foam 
- . jp that apparently (although it's, not clear 
■ all) attaches to the handle of an exercise 
: -e or other contraption which then allows 
fou. I assume, lo fix the receiver onto this 

"1133 Itthirat TeCltaiikiM [Id. 







readout* hmip von no* jrour progress 

h .1 fMtXB of xvrnat 



torn k ihr iiu im mi 











Z-o^tuH tr» graph for art 
"wrim of roar workout 



with a Velcro band lor a more consistent 
signal The whole affair is just a touch 
flimsy and. as far as I can see, pretty 
redundant. 

The program itself offers an extremely 
simple -to -use system, mainly due to the 
fact there really isn't that much to it. If you 
just want a general hnart reading, pressing 
on start begins the monitoring. 

For the more serious users, schedules 
can be crealed which cover I he four basic 
areas of framing — warm-up. work, rest and 
warm down. 

By adjusting the time Of each and the 
desired heart minimum and maximum lim- 
its, the computer keeps a track of each ses- 
sion, providing the user with a countdown 
and a warning alarm when you step oul of 
the predefined heart parameters. 

Once the exercise session is completed, 
a graph can be called up detailing, via 




colour coding, your heart rate during each 
stage of your workout. These results can 
be saved or primed oul for future reference 
and for Charles Atlas "before" and "after" 
comparisons later on. 

RANGE 

Due lo the Fact the whole thing is wired 
into the Amiga, it's hardly the most portable 

of devices. It's range is a rather limited four 
feel but can be increased through the use 
of an additional Infrared system that 
expands ihe range up lo ten feet, 

While being ideal for running on the spot 
and multi-gym work, lor the more active 
punter this is obviously limiting. 

Heart Track sets out to do a simple lask 
and achieves its goal very effectively, but 
the real question is whether the package is 
really worth £95. 

The average price of a wrist watch 
with the same facilities but minus the 
hefty equipment is around the same price 
bracket, give or take five pounds. 

Because of itiis, it's hard to recommend 
something that at the end ol the day 
doesn't offer the versatility and portability 
essential to the all-round sports person, On 



Hit tuJtiMBl 



aitis 


nn an tan 


•insiiji 141 100 KB 

iiuib 

mm 






i*»ew; c»* 



C AfldlO* 



Wot «W iron- 

pumping, 

IfflgflwuriD 

inducing 

lllthat* 

tli* He-art 
Ok is here 
to hmlp 
monitor four 
MnUac 
rmmponaa 




c A i d i o $ p •* r I 



HEARTTHACK 
Red Time 
Personal Fitness 
Tr dining System 




fomputers, ettercise. fHernse. fomput&s. — i 

ffdam Phillips reuieuts a product that bridges — 

these turn prmioosk opposing pastimes.. — 



the other hanrj, it you're a couch potato 
exerciser with an Amiga who desperately 
wants to get themselves in shape but are 
frightened to step outside in case the sun 
actually touches your white, opaque skin, 
than this is a relatively useful product at a 
relatively hefty price. /^tf 



SYSTEiTl ESSEnTIHlS 

HEO Essential BLACK ■ Rocomrnandeti 



Workbench 






— 


Hard drive 






Tj 



Dexign four PHW 
schedule by tttrcittltif 
tht> lime at each 
uctdon and Start rmtm 
lanrr-ta wrfhpn them. 
Than uvo them tor 
continual use mnd 
mjtprmirmi 



Amiga Computing 



NOVEMBER 1994 
1 



The bottom line 

Product: Cardio sport Heart Track 

Supplier: Healthcare 

Technology Limited 

Phone: 0243 528800 

Price: £94,95 



Ease of use 

Implementation . 
Value for money. 
Overall 



.9 
.9 

5 

.6 




LCL announce an 
incredible new release 



CD MICRO FRENCH (***™t.-gcse) 



NEW: 



CD Micro French i* a complete 

course: of 30 programs taking 
beginners up to GCSE in Trench, 
fuliowing the National Curriculum, 
for the Amiga CD or CD3Z (See 
the screen, shot). 

It uses all the features of a CD 

system, i.e.: 

* Interactive film-like programs are 
included. Actors talk to you out 
bud and wait for you to reph . 
before continuing the conversation, 

in French. 

* Extensive French speech by 
native speakers. 




■ CD musk by musicians who 
have played with world-famous 

groups, 

* Massive 30 programs, with 
French instruction and over a 
thousand questions. 

* Very easy to use, it reall v teaches 
you French, and it is ^rt^t fun. 



Also *\\$Jp interactive real speech 
in Amiga courses (where required) 

LCL Self-tuition courses will open up a whole nc-w world 
for you as each course is specifically designed to take 
beginners up to a recognised level (such as GCSE, A- 
Level or National Curriculum tests} in a fun but effective 
way. 

Bverything you are likely to need is included - you don't 
have to keep buying new packs. Each course includes an 
incredible 24 programs or tutorials, and even a book. 

They are the most comprehensive courses of their type 
available - and yet amazingly, because of their estab- 
lished volume sales - they cost LESS, 
Choose from the largest popular range of GCSE courses 
in the world: 




U-.m-.Ii Mil hui 



MICRO FRF 

■ U i: mi, re GCSE) 



MICRO SPANIw 

(Beginners - GCSE St Bubmes 



MICRO GERMAN 

(Beginners iX'SE fit Business} 




MICRO MATHS 



MICRO SCIENCE 

is ranis -GCSE) 



PRIMARY MATHS 
COURSE p-Uyeaisj 



MICRO ENGLISH 
(6 wans -a 



MF.GA MATHS 
(AlevekouTsi') 



E5 OFF TOTAL FOR 2 COUHSES, 

£10 OFF FOR 3, C17 OFF FOR 4 

Only £24,99 per floppy disk course {U.K.). Only E34.99 for CD Course 

Cheques payable to LCL, Free catalogue 

S&nd orders to: 

LCL (Dept AMC), Thames House, 73 Blandy Road, 

Henley-on-Thames, Oxon RG9 1QB. 



^ 



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AMIGA A5O0 AND 
PLUS CONSOLE UNIT 

• Monitor console and keyboard 
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KONTAX COMPUTERS 

1 la Waldeck House, Wgldeck Road, 
Maidenhead SL6 8BR 

0628 773212 

Phone lines manned between 8.00am - 9.00pm 
(No ansaphone!) 

ONE PIECE DUST COVER ALSO AVAILARLf - PLEASE CALL 






Amiga Computing 



NOVEMBER 1994 



PROGRAMMING 




A^^^ MQS users all around the world 

■ will no doubt have been feeling 

\^jr rattier dejected just lately. Francois 

s not given much thought to the product 
re Europress have had to put a halt on 
« developments, 

'-lis has led to other languages stealing 

i limelight away from the package that 
mcB ruled supremo. 

■:, not losl though, There are still thou- 
ands of dedicated AMOS users and, while 
* sizeable user base remains, third-party 
*velopers will continue to cater for Iheir 

Mfe, 

One such company is the Ayr based T- 

.vhtx alter several months of develop- 

have released Iheir official Liberator 

nslcn - a product thai releases AMOS 

many ot the constraints (hat bind it- 

tn short, it enables AMOS to access over 

'•■20 functions from 47 Commodore and 
"-ifd-party libraries, Unfortunately this 
■neans that you will not know where to start, 

The possibilities are endless. Wilh 
ireess to the Intuition, Dos, Req and 
RBxxhosl libraries, you will be knocking up 
■our own system-legal utilities in no time at 
■ft 

SUPPORT 

Further more, because Liberator provides 
import for the Intuition library, the program 
:an open up its own window upon the 
vnrga's Workbench screen and multitask 
;-;jperly. Something that was simply not 
possible until now. 

That Is not the end of it. Liberator is com- 
patible with all Commodore library calls, 
refueling those available in version 3.1 of 
f* operating system. 

Those that have a data burst cache 
:etween their earlebes will realise Ihat ihis, 
::upled with the Intuition support, means 
AGA compatibility. Well almost, 

With Liberator installed it is possible to 
2pen up your own AGA screen from within 
AMOS. But unfortunately, because of the 
■»n OS friendly manner in which AMOS 
-andies screens, you will not be able to use 
any of ihe commands lhal display text, 
graphics. Sprites or Bobs. 

However, you could establish your own 
j ewporl and display images in 256 colours 
s even HamS. Useful if you wanted to write 

- GIF or Jpeg viewer in AMOS, 
The commands that access the library 

unctions are almost identical to those used 
n C and other high-level languages, but 
~ere is one advantage, 

Because you are programming in the 
AMOS environment you also benefit from 
re editors syntax checking, something thai 

- programmars would love. 
Lets say that you wanted to utilise the file 



liberated 
society; 



Ho matter horn hard people tru. they — 

can't seem tn nail the lid down on — 

RR18S. Andrew Beeieu looks at a — 

product that promises to hreath a hit — 

of life bach into the ailing language. - 



■ * 



.... 

■ 



r ti iiJ E ilJL 




Th* PoqTDDJs palette 
requestor enn now be 
exploited jj-i yui" 
AMOS program*. 



Sr 



Mm 



m 



yvi^had)ifinvSuii 



The rather nJc* 
looking Font 

remroxtow ix cmiiy 

mcki*vab>9 I 

with Lrbi-r.-iltrr 



requester from the ASL library. Once you 

had set up an array to hold the parameters 
required by the function call, you would 
type: 

rU6*Ht£Ml 

In the above example, REO holds the 

address of the parameter array and, if suc- 
cessful, FILE returns a TRUE value that 
points to the file name chosen by the user. 

It you were to write Ihe same line in C 
you might type: 




filteutrwMtiuttEM} 

As you can see the two are quite similar. 



I| — 




The besl is still yet lo come. Close to 
completion is an upgrade for Liberator 
called OrgAsm (which stands for 
ReGRGanised ASseMbler) a really 
exciting utility that turns GUI's, created 
with GadTootsBox, Into a form suitable 
for use with Liberator. 

For those that do not know, 
GadToolsBox is a shareware develop- 
ment tool thai allows you to design your 
own front-ends in a very easy and 
intuitive manner. 

Having designed your GUI. GadTools 
will then create the source cods that 
sets up and communicates with your 
user Interface. 

When released it will cost £2.50. as 
will all further updates to Liberator. 
which among other things will include 
an AMOS Professional version, 



Liberator's documentation is supplied as an 
Amiga Guide file and provides you with all 
Ihe necessary information concerning its 
installation and use. 

Instructions concerning all the various 
function calls are not supplied. However, 
you are told where to get hold of the 
Commodore Aulodocs and an address is 
given for a PD library that can supply Amiga 
Guide documents for all the third-party 
libraries. 

Learning how to use library function calls 
is not all that difficult, especially if you have 
already gained a good knowledge ol pro- 
gramming in AMOS, 

LEARNING 

On the other hand, beginners will no 
doubl find a learning curve ahead of them. 
Although, as the programmer says. "This 
learning process is what keeps us addicted 
to the greal Amiga, so don't despairil" 

Liberator is one ol the most exc 
releases that AMOS has seen in a long 
lime. I cannot see it convincing those of us 
that have already moved onto olher lan- 
guages, such as C, to switch our allegiance 
back to AMOS, but il wilt certainly brighten 
up the lives of those who have stuck wilh 
this legendary programming package. £& 



The bottom line 



Product: Liberator 

Supplier: T-Soft 

Price: £22.50 

Address: PO Box 598, Ayr. 

KA6 6PL 

Ease of use * 



Implementation. 
Value for money. 
Overall 



Amiga Computing 



NOVEMBER 1994 
1 







FREE QUOTATION 



Commodore 


1 . ^B ^^L 




Amiga AS00/5O0+ 

• Amiga A600/ 1200 

• Amiga 1 500/2000 

• Amiga 3000/4000 

• C64/CD3Z 

• Monitors/ Printers 

• Floppy/Hard Disks 
1 Moderns 








Wc offer a f r«e quotation Ml ItlC repair of IfOUr computer or any 

peripheral. Your only cast n Ihc return carriage of tS. JimpJ* drpp 

off your equipment It Wir jtiowroam or call u& tor a courier pick-Up 

al jutt S1 1 . 

All work il carried out by our highly qualified engineer* In OUlOl built 

premise i, We will alia install any upgrade, software or accessory. 

A *0 dan warranty ii jiuen to ail repair*. 



First Computer Centre &ept ac 0532-3 1 9444 

Unit 3, Armley Park Court | >wSvnr 
Off Cecil St, Jlanningley Road V^t, 

Leeds. LSI 2 2AE bssJ I 



AMIGA REPAIRS 

FIXED PRICE ONLY fMTJft Incl. 

* Price includes PART, LABOUR, DELIVERY h VAT 

* 90 Day warranty on all repairs 
*> 24 Hour turn-around on most repair? 



Est. 13 Years 



* All upgrades purchased from us fitted free with repair 

4 Includes FULL DIAGNOSTICS, SERVICE AND SOAK test 

* If drive or keyboard need replacing add £10 

AMIGA A 1200 Repairs onty 652.W Fully Inclusive 



SPECIAL OFFERS 



ASOtHnleniaJiJrivf 

\mmnwim psr 
Fatta Agsm &!?2A 

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i%.2Q AfiCH'UlSOO Internal Drive 

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£2&.J0 A500CIA &L5D 

t^iW ASM) Xchanjje Modulalnr H$.Q0 



CHIPS 



S371 Ajjiws lASOm 
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K37E l!M*|i Artsm:i 
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ttfiDttuM iasihji 

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r»Sa« fbl A£<IW t2lKJ I 

tSM talk I.VMMi'M 



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I-. i i I-- - 1 . , i - 1.2 

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huckstiiri 2.Q5- 
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Rom Slum 

NEW Mudulalore 
iJY a^him *jrv r*irJVjrry ,V7. : M*tiiwf 
r/frlfiliTiP (V^JtytTrWiWir/igrtr, /Uf 
(iotw with J3 rp>»rjf/b bi wrruVt/cr 
tExrtpI rhiptt 



HARD DRIVES 



quality 2.5 inch hit III! 
SuiEL-d rirr ArrfKI £ A I2(W 

M) MtyU- 

I2v Mbyte CI 
SI* Mbyte 

All drives CumpltrU' willi 
i ;ihli- . fitting instructions 

instillation software UTid 
VI mtntth* WiiiTiinly 



Md C1.0D PS Pun chips. £? 50 P4P an drlvet * PSUs We reserve Ihe rigtil to reluse repairs 



*****. ATTEPrTION ALL DEALERS >***+« 
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IS 



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HCinrrnini 11- • 

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IVgiflhfL-'r Kiip.l'h I.CJ^UX 

WmrtT Camp.-ii .1...... 

Wit n' I ■ ■■■■ 

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Sp ecial 
Prices 

A TRAIN 

now £9.99 

SIM CITY CLASSIC 
Now £9.99 



COMPILATIONS 

KIDS RULE OK £9.99 

PHipfyi- 2yPo«»tJiiiin Pal 3/ 
Sooty & Sweep 

DIZZY COLLICnON £W.W 

FasL Food/Kwix Snax/Fantariy Wnrld 
Dizzy/Treasure Island DLzzy/Magicland. 

SUPER ALL-STARS £10.95 

Rubin timid I I'^i/nd Quesl/Magicknd 
Uizzy/d'aptjin Dyrtamo/C] In The USA/ 
Sleg The Slug 

CORKERS a Meg) £10.99 

Blutv, Wonder Dog, Blaster, Cyber Punks 

CO L L ECTOR 5 £7.99 ( French Inslrud Jans) 

Lotu;. Esprit/Jamc* Pnnd/Venus The 

PlytrJ^/Cihouls 'N' Ghosts 



ANY 3 FOR £10.00 



TEAM 17 COLLECTION 
Suiti-rfrog/Body Blows/Oveidrive 



£19.W 



WORLD CUP YEAR '94 £19.99 

GoaL Sensible Soccer, Striker, Champ. 
M.uuger '93 and Champ. Mamagfr '94 

I \< BLLENTGAM1S £16.99 

James Pond 2, Archer MacLeanr. riwl, 
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Till (Mil- A I ESI £14.99 

Dune, Jimmy While, Lure of the Temptress 

MO N STF R P AC K 2 £10.99 

Awt-siitiie, Shadow of the Beast 2, Killing 
Uamc Shaw 



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SPECIALS NOT BOXED 


Nigel MariNi:! 
Nigel Mansel 

/ool 




£5.99 






£5.99 


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,.„. „ £5.99 


KIDS PACK.. 




£5.99 


Postman Pat, Thi- Muiniters, 


Count Duckula, 




Gamt>s subject to availability. 

Please nate - A plumr i.ill reserves your order. 

Open 6 days .1 wi-t-k 

9.DO - S.30 

I»ri< *• in*. I'-i-I- (UK). 

Europe + £2 Rest <)i World £3.50. 

Shop piiti-s ni.iy vary. 

C heques ur Postal ClrLlt-rs Please. 

Payable to : Wizard Game*. 



Amiga Computing 



(SIOV£Mr3ER 1994 



G R A P H I C S\ 




t one lime, colour font applications 
were expensive bul these days you 
can pick up capable packages at rea- 
prices. 2 Many Fonts is cheaper than 
commercial offerings in this area, but at 
it's not exactly a snip. So is it worth i1 ? 
Over 100,000 eolourfont combinations!" me 
boast on the front of tine box, a claim 
ipressive but perhaps misleading. In 
this means lhat the usor gets ten type 
which can be combined with 205 seam* 
• ! patterns. 
tsvertheless there is ample room Tor export- 
ation, especially considering 2. Many 
is used in conjunction with paint pro- 
like DPainl or Brilliance, 
jetting started could have been easier. The 
aging is cheap and the introduction 
al is pul together in a ralher shoddy man- 
I'd have hoped for more considering the 
Furthermore, we'd recommend manual 
ition if you're planning to use a hard disk 
« typefaces themselves aren't too impres- 
Too many of them look like Ich-overs From 
= album covers - no! too useful if you're 1 

I to make video trtlqs, for example. 
Vhai'5 more, there are only iwo font sizes, 
jgh at least variation can be achieved 
italics or bold. On the plus side, anti- 
is good, giving the characters smooth 

<e program does offer a plethora of brush- 
i *rth which to create your till patterns, These 
ipedi into five categories: designs, pat- 
textures, gradient tills and environment 

Jsmg these you can develop tonts with any- 
hrg from Simple gold textures to detailed 
fes>gns resembling wallpaper. The quality of 
e oatterns is vanabte, but given the amount 
jnoosefrom ihls Is not a serious complaint, 
you'd expect, these textures are fully 
changeable wilh a slack of palettes, 
the brushes usually took better in their 
colour. 
* small but time-saving addition is the 
■efie of composite colours. These are 'vtoeo 
ape so that colours won't bleed on the video 



-•e-saving in general is an advantage 

. d particularly look for m a package like this, 

- other areas 2 Many Fonts doesn't seem. 



tlerdict 



I 



ABCDEFG 
ABCDEFG 

■Irani 1 1 I«»L Ltnm -ii5|pL 

ABCDEFG 
ABCDEFG 

tins Iiiikiii- Ptfiili liislari KifCiTI* ffiEfelflri '.i-im-p 

ABCDEFG 



vIfw a£'«*n 
ntfo-wjc you 
(o tmkm * 
paaJr at ifi* 
oplianx 
available. 
Th.f|i lih-i 
are in f ha 
tcxiurtm 
group 



A BC DE 


F 


A BC D E 


F 


A BC DE 


F 


- "2 Ili^fflS*,* HilLt-Jt Ich|><Ii. lc?H55* * i 


ABC D E 


W 




With a name like E Many Fonts, 
here's a package that promises a tot — 
Bobs it really offer tantalising titles 
or is it just another font package? 
Qareth iofthouse investigates — 

as quick and easy as it could have been. 

Once font and brush styles have been 
selected, it basically becomes a matter of 
knowing your way round your paint package 
well. Beginners might therefore struggle 
thankfully there's a helpline you can phone. 

VARIATIONS 

The manual gives some examples of the 
sort of variations that can be created by 
using, for example, DPainl. The font appear- 
ance can be altered by revising a brush, or by 
adding thicker edges creating a bevelled 
effect. 

Once typed, a title can be picked up as a 
brush and dragged several pixels along, cre- 
ating an effect similar to a 3D extruded title. 



I Many Fonts could have been a welcome addition to anyone's software collection if it 
-ad come at the right price. As a source of textured fonts il is a good enough product, 
offering a wide choice of brushes lo enhance a title's appearance. 

The trouble is, that's about all it amounts to. When it comes to playing around with the 
tools, it's a matter of reaching for your DPaint tutorials. 

This raises the point thai you could design any of these fonts and brushes in DPaint or 
Brilliance yourself wilh the aid of some PD colour font packs, SO unless you're very short 
of tmne the advantage of using 2 Many Fonts seems small considering the cost. 

It's not going to make things a whole lot easier tor the beginner either. A sub-slandard 
•rplanatory manual and awkward implementation creates some confusion, even for those 
tarroliar with the ins and outs of their paint program. 

If cash isn't a problem and your looking for a collection ol pre-designed till -textures, 2 
Many Fonts should be considered. Images are ol sufficient quality to use at, say, the tow 
•nd of the video market. For most people, though, its not worth the asking price, Offering 
B&e more than the cheaper alternatives, 2 Many Fonts costs too many pennies. 



Thtt map taxfurai nttovc aire the bait of thm bunch 



fonts 



Fonls can also be given shadows using 

DPaint. These are a few examples of the van- 
aliens that can be made, but Mediascapn 
can't take much credit in this respect. These 
enhancements rely entirely on your use of the 
paint package. 

Initially 2 Many Fonts, with its range of 
colour typefaces, may seem like good value. 
However, the fact that there are PD cotourfont 
packages available ranging from £5 to £15 
puts things into a different perspective. 

Wilh PD software ottering hundreds ol clip 
fonts and the ability to edit them, it is hard to 
see how 2 Many Fonts can justify its relatively 
high cost. £jf 



TMriSMkEIIT 
TRrffl5MkE.1T 



M fMnM 



The Uf IfHJeS drsfc supplied tjrvr» yuu 
•HMmpJvf ot *onw of ttim Mriatroni thai 
can b* achie veti using your paint package 



the bottom line 



Product 2 Many Fonts 

Supplier: Meridian Software 

Tel: 0533 863501 

Price: £59.95 

Ease of use 5 

Implementation 6 

Value for money 5 

Overall 5 






Amiga Computing 



NOVEMBER 1994 



E. M. COMPUTERGRAPHIC 

THE U.K. S NUMBER 1 AMIGA FONT AND CUP ART DISTRIBUTORS - amiga computing issue 52 



WffWDPirantMIrM 



muawM cup Mr 

- to -i BMBB*ai flflB#Bal . » ...ii '■•' ■■'.m' 1 ! ''ir. > ii''ir;'iivn.ii::-, 

>io 1 -5 Disks ■ £14-00 - Class*: iFFCHpan 
S Cariotirta. M*r«vy ArwifllB. Tinnvrcrt. PiraalR aTd Xnas. 
C Volume 11 - 5 Diois - tn*.t» - Clasj 
:r Foco. Arcrall. Arirma. CdliT>MS S**ti riantpcrl ml- 
CVolumolS B Pisik?. £22.00 Opart 

romd tOdSw Sprats, anmaia, ftoiocn. Once. Food and nw 
C Volume 22 - b Disks ■ f t+.OO CtMJae Iff CWJarf 
Me Sports. Mem:ai. Annmlb. C-'iuiiniar, Qtitca nr<1 ■:■■:. mam 1 
C Volumn ?S r . Piskl ■ C14-DO - CtasEE IFF CJIwart 
ilis Xrrut£ Cnla, ChtpjIki. htaBdanuBonMia ft Seasons 

EfEffv MfCH 011*1 it? iff ci»' jm r 

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FMC VolunM 67 6 Disks - El 6-50 - Iff FmD r 

MMtfl BoQ Sa- .,"■ i'i I !.■:-. ..-.i»V::.i :■•':■ V.'. !■■'■ ';■ |". 

CMC Volume 68 - 6 Disks - C16.M - IFF Food 2 ' 

.-.nr.KATii SmftalLcn, W.no, &mrcia.crK< 6K. 

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- *JH*MK| Mriliatl M«jY« Eqa«. Nursftsahr 

FMC Volume 70 r - t>-;ks. £14.00 • IFF EULKation 2 
RmkH rflnrhc^, Raloun Mjsc'hHlrume^la. Dancny and rv:r^i 

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oHcctw.tr. IJInlhng. Can-ojlora. Hiaclrca. Orf«* Bdroflrs SK 
ETMC Volume 7S '- 5 Disks - £1 4.00 IFF Various 6 
3QCC4' Hi^,ip.'ij F.^ r .'-nj Mrii~^ \r~. -Irwnr'j uRrra Trrn 1 
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MousaFdd Fanlasy. Eldrin SIlA Foowsar ami men' 
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Cnckal. Epimisa. Mai' "l^jiiv H^ 619 monji 

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JLf.gla. Buds, htanos. Finh. Farm. Gats luil Ivpeii and kite irons' 
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I Mental. 3anuae, fcijecm. Wane and una or wuc Paopn am 



OTHftf F0JVFV /HVl? CUfliAtfr 

I EMC Vol 2 li DWd - 116.50 - PC ClipArt 

fiw-t BUudunad' lino • '9. Bonili» *nd loi» mnmi 

I CMC Vol 3 2 Disks E 6 00 - Pageslream Fonts 
M Pajialraail kilWflt ki«i «in'|>alt)ie win all EHognim uanonE. 
| FMC Vol ?1 6 Hi«ks . E16.H - PCX Crtpsrt 

offBlnwii" -Ariniala. CaltOlUl. C«i»"tW», SppiW *lc 
I EMC Vol 32 tj Disks - £16.50 • IMC COpArt 

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I CMC VtA 33 fi Disks 1 16.50 IMG ClipArt 
I •";•■ o slirun - s 0;H ai! KMai. Sji.jujs. SpcntjS. «nd TrunBooit 
I CMC Vol 48 - L, Disks - £14.00 CoSorFonSs 

M i • a-v i & caa' Ionia i.;.' DPhii-i 5eJla. OpaWKMl »K 
| CMC Vol 48 -5 Disks - £14.00 ■ COlorFonts 

: .j' fo'ila Pa DPaiiW. 5<ata. OpSWhWHl 8fc 
I EMC Vol 18 - 5 Disks £16.50 - 60 PDraw Font* 
CMC Vol 19 5 Disks £16.50 - 63 PlDrm» Fonla 
MC Vol 20 - B Disks - £1 6.50 - 50 Pfirai* Font* 

Typesmith Demo Disk £3-50 
Pagestream2 Demo Disks £6.99 
Qpalvisiott Update Disks £6 99 



nca atto -m mi auiwav 

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EMC Vol time SS - 6 Disks - E1 6,50 256 Cars 1 

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FMC Volume 09 - E, Disks - £1 6.50 356 Cars 2 

| Poranas. Lambas. Classic. E-T^pe, and US Spons Cif*. 
ErWC Volume 90 ■ 6 Dlpks - £16.50 W6 Pfenes 1 



':,il"irn. BVn»ltXir». 



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EMC Volume 91 -§ Disks - £16-50 ■ 256 Planes 2 



ibs. F- 



. Haii*r, BU 



flBBBh B^irTibni!: 



FrVTC Voluma BJ ■ 5 Disks - EU.OQ - 25S Space I 
I "P^n Enrlti NASA Sfwfift Sfiftla. Lois ol Planels aTWmore! 

EHCVolimwlu 



. - 5 Disks . 

i nl»rf« Sfis Space Shuttles NASA 



. Eire Volume 94 

Lots of Beautnut Women and InoaMt 



El 4.00 - 256 Space 2 

Shols and more" 

5 Disks ■ £14.00 ■ 256 Women 



, EMC Volume 95 ■ 5 Disks . 

; •■:■■■ . Iwcarfla and foii ol oihei 



£14.00 256 Wilt/Cot* 

iWildCais' 



I EMC Volume 96 - ^Qlsks - £1 6.50 25c? Worses 1 

Running Horses, Foals. fHodao Horsos and n 

BUC Voluma 97 ■ & Disks ■ £16.50 - 256 Horses 2 

I Horsnt in lln- --.riuw H<:.i>*:s on 1tie headi and more Horses 1 

, BMC Volume 96 5 Disks £14.00 - 256 Doga T 

111 Labrador Cute puppies and even some ugfyonas! 
EMC Volu me 99 5 Disks £1 4.0Q 256 Dogs 2 

I Sellers. C jib Dogs win Cals. Cute Puppies and more r 

FMC Volume 100 u Disks. • £10.50 256 Cats I 

neally cula and humorous pifiluriir- or i^rits ind Kitle^s 1 

I EMC Volume 1016 Disks £1650 256 Cits 2 

More maliy cute and n.umsrous pictures or Cats and Kitlans! 

FMC Volume 102 - 6 Disks - £.16.50 256 WalarUte 

Dolprnns . Whales Frogs. Frsn. Go 



iolaFish and lo4s mnm 1 



, EMC Volume 103-6 Disks - £16.50 256 Sun St See 

Just abou! ^aiything Ir^sm TroAicill Bl*nds to S^irtuV Seachas. 

EMC Volume 104 -6 Disks £16,50 - 256 Animals 1 

| Pandas. Deers, Sears fan types 1. Zebras and bis mane 1 

EMC Volume 105-6 Disks - £16.50 256 Animals 2 
OBpnanls. Gorillas. CJiimps . Mwr^nyK Snuls, Kii.il as and more! 

EAfCVolumfl 1.06 6 Disks E16,5jp 256 Animals. 3 



Wow»s. Tihme, Cougar. Kangaioo 



E J 6-50 

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. EMC Volume 107 - 6 Disks - £16.50 256 Animals 4 
Lizard. Squirrets. Walrus. Kittens end lots ot Other Animals 

EMC Vplu me 1 08 - 6 Diski - £1 6.50 256 Panorama t 

Forasts. Mounlam Riversi'Lakes- Waleilalfc; RalnbOWl tnd mom 

EMC Volu me 109 6 Disks - El 6, 50 - 256" Panorama 2 

5.-v,iv Tiifi|iur1 HMJnBant, MounlianLekes. Walarfalls. Streams etc. 

EMC Volume 110-6 Disks - Eie.50 - 256 Panorama 3 

Malhrvg. Hills, Snow Scenes, Ferms, Srrjill Harbour, and Lots morel 

EMC Volu me 111 - 6 Disks ■ £16.50 ■ 2S6 The Sun 

Sunnses. and Sun-sets 4 rnm Cities to Lakes In Desen'sl 

EMC Volume 1 12 & Disks - £14.00 • 266 World People 

A^ eric a rJ Amazon InrliTi'i^ H.iwMsi.in-, AliKii-iriii And more! 

EMC Volume 1 13 - 6 Disks - £16-50 256 America 
Grand Canyon, vagas, CeasarsPalace, Wnrle House eK- 

I EMC Volume 114-6 Drsks - £16.50 ■ 256 Castles 

I Caslfes wdh Moals. Casllas on MouniLim?;. Casllw, on miv^is etc-. 

EMC Volume 115-6 Disks El 6,50 256 The World 

From :irrjimrl Ihn wnrld - Egypl Jnpan, Italy, France, England etc 

EMC VcHume 1 16 SDraks - £14.00 - 256 BirOa 1 

Parrota Humming Birds, Flamingos, and tola more Biros 1 



Humming Birds, 
EMC Volume 117 - ^ D-Hk:', 



. £14,00 256 Birds 2 

.•'« '.'■'inn-ir BiiHi: unit riiiiri! Birds 1 



EMCVolumeHS 

Wafftors, Dragons, Fi 



Ducks Eagles . Hawks. 

EMC Volume 1 1& - 5 Disks £14,00 - 256 Birds 3 

!-,,',.! i i .ill mis ,1-cJ lots .:;" birds ItiRl we cant adenbrlyl 

6 Disks £16,50 256 jFartta*|f T 

emale Warnora and kjls more' 
EMC Volume 120 - f> U-nks - £16,50 256 Fantasy 2 
Dracjon Lance p«s. Dracura. Skull Warnr ■ . ml ■ ,i - -i. • , ' 
EMC VcHume/ 1216 Dusks - £16,50 £56 TTip Mcti/iea 
Balman, Slanhars. Top Gun, Terminator, Indy. Karate K«d We, 

EMC Volume 122 - &. Disks - £14.00 256 Rentiers 1 

RnrdnrnM Dm^Oni, GlMWOUW H^d.tidfss cars and more' 

€MC Volume/ 1,23 - 5 Disks - £1 4.00 - 256 HertcteJTs 2 

I lenaertd Bugs. Cness Boards, various Ftoomrs F-la and morel 

EMC Volume- 134-S Disks - £14 .00 - 2S6 Renders 3 

Rendered Blchens, Bowling. Ins-,- 

EMC Volume 125 ■ 5 D-sks - £14.00 - 256 Girls 1 

liKiiwI'..' 'iVomen dressed) in v&y lillla. ..Blood boihng! 

EMC Volume 1 26 - S D»sks - El 4. TO - 256 Girls 2 

BeautflulWornen dressed In vdiy lillle Blood bolknp 1 

EMC Volume; 127 - & Disks - £14,00 256 Girls 3 

Ewaulikd Women dressed uwfry lillle.. Blood boiNngl 

EMC Volume 128-6 Disks - £16,50 - 256 Water Girls 
BtautilL- Women ,ndor Walartalla, at [tie Pool and i 



EMC Volume. 129 - R Disks - 
Beautilul Women, or all shapes and sizes 

EMC Volume 1 30 • 5 Disks - £1 4 ,0_ 
Mh-.iu'iI . Woman, hi an shapes and -.Ufa, 



EMC Volume 

Woniflfi on thai 



, 1he knd ol babes vou seeV 



Volume 132 
lui Women or a" 



i uMy wail 
£14.00 256 Swim Salts 

in ShfrntuAfi 

5 Disks - £1 4 ,00 256 Bikinis 

, in BiKin.i 

£1 4,00 256 BjKiCh Girls 

sywatch' 
- 5 Disks - £14.00 256 Lingerie 

aautiliii Women of ad shapes and ..i lann 

EMC Volume 1 33 ■ S Disks - £1 4.00 256 Star Trek 

■ ily (.chin's ol flie NCC1701 , ING,' TTJS cnaraclers elc. 

EMC Volume 1 34 - 5 Disks - £14 W - 256 Various 1 
Mixture ol pica, mainly of Women « Fanlasv Slaflor vc-..i 

EMC Volume 135 - & Disks - £14,00 256 Reptiles 

!-,'-.:iI-h-' . .1$, grocs and some amairiq pes en Dmos 

, EMC Volume 136-6 D.sk? - £16.50 - 256 Classic Cars 
| 6 disks packad wlB» Clastic cars ol all shapes and *tf»s 
EMC Volume 137 6 D-sks £16,50 - 256 Cars 3 

Veltas, Porches, Aslon, Courrlachs, E-Type, Kami. BR Espfll elc. 

EMC Volume 1 3fl 6 Disks - £1650 256 Fast Cars 
Tnsliis f-40;, CdunlaohS POfchoa, Lolua and lots more 1 
, EMC Volume 139-6 Disks - £16,50 - 256 Racing 

6 disks fijH o* Indy Racing- Formula 1, Drag Racing anrt rtwro 1 
EMC Volume 140 - 6 Disks - £16,50 - 256 Boats 

Poim'i Yrii::nl:', Mililary andjusl aho-jl every olher lype ol boat! 

EMC Volume 141 - 5 DiStca - £14.00'- 256 Trains 1 

t si cA our 2&6 Tr&f vols :■:■!. i?r-.:"-:.i 'I'n.im ;sniJ I Inirln: lOCOtJ 

, EMC Volume 142 & Disks - £14,00 256 Trains 2 

| 2nd ol our 2S& Tnan vols, containing Sleam and Eleclic tocos' 
, EMC Volume 143-5 Disks • £14.00 ■ 256 Trains 3 

| 3rd ol our 356 turn vols. oonHainmg Slaam and Elaclic locoa! 

, EMC Volume 144 -5 Disks £14,00 - 256 Trains 4 

| 41h of 256 Train vols containing- Sleam and Elncm: Ineosi 

EMC Volu me 145 -6 Disks -£16.50 256 Military 

Dosori. Slorm. Tanks. &3«iB*, M%, Caainona, Naue-I and mora' 
, EMC Volume 146 6 Disks £16,50- 256 Flight 

PlanBS, Hcopters, LighlPlanes and stunning pice "I Hot Ai 



MOft F If 56 IFF COL MM (.RUPM V fOtt 

Ma am 2* m mm* 

I EMC Volume 147-6 Disks - £16.50 - 256 Jet Fighters 

|F-117's, Phanlnms. F- 16 Falcons, ^irc-ralt Came'", -'ni :.". ■-!■ >n- ' 
| EMC Volume 1 4B - 6 Disks - £16.50 256" Snow Scenes 
4pt:f:l.u:u -ii pics ot Snowi Capped M 1ains. Snowy Fcrasls t. Rivers 

I EMC Volume 1 49 - 6 Disks £16,50 - 256 WatetLlfe 2 

Colourful pics, of Tropical Fesh. Ceril, a*** end icua more ' 
EMC Voluma 1 50 6 Disks - £16.50 - 256 Travel 

I Stonehenge. KingTut (Slunning). Q Canyon. CoHosnim and moral 

EMC Volume 1 51 - S Disks ■ £14.00 ■ 256 NASA f 

| A'r..i..-ir, SnuttaM P tf T wH . Lunar Modules and Hubble T scope elc 

, EMC Volume 152 - 5 Disks £14,W - 256 NASA 2 

Shuffles, S'lrles. Launeft Sl»*, Launch* and Inas ol Space Shole! 
EMC Voluma 1 53 6 Disks £16.50 256 Babes 1 
I Due In ouBrviHelma-aj demand. ..yet more disks of Beaulilul R-Eihns 1 

EMC Volume 154-6 Disks £16 50 256 Babes 2 

Duo 1o overwbGlmino, oVjmand. .yrt more ilisk.<i ol I3eau1ilul Banes ' 

EMC Voluma 155 6 Disks £16.50 - 256 Babes 3 

I Dua 1o overwhelming demand. ye( more dir,k-*; ol Bnoi.lihjl el:tbaatl 

EMC Volume 156 -6 Disks - £16,50 256 Babes 4 

I Dud In iivnr»Tii!iii-,inij demand., yel mone disks ol BaauliFul Babes! 

EMC Volume 157-6 Disks - £16,50 - 256 Babes 5 

I I Sua It; ovemnelrmng demand., ye? more disks ol Beaulirul Babaatl 

EMC Volume 158-6 Disks - £1 B .50 256 Hunks 

One for 1he Girls • a disks ol 'CfttppandBli' tyf*? Hunky men! 
EMC Volume 159 b Disks £1 6.50 256 Various 2 

I Picluras mainly comprising ol Babes and Wild Cats 

EMC Volume 160-6 Disks - E1 5.50 255 Various 3 
I Famous Peoulu. n™nWa Snuw Scenes and Travel 
EMC Volume 161-6 Disics - £1 6.50 - 256 Various 4 

[ Hunks, Babes. Hock Slars and Famous People 1 

EMC Volume 306 - 6 Disks - E1 5.50 - 256 Robots 
I Some amanng hagh quiilily iiilwnrk ol chrome plalad ramale rocots. 

EMC Volume 209 6 Disks - £1 6,50 - 256 Heavy Metal 

I Very nice 'antasy 1ypa artwork Irom Heavy Moifll mng^jino 
EMC Volume 210 - G Disks - E1 5.50 255 Star Wars 

I Qiialily pictures and ariwoik irom lha Star Wers movies 

EMC Volume 311 - 6 Disks - £15-50 - 256 Night Breed 

I Qualily oidures and artwork Irom the Sctfi aeiies - Nigrn Bread 
EMC Volume 212 6 Disks - £16.50 25S DS9 1 

I Quality piciuies and artwork (mm Slar Tiek - Deep Sp-j.cc N*io 

EMC Volume 313 - 6 Disks - E15.50 - 256 OS9 2 

I Oualily pi-cluros iinrl tiMwrirk i r 1 1 r 1 1 Sl^F Tft>k ■ UChftp StpACfi Nune 

EMC Volume 214 6 Disks ■ £16.50 - 256 D59 3 

I Oualily pidures and artwork from SlerTrek - Deep Space Ncie 

EAfC Volume 315 - 6 Disks - E16.5D - 255 DSS 4 

I Oualily prdures wid SrtWOOl 1mm £la> Trek - Deep Spaca Nme 

EMC Volume 216 ■ 6 Disks- £16.50 25S DSS 5 

I Oualily pictures and artwork from SlerTrek - Deep Space Nme 
EMC Volume 217 fi Disks - E1S.5D 256 TNG 1 

I Quality pidums nnd iirtwnrk 1mm BUv T«k - The Mem Genarallon 

EMC Volume 219 6 Disks - £16,50 25S TNG 2 

I Quality pictures and artwork from Slar Trek - Th* N6*i GentoKllkVl 
EMC Volume 219-6 Disks - £16.50 256 TNG 3 

I Quinty i'ii lui':-, and artwork 1rom Slair Trek - The fwm GBnaralion 

EMC Volume 220 - 6 Disks - E16-50 256 Slar Trek 2 

I Great pictures and artwork from Star Trnk Ongiriftl stinfiu A McunUS 

EMC Volume 221 • 5 Disks £16.50 ■ 256 Star Trek 3 

I Gr«at pictures, and artwofh trcyn Star Trak - Dnginal aenas 6 Movies 

EMC Volume 222 - 6 Disks - E16,50 256 Conatt 

EncBllanl 2E* artwork featuring Conan ihd Bartxumn 
EMC Volume 223 6 Disks- £16.50 256 Dr Who 

I . : -I pictures and axcenenl artwork from live cult series Dr Who 

EMC Volume 234 - fi Disks - E16-50 - 256 TV-SclFI 

Th»S volume ccnpns05 cjl picJiur'A¥ hIP'J aitlwiirk 'rnrti BlAkifr 7 and ""V' 

EMC Volume 225 ■ 6 Disks - £16.50 256 D.Lance t 

i ng. higf quality artwork from Dragon Lance 

EMC Volume 226 - G Difiks - £16.50 - 256 0. Lance 2 

[ iij. hajt; t|u.ilily iulwork from Dragon Lanca 

EMC Volume 227 fi Oisks - E16-50 256 BurisV J 

Eaceptional uriv.ii.: ny Ifta nanoiMwd fantasy artist Boris Vallejo. 

EMC Volume 226 6 Disks • £16.50 256 BorisV2 

Exceptional ai1*ort Dy thB renowned fantasy artist Boris ValtejG. 

EMC Volume 229 - fi Disks - £15.50 - 256 BotlaV3 

l'v.:i-l'iiin,i: ., 1 1. ■„■-. riy Bw <«vj«ned fantasy artist Boris Variejo. 

EMC Volume 330 6 Disks - E16.50 256 B&isV 4 

Escoptionai lltrrorti by Dn« r«nciwn«d ftnlaty arUil Boris Vaaefo. 
EMC Volume 231 6 Disks - £16.50 255 Boris V 5 

Exceptional artv<orx by the renowned fantasy artel Boris VaBDjo, 
EMC Volu me 232 - fi DiftkS - £16.50 256 BofiaVS 

1 1 MOrk 6y B>8 ««ownad fantasy arua! Boris Veltefo. 

EMC Volume 233 - 6 Disks - £16.50 - 256 Boris V 7 

EicaptiDnal artwortt by tne renowned fantasy arte! Boris Vaffcjjo. 

EMC Volume 234 - 6 Disks - £16.50 - 25S Boris]/ B 
r>:.:M|;'i:ni.i. ini.'.. -.. :iy Hir- i^-unvfUHd 1anta;.y artist Boris vsjajfj. 

EMC Volume 235 - 6 Disks - E16.50 - 256 Kelly 1 

Escellanl artwork by 1he famous fanki-y,' ,riii;,| Kim Knlly 

EMC Volume 236 - 6 Disks - £16.50 ■ 255 Kelly 2 

I :■:■ i -lli^r ,1 artwork by 1he famous fanlasy adisl Kan Kelly. 

EMC Volume 237 6 Disks - £16.50 256 SciFi Art I 

Mixed bag ol greal artwork and pictures wilfi a ganajral SclFi Iheme. 
£ (Iff V u I u me 2 3B G Dl i k , E 1 6 H ;'-■* SciFt A rt 2 
Mixed bag ol graal artwork and pictures wii*i ^ gnnrnnl Sr:iFi Ihi 

EMC Volume 239 ■ 6 Disks - £16.50 - 2515 Woodroffe 

Mean* qooo Weird laniasy pics Irom 1ha world cH Pin tick WMOfOM 

EMC Volume 240 fi Disks - £16-50 256 Movies 2 

Escellanl oicVarlwoik Inirn lllrrto ■ □$■} Slni Wars, Terminalor. "J", 

EMC Volume 241 6 Disks - £16.50 256 D * Q 

Slunning artwork with a Dungaons and Dragons theme 
EMC Volume 242 6 Disks • £16.50 ■ 2S6 Fantasy 3 
I Loads ol goort qunlity general fantasy artwork. 
EMC Volume 243 : 6 Disks £16.50 256 White 1 

Spedacular artwork by the renowned laniasy Irtet Tim Winn. 

EMC Volume 244 . 6 Disks • £16.50 - 256 White 2 

Spectacular artwort by the renowned fantasy artist Tim White 

EMC Volume 245 6 Disks - E16-50 256 White 3 

Spedacular artwort by me ninowirifd. lantasry artist Tim Whim 



VIDEOGRAPHEHSi Mi arert«ivj«upwitbi»le»Jii« 

lil!ii.Y'u..lik i .-ii i,.-. li 1 1 with the elm ofconduciinj weekend 

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iuid posi production for Ihc bcyinrer, sctEii-pin and lull I'm. II' 

i.- ;.-. ,. in; .in S.-M ^kmj wilh a brW teller drtflilirtg 

-. ■ i> reals anil ivl l will fanmrdyou lull inliirniiilnni &. tourse 

i ■ - !■-_-. in. when ,l,-i. li I', have been IuilijiscJ. 



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Final CopyS ifrfS. Final Writer sic. 

EMC Vol 4 - 5 Disks - £14.00 - 67 Typel 'S 
| EMC Vol 5 - 5 Disks - El 4.00 - ft? TVpef 's 

EMC Vol B - 5 Disks - £14.00 - S3 Typel s 

EMC Vol 7 - S Disks - £14.00 - 68 TypeVs 
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EMC Vol 17 - 5 Disks - £14.00 - 79 Typel'S 

EMC Vol 27 5 Disks - £14-00 

EMC Vol 29 - 5 Disks - E14.G0 - BO Type J 8 

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EMC Vol 77 • 5 Disks - £16.50 - 78 TypeVs. 




EMC Vol 78 - 5 Disks ■ £16.50 ■ 69 Type t 's 
EMC Vol 79 S Disks ■ £16.50 ■ 84 Type) 'i 
EMC Vol 60 S Disks - £16.50 - 71 Type1 'a 
EMC Vol 61 - 5 Disks - £16.50 - 106 Type? 'fl 










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EMC Vol B - 5 Disks - El 6.50 - 61 CGFontS 




EMC Vol 9 - S Disks - £16.50 ■ 64 CGFonts 




EMC VoMO - S Disks - £16.50 - 57 CGFonts 




EMC Vol M 5 Disks £16.50 58 CGFwtiS 




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EMCVoi 2% ■ 5 Disks ■ £16,50 ■ 71 CGFonts 




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EMCVoi.&T 5 Disks- £16.50 <'• : ■ 





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when jLtjirflann»ODac*oiop3 n all * 
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fAfC Volume 173-6 Disks - £16.50 CC5 C/ifCfcS 1 

iTliii^. ClirtaiVtH irvirfl rjiilt. HlLxininr; Rrlb'ns i-nriicih ro Traho vau cHdo 

EWC Volume 174- 6 Dirts £16*50 ECS Chicks 2 

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EAff Volume 175-6 Di&k s - £16.50 - ECS Chicks 3 

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wk\m 



TUTORIAL 




with 



amiga 



ease 



Steue White opens the door to treating — 

your own installation scripts in our guide — 

to using the official Commodore Installer — 



To use Installer you are expected to license with Commodore USA- However, with the 
problems Commodore are having at present, it would probably be considered fairly safe 
to use the product without a license agreement. 

Amiga Computings license agreement was never returned but we ^ Installer any- 
how. However, the decision lo use the installer is purely yours and Amiga Computing 
cannot be held responsible for any breaches of the license agreement by readers. 



-MB 



p unfit recently the Amiga has 
never had its awn totally dedicated 
installation program, and in the 
past hard drive owners have had lo wrestle 
with AmigaDOS script files, programs thai 
shut oul the Workbench environment, insiala- 
lion procedures where flexibility goes oul of 
Ihe window and many programs thai are 
installable, provided the user does it by hand. 
Fortunaiery, Commodore came to the res- 




cue by developing an installation program that 
could be programmed by anyone, was lolally 
flexible and could function quile happily from 
Workbench. 

This program - Installer - is now used 
by most software developers, although 
game developers continue lo neglect its 
advantages. 

What this tutorial aims to achieve is to 
teach you how to use Ihe language and apply 
il to your programs. However, I will not be 
concentrating solely on hard drive users, as 
Installer is quite capable ol installing software 
to another floppy disk. 

In order lo follow this tutorial you will need 
to own an Amiga running Workbench 2.0 or 
higher. Obviously, you will need to apply ihe 



Now we've got that oul of the way, let's take a look at 
the language. The language otters different proce- 
dures for installing different lypes ol file. General Tiles, 
libraries and fonts all have different routines which 
make installation more intuitive. 

Each routine has its own associated commands 
applicable to the typa of file being Installed. This 
means that you can break up your installation scripts 
into easily readable modules, which makes debug- 
ging a hell of a lot easier. 

What we'll do now is take a look at a particular rou- 
tine and take a look at its associated commands. 

As an example routine, we will be looking at the 
one which Installs libraries. I will show the routine and 
trsen describe each function individually. 

If certain functions are missing, the Installer will 
show a compile error. These functions will be labelled. 

(proip", "lllftlUifli dis.klDiit.libr*rjr t» lIWi") 

(help JfopyLo-^.p!- 

(murcE "tiisdisifont.llBfirfl 

<5>lt "UBS:") 

(nojiitgct 
Lef s take a look al each command to see what they 



actually do. 



( cop }' Li t 




This tells Installer that the routine that follows should 
be understood as a library routine. We don't end the 
copylib function with parenthesis ) until we have fin- 
ished the entire routine. 

droit t ■iflitiUir.g diitfoix. Library to LIB]:': 

This function merely tells the user what is going on. If 
you don't want to display a message simply type 
prompt "". Both parenthesis are included (} because 
this function is classed as an independent command. 
Prompt must always be present, 

thus ieopy Mo-he Lpl 

Installer has certain in-buill help pages which are dis- 
played when you click on the Help burton on the main 
Installer interface. If you wish to add your own help 
text you can, but I will be explaining this process later 
on. Help must always be present. 

(source 1ai!(Hikt<nil:,Ubrir ! f , i 



L 



13 



Amiga Computing 



NOVEMBER 1994 




Parti 



techniques you learn in this series yoursel 
as I cannol write example scripts dedicate 
to software which I know nothing about 

There will be plenty of examples, bj 
these will be purely for demonst 
purposes. 

You should copy the Installer progran 
found in the C: directory of Amm 
Computing Cower Disks into Ihe C: director 
of your hard drive or floppy disk. 

Installer was created by Commodore as j 
tool for hard drive owners and floppy owner 
to install software with the minimum amour 
of fuss. It allows total control over installatio 
procedures, offering the user a friendly inter 
face to work with in a familiar environmeni ■ 
Workbench. 

It Is this flexibility lhal makes Installer 






This tolls installer which file it is that you want t 
install, it is always best to first copy everything 
wish to install into Ram as Ram is faster and also 
eradicates multiple disk swapping. Source must 
always be present. 

This tells Installer where the source file should be 
copied to. This must be a valid assign or path name 
Dest must always be present. 

(sonlini 

Confirm requires you lo okay the copying process bf 
clicking the Proceed button, In the case of libra 
confirm will inform you if you already have that partic- 
ular library in the LIBS: directory. 

It will also infonn you of the version number of the 
library being installed and the one that is already 
present, 

(nogvagcl 

Whenever a file is copied a blue bar appears indicat- 
ing the progress of the copying process. You can 



TUTORIAL 



Jul It has the ability to cater for all 

5et-ups and is also capable at prowid- 
ror scrip! tiles should something go 

I Installer itself is not capable ol inslal- 
aione, In order to funclion it needs a 
al script file which it translates and 
:-:ecules, It is Ifie script file language 
all be looking al. 

' language owes most ol its structure 
,p, a language which relies on the 

use ol parenthesis or brackets {). 
I parenthesis control all the functions 

language and therefore debugging 
= can prove awkward. 

TERING 

lowsver. once Ihe actual functions have 

understood, more time can be spent 

-•aking sure Ihe parenthesis are correct 

;nce Ihese have been mastered, the 

i language becomes much dearer. 

%e parenthesis control the functions in 

the same way as parenthesis in 

nahcal equations - that is to say that 

tmount or open brackets *(' must be 

Ay matched by the amount of dose 

jts ')' and vice versa. This is where 

t of the errors creep in. 

tow is an example Installer script- This 

■npte's main function is to show the use 

parenthesis (don'l worry aboul what it 

ngh! now): 



isrcijt 'IntEalling is'., .-trjrt 

(IlLp lew-He! 

Imtti •m-.n[Aibtirr") 

Wilt "LJfltf, 

l(Ofifin) 



ill notice that there are the same 
of close brackets as there are open 
It is very important to gel the brac- 
ounts equal, otherwise a compile error 
3rxur. 
jrder to successfully install a program 

to turn this off with Hie noguage function. If it 
sgtectEd the bar will be displayed. 



hcaJly ends rhe routine by closing the paren- 

■sts opened by (copy lib. You must make sure 

nt> have the correct amounl of close brackets 

brackets, otherwise a compile error will 

."■efulry. this will make sense and you will begin 
see |he way in which the Installer language 

moment in time you will obviously still 

■.' enough about Ihe language to compile 

own scripts, but the Installer language dictates 

lenty of examples are provided befarn 






Tfif» diagram shows 

the pn?<?m***a 

needed to use 

tnmtallmr. An iron !■ 

attached to thm 

script tile which in 

turn jk directed t& 

Inatatimr. Th*t 

Jppnama CM II I I MfnJ 

in to*- icon Toot 

Typaa tctti IrtitiHt&r 

io print the mei- 

U9t 'Wfofcvrno to 

Ihe tnalattniion 

utility when it fi run 



• ihe end of this series I will provide a com- 
ig of ihe routines and their associated 

fMOons as a reference. 

5 now lake a look al another form of copying, 

ifene on files. Take a look at the sample and 

en explain what each function does 







via Installer, ihere are certain tiles that are 
needed Apart from the actual Installer pro- 
gram, you also need the installation script file 
and an icon which when double-clicked 
loads and then directs Installer to your senpt. 

The icon must be a Project and musl be 
attached to your script file. For example, let's 
imagine you had created a script file called 
InstallMyProg. You would save the Project 
icon as InstallMyProg. info lo the same 
directory. 

With ihe icon complele, you then need lo 
direct it to Installer. Clicking once on the 
icon, select Informalion from the Icons menu 
on Workbench and where it reads Default 
Tool: type in Ihe path of the Installer - say 
MyDisk:cVlrv5taJler as an example. 

Add a new Tool Type to the icon and type 



m: 



AWNME^'Prog 



The Appname Tool Type is needed by Installer 
when it pnnts Welcome to the Installation utili- 
ty. In this case il would display: 



We l esse lo '.hi Wo? inttllUtsur, utility 






You will be adding olher Tool Type commands 
to the icon at a later dale. For a visual descrip- 
tion ol the above, check out ihe diagram. 

9 In next month's article I will provide you with 
B complete Installer scrip! using the routines 
explained this monlh and a few extras so that 
you can gain a good impression of how to set 
up a fully working script . p-^m 



bstiflHtfriij 



Htewt 14 th# HyPreg instiUilttfl tlLILtT. 

lMtiLliti« t»t<«B 

T IwUII fur Beil 
J Pretend tn instill 



J* 



Lh ill KtiM* tt: 

J Print*? 

Jin Fiii 

r n»f 



JWSSS37S 




m 



iwwn 



PrDtetd 



db»f< 3mtiH 



Hg'.p. 



U3* 

meussk 



i — rrsn: 



il l I - ' 



I "ti lut ili t ml« *ef »w *n<* ii*i i- ""■' < 

3h» 



(ill fl,r,.ll ft» p. ■■111 



)■■■■■■ M kwjWM—^— mum 
... , "... KM .1 »« iw *tl«M iltaurt 

UrbJH 'lHltHIH rvaalivj.i mpaC 

cap*r ilii 

HUP" 

I MMiM l 



Thanks to Commodore* InrntaHmr program, user* 
can ma*tty rnsf.lM software to floppy or rutrd drive 



The itrtpt language ht diHiouH to loam, but one* 
mastered proves extremely (KHVartai 



(cfjpyfilo 

(fTDtpt '[niiaUing ByPrgg prngTii') 

(help S:3prMltl-."(lpl 

Isourc* "BiiiByfi'ftg") 

(dtil WffHiU-deitl 

(infos) 

(neguagcl 

r 

I ctyjfHM 



As with copytrb, but (his routine expects fo copy files 
rather than libraries. You could use copyliles to install 
a library bul it is best to stick witti the dedicated 
routine. 

[proipt "tout I tag J-yPrug projrii") 

This is the same as the flrsl example and is used 
to Inform Ihe user what is happening. Must be 
present 

ihilp acopyHliellLp-l 

Same as the first example but displays ihe holp infor- 
mation associated with the copyfiles routine . Must be 
present 




<!mirtt "iHSltPrns") 

The file lhat is to be installed. Must bepresenl. 
(d«t Jdtfwit-deit) 

This is ihe same as the first example, bul the destina- 
tion is contained in a variable called @ default- dnst 
This variable would have been sel earlier by Ihe user 
when asked where to install the program, Variable will 

be explained later. Must be present. 

UifrtJ 

This tells Installer to copy Ihe .inlo file (icon) of the lile 
MyProg to the @defaull-dest, If infoa is not specified 
the tcon file will no! be copied. 

Same as the firs! example 



Finishes the routine called copyfiles. 






Amiga Computing 



NOVEMBER 1994 
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otf. Giiies your Scata 
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professional finish. 
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MATEXTURESl 



Make your own hBfdwiane 
and »ava E££i, Sound 
sampters. memo<y 
,".|.,iiiiions. Bridgeboar*; 
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Onfy £3,00 



\ HWP3...HARDWABEJMECIS 




OJ.T9A 1000 GA MEJ3IEA TiL 




OerlOfX) Top Amiga 
game efiaats on l»va disks. 
Includes all popular mles 
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, RI&HKANTOM DOT STEREOGRAM 

Craals *«ur ownrjBcmiliiiOflanitnni dtfl SIS'ooflrBrro -.vy 



mrftautt 




Oh* 70 top odinlrty Imapmo 
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3uC|6C.'s include Vohide: 
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Qn>yt3 vO_ 

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l-INANCE 



1 AtwodiJksatolextra 
H backgrounds, Icons ate. for 
use w.Hi Magk 
Worltbench Fksqunea 



Chin/ r5.oo 



UM i i UH4C ^CIWUCNCH UV 



Forty top quality 
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— The moat professional 
word search, crossword 
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Amgn includes a 
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m *\U»ktm XSnM Hundreds ut ganwal 




Four all 1HT1B dassic board 
O^mes. Scmfaole, Clueda. 
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Monopoly Omat fun lor all 
the lamily 

Atl Sot anty £1000 



"1 



ubkKM incluoe Spon, 
films. Music, Science, 
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knowledge wilh tr.srmnnllLTil 

Tmi» gums 

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lllliZS-Lgill^ASTEK^ 




yoiir tj*n. 

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\\M»S-2. WORD l-TNDKR PRO.. 




H .-::ti warn 10 ba a tiuddir^ 
Intn Beale or Floyd Bian THE. ! 
OOtJRpffiT COOK BOOK. '. 
a good way to gel slanad 
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.l.THFrnoKBOOKl 



Double the space 

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HOuieg drivn 1ha ■«!» give 
you over 1Sfirn*gol 
availaJ3la space Runs 
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OntyfS-OO 



. DISK DO! 



Learning to lypa can be a 
drflicull tMk, bud not whan | 
ut>g get a co(jy of our 
classic lypiog tuloo; 
Includes ihrao gamee lo 
help you learn Id type 
Only £3.00 

TYPING TUTORSj 



ether y.iu Msnl 1c link 
i Ar«oas togelher. or 2 
s or Armga to- PC, Inert 
i package wM sull fix 
tf lo install 

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,:»», rim 



RDU10-4. HOARILGAMES. 




Hi*i PC sotlwafa on y*jr 
AnMga, Supporta VGA on «w 
Al20fi qr A4000 worts will, 
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£39-35 



HCT.40-I.pt: TASK 






II v. nawlothi An^gs. 

thon you mey bn hayng 
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t;FH21. KSSENTIAI FOR BHilNNFRS 



lCi}M£=2 J?*EJMQRKi N< , 

Great new chadran's pool 
I game, cotourful and aasy 
I la use. 1 or2ptayB«- 

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t'rit>rit\ Order Furm 



tZJrrJ^r VeiJu_ 



AJdres-v. 



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PrrjfUKrt 




__ etm»d as IFF so ' lhay can t« u«d in any Ai™aa DTP Or 
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'HBTt llBSe llllt.'i. 

jou neguo) an A50f>. A«M, A1ZW or any rnacnin* inad 
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Amount rtf'Pack-H 
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QTY 



I Jllin IlL-n^ 



Tatiii gLKKj*. viuik 



Kfltiigu & P-Jckiiii 

rLi*r Jit H J -i *IV I r riP r ik I I. 



AnKHim enclosed 



; ' 

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ALL TITLED ALH/ERTiaeC ARE IN STOCK 
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Untarlnp h» p«l 
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in wur mi": uJ J*™. FIP"« nr n«"l«Tr *'• M< '"j 
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X-CAD 2000 

One pf trta most powerful Cprtipulfl' Aided 

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MogabaH V3 Is most 
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"BrgaSi-oUT gamo 
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□var 1 DO all lime classic 
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Breakoul. Pacxnan, Space 
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!04. 101 G AMI 



yce'rB inio Imagine Ihen 
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II 



M.F4 -1. BABYLON 5 OBJECTS 




-• 



, 1 A selection of superb g»rty 
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-ft-l background at your 
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OWjrfSH? 



W2 WORKBENCH I 



Processing 



LEI 

an bt i 



OK* 

to link 
C.lher | 

I 
INC. 

'5 pOO j 

d 




Wliniliwr you iun a small 
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£7.00 

TILE OFFICE 




Ths la the moat unofessi ve 
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OkVIlYW 



;iS4-2.HH,ri\ii:si:^t\inv 




La/ga range of Tantum fw 

use in Imagine: Render your 
utamlB in a '-wmly ill 
■had**., cotnura and 
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amy Cr^.OfJ 

IMAGINE TEXTURES 



A compilation of vary 
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make backups ol your 
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Onjy f 5.00 



CPY5-2. DISK COPIERS 




Seventy bUrnanloril! lor ia*e 
« almost any package 
iraAjdino, DaiuKe Paint Also 
laaiuies a tantastc font 
editor lor designing, of 
customising your own font* 

Oniy £700 



FNT7-3. FONTS &JBITQRJ 

Tatm is Hie most addictive 
I game in 1ha world. and 
trial's a tad TTus I 
compilation 0\ \wa at the 
besl Botl graphics, beat 
| sound and bast playabilily 
OBt/£9.00 

r9-5.T TRIS MAYH EM 





Inside Engages is a 
compaalton ol in depth 
animation sequtnoM 
showng you the workings 
oT at) the most papular 
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OfHy£S.O0 

■ NG9 -S. INSIDE ENGIN ES 



;fft 



" TOW OF TCNPBKI 



Mumfcotfci ol hstjh quality 
pnArssto'ial cfrpart image*.. 
Siisrecte include' Transport. 
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wider scope. 



nom3-10.PROCLIPART 




Over 1(»»l limndflfliSG 
Spectrum gama* randy In 
use on Ins Spectrum 

aniulului. ire: Jet 5*1 Willy. 
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SlarTrak.Urldmm nd 
load* more 

OnlfflS-M 

1 SPG15-7, SPECCY GA MES 




A aateetlon ol pnoJet drivers 
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nurh H: I l.ivlill PjLkjiJ 
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H DRV3-1. PRIM EK DRIVERS 




Contains, a aalacfion o1 
Video Htlere, Video wipes 
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home movies. All you 
.1 '»i 

Ortly £12.00 



VIDEO-STUEEJ 



ir you va ]us1 purchased 
your Amiga you <nay be a 
bit bogged how 10 use it 
property. Viet this five diak 
sel lakes you slap by step 
through every basic thing 
lo know. 



BIXilNNER'S.GIimEJ 



A collection of Amiga card 
games including' Poke*, 
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OrrryfJO.OO 



I CRD10-4.CA RI)*.AMES 




Over 20OWorkljtiin;li ? oi 
3 Utilities-'tools. ini-|iji'1in<( 

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move. 

OnryfS.OO 



1113-1, 2 03 UTILITIES 



mmm 

□ III! 



Klondike tbr^arcJ game 
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carO designs 

Qnlytt.00 



KJj i -liiAi j^l: -,t!| 



3. KLONDIKE AGA 



r^ — i *" FV 

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The compLilisi ijarlia WfBton 
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Aft addlCDve pteaomwr tor 
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DnWC3/V 

*r& rtiZyy Oriw it: 

MC.3-1 ])AN(iEKMOlSE 







The compWo sysltmi 
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mi mil! expartajonaand all 
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Onlfi/fa.rXi 



ENK3.1. ENGINEE R'S KIT 



Hundred* Qi Mlgh quaMy 
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0»>v P7.O0 

SAMPLES 




J ARC6-4, ARCADE CLASSICS 

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An essential lool tor 
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mi A1?OJ 

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\lll)7-l \\\W DISK INSTALLER 




Organise your 
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n CTG5-3. C AT ALOGERS 




Hundreds c* cntaui clip fonln, 
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CLFI5'«- COLOUR FONTS 



SHL4- 2. NINE FINGERS 




irassmo FWve danrw 
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league tables, Jt? foolbai 
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CFSUM.rKYrRWOL D SQUARES 



* IV 



*■ 



Thoj&rmde of uval 
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IFREDFIS HCDLIODO 



I 



1000 all l»na classic Arraga 
gnmes. Pu£/tas AJventura 
RPG, ShoM'emups. 
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OWyCW.SS 



in LOCK *N' LOAD CI) 




Thousands ol arclnad 
fcols. ncJudinrj; patch** 
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CD ROM 




A range of cltpad tor mm W 
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PACESETTER ART 

Play PoUar wtlh »om* oJ 
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the world, includes supBrt > 
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1DSP12-L DELUXE STRIP POKER 2 



tft'iii'n 



K*\ Daaal rulai iiaa rtteffl 



I WhailMr ycu'raat 
beginner at chew or a 
cnampon. Jl CHESS •»■ 
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graphics and spacer oavaaaji 
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dnvt^dc' 



I1T4-L CHESS &TLTOR 




An ananTativs) gay m *. 
bulchera, and VhbTi bsJ 
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OrtryO.at) 



/A 13- 1 ZOMBIE 2 AGA 




ihps snfF? 



A collection of 
edueaHonal jamas tor 
children aged 7- 
spellfng spadd 
included in 1ns» 



ovy-rao- 
EDU»4,E IH< VTIOWL 



PASSWORD 



ENCRYPTQR 




PS W 10-4. PASSWORD 



pic Marketing, First Floor Offices,, Victoria Centre, 1 38-1 39 Victoria Rd, Swindon, Wills. SN1 3BU. Tel: 079 - 



High Quality and Low Prices - No Compromises] 



We offer an unbeatable Fast, Friendly Service 
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•••••• 



PD Box 36 Frodsham Warrington WA6 GDJ Telephone enquiries welcome - 0928 732 550 



18th Hole 

(CAT 835 - 1 HSK5 - NOT 121)0.1 The 
is b nrp quad lucking; nvr-Tncac gall 
Dim* Gind qiliri ptanr nm 

IB Damns Saris* 

ICAT B*3 - I UI5K: IniJu i= n '.tiILuiiI 
3d aoTBiurn gun. whidi fe abwliinlv 
hune. 

Act ol War 

OF ;'f-V I nl!*,. A vm? guid Rnarn 
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miiiiiir.s In d:i a-il jn a-r.iv n 1 



^ GAMES -»> 

Grand Prix 83 

OT 2G9S - ] DIStil A Hwttagb 
rccp ond hiqhlv Invnhrad sucagDmniC 
| 

Bush 

.'-] - I LTElfc ftte x jaduOr 
ihu Imsi vnnM:i nl Rppmemi 11x1 can 
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GAMES 



OT ErtT - I Jligfl Tits Is. a ortlng 
uvcrhpaJ or noir lur Iwn pinrers 111 
mil In Ihr hf qn wnh hnlk and tpila, and 
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KUwi the Cat 

OCT I TV. - I [Mil This s a lowly 
tula plaanrm qamu with dsuzac qacrtf 

phrr- 

Kiughts 

OT I KM 1 DER.1 Th= |ml hsppmc 
b ts a miivi BweltHri Ihu (linker h 
Ii:jiI adiEma-E qxne Vfjy nditctlvE 



Advanced Hero 

or isai mss i b die mq nm 

be IliE gumr. maEzr. Did pnznla IJie 
chsl MSB You flr*l +■ bind guru) 1s 

L Deluxe Gala* ■ 

■Kfc It 
lar as atim! m uj ^amia qu. and hm- 
taallEAi .'iir il P.R livd 

aazn unoac auatakjla now 

Diplomacy 

CAT lala I HSK. A ?nrf o.inwwil 
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OT 3D« - 1 DEK NLTT ittl: A 
im DnrJ looking purrifela ihn4» pru- 
nr xr. elaalv am at Ihu but arn.nd: 

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PIT LQ-5 - i mm Foo^? thubwi 

EbwdpiI dFFS 4 

OT HP1 - I D(SB A imlUnn mr fill' 
tor what, bos a ray quod End ahull il 

FDrecajtir 

RAT HP - I DIF«I I fim'K a Iwldv 
moik^wnnuKD, Ihs disk auiJd ha up v'* J 



Kuiu Fu 

CAT 1138 i mSKi Bow aUt td» 
■ bnnr. ]1 Us ■ nnctsf pUstbrm nnnii 
■Uh wm rtvinu luck dmnni in lui a 

tuiull 

LCD Dn ants 

CAT I7B9- I D6KI A uilltcuui ul 

Jnur old LCD hiiul lull! ganiqa n 
-pjni|ir( b Uir AmiBH. UfraJ rfiJI 

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OT ?JHfi - 1 niSKI T* tdut inmit- 

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Sid Dwarf Quiz 

IIM 9B7 - 1 OlSKl TpJ tdiit knnnl- 
dijn n[ tn TV uinn. wab l!i« n»iirl 
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grepH"- ftjytwiip -lih to iu nfre. li 
hot paYBClc. anil quiii hninv 

.I BlnMB-H-SpSTtll 

(CAT ldSS - 1 DBtl.Tknry a M el km 
pHn biwdon 7 Ten rr#jn DU\ir1 lo* 70*1? 
Tsam plar iu: tn tha Qimlrat d tana 

.1 Telren 

iTAT E£ 1 niShj T"imn a s mrv 
ljuilil TeI:h eIdm |i IebIuets a quud 
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DBatti 

TkaRMlPitwn 

ICAT 7.%i!\ 1 NEK- A iiilJIv .... »:,-iii 

inn ul Hie old LE< IdvuutiIe 
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kntmi 

TalalWw 

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ul llic bmrd gunn ilick 5jk p^vrif 
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ASSASSINS 

Assa&sinB 3 



MUSIC/DEMO MUSIC DEMO 



,EAT 

■ Hi ■ 



As 



123 

».'Al ITS - I I.CIfi i.T-julKi ±c nmrl- 
lirJ A rli ilun.i 2 whl'h IB b-nl Imlff 
oddiilin, uiid ti '41 t el+J plsnacrsi 

lTMSHl IwfamrflHl I.Mufl 
c un lifrn uid iu ■ IniitTztidE 2. b>il 

L I [H;K In.-luibt rwn tonl 
ball tmnaq-i gmlua wlisdi or? qiutE dil- 
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JlHSHtMlSS 

ICAT 1129-1 WJfi\ Tlmn nn hva 
gml Ijakanui >mii) gumiu Iu ynu an 



rairliflil 242 

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luuu ndra arquaaEB bbI Id Mir iiiujj 
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TUTORIAL 






LUhat's on 

the menu 



here's an amazing amount to gel 

through this month and wh kick ofl 

with the Gadtools approach to 

menu creation. Gadlool menu defini- 

•ons are based on sets of data blocks 

:-i 'ad NewMenu structures that, to the- 

€90x0 coder, looks like this: 




S"flU['UM 


H<uH«nu,D 


(I8TTE 


gnijyn* 


usm 


gni_Pid 


t*m 


gnijjttl 


APTH 


gni.tgiiKer 


mm 


qn_fLl9S 


HM 


gni.RiitiiaLEicUdr 


*?TR 


an If 5 pr Dai: a 


UEEL 


BIHjIIIJF 



Paul Que fad tachies the nettt stage 

of his enampie utility by adding some 

menu and message handling fade,,, 

menu title, a menu item, or a dummy "end 
of menu' value. Standard definitions are: 







K« TITLE 

It" [TEH 
M END 




,v these pseurto structure units seem a 

v, frightening but don't panic - we will not 

:■? using most of Ihe lipids and I'll he 

-?^tricting my explanations just to Ihe fields 

-tera-st. 

The gnm Type field is used to specify a 





d:.6 


nutuM 




del 


ri-oi tUHfWLL 




ii.v 


o 




it A 


CNULL 




dc.b 


iiii.iiem 




it A 


■ '.*ia H ;Dnkffn 




dc.M 


D 




it A 


C.NULL 




ifcfc 


HK^ITEM 




del 


i'.«l1,>:i)iiktr1 




dlt.l 







4C.I 


9,111 Lt 




dc-t 


m E*M 




ife.L 


WLL,HFtl 




dt.u 


g 




del 


Q,MIL 


ritli 


dc.b 


'PROJECT Mill LI 


rtitO 


dt.b 


SeL«c: F-l L 5 . . . ' f MULL 


ttmUti 


dc.b 


•y,mi 




dc.b 


lull t»yi»rkbinfli! H > NULL 


::n<t>' 


dt.b 


U',hUL. 



. slrug t; J 600x0 gadlool* mmnu fivlinitian 



The gnm_Pad field is always zero - it's just 
there to ensure that the next field is word 
aligned). The only other fields you nenrl to 
worry about are the gnm_Labe'l and 
gnm_CommKey fields, which are pointers 
to text strings giving a name and a key- 
board shortcut for the menu item. 

The menu I'll he using is very simple. It's 
just a PROJECT menu with two entries; 
"Select File...," and "Quit To Workbanch" 
and all we do to set up the NewMenu struc- 
lures is define- some data, statements to 
represent the menu litle, the two items, and 
a terminal end entry. 

Take a good look at listing 1 and com- 
pare rny field definitions to those given in 
(he NewMenu definition - all should 
become clear in a relatively short space of 
lime. 

Notice incidentally that the structure 
holds pointers to strings - (hat's why I've 
defined the strings using separate dc.b 
pseudo-op statements and placed the cor- 
responding labels mlo the NewMonu defini- 
tions. 

Attaching a menu to a window is not 
easy because several steps have to be per- 
formed. Firstly, we have to make a call to 
the Gadtools GetVisualtnfoAQ routine and 
on exit a corresponding FreeVisuailnfoO 
function has to be executed. 

Secondly, a CneateMenusA() routine 



hWilnfn 


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prnmt rtfi 


r(i 




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ULLM 


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[JUSTS 




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Part 3 



must be executed. This too must be coupled 
with a FreeMenusO function before the pro- 
gram terminates. 

Thirdly, a call to LayoutMenusAO must be 
made. This needs to be checked lor success 
but there is no corresponding deallocation 
routine to be performed in this case. 

Finally, the menu can be installed using 
the Intuition SetMenuStripQ function and 
hare the function must be couplBd with a 
ClearMenuStripO call prior to Ihe program 
terminating. 

ROUTINES 

So, we've gc-i a whole load of routines, 
any or all of which could conceivably fail as 
we try to attach our menu, if an error did 
OCCur, we would have to ensure that only 
those routines that had been successful 
get their equivalent da-allocation routines 
executed. 

Now you'll know from last month how I'm 
handling this problem. Each task that has to 
be performed is being written as a sub-rou- 
tine pair that contain the initial setting- 
up/allocation code, and the corresponding 
closedown/de-al location code. 

Whenever a routine is successful the de- 
allocation routine address gets pushed onto 
a de-allocation stack. Listing 2 contains one 
set of the new routines - you'll find all the 
others in Ihe cover disk source code. 

Study ihese arrangements well because 
they form a coding pattern that I'll be using 
extensively in this series. 

We preserve some registers, set up and 
make the required function call, check for 
any errofs and then eilher return an error 
indicator or push the address of the close- 



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TUTORIAL 



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Listing 4: A useful dummy 'Oixp^y Fil*' *r*ti* hatuHori 



Once the various routines had been coded it was just a 
matter of getting ihem executed and, for simplicity, this 
sort of code was chosen: 




(if 


L9(kicr«n 


big. a 


eUSFCD'iII! 


\v 


CrtVi i Ifl'e 


beg,] 


ctosedDU'i 


{*' 


Jpfrhirdliv 


bt-q. a. 


llPisdoyn 


jsr 


IreitiHtnu 


teq.s 


(loE*dd«n 


lit 


Llf PUt Menu 


hfgj.i 


clasedfldi 


}« 


[ n i-t e 1 L It snu 


btq. i 


:lasid«irn 



down routine onto the de-allocation stack. 

Ttie message system used on the Amiga 
is. at the grass tools level,, an Exec facility. 
Information can be senl from one- task to 
another by creating a data packet known as 
a Message structure and then transmitting 
it {sending il) lo its destination. 

Messages pass between tasks using 
another Exec defined structure called an 
Msg'Porl, more commonly called a "message 
port" or jusl a "port," 

Ports are basically software entities 
whose job, among other Ihings, is to act 
as a receiving stalion lor messages. 

Before a program can receive a mes- 
sage it must have allocated and initialised 
a suitable message port and the good 
news here, as far as our program is con- 
cDrned, is that Inluition wilt have automati- 
cally sel up Ihe required purl (called a 
'User Port') automatically. 

Gadlools-crealed menus are quite easy to 
handle because the messages sent to the 
window's user port ate just conventional 
IntuiMessages. 

As with all Exec messages, the real mes- 
sage data is always provided as a message 



For other examples of function 
utilities relating to the listings 
given here, see the Assembler file 
on this month's cover disk which 
also contains the usual Assembler 
code. 



lines have executed without error the menu will be set 
up and active - so we can call the event handler by 
loading an address register wuh the address of the win- 
dow, locating Ihe user port address, and passing (bat 
value to the menu handler routine Iks this: 



satis. I triiiitdv.p,il 

Eona.l *dJJ5erPortli11,i2 uiir corr 

jsr linuHmdler handle ut*r istiwit 



cddrssi 







The closedown toutine discussed last month does of 
course handle all the new errormon-ertor closedown 
operations automatically although, as tar as calling Ihe 
above routines is concerned, I oughl lo mention that 
there is a rather more eleganl list/loop based approach 
that can be used instead 

Al Ihe momenl however, so you can see the vanous 
stages as explicit steps. III continue maKing a linear 
senes of sub-routine calls. By the lime the above rou- 



Notice incidentally that IVe used a dummy call lo a file 
handling routine In this month's code The reason 

should be pretty obvious bul I'll have more to say about 
the menu handler next month. For now here are some 
final notes to help with this month's code: 

Flrslty, you'll be able to assemble the code using the 
same approach as with ihe first iwo installments 
because, at the momenl, I'm continuing to use standard 
Amiga system definitions bul placing equivalent defini- 
tions within the source rather than using the official 
include files. 

This means the program can be assembled with 
any assembler - even if you haven'i got the official 
includes! 



Amiga Computing 



NOVEMBER 1994 



sftucture extension and. in the case 
IntuiMessages, the data packet ends 
looking like this: 



STRUCTURE ]ntutl«SrtJI,0 





STRUCT ii_it(-c"l«M4.«,mi_5]H 


(basic 


message structure. Subsequent! 


fields 


are ihe extensions that provide tt*l 


real data) 




LOMC ■i.Class 




UNI -,!_•: d4* 




DORP ii_«u*Hfi!' 




APTR iijaddr+st 




IrOBD lijlnuiel 


If ID 


i«_Huui( T 




LDKC- >_lEOrds 
IPTI iijDChTlliitdcu 




IKl iOpftialLink 


U81L 


ts_Htt»f 



With only one port to look at Ihere is i 
pie lunction, called WaifPort(), available I 
use and we use it to wail for the win 
user port lo become non-empty, then 
lect and examine any messages that 
arrived, 

Listing 3 shows a simple menu n 
handler lhat performs this task, and 
see lhat message class and code vaJij 
are used to decide whether we ha 
menu event and, if so, whether the 
value indicates thai the message should I 
ignored or not. 

If you ttace through the code you'll 
thai ihe only messages of interest 
MENUPICK messages, whose ilem 
corresponds to either menu event (se 
a file) or menu event 1 (quit to Workben 
Function definition box-outs are I 
beginning to encroach on the spa* 
should be using for explanations, so 
month, although I've included a few 
outs (see CoverDisk) for the menu re 
functions you are expected to get the 
details from the source code. 

You'll notice lhat Ihe delay loop fror 
month's code has been removed 
the window will now stay open un 
"quit to Workbench" menu option is 
ted (this option causes ihe menu 
routine to return so rjhal the code e*€ 
tails through to the closedown code) 
On the Devpac specific front moid 
you should notice that I am now 1 
to make quite- a lot ol use of local 
beginning with a period. 

If you h«l snags with a non-Dev 
assembler you'll need to gel hold of 
two for details of alternative eonve 
Anyway that's il for this issue. 

• Mext month we tackle somt 
requester Issues so until ther 
your coding problems be tittle ones 



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PD and SHAREWARE 



blic 




sector 



Baue (uskk is practical^ skint so there's 

no tetter man to pick nut this month's 

mnst outstanding public domain, 

shareware and kensemare releases 



Once Ihere lived a man who owned a goat, upon 
(which he did lavish much attention. He would 
saunter down Id the shops ol a weekend and 

invest in many extravagant gifts to shower upon it, intend- 
ing to make it stronger and healthier. 

Meanwhile his poor neighbour, who also owned a goat, 
had precious litlle money to fritter away on frivolous ian- 
nins, so had to content himsell with cheaper alternatives. 
Despite this, hrs goat grew up to be equally strong and 

healthy 

Then one day, the first man got a message trgm his 
bank saying he was two thousand pounds overdrawn and 
a nice man would be coming around to repossess his goat. 
And yea verily his neighbour did chuckle lor three whole 
days and nights. 

And believe it or not, Amigas can be a bit like goats. In 
some ways. Maybe. 






luingo 



Programmed by: MatFascione 

Available from: Magnetic Fields 
Disk No, GA 196 

There are some people who have a natural 
knack for doing Incredibly well on those 
pub quiz arcade machines, standing In 
from of the thing lor hours, pumping in 
streams of ten-pence pieces, racking up 
huge scores and often watching piles ol 
co«ns bgild up m the winnings tray. 

The rest of the population lack any kind 
of ability m the obscure trivia department 





11 










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Kyi 


I^^H '':''";:■■ 


1 P>£ Pti fw =»' 


1 !''; .Tan 


- jj HHHEfiSflHHM 






lllire thaD5 



Prepare to aav "Biitrtey. t don't know 
that" quite a tot - If* Qmnqo 



bui nevertheless love participating, as is 

evident by the outstanding success of that 
most banal of board games, Trivial 
Pursuits, 

If you can't stand collecting pieces of pie 
but still yearn for the challenge inherent in 
plucking Jong forgollen dross out of the 
dark depths of your mind, then Quingo is 
the ideal solution. 

It combines often horrendously taxing 
mulliple choice quiz questions with a scor- 
ing system borrowed from bingo, to pro- 
duce an interesting, if freqenliy frustrating 
end producl. 

What was on the B-side of the 
Stranger's "Peaches'"? Which geological 
period first saw the reptiles as dominant 
species? These are the sort of brain-bend- 
ing teasers you will have to contend with. 

Howavar. sinco it is impossible to trans- 
fer winnings into usable credits, many will 
find it practically impossible to win more 
than a couple of quid. 

The difficulty level is sometimes fiendis- 
hly high, but nevertheless Quingo does 
hold the attention lor a while. 

Please Release die 

Programmed by: lain B McCaffrey 

Available from: MBS 
Disk No. PI 59 

Worthy of a mention, if only because it 
raised a fair bit of interest when tirst 
played, this extremely short animation can- 
not really be described without giving I he 
whole joke away. 

You'll need a 2Mb machine to run it, for 
some reason. Once it has eventually 
loaded, (here's a nice sample of the 




iVeryj am*U but perfectly formed, Pic.ixo 
Jtalnaasi M» ja mm thing of a bimrr* animation 



Produced by: Skull Army Software 

Available from: David J Cruickshank 

Disney may have had a box-office flop i 
their hands when they came up with 
sci-fi classic Tron. but they were unv 
lingly inspiring hordes of programme 
when they dreamt up the infamous lit 
cycles game. 

Unfortunately, there have bet 
very few decent computer versions 
this, and admittedly I feared the wor 
on slipping this particular disk into 
drive. 

I need not have been concerned, 
ever, since Wire Chaos is a polished 
professional game which boasts a who 
best of challenging and enjoyabU 
features. 

II also offers the chance to involve 
to five players In the PD demo versic 
and six in the registered shareware vc 
sion, and as such pins the ranks Of muN 
player classics, where it finds itself t* 



eponymous country tune and a well drav 
animation which lasts a matter of secor 
- and thal's about il, really. 

Grill, it's quite amusing the first couple i 
times and for that reason alone it might 
worth a look, 

Operation Firestorm 

Programmed by: Phil Ruslon 

Available from: Amiganuts PD 

Disk No. LW28 

Remember Green Beret 1 ? nt was the ultj- 
mate 8-bit walky-shooty game, and whil 
the gameplay wasn't exactly mentally 
demanding, it provided amusement lot 
well, maybe a coupie of minutes. 

For the uninitiated, in a walky-shooi 
game you lake control at some fellow 
who's onhar incredibly brave or incredibly 
stupid - or more likely bolh. 

He wanders from left to right brandishing 
a large weapon of some description, whlot 
he uses to ensure that every other moving 
sprite on the screen is removed- 

At the same time he occasionallj 
makes the effort to dodge enemy lire, 
because it he takes one loo many hit! 
he'll explode. The emphasis, the asturt 
observer will notice, was not particularly 
realism. 

The cynical might ask, why bo 
resurrecting such a tedious gsnra 
of game? Well, commercial gairiu 
producer ICE tried il with Fireforce a cou- 
ple of years ago and it wasn't actually tea 
bad. 

I suppose this version could be a I 
worse. If s well presented with reasonable 
graphics and adequate sound, althougn 
the aging coin-op style wibbly mus.c 
quickly gel3 irritating. 

There are bonus weapons to be picked 



Amiga Computing 



NOVEMBER 1994 



PD and SHAREWARE 




t nay not Jb» much to look at, but 
am* * tour friend* mrnurtd ancf W*ru 
I it Bicvllenl tun 



joed company mingling with the likes of 

twr-pkayer Doglight. 

An Impressive array of options include 

facility to add up to 60 computer-con- 

ed Wall Hoggers, or to tailor the 

icesd lo suit your ability, or even lo com- 

I s«e in challenging maze sections. 

Stylish touches such as the sound 

•fleets, which appear to have been aam- 

: from ttie film, add considerably to 







GAM 

of the 








Ihe game. Payability is present in copious 
amounts, and a good many hours 
could be spenl crowded around the key- 
' board wilh a bunch of partially inebriated 
companions revelling in the addictive 
action. 






i^my-gunny action with Operation 

-cilnrttl, II btamt t/om lh» putt that 
- |M He* lit Gteen Bcrd tana' famKrlma 



■ with, which the enemy ranks can be 
•^ore easily decimated . 

Fanatical fans of the genre will enjoy it, 
ttnough it's not really my cup of tea. 

fish file (toother 

Programmed by: Gina Mears 

Available from: F1 Licenceware 

There are a wealth of educational programs 
*nocking about in Ihe public domain, 
aul Ask Me Another is especially well 
reserved if nol awe-inspnngly original. 

A selection of games are available, rang- 
urn telling the time to completing 
•eras, and common to them all is the sim- 
nterface. 

The questions are displayed in the top- 
eft section of the screen, with possible 
answers listed on the right. Each answer is 
gwen a number, and Ihe user clicks on one 
at ten little buttons in the bottom -left corner 

to enter the answer. 
Instructions can be displayed on screen 



from the main menu, and there are 
two "packs of cards" each with ten 

different games included. 

The difficulty level ranges I ram pretty low 
lo relatively high on some stages, although 
not frustratingly so. 

Correct answers are rewarded with 
praise Irom the infamous Amiga "voice" 
and incorrect ones are met with a "Try 
again" message. Get a question wrong the 
first time and another go is granted before 
the computer moves on to Ihe next one, 

Unfortunately, H it's wrong the second 
lime the program does not point out 
the correct answer, which seems a 
little strange lor a piece of educational soft- 
ware 

Despite this. Ask We Another i$ still an 
interesting program and il you can afford 



Programmed by; Andrew Campbell 

Available from: Bus StDp Licenceware 

One of the most powerful and fun to use art packages 
to have appeared tor a considerable time comes 
in the shape ot ihis shareware production aimed 
squarely at younger users. 

A whole hosi of bizarre drawing tools enable ihe 
on-screen imitation of all manner of primary school- 
style artwork, Unique tools such as runny jam (which 
drips if Ihe pointer is held still for too long) and messy 
comb are present and are great fun lo use- 
Other features include a selection ol flower and 
plant parts which can simply be siamped on, and in 
the full registered version a selection ol built-in pic- 
tures is included- Standard load and save options are 
of course present. 

Silly sounds accompany most actions and these 
lurther add to Ihe appeal of the product to children, 
However, it Isn't missing any of the features you 
would expect to find in a traditional art package and 



[ailing all PD libraries.... 

and individuals wilh anything remoiely 
worth my while having a peek at, If you 
want something released as PD, or you're 
a library wilh stacks of hot new stuff thai 
you haven'l seen reviewed yet, why not 
drop mc a line with a copy full aocumen- 
tallon and everything clearly labelled? I 
promise I'll at least look at your work. 



Tina Hackett, PD Submissions, 

iga Computing., Europa 
House, Adlinglon Park. 
Macclesfield. $K 10 4NP 





Mhic-ii is the i-WrM •rnJiru,'-' 

|Scar«»S 



a pod a ggca 

□ do he Bess 



vrit'l 



tntpramaiYO educational till' Aak Ha 
Another ptocaod* »o Ho Just thmt 

the time lo supervise the child's use ol it. 
then there is no reason why it should not 
prove a rewarding and beneficial activity. 



Strike 



Programmed by: Simon Garni ilerl 

Available from: Bus Slop Licenceware- 

Ten pen bowling is an unlikely yel 
surprisingly good, subject for a computer 
game, and Strike proves to be not only 
well designed but also quite playable. 




Unleash iha artlatle - or ttattructiro - 
BCtltinti&i ot a nvmtof child urHn Artlatls 

when combined wilh some ol the more wadq 
quite impressive pictures can be created. 

It's the ideal mess-lree way to let a young e 
experiment artistically. The only problem may be o 
mg them away from your precious Amiga,; 



Amiga Computing 



NOVEMBER 1994 



I! 



PD and SHAREWARE 











Alt I Fib fun without these annoying 

*h0«* Which nmv+F tit prafmrly - and 

Mil bail's an target for n Strike 



Graphically 11 is simplistic and only around a 
Ihird of ihe main screen is actually devoted 
to the action, but lo be honesl the visuals 
are not important since Strike is engrossing 
and goad fun to play. 

A smattering ol sampled sound effects- 
add atmosphere, although it would have 
been nice to have had a noise for Ihe ball 
rolling up the alley as well as Ihe actual col- 
lisions between bell end pins. 

As might be expected, two players can 
challenge Bach other to friendly games. 
However, for once there is also a single 
player tournament mode which adds a 
decree of longevity. 

In this the player tries to make it through 
six international events which are nothing if 
not challenging. Each tournament has Six 
knockoui rounds - even the first ol which is 
pretty demanding. 

Bowling is achieved by a couple of 
lirnely clicks on the (ire button and no-thing 
more, but there is still much skill involved in 
ensuring good scores are consistently 
obtained, 

Those who are somewhat inept at real 
ten-pin bowling will be pleased to learn that 
complete misses, where the bail trundles 
lazily along the gutter, are extremely rare. 

However, scoring strikes regularly 
requires practice and up against computer 
competition beginners will lind the going 
lough at first. 

All in all, Strike is a high quality piece Of 
licenceware which Is definitely worth the 
asking price. 



Droptool 



Programmed by: Charles Parker 

Available from: Charles Parker 

The problem with Ihe increasing number of 
programs which support Applcons tor drop- 
ping fiies onto, is that once a few of Ihem 
are installed the workbench can start lo get 
guite cmttered. 
A program celled Dropbox appeared to 
'^e perfecl answer, being able to dis- 
play documents, decompress archives and 
so on whenever a file was dropped on it, 
but unfortunately those of us with Kickstart 
3 machines found 1 hat strange things 
started happening to its preferences file on 







loue HGR 

Produced by: Fairlighi 

Available from: Club 1200 

Disk No*, AEQ066/AEDQ67 



Hardly original but fairly well done, Love AG A is a 
demo featuring everything you'd expect - a couple of 
rotating 3D shapes, the odd well-drawn If unimagina- 
tive still picture, and music that fortunately breaks the 
mould and abandons the usual techno fare.. 

Among the more impressive hits are a few nicely 
shaded objects spinning about In front of subtly 
shaded backgrounds, and a "phong twist" effect wiih a 
distorted cube rotating strangely. 

Unfortunately there's also a selection of (lying dots 
attempling to make yet more spinning shapes. 
although a nice colourful line-changing effect and a 
zooming mandiebrot set arrive just in time to prevent 
the user reaching out to reset. 

The bizarre and slightly sick Marilyn Monroe picture 
illustrated is one of the other more notable hits, 
and the end credits scroll over an impressive ren- 
dered - and rotating, funnily enough - Fairlight logo. 
However, the whole demo still seems to lack any real 



individuality or flair, and well programmed though 
may be, it is hard lo see it being booted more th 
two or three times before being consigned pen 
nently lo the disk box. 




Much mora codjjfuclpvt than eraekinii arrtt pirating *oft- 
wart, but Fairtight's Lrrwo ACA datna still mada ma fnnl m 
atranga amnaa ot tteja vu 



an alarmingly regular basis. 

Droplool, which incidentally is in no way 
related lo Dropbox, does not have the 
advantage of automatically being able lo 
decide what to do with a file - you have to 
tell ii by clicking on one of eight options. 

However, it completely blows aiway 
Dropbox In terms of reliability, since I 
have so far experienced no difficulties 
whatsoever in using it. 

Using Droptool, files can be passed to 
another program for viewing or editing, or 
lo ihe printer so thai a hard copy can be 
obtained, 

Alternatively, information about the icon 
or the version number can be displayed, 
.lha archives can be extracted to RAM:, 
and Multiview can be called. 

This latter feature is especially welcome 
because, since Droptool can unpack 
Powerpackeri files. Mulliview can now be 
used to display packed documents. 



^ 



K cf 



fi» lilt 



^lurtw^ftfr Jghp Uekthr. 



work 



dW 



i-i 



IrcvTHl 



riiUt.iiN 

I 



; Mil ' ■■■ 






I J It 

! j m 
j lift 

|i'iirr«t Fill 


J IHll Xtr«t 
J Print rr 
J Hun 


Dk J 


Ok mi v 


Hit-'. 





j|lripTgti:trftTtil.lK 






\u 



Don't overcrowd ytur worirtwrch. Inmtamf try 
getting rmid ot Droptool, m oo*-tor-mll Appteon 



Amiga Computing 



At the time of writing, only Ihe AGA 
sion is available at a very reasons: 
shareware tee, However, a non-A<! 
release is imminent. If you liked the idee 
Dropbox but were annoyed by the consia 
problems, (hen the answer lo your prav 
may well be Droptool. 



r 



on me 



Davit! J Cruickshank 

SS A In Street, Hebburn, Tyne & Wear 
NE3t 1XT 

Magnetic Fields 

PO Box 11B. Preston, Lancashire 
PR2 2A W 

NBS 

1 Chain Lane, Newport, Isle of Wight 

PO30 5Q A 
Tel: 0983 52959 A 

Amiganuts PD 

3 Spring Head. Bitterne, Soulhamplo 
801B2BH 

F1 Licenceware 

31 Wellington Fid. Exeter, Devon 
EX2 &DU 

Club 1 200 

57 Europa Road, Lowestoft, Suffolk 
NR32 4BQ 

Charles Parker 

2S8 Marlborough Road, Swindon, 
Wiltshire SN 3 1NF 



NOVEMBER 1994 






h VI2BC PRINTER DRIVERS 






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file!.. Hum, Wlu Imi I l»u. 2 fri-n A 
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Uhh i 1 1 w-M.MdnLwe. 






i-i i 



leiitim^MI Sr IC Ilk'. 'M- 
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1 1 ■ 




Under the System 
spotlight this month 



Ishar3jl00 

ThemeParkFjO? 

Top Gear 11^106] 

OntheBaNfllO 



Putty Squad ^112 



Litil Divil 



Pull down the safety bar as 
we give Electronic Art's , 
Theme Park a test run. 



1271 Banshee CD32 



svsnm RfMvsis 



L 118J Profile 

J2 0J Myster X interview 

[124] All Terrain Racing 



v. 







Dawn Patrol 



-:■ Software, famous for its brilliant talents in the 
simulation's department, are back with another one 
Dawn Patrol, created by Rowan Software, famous for 
Reach for the Skies, is a true flight simulation with the 
^T-pnasis firmly on pilot control and "seat of the 
pants" iklll. 

The PC version uses such up-to-date techniques as 
»mage mapping layered on a polygonal frame, with 
Fight sourcing, gouraud shading and 640 * 400 SVGA 
resolutions, that the screen looks more realistic than 
anything you've seen so far on the PC. The Amiga ver- 
sion might not be as graphically fantastic as the PC but 
it still promises to raise a few eyebrows, You can 



choose from 15 period aircraft from World War 1 
that will fly just as the originals did. Choke of planes 
include the Fokker Triplane, Eindecker, Sopwith 
Camel, SPAD ?, so you can choose which side you 
want to fty for, 

The effects of battle damage are significant and 
are in accordance with every aerial manoeuvre you 
make, Bullets rip canvas and chop up the woodwork 
of the plane, plus bits of the fuselage and wing sec- 
tions slowly peel away from the aircraft, Likewise, 
the sound effects are superb and simply add to the 
authenticity of combat manoeuvres, 

It's been a quiet time for flight simulations just 




recently, but Dawn Patrol promises to make some tx 
noises in the Amiga world. You can have a closer loo 
at Rowan Software's flight sim via a System Previa 
which will appear in next month's magazine. 



SIMM. 



system o 



Empire take to the sloes, all change at 



Gremlin, more Sensible fodder. Body 



Blows Budget Bonanza, oris what's going 



to be happening at this autumn's ECTS 



Cannon Fodder 2 A 



:# 



It had to happen. Those Sensible 
Software geezers are proud to pre- 
sent yet another sequel this time to 
the amazingly popular and ultra 
violent Cannon Fodder, 

The aptly named 
Cannon Fodder 2 wi 
feature a whole bundle of 
new levels featuring more 
chaos and destruction than you can 
shake a stick at, 

This time around you'll point J n' 
click your way around levels from 
various periods throughout history, 

The action will start in and 
around the modern day Middle East 
then will progress into a Medieval 
world with castles and battlements 
clotted arounc* the place. 

The gun-toting arcade fun then 
leaps to the 1930s and promises to 
feature gangsters in abundance. 
Sensible's shoot-'em-up will feature 



* 



* 



an abundance 
of new lethal 
weapons and vehicles, plus 
the excellent "War's never 
been so much fun" tune is going 
to be totally remixed and if 
Sensible are to be believed, will 
feature lead vocals from Sensible 
supremo Jan Hare. 

Details are sketchy at the 
moment arid the Sensible lads seem 
to be keeping things firmly under 
their hats, but Cannon Fodder 2 is 
basically going to be more of the 
same, mainly due to the fact that 
the original game left very little 
room for any improvements. The 
heated and bloody action should 
be finished In time for a Christmas 
release, 



I 



Another blow 
for Tea Bit 17 

Yes, those barmy bargain 
boys (and girls) from 
Wakefield are out and 
about on the budget run 
once more with the forth- 
coming release of Body 
Blows AG A. 

This best-selling beat- 
'em-up features no less 
than 11 tough combat- 
ants, 256 colour graphics, 
six beautifully drawn back- 
ground screens, four or 
eight player tournament, 
the unique "Tag Team" mode previously only seen in Ultimate Body Blows and 
it's hard drive installable to boot. 

Body Slows AGA should be out by the time your eyes have scanned over this 

page and it will cost you 
£14.99, Owners of the origi- 
nal Body Blows can upgrade 
their game by sending their 
original Body Blows disks 
(box and manuals not neces- 
sary) with a cheque or Postal 
Order made payable to 
Team 17 for £7.99 to: Body 
Blows Upgrades, Team 17, 6 
St John's Square, Wakefield 
WFT 20X, England, 





It's showtime! 



The twice-yearly industry computer 
trade show wilJ have been and gone 
by the time you read this, but System 
will be at the three-day event once 
again and it promises to be the most 
exciting one yet- 

The big boys are back in town with 



Nintendo, Sega and Panasonic all * 
attendance and all with machines : 
the way. Trade and media focus w4J 
be on trade body ELSPA (Europe** 
Leisure Software Publish*- 
Association) who are expectr 
unveil a White Paper outlining tl 



92 



ImMirFlM 








uma y iiiiifi mi 




All change at Gremlin! 






T Has ten years ago that a character going by the name 

# Monty Mole achieved national notoriety on ITV's Mews 

by starring m a computer game with Arthur 

.ill, 

■■ did Monty or Arthur know that the ensuing pub- 

cty would help turn this early platform game into the 

- six-figure seller for a fledgling games company 

i t"J Gremlin Graphics. 

; nee those early days of IfiK RAM packs, hardly a 

acnth went by without a (lassie game from Gremlin fea- 

inng prominently in the software charts. 

Monty on the Run, Jack the Nipper, Thing on a Spring, 

' "blade, Hero Quest, Lotus, Znof and Premier 

Vbnager, to mention but a few, have all helped turn the 

•■(field-based software house into one of Europe's pre- 

- *■ developers and publishers of computer and console 

To celebrate the ten year? of success, Gremlin have 
*cded to change things around slightly. They will now 
tt» known as Gremlin Interactive and will Have a new 
nroorate image. 

r a bold move designed to reflect the company's con- 
■knee in its plans for the next ten years, the famous 
jnchedelic rainbow lozenge is about to be replaced. 

Gremlin's Managing Director, Ian Stewart, has this to 

n the change: "Of course there will be some" sadness 

x see the old style go, but we do need to reflect the 



Our with th* okt... 



tremendous change in the computer industry. Gremlin 
never was a Graphics company and there have been 
times when this has been rather confusing. 

"As for the logo we'll miss it, but it was beginning to 
be a bit like wearing flares and platform shoes in a room 
full of Doc Martens." 





in with 



avsTEm 

I Lechnologq 



Tie mrid or computers is ever chaigng 
and System Is here to heap yon nrare if 



JltitM-ltlJf J' - I jii |r 1 1 Ir-'i 



moving computer entertainment industry. 

• Super Street Fighter 3, one of the 
biggest games of the year an the 
Mega Drive, failed to hold its RRP on 
the first day of its release. The game 
was discounted by many stores by 
around £1Q-£15 and its intended £59.99 
RRP and a flat cartridge market has 
been blamed. 

• Sony has pulled out of this autumn's 
ECTS and is going ahead with its own 
off-site trade event. The firm decided it 
needed more space to show off the 
huge catalogue of autumn/winter titles 
due to hit European shelves via the 
Sony/Psygnosis publishing axis. Titles 
on show include Lemmings 3, but the 
star of the event will be the Sony 
Playstation, a machine tipped to hit the 
big-time in 1995. 

• Thursday 1st September 1994 was 
the deadline for all computer and 
video games to have an age suitability 
rating displayed on the boxes. The new 
classification system means that all car- 
tridge, dish and CD-ROM titles released 
by EL5PA members wiM carry an age 
sticker. ELSPA believes that by the 
deadline around 70-00 per cent of all 
Gallup chart games will display the 
new classification ratings, 

• BMG's software division is set to 
release three titles to coincide with the 
UK launch of Panasonic's 3PQ. ?he trio 
of games - Total Eclipse, The Horde and 
Star Control 2 - are the result of the 
firm's distribution deal with US games 
developer Crystal Dynamics and will 
each retail for £39.99. Further 3DO 
releases are planned before Christmas, 
Including Off world Interceptor, 
FaTaank arid GEX. 



ai 

I 

[>' 
i he 

>ti * 



olems posed by computer 

aernography, its methods of distribti- 

*on and recommendations for action 

9f the Government. 
Among the highlights of the show 

nil be on Ocean's stand where 
Tuille O'Neal is appearing in Shag 
a hot tip for massive software 
ess later on in the year. Virgin 



Interactive Entertainment will be 
parading the game of Disney's mas- 
sive hit movie. The Lion King. 

Produced in association with 
Disney's own animation team, the 
game looks set to be as beautifully 
crafted as the film itself. 

Multimedia giant Time Warner will 
be unveiling its interactive division's 



biggest ever project, Rise of the 
Robots. It's one of the titles everyone 
is talking about and people within 
the industry will be able to get their 
hands on a final version. 

ECTS Event Marketing Manager 
Minnie McBride, when quizzed 
about the forthcoming event, 
offered: "The next generation of 



gaming hardware has been talked 
about for years, at the ECTS it finally 
comes into focus. 

"And with all the world's major 
software publishers also preparing: 
to show their breakthrough prnd 

urts, ECTS will be the place to take a 
peek Into the future of interactive 

entertainment," 



; 



— 93 

IIIHIhr 1114 WM 






STEfTl 

elections 



lifting for a quality game to 
spend your cash on? Have a 
look at these selections from 
the last three months which 
will help you make that 
important buying decision. 



Benefactor is the best thing Psygnosis have 
released in a long time, It feels like a mon- 
tage of Flashback and Psygnosis' very own 
genocidal pets, the Lemmings. 

Both the graphic? and sound have been 
implemented very well. The variety of both 



location and puzzle aspect of Benefactor 

make it an engrossing challenge 

Benefactor is the type of title that will 
keep the most dextrous platform freaks and 
puzzle lovers alike twiddling well into the 
wee hours. 



I do like this game and the weirdest bit it, I've 
never been a fan of shoot-'em-upsl They usu- 
ally bore me to bits, but Banshee has that elu- 
sive quality that drags you in. Each level 
demands new challenges which are genuinely 
demanding, and the learning curve is just 
right. 

This is an intense and extremely satisfying 
game that should tempt any game's fan with 
an ounce of adrenaline in their veins. The 
Harvey Keitel of shoot-'em-ups. 




Quick the Thunder Rabbit 



Casting aside all previous platform games, 

Quik is really a perfectly funky little game- 
Admittedly, my first reaction to a platform 
game about rabbits was not printable in a 
family publication, but I was won over by the 



sheer professionalism of it all. 

It's probably more suited to younger play- 
ers, due to its simplicity and cuddly approach, 
but despite every aspect of it screaming 
"cliche" it comes across as a very fun game. 



King's Quest 6 

Adventure fans will be delighted that Sierra have finally decided 
to release the sixth adventure in the King's Quest series onto the 
Amiga. As far as adventure games go, they don't get much better 
than this. With its brilliant graphics, a fairy tale of a plot, superb 
payability and a level or addiction that will keep you coming back 
for more and more, 

Pinkie 




A cracking little platformer. It looks beautiful 
with its pastel coloured graphics, it has a nice 

and cheesy poptastic soundtrack and even the 
gameplay differs from its competitors as it's 
heavily puzzle-based. Pinkie, as a concept, 



isn't anything different and doesn't contain 
any new surprises, but as a game on its 
own WDrks remarkably well. Pinkie is a 
harmless little platformer that won't hurt 
anybody 



Universe 



Without doubt. Universe rs one of the games 
of the year so far, It has class in copious 
amounts and is presented outstandingly well. 
The combined icon and text control system is 
intuitive and friendly, making this a simple 
game to get to grips with, 
Some of the puzzles encountered are 



completely mystifying, until suddenly the solu- 
tion dawns on you and you wonder why on 
earth you didn't realise what to do a little ear- 
lier on. Universe is the type of adventure 
game that will be enjoyed by even those nor- 
mally disinterested in the. genre, and must he 
highly recommended. 



The scores 
an the doors 

Come on regular readers, you must know In 

it works by now. Hew readers welcome 

you to the most exciting part of the 

magazine, hold on to your hats... 

I'm sure many of you are now familiar with our n*% 
scoring system, but for those reading Am, 
Computing for the first time and those who m 
have forgotten exactly how it works, here ii 
guide to the System scoring, err system. 

In our opinion, review scores have lost their a 
test as a percentage; some products receiving scor- 
which were only a few percentage short of beir 
"perfect" game, when in truth they were on 
marginally above average. 

OK, so the scores might seem unnaturally low i 
first but that's only because other scoring system 
tend to be on the high side and perhaps not as coir 
prehensive or honest as they could be. 

In the long run you'll receive a more concise » 
reader-orientated review that's geared toward' 
consumer. 

0-20 This is given to the lowest of the low 

21-30 An all-round poor game that 
may have a single saving grace 

31-40 Just below the average, perhaps 
let down by a few indiscretions. 

41-55 Games of this score are roughly average 
with 50 being a perfectly average score. 



56-66 This is an above a vera g 
and is worth buying. For this 
it would be awarded the BR 
award. 




KKOVi 



A game of ' 
s a reviewer would have no 
rvation in recommending, 
thing of this ilk would be 
.arded the SILVER award. 



78-89 A brilliant title. Defini 

worth buying and almost the i 

tive of its kind. This type of < 

would receive the GOLD aw 



90-IOtl The best in its genre. This benchmark title 
s the PLATINUM tit! 





94 



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rom The bead! go to the crossroads. Use the 
poem on the nightingale who will in-turn 

take it to tassima. Click on the note, then 
walk to the village and enter the pawn shop. 
Use the flute on the shopkeeper to get the 
V box, then, leave. Walk back to the beach and 
use the map to go to the isle of the Sacred Mountain. 

When you arrive at the beach, walk up to the 
mountain side and click on it A puzzle will appear 
Click on the circles in the corresponding order 4,1,2 
and some steps writ then appear. Walk up to the next 
puzzle, using the manual click on the symbols which 
represent the letters % 0, A and R. 

On to the next puzzle and this time you must click 
on the symbols which are represented by the letters 
G and D- Walk to the top of the cliff and go and 
pickup some peppermint leaves. Next walk north to 



JtQQOO 



beat the 



the city and get picked up by the guards. You will 
now meet the Lord and Lady of the city hut don't be 
downhearted when they decide to throw you into 
the catacombs, this is the right way to go. 

You will now have to follow the right directions 
to get out, First go north, north, east, east and north 
to get to the skull room; here take a skull- From 
here walk south, west, west, north and west to get 
to the spike maze. 

Walk through the spike maze and then go west, 
and head north to the shield room. Get the shield 
then walk north, north, north, west and west and 
you will be at the crypt room. 

There will be some coins in a dead man's eyes. 

Take them then go east, east, south and east. You 

will end up in a room where the ceiling will come 

down and crush you. Throws bricks in the gears to 

stop the ceiling coming 

down and crushing you. 

Now walk east, east, north 

and east to a trap door 

_ room. Go in the trap door 

#Jf% +" ' and fall to level two 

%0 W You will now have to use 




Ths Prince stumbles upon <i garden of lmp*K*bli 
be«>fy r but «*at does it eontaiit within Its unite? 

your tinder box to light the room. Now walk we* 
west, west, west, west, south, south and east to I 
a cul-de-sac room. Use the hole-in-the-wall to \vA 
through the wall and you will spot a minotaur. 
west west, west, south, south, east, south, east, e#M 
north, east, north and north to find the entrance ■ 
the liar. Walk over to the pit and use your scarf 






i. Go and get th* 
beach. Use thJ 

?ad west to th*1 



the minotaur, You now leave the catacombs a 
your next move will be to visit oracle. Go and get- 
s-acred water then go back to the ' 
map to goto the Isle of the mists 

After landing on the beach, head 
druid woods - take the scythe and the lump of cod 
Go back to the beach and goto the Isle of the Beafl 

From the beach walk to the stone archer. Use tt 
shield on Prince Alexander to walk past the an 
then pick a white rose from the rose bush. Next ud 









f^T^U 





Juit some at th* many itvms in Prince's inventory. Samr arm highly 

-pn rf .inf. whitr others civ fjifft." fuif lo OnftlM .mri (tlrirM t Vdlr 



Step through (he npi<vJV- created enchanted dour 
jnd youlf gwn entrance mm the ftu ti* 








Part 2 



Im scythe on the rose bush. Wait to receive the ring 
"em the beast When you have the ring go back to 
the beach and go to the Isle of the crown, 

Once on the Isle, go through the village to the gar- 
den. Use the rose and the beast's ring on the beauty. 
Return to the beast's garden on the Isle of the Beast. 

in the garden you'll receive a mirror from the beast 
*nd clothes from the beauty. Go back to the stone 
ircher and pick another rose, them go back to the 
aook shop on the Isle of the crown. Talk to Jollo., then 
30 to the beach and then the Isle of Wonder. 

CHESSLAND 

On the Isle of Wonder 90 to the swamp - click on 

tfte milk weed 1 to get a milk bottle, Walk to the gar- 
:«r and use the bottle on the baby to make the nth- 

,:f y- 

Use the old lamp on the baby tears to collect them 

t'4 use the Oracle's vial on the old lamp to add the 

d water, inter into Chessland through the gate 




**># Prince must findhh iowr, who is inside the castle 

aan« in ttwi*. but you'll tia ve to get past thaw guard doat first 



■ 



and watch the two Queens fight. 

Use the lump of coal on the Queens, When you 
get a spoiled egg return to the beach to go to the 
Isle of the Beast. From the beach go to the beast's 
garden where you should use the old lamp on the 
fountain. 

Use the spell book on the old lamp and from here 
go to the Isle of Mists. When you land on the beach 
watch the bonfire, then do the rain spell. 

Use the skull on the bonfire to collect the embers, 
then return to the Sacred Mountain. Land on the 
beach and walk up to the logic cliffs, In the inven- 
tory, use the hair on the skull, then use the egg on 
the skull, then the spell book on the skull and finally 
use the skull on Nightmare the winged horse. Get 
on and ride Nightmare and you'll end up in the 
Realm of the Dead. 

Talk to the King and Queen and get a ticket, then 
walk east to the entrance. Use the ticket on 
the Door Master. Look at the Knight and the gaunt 
let. Take the gauntlet, then walk north to the River 
Styx. 

At the River Styx use the tea cup on the river to 
get some styx water. Give the dead man coins to 
Charon, Walk towards the Lord of the Dead. 

To challenge him use the gauntlet, then make 
him cry by using the magic mirror on him. You'll 
now return to the beach with the King and Queen 
in tow. 

After landing on the beach go to the crossroads 
and give the rose to the nightingale. Walk to the vil- 
lage and swap the old lamp with the genie replica 
lamp at the lamp sellers. 

Enter the book sellers and give the lamp to Jollo, 
then leave and go to the pawn shop. Swap the tin- 
der bo* for the painters brushes, 

Go now to the Castle's side wall and stir the 
swamp ooze with the feather. Use the paintbrushes 




Inside the beautitui *nd majestic castle walls anil ff» 
advenrurp is entering its final stage 



on the castle's wall and then the speilbook on the 
wall to create a door. 

Return to the pawn shop and exchange the paint- 
brushes for the nightingale. Go back to the newly - 
created door and go through it. 

Once in the castle walk up the left stairway and 
when the guards move away place the nightingale 
on the floor, then walk in the alcove. 

Click on the pillar and hide behind it. Click on the 
portrait to remove it, then take the nail. Walk out 
of the alcove and go into the Vizier's bedroom - use 
the nail to open the trunk. Click on the letter to 
read it, then exit the room. 

Walk north to the north hallway and talk to 
Cassima through the door, then place the dagger 
under the door, Walk back to the main hallway and 
show the Setter to Saladin. Walk up to Cassima and 
the King, Queen and a genie will appear 

Follow the Vizier and then get the lamp off Jollo 
to use on the genie, Get the sword off the wall and 
use it to defeat the Vizier, 

Well done you completed Kings Quest & I 
all that's left to do is sit back and watch the end 
animation. 



17 



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ilmarils Ishar games have earned a 
well deserved plate in most HPG 
games players' collections. Renowned 

for their superb graphics which have their own unique style and 
their deep and absorbing plots, it's little wonder that they have 
become one of the most popular RPG* around. 
And now Silmarils are set to stun once again with their final episode 
to complete the trilogy. 



Character? will pivr vit*l clues 



STORYLINE 



The complete story of Ishar stretches 
right back over four games, starting 
off with the "Crystals of Arborea" 
where Jarel, Prince of the Elves, sets 
out to find the magic crystals which 
would oppose the power of the evil 
Morgoth, the black god. He succeeds 
and kills Morgoth, Jarel becomes 
ruler and the country is renamed 
Keridoria. 

Ishar: Legend of the Fortress went 
on to tell of hnw the fortress of 
Ishar - which belonged to Krogh, 
offspring of Morgoth - was con- 
quered by a group of adventurers. 
The powers of chaos were banished 
from Kendoria and it then became 
the 'in f place to be, so to speak. 

A city developed and was named 
"Zach's Island." A powerful figure 
emerged - the cities bad guy, 
Shandar, monk of chaos - and he 
became your modern day drug 
dealer, selling hallucinogenic 
potions. 

In Ishar 2, Messengers of Doom 
the "Messengers" succeeded in free- 
ing "Zach's Island* from Shandar's 
influence. Shandar was killed or so 
everyone thought, but he devised a 
spell before his death that allowed 
his vital energy and consciousness to 
survive even after the death of his 
body. He now intends to return in 
the form of the deadly winged 
dragon, Worirata*. 

Shandar's plan h flawed however, 
in that the reincarnation can only 
take place during the planetary con- 
junction of the two moons, the sun 
and the planet Ishar, You must 
destroy the dragon before this 
happens, 





One of the most outstanding aspects of the 
Ishar series has been the graphics. They create the 
rich atmosphere that always seems abundant in 
the Ishar games. This third offering is no exception 
and continues the high standard set. by its 
predecessors. 

The many different locations provide variety and 
the vast attention to detail that has been paid to each 
scene is amazing. Outdoor locations include every- 
thing from towns, jungles and fortresses to caverns, 
white indoor settings range from libraries, taverns and 



temples. Each one is full of intricate detail and realty 
make the game. 

However, while a great deal of atmosphere has 

been created by using night and day time sequenca 
(i.e, the scene goes from dark to light) it has bet- 
done at the expense of practicalities such as beif>j 
able to see where you are! 

This results in having to lie low until dawn break.; 
and is rather frustrating when you are just in the mu 
die of getting somewhere. 

Characters have been nicely animated and add re 
ism to the game and the sprites are imaginative a 
well created. 



■Ur HI* 



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" , ^«'e have been many RPGs on the Amiga to compare Ishar 3 to, 

s--ar 3 is your more traditional role-playing adventure, both visually and in 
-» _ splay, It if superior to a lot of its counterparts in its superb graphics and web 
•a plots and sub-plots, 

letently we have seen Thalion's Ambermoon, the sequel to Amberstar. This 
messed and received a mighty Si % (AMC75), Ishar 3 is similar in the graphical 
t, e it use j which is that of 'traditional' RPGs. However, Ambermoon also 
■■ploys an overhead, two-dimensional view. 

ore obvious comparison to make would be with Ishar 1 and 2, Ishar 3 corn- 
res favourably, hoth graphically and with the actual size of the game, 
•ster 3 will prove a classic RPG, rating among some of the classics of this genre. 







Unfortunately there isn't a great deal of sound to comment on, which 
may be a good thing compared to the sound that is actually used. Tot 
instance, the occasional bell tolls in the distance, or a brief if rathe' irrel- 
evant tune is played when you walk into an Inn. 

The game starts with a moody tune which does conjure up the atmo- 
sphere and it's a great shame that some other music couldn't have been 
used throughout the game. 

In a title of this nature, things could have really been enhanced by a 
good choice of tunes or effects. 



UJe Hue in a fantasM world, a world 
of illusion. Ihe great task in lire is 
to find reality 





Iris Murdoch, English novelist 




■ 

real 




~he plot in ishar 3 focuses on the 
idea that Shandar's soul can 
:ome back in another form, This 
belief, known as reincarnation, 
says that the human spirit can 
still Hve again in another human, 
plant or animal, It is also 
referred to as transmigration or 
Tietempsychosii, 

Many religions such as 
Suddhism, Hinduism and Jain ism 
^ave this belief as a fundamen- 
tal part of their religion. The 
Hindus, whose beliefs originated 
around 4,500 years ago, say that 
all living things are part of a 
divine life that transmute to one 
*orm or the other - sometimes a 
plant, an insect or human 
depending on Its karma or past 
actions, 




Down at the lot si Inti you 




Night fall* - W «n only 
option is to rest for a whit* 



Th* ffiop 

yivi". 

you tfi» 

opportunity 

to buy lots 

of useful 



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17 





Despite some of the grumbles I may have about the 
night-time effects and the sound, Ishar 3 is one of the 
most absorbing and atmospheric adventures around. 

There are many characters to meet, plenty of beau- 
tifully created locations to explore and tonnes of puz- 
zles to solve. 

There are a massive 100 characters to make your 
team from, all having differing skills and personali- 
ties. Each has a character which can effect the action 
in the game. One may lie or another may have mur- 
derous tendencies, for example. 

You'll need to choose your actions carefully. Say 
you wanted to assassinate a member of the party and 
another character has sympathies with the victim, he 
may then kill the murderer. This psychological aspect 
works well and provides much of the intrigue. 

On your quest you will meet bad guys as well as 
the good. A tactical element has been added to the 
fight scenes and by means of a tacti-grid you can 
place the stronger characters in the front line for 
fighting. 

The plots and sub plots in Ishar 3 are cleverly set 
around a series of time gates. These allow you to 
access other lands in the past or future. Past events 
can change the present and future and you'll need to 
pick up key plot points found throughout the history 
of Ishar 

Inns play a vital part in the game and offer the 
opportunity to rest your team, eat, listen out for 
information and to enrol new members. At the Inn 
you'll find some great animations with characters that 
will impart important information. 

In typical RPG style, the use of spells is an essential 
and fun aspect of Ishar 3. There are about 30 spells to 
choose from, ranging from attack and defence spells 
to 'telepathic reconnaissance' and teleportation. 

There is an unlimited game saving facility which, 
believe me, you will definitely need and also the fa 
ity to re- load teams from Ishar 1 and 2. 

There is just so much to do in Ishar 3. apar 
from the overall objective, that your mind will be 
continually boggling over specific puzzles and 
problems. 

Even for the most experienced role-players this will 
be a tough game to crack, promising lasting appeal 

This is a superb addition to the Ishar series and I 
of the previous games will not be disappoint 
really is a top quality, atmospheric adventure. 

Silmarils have excelled once again in their aim to 
create, "the computer version of a Tolkien adventure, 
rich in dream-like images, colour, sound and plot.* 



ifaci.: 

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Ute Addition of a nSMivcfy 
dlHp nn&ft&raii it 9 pood 
move in Theme Panlr. 
nuWrngyour visitors to 
tratmi around in style 



I 



have been waiting for this one ever 
since I saw the pulsating reviews that 
the PC version received and now it 
has arrived. Labelled by some as one 
of the most eagerly-awaited games 
ever, the pressure was on Bullfrog's 
business simulator to perform and do the err, 
business. 

I'll admit to thinking that the game might 
have been hyped to oblivion and that it can't" 
possibly be that good. 

I should've really cast these thoughts aside 
because a casual glance at Bullfrog's hack *ata 
logue of software (Papulous, Flood, 
Powernionger, Syndicate) should have put my 



INTRODUCTION 



fears aside. 

I don't want to and 
don't have to wait 
until the end of the review to tell you just how 
good Theme Park is. It is bloomin' marvellous 
and t know that it'll be top of the software 
charts for a good long time to come. 

On the surface it looks like a cutesy, 
OK kinda game, but underneath there 
is a startling, in-depth business/strategy 
simulation that you can't fail to be im- 
pressed by. 

Theme Park heralds a new era in computer 
games and it's an era I've been waiting a good 
few years for. 



You are now entering the Theme Park lone. A world 
full of over-inflated burger prices, coasters that roll 
and castles that bounce. Jonathan Haddock takes 
you around what must be the game of the year, 




Theme 



The sound in Theme Park is the vital part of atmosphere generation and thankfully 
Bullfrog has included it in abundance. Each ride has its own specific tune which plays 
when your mouse pointer wanders over it. 

The tunes don't last forever though, which means you're not plagued by annoying 
music which starts off good and then gets monotonous, 

The sound effects, of which there are many, seem to go by without you noticing them 
and it's quite hard to name a specific sound, but they are there. It's just that they add to 
the whole atmosphere of the game rather than jtflt providing you with a second's 
entertainment. 

The only other bit of sound is the introduction which features plenty 
of sampled speech and I guarantee that you won't fail to raise a grin by the time you see 
the roller coaster sequence. Buy the game to see what I'm on about! 



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t don't even know where to begin where the visuals in Theme Park are 
concerned, From the amazing introduction (even though it's not quite as good as 
the PC version} you know that you're about to experience a product of sheer 
quality. 

Once you've found your feet and you begin to experiment a little, you start to 
notice all the hundreds (literally I) of little touches. 

Your visitors wander around with expressions that range from happiness or 
that burst out in tears, to green faces after a particularly rough time on one of the 
ndes, due to Hamburg us fillus faceus toomuchus. 

The rides themselves are the real stars of the game. You start off 
with basic and very safe rides, such as the bouncy castle and the 
tea cup ride which are beautifully presented, After a bit of research you then 



progress to bigger and more scarier rides, such as the roller-coaster and the 

haunted house. The control system is dean, well-presented and the icons are 
designed, so it's obvious just what you're clicking on, The static screens are ilso 
spot-on, the management deafs over the table and the end sequence wnen your 
parks goes bankrupt are two prime examples. 

The animation is smooth and everything flows nicely around the screen like it 
should do. The little graphical touches such as the introduction of scenery (trees. 
stumps, fences, fountains) enable you to design a park which can be as pic- 
turesque as you want it to be. 

There is graphically so much to Theme Park that I'd take up the whole maga- 
zine talking about it. The best thing to do is just sit back in a comfy chair and 
admire the screenshots. 

Cute as heJI and in quiet moments even the toughest male on the planet has 
got a good chance of going "Ahhhh". 



^3 



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SIMULATION 



Theme Park can be played three ways. Your first 
choice should be the sandbox level which is aimed 
specifically at beginners. You can enjoy all the fun of 
the Theme Park without having to trouble yourself 
with the strains of dealing with the bank, plus you 
don't have to do any research and you'll never run out 
of stock for your shops. 

The- next level upwards is the si m level. Here you 
can do some research and also some negotiation 
screens pop up periodically where you have to barter 
over staff wages, 

Only on Full level do you get to utilise all of Theme 
Park's options. You're personally responsible for every 
financial transaction and rival operators can have 
shares in your park. 

Theme Park looks highly cutesy on the outside, but 
the game is so in-depth that every single thing you 
could possibly think of has been fully catered for. 

Chips shops on your park have salt levels which can 
be decreased and increased. An increase will make 
your park visitors thirsty, so a few sign-posts pointing 
towards your Pokey Cola shop can reap you big finan- 
cial rewards. 

Theme Park will take you an hour to master the 
controls, but you will spend weeks before you start to 
run a profitable business for any length of time. 

The game is the first in Bullfrog's Designer Series. 
The series is entirely made up of business simulations, 
whkh is where Bullfrog believe the future of com- 
puter games will lie, 




On* of my favourites ride* in Theme 
Park ii the itiprrb Pirattr Ship and, 
err hern'* a pitturw of it just faw you 



OPINION 




f" tw'i m roiling in thanki to the row of 

Shops ivllmt} everything from hungers to 

balloon* at aver-infiated pritm* 



FLASHBACK 




Looking back throughout games' history, 
there isn't anything exactly like Theme Park, 
but there are few that come fairly dose. The 
Populous series of games, also created by 
Bullfrog, virtually changed the software 
industry overnight and expanded game cre- 
ators' thoughts past the platformer and the 
shoot' 'em-up. 

The idea was to create your own popu- 
lous by flattening and raising land while 
battling with an opponent who had the 
exact same goal, via some help from natural 
disasters. 

The actual laying dawn of houses and set- 
tlement is very much like the construction 
section in Theme Park, but that's where any 
similarity ends. 

I can't even remember anything else 
remotely like Bull frog' 5 business simulator, 
but that just goes to prove that the game is 
a completely original product, 



ADDITIONAL MR 



The first theme park, Disnej 
opened in 1955 in Anabi 
California. The park c«n 
around Walt Disney's cartoon 1 
acters and covered approxirry 
74 acres, Walt Disney World CO 
a massive 27,000 acres and 
opened in 1971 near Orlan* 
Florida. 

Walt Disney World \ 
enhanced m 1982 thanks to 
introduction of the EPCOT cer 
which features displays of fu&d 
technology and re-creates hi 
«l landmarks. 

Other Disney parks include 
Tokyo Disneyland and EuroDuia 
in France, which covers an 
one-fifth the size of Paris. IhM 
the USA, France and Japan cat* 
for, but Brits haven't got it so 
with 15 theme parks sprej 
throughout the UK. 

The three largest are Altc 
Towers in Staffordshire {opened 
1979} which attracts over 2 mil: 
visitors annually, Thorpe : 
1980} and Chessington World . 
Adventure (1987), both of wh« 
are situated in Surrey. 



J 




Placing toad shop* r«> clote ta 
ridwi like th* Spinner tan cause 
your vnitvrs to go grren *nd thus 
ztMrf producing (ft vement pints 



Theme Park is by far the best game I've played this year. Just as Populous arrived 
and changed the industry for the better, I think Theme Park is here now to give 
other software houses a good kick up the backside, Just to show them what can 
be done on the Amiga, 

It is a product of sheer high quality, is bound to sell by the trucfcload and it's 
all down to one simple and often forgotten thing. Originality. Theme Park, with 
its three simulation scales, will appeal to just about everyone. Via these 'scales 
you can make the simulation as in-depth as you want it to be. 

The best thing about the game in my opinion is that It is a fun game to play. 



You can't help but smile and have a good laugh while you're busy creatinq vour 
park. 



The only down point to Theme Park is that it is a tad slow gn the Idwer grade 
Arnigas. To get the best out of it you'll need some fastRAM or an accelerator but 
that said it still plays well, upgrade or not. 

The graphics are simply exquisite, the sound is excellent, it is as playable as 
hell and more addictive than any drug. It oo^es sheer class and evenyone that has 
seen it has had nothing but praise for Bullfrog's business simulator. 

f could enthuse about Theme Park all day, but I don't want to because righ> 
now I want to get back to my A12O0 to continue constructing my park. 

To quickly sum up, Theme Park is a quality title designed by a quality software 
developer, and if you decide not to buy this game ft could well become one of 
the worst decisions your ever likely to make, 




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Amiga Computing 



NOVEMBER 1994 



[13 



D, 



INTRODUCTION 



espite its name, Top Gear 
1 has nothing to do with 
Jeremy CI ark son et al. In 

fact it's the latest race-'em-up from Gremlin that 
promises to he "the fastest ever Amiga racing 
game." 

Released on the SNES to high critical acclaim and receiving 
(he glitzy award for ttie1993 Gamesplayer 5NE5 Racing Game 
of the Year, it has now been ported over to the Amiga. 













Wirt rnaugh money If upgrade your 
engine for ionw rmai sp£#d 



Thus* dieted phrtsww ccrtatniy 
don't briny anything to the yama 




There are quite a few ■games that are rather like Top 
Gear 2. Many have taken on Ihe formula of a sports 
car racing along the open road in various countries, 
with things getting difficult when bad weather 
occu rs or there are obstacles o n the track. 

Lotus, for instance, is similar both in looks a net 
gameplay, with the typical rain and fog scenes, or 
the logs and barriers on the tracks. 

Crazy Cars 3 is also quite similar, but the game 



added interest with an e*tra element of betting 

wagers with rival racers and also the option to 
upgrade your car. 

Top Gear 2 rates around average with games of a 
similar nature. It does introduce some sort of tactical 
element with the upgrades you tan buy for your car, 
and you'll need to decide when and what to spend 
your race winnings on. 

Check the weather report to see whether you 
should replace your tyres with better versions 
adapted for wet or dry conditions, or spend your 
cash on improving nitros for better speed ups- 



Top Gear 2 does look rather similar to maff 
other games of this nature with the oblig* 
tory rain scenes, fog, night and city skyway 
ers r but it has been done to a high standarc 
and looks good. 

The actual ear itself seems to hover uncc 
vincingly above the track and the rear view j 
the tar is retatively unimpressive even wh< 
the nitros are activated, with a feeble fi- 
effect appearing out of the exhausts. 

The apparent "cut and paste" job on 
scenery also spoils things quite a lot. While d 
is a nice idea illustrating the background i 
significant landmarks of a country, it becon 
so obvious that the scenery has been continj 
ally repeated that it looks unconvincing. 

In fart it becomes quite laughable as yc 
count how many Sydney opera houses yc 
pass, or how many Pyramids and the like. 



tii4 





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Tlia Hackett plays girl racer for the day 
i take a look at Gremlin's fop Bear 2... 




having never driven a high-powered super sports car {any offers?), it 
can only be left to the imagination how close to the real thing this is. 

Unfortunately the control method certainly doesn't do a great deal to 
chance realism and the steering isn't all that responsive, constantly 

-binding you that you are just using a joystick and controlling a graphic 
sn the screen. 

The game does create the speed of the car well and you do actually 
-ove along at a fair old pace, 

The sound effects are adequate, but they don't create the nail-biting 
•e-ision that these games should and don't sound all that convincing. 

Also you ace blessed with a rubber car, in the sense that even when 
tou crash at full speed into a concrete wall you'll stiH bounce right off 
again with no harm done. 

Great for prolonging the race but hardly realistic - I mean whatever 
■^opened to those impressive explosions that kept things exciting? 

What I'm trying to say Is you don't really get absorbed into the action 
« with some rating games and somehow the excitement isn't there. 




Fog jTMltei driving conditions tredchtrcir* 




Count *h* tandmnrki mi you drive prfif ! 





Car racing has always held wide 
appeal, both with participators and 

spectators alike. It has taken on 
many different forms from Stock 
Car Racing to Formula One Grand 
Prix - the first organised race being 
from Paris to Rouen in 1394. 

There are many circuits that 
have been built for the purpose 
such as Silverstone and Nurbur- 
gring, along with street circuits 
including Monte Carlo and 
Monaco. 

Many racing drivers have 
become household names through 
their profession - Graham Hill, 
Stirling Moss and Jackie Stewart all 
finding fame through this means. 

Motor racing is not without its 
dangers though - even for the 
spectators, One of the worst ever 
motor racing disaster was at Le 
Mans rate-track when 80 people 
were killed when three cars col- 
lided at 150mph, trashing into the 
spectators stand. 



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~ n ere are a few things that worry me about this 
5a me. While on the surface the game plays fairly 

ell and everything chugs along quite acceptably, 
**re are things that let it down. 

For instance, gameplay is distracted by these sup 
sosedly "hip" phrases interrupting the proceedings. 
take a car, for example, and a bubble of 
ipeech will appear reading "Yo, eat my dust", 
"Crash 'n' burn" and other equally irritating 
phrases. 

And another point to note: all your opponents 



seem to comprise of the role-model drivers who 
never put a foot wrong, who never crash into barri- 
ers and if you should collide - well, it's you that 
gets put hack a few seconds while they speed off in 
to the horizon. 

No chance for any foul play, no scraping 
together of paintwork and no mad scramble to 
overtake - rempving tonnes of potential fun? It's 
not all bad by any means, in fact it is a very 
playable game with plenty of different tracks - 64 
cities in 16 countries - to test your skills. And it is a 
very, very fast game, especially on a one-player 
mode. 

A two-player game is the usual split-screen affair 
and is great fun, but unfortunately you can't easily 



tell who your opponent is from the many other cars 
of the same colour. 

The sound and graphics let the game down a lit- 
tle and it doesn't seem to have all that much to it. 
Around five years ago it would have 
been received with more 
enthusiasm but now it is a **\\\\ 
tittle old hat. 

If you're a fan of rat- 
ing games and you 
have to have another, 
it is worth a look, it 
does play fairly well, 
it's just not particularly 
original ^j 

^ 




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L*t* N igh t Opening. 9 . J A M- 7 , 30PM 

OPEN HALF DAY MOST BANK HOLIDAYS 



TELEPHONE LEEDS 

14 HOUR MAIL ORDER SERVICE 

0532 3 I9444JQLJNEST, 

FAX: 0532 1191 91 
I 

SHOWROOM ADDRESS r 

OEPT, AC, UNIT 3, ARMLEY 

PARK COURT, OFF CECIL ST, 

STANN/NGLEYRD, LEEDS, 

LSI22AE 



HOW TO ORDER 

Order by telephone quoting your credit 

t jrd . Please make chuquDi payable to the: 

"FIRST COMPUTER GEN IRE, " 
In any correspondence please quote a 
phone number & post code. Do not forget 
io in elude the delivery tariff & Dept. code. 
Allow 5 working days for cheque clearance. 

All prices, include VAT @ 17,5% 
Large showroom with free parking 

• Overseas orders taken su bjett to status 

* Educational orders welcome 
•Established Multi million pound company 



UK MAINLAND 
DELIVERY TARIFFS 

•Standard Delivery.,..,..... £ 1 .9S 

• G ua ran teed 2 to 3 day (week days) 
Delivery , £2.95 

• G uarafiteed N e Kt Day ( week days) 
Delivery £4,95 



00 OVERDRIVE CD-ROI* 

CDJ2inftwarr. Plays Audio CD'i, ihitwi 
ihcito CD's. Plugs Into PCMCIA slot 

only £194.99 



niCiitB ROm,«,f|»T«f»IHi™tlMtll|-iiiiii»niaiBorti.t 
wioHtirallni 1 wll nttMhCOT ■ CPU #»C isnvilt 
!^4U| F^vnuJUn^ JUWIiu iraiafeai 

NECMultr S p>n2Xli mm », £167.99 

liiHiAccEiidnit «)SSKB (Finder rite 

TOSHIBA XM340 1 im*,*! £286.99 

200Ms Access time * 1 10KB transfe r rate 

TOSHIBAXM4I0I 

3B5tts Access lime « 100KB transfer rate 

I ntemal . £ 1 8 9.9 9 External. CI 59, 9 9 

Mitsumi FX00 1 I D Dual Speed ...£ 1 29,99 
Tandon IDE CD ROM Control: 

for use with Mitsumi only £64.99 

GVPA40O8 SCSI controller £122,99 



[ AH our pri nters are U K spec, come 
I with ribbon/ tone r , prin ter drivers 
(i f a vai lable). paper & cables': 

Canon 



Thin lu gain if v-uu arL- considering buying* mo 
from anywhere riser. Wo arc probajbhi the In 

supplier of modems for the Amiga supported 
wealth aft* periente . Luj> into our Free BBS me 
line for cr-r hnical anduiex, available 2.4 houn i 



Laser 



anon BJ I Osx, 

quality output, 
anon 



Large huffrr 



,bj: 



.£179,99 



.£221.99 



id 



3 page a mln speed, 340 dpi, small foorpr>nt ft W> I 



page sheerfeeoer 

Canon BJC6Q0 Colour. 

nnnwhubblc jrtfraiTi Canon 



| NEW Super fast .' ib.boo b pi + 1 *.<«» 

The best modem In its CtattJ Only £243.1 



.£519.99 



£49. 



V.3 2 bis (14400 baud! 



AMIGA 500 Plus trade in offer 



If you spend £100.0 
□r more with hi vou tan trade In an Amiga 500 Plu* | 
fnr Tour old Amiga must be In working 

nrder complete with PSU and modulator, 



FirstComm Bulletin Board 

I Why not place your orden on nir new bulletin 
I board, First com m li not kJit a msan* of ordering, it 
I also gives you access to read or download technical 
| support film and advice . 

Tel. 0532 31 1422 




HARD DRIVES 



L5" Hard Drives 
with i installation lot 

Inc. ¥crfrv» | rin*, rahlr*; and irtttrurtinn,*. 

40Mb.... £134.99 1 20Mb... ?9.99 
fi0Mb™*£l 59.99 240Mb... £259.99 

3,5" Hard Drives 
with i nstallation lot 

krc. software, cable* and instruction* 

250Mb.... 1 84.99 350Mb...*£239.99 
420M b. .. / £2 1 9.99 54QMb.„*£27 9.99 

3.S" H/drive upgrade kit no HD mi (y £22 99 I 

*flUt Add £ 1 0.0'3 for fitting 



COMPUTERS 



The AMIGA A I 200 
A 1 200 Standard pack only £279,99 

Computer Combat pack only £314.99.' 

■*tlT«HlC».«*m. M* ib IMr.InM 1 Wirdmh 1, frta. Ft_.pT 
OWVfcy □** FXmul PHIH4 

RACE & CHASE pack only £289.991 

M4rh hD^Hfruwdir I ■mn^TroJU" 

HARD DRIVE VERSIONS 

-J?"". _ .J**. Add "° 00 totfc. I 

WMb "' Standard pack 

S&Mb - £439,99 j„ (Qr ^ 

127Mb £479.99 Combat Hard 



fmst coMPturtu 

CEHTKE 



■ M&] i.n.c -hi- M*2 I and follow the turnoff fo 

rit,AM, TN !*tf.m rrwrfe wtthttw ArmJay ir/ratwry. I 

* ligrti For me Hill (rjjnorr tmr (nr| 
i -•- A443 iiland Hd turnnlTr from nil I . 
^Sfl Thtimerjesw*fh Armlrf gyntDry. I 

I 'nmlril'J take thr turn off for the Ae4. Thh merjevwlll I 
■ AU (ey-puijng Lftdt town centre) which meets the| 
p dnricory. '< " Living World" at tralli-: 



Werecommendyau confirm prices 
h gin re placing an order. E»OE 


iwiro 


ceI 


WkHJikl*El SrJJpkBP 


ZTb lurchargi: uin AMLtX 



Drive packs 



THE Crt-tAOS fACKt 

•CHAOS ENGINE 

•N »CK F ALD O C H A li PION5H I P GOLF 

• PlNB ALL FANTASIES 

•SYNDICATE 

only £29.99 or £19.99 

with any AMIGA, 1 
THE FIRSTS GAME PACK 

«H IAN LION TOOL I 

C EH MIS OSWVP- 

■TOTAL CARNAGE 

only £19.99 



The AMIGA 4000 

A4000fC3M0MbHD4MbRAM (999.99 

A4O00'tJ J0.( H rib MD"4 M«j RAM,...t I 069.99 

A4PPD.-O40tC,l20 Mb HD* £POA 

A4P00040LC.2I4 Mb HD £POA 

A40HI/4Q SCSI Tower systems £POA 

'The hard drive <mh/ il nut ravcrtil liy 9n ilu IrUTinn/ 

* 

AH An*^'i*flrne wrd^ fVorhbrncK m*a** l3nioni^*arnnt> 

The *ISM» AflWeiimewtMlmijii*h»«m.ii*"v™ii F AII 

1 104'. alun mnw with ft b nil I m ml* [rjl Kjrll EBifa uflliun 



STEREO/ SPE AKE R SYSTEMS 

Aerospace Deluxe ...„,..„ £47.99 

ZyFi StereoSysfem ,..., ..£13.99 

ZyFl Pro Stereo System ,.........,£57,99 



NEWJ 



LOW STAR 
PRICES 



PRINTERCONSUMABLES 



(/^"X'X'T'VTj' TS, T watch worth 1 3 S.99 with 

V^.X J. A*C\jX_a1>i c-vrry ABC coiour printer 

(Limited Pi>r mdi 



Citizen printers h,%vf ,t 1 yt-.tr guarantee 

ABC Colour orincpr. ....£154.99 

simplr l>i tuy as ABC) tu in* 24 piit prlhM'. Gomel 

asstandd'd vnii S<i stujct Antn ihrrt ferder- 

Tractor feed gptlo>i»i at £H ?' 

onlj £1 39.?? if twught without the colour option 

Swift 200 Colour £ 1 8 J .99 

Same out put as Hiu 240 but with leas facilities 

Swift 240 Colour £216,99 

14 p«n t j!40fps draft, if>fonts h quietmodr. 240cp>- 

Projet II £2 1 4.99 

new Inkjet printer with built In auto ihe*t feeder 

Swift Auto Sheet feeder £79,99 

EPSON 

Epson LX300 Colour............. £ 1 49.99 

V Pin -50 cdum n caluur 

LQ I SO Colour £209.99 

14 Pin Drift 2 I 6tpS, LQ?*i:pi 

.Vf ftaa 800 +..,...., r ,...„...„.,...£24 9.99 

4« NOIJff inkier 360 X 1*0 dpi (max) 100 sheet 

feeder 

Stylus Colour £48 9.99 

Colour Inkjet. JoO x ItO dpi, 710 I 710 (en special 

P1PC) Wjffi HEWLETT 
mL'MM PACKARD 

HP 3 1 Portable. £229.99 

NEWT HP 520 mono £249.99 

HP500Colour. £344.99 

L0rrPftCE/HP560Colour..,..£479.99 

even faster ttian the old HPSSOCJi 
All HP printers come with a 3 year warranty 

§£« 

100 colour ,........£ 1 19.99 

f pin colour. I tents. ISO cps drift, 45 cpsNLQ 

StarLC24-IOO £126.99 

StarLC24-30 Col ~£ 1 99.99 

complete with automatic sheet feeder, If 1 ips draft 

Star LC24-300 Col £249.99 

14 pin quality, li* rps draff, XQ rp^ LQ, J»K buffer 
f-^pandihlr tn 48K, le fonts and quiet mode. 

Star SJ 1 44 Colour Thermal 

Stunnin, affnrdable uHdurpMIHer 1 PPM, low nninin| COiO 

only £339,99 
5tnrSJ48Autosheet feeder., only £49.99 
Universal Printer Stand only £4.99 




ye Lot c -erHcm ff ctic ribjnk y Jli-1 f »i 

u ImJdw buc rJui I Um onty avnd LiDrffapac^ 

only £14 I 



I t44MfaMin. Includes V ) iljij, VJ3, V llbn. V 12, V3 1 . HH 
5, VAt. ¥*IIm, Class I a 1 lemmands. M«n«H SroM .'| 

Fm, Inrtiitei free •mr4tr T , ;n,nii(MiFii)kVl catvb 



only£l78.99 

' PIUS.. £11291 



I FitfnOunttBiUiHUMlZHaiilmuiBoulftuto mem. »««>_ 
I Havn i , -^j VUIk VJ I KtHNri.il uto a^ui ICi n'Hij-™ 

I cnrarrHikin speedt. Wt*i rrw^"Tnv(™3i| F«J ikl r»i,le 

\suguvj4< ^S ..£58.91 

G**uii llnaui4nr|itiLijp«iE -"ahJtluttc mr>de*ri w**h iun6tfd 

p«n*. I4001jajjd HLci-tit CiMiip, V21 BIS. hfli:lurdiHrirC4-->rii> 

TTmBsj'w t e*jbi*n 
I Supf j. iiii3d«aTii haric iwn: bfcpi> tejtpi Lry 1AIT, h o fyr nw 

p si I Ln i l i afci wmU X uftCnUJLri pdrtrtoffih BABT <tlifjr>'j>A-d u 
Sujir* rliJilfrii ' iinM- viiiaii a ^ruf MlaTrWKC|f 

Qtrilobotics 

WE ARE PREFERRED USR DEALERS 



SllT¥*jr ■•* peflnrnnncf ^ SJupr^, ^hFtF #ir*l T n: ■JSAmiidvn-.Lcrfbr 
■uw iVnUblrWp LalC HlCrH CMC *f*KuT»* WVT 0" (MirrKuJni 1 ll 
tf^arrj iMid' m n t^rwi . 

£104.91 

lISI.91 

251,91 

'£334.91 



Sf>ortster2496+Fax.. ;i;s 
Sportster 1 4400 Fax. 

WoridPortl4400+F 
Courier V32 Terbo 

Courier HST,'DudH6,8TerboFdX,£S27.9< 

11 vnu diojgpiE V3 Jbii -fi^iKirr eti* ccrto! TKer cotie v 
5 i-car war-'ap-rf tfc Ottc flAB T Jlp-provfd ' 



MONITORS 



All our monitors are U K spec. All monitors 
come complEte with a free Amija lead* 



NEWt Philips 8833 MK2 

Th,i-q.fjiivi»nu'( St c^rrn, colour ir*o™tari»bBric. SirTiitip* 

ipt-cio the DldCommodor« IQHS. 

only £229.99 

Tflt and Swhnrfl Stand nnl T £».9« 
If you purchase with monrtor 

Microvitec Autoscan 1438 

li dpi, I 5,'JS KHi, al Amiga mot 

ACA comp-nn audio, tilt ft sww*# 
stand. 

now only £289.99 

*Fre* cable for A4tCuonh/ 

Al 200 tabled. 4faxtra 



CitiiienSwirt'monortbtnDn £4.n 

Citizen Swift Colour ribbon ,..,£13 

Epson LXJ09 Colour ribbon „„..,-,„-4 1 !.»» 

StarLC lOJIWrnonO. ..-...— .,- .£169 

Star LC 200 mono —~ ....14. VS 

Star LC 1 0.' i 00 colour,,:, , ___„,_ — . ,.„. (7.TT 

StarLC!OOtoh3nr ,.,^...,f IJ,« 

5tarLC2(t.3fl mono , , r ..-.tl-»» 

Star LC34-1CJ1W Colour .1 1 1 .1 1 

Re-Ink Spray for mono rjbbora... , ,i 1 1 .•" 

COVERS 

Canon printercoverfplease ipecKy m<xtel) £5-9* 

CitiienSwiftfABC £S.»* 

Hpsocsso.'iia cs.»* 

c.11, ICIOO.JDO .15.?? 

Stai-LC24-3«WiO fS.»» 

Star LC I Bi'2 Drover ...14.9* 

**Af*£R prKei apit*/ unh/ w^rp nr^rrH with p»^^*r o» 
purihawd dlrtct fro it i oievhowraom 

FanfdW (tractor feed) SAO shtttl ,„£4 ?9 

Fanfdld {tractnr fred) 1000 sheets £8 Ml 

Panteld {tractor feed},. 1000 ihoats.tl 7,S ■ 

Single she»t ,., r „,„ r ,.-„SB0 sheets.. .14.9* 

5inj;k' iheel.,,,, , 1000 EheatI 46.99 

Single sheflt ...„ .„-1000 »he*t*.t I 7.?? 

' WO iheffl ti.QO whM avthaiad wiiafal printer 



PREMIER Ink 
Cartridge Refills 

Save a farajfie in rennine costs vntk Tovr inkftwfakki laf 

Cl?mo+ti*«n "-il* »lii' HF (Dei SID, Onkjn; Plui, Can 

ajiorienai].'! iouidoj j ds.ij d, m, shs, citimnPreiti >^ 
oian-r ochars. Full rin§e af coleur^avikab^e, 

Single refills (22ml) .....C6.M 

Twin renil»<44n-il) 

Three colour kk{t6ml) CI 

Full cciiuur kit (BSrnf),., „..„.„„. (27, ff 

Bulk refills (' 25ml> . CJA< 

Canon, B' 1 0^S'4» cartridge 

Double life aOdcartriderl £M 

HPSSO/SOO Colour cartridge £2^ 

Epson Stylus Colour Cartridge,,,,,,,-,,,,,, 
Epson Stylus mono Cart ridge... .......... 1 

Epsom Stylus 8U0+ mono Cartridge. „...,£ I ' !1 

Star SJ I 44 mono cartridges (1 pack I 

St, ir SJ M4 colour cartridges (3 pack). .£2 I. 1 

Printer Switch Box 2 way £1) 

PrktierSwirchioxJway «_jtf I 

Praiter Standi (Universal) .,..,£7.1 

3 rtetn? p',nt«rc«bln 

SMrtre print rrcablr ■-, *4 1 

ID nietrr printer tattle £13.1 



PRIMAA500&A600RAM SPECIAL OFFERS/ ROMBO PRODUCTS I SOFTWARE 



3 TEAR WARRANTY" 

AS0O5l2kRAM 
xpansion (no clock). £ I 9.99 
ASOOPkis I Mb RAM 

expansion £34.99 

A600 I Mb RAM expansion 
( with clock) £39.99 



32 BIT RAM (** A4ooo etc) 



Mb SIMM £39,°?| 

Mb SIMM £95 99l 

iMbSIMM . NEffLOrtPRICE, . ..£119-9*1 
ti Mb SIMM.Mfff LOW PRICE,. £269. ?9| 






SPEED 



2SMhi 
1 33Mhi 
4CMhz 






SOMhi 



HI CC 



£49.99 

I 1 06.99 

N/A 



PGA 



£89.99 
£129.91 
£129.91 



J I mb by 8/9 SIMM S ( I Mb) £3 4.99 

I * Mb by 9 SI MMS (4 Mb) i 1 44.99 

I Mb by 4 DRAMS( I Mb),... ..-.£39.99 

lMbby4ZIPS(l/2Mb} , „. £32.99 

15ft by 4 ZIPS . — (each) £5 .99 

2S6 by 4 DRAM (D IU)~-~.~..(eaeh)fS, 99 
|0KB 1 202 Al 100 RAM board...... £84.99 

takes 2 11 bit S IMMs Has an optional FPU. 

Sep abflVE for price* 

■Qddtart I J, „.....£23.99 

<ic restart 1.04 £10.99 

| "tickstart 2.0S (foruse in A600>.- 

Fatter Agnes 837 2 A,.„...... £ 26, 99 

Super Denise.,..,,,.,..,..,— ....... £ t 8.99 

6S7 1-0326 Keyhaard tontroller.t I 3.99 
CIA 8520A I/O controller. ,...XS 99 



,AM.GA 1 200 RAM 



PRIMA CO-PRO & RAM 

iHtjIiic the full potential of ynur A 1 200 with 
l^his trapdoor EipaitilOn. Int real lime clack 

li MB RAM.... , C»1.»o 

; MB RAM .„„„..£ I If. ff 

'MB RAM. .....f !»».*» 

| ! MB RAM . „„..£I2*.»* 

MB i, 31 MHj CO PRO .....(I J?»T 

: MB A 31 MHj CO PRO i".I84.t* 

J4 MB & 21MHz CO PRO.. £!}».«? 

|t MB SJlMHvCOPRO ,£)7r-»f 

FULL 1 YEARWARRANTT 



trbanProXtr, „ ,„tl2.99 

PruSupcr CD13 Control P«f„„( 1 5. W 

ICihs* 1 repack ,..,.-._._.....,...,.... ._„.««~.,.. nn , 

I Crutser Multicolour. , 

I Cruisc-r Turbo — H _ uuuuuu . uu .... u ..... l 

I Freewheel Analcreur, 

I C ravn Gam r Pad . 

I Logic 3 Logipaif .......... 

I'SurrthiH Clear. 

I S perd kin j Analogue. 

lipeedtiinjAiJcn 

ISpeedklnjg Navigator. 

iTopsiar A urn 



_.H.«I 

fa.»»l 

£ia °rl 

*ii.*»l 

.„..tlo~»»J 

a.99i 




AMIGA REPAIR 
CENTRE 

We ode' a, FREE quotation on four Amiga or any 
peripheral (monitors, prlnwrs etc). A delivery tariff Of 
jajt iS.LlC ischargL-d (Or retiim delivery Or alternatively 

you till T lilt OUT 
ituMrnam. We 
can alio jrnnjt 
a courier pickup 
jtah additional 

CllMofill.flS. 

All it, ark is 

Cjtrrindout by 
nur highly 
r.u.i Mi'-i.- 
eotrtwertki 
cuitDtn builE 
premises. We 
■■l| ,1 l(<n niT.il I any upgrade.'srjiltwar*. »r attetsory . 

All repairs are covered by a f 9 day warrant*. 

Tel. 0532 3 1 9444 

The- established name in computer repairs 




Deluxe Paint 4 AGA ™ ..,.,,.,.,.,, 

DtttamSupts ; ,„,., ,.- — . c '■ ' 

Pertonal PiintV*. .L.-, u ,«,.,™,.»,„.t2 » 

TejehnosnundTurtwt .— ■■...' I B 

Trt Itncvsound Turbo 3.................... .-.- 

Wnrdworth 1 AGA With Print Mgr 1 Day To Day 

Planner i i -i-i 

X Copy Pro pius.itardwa.nr — _ .. — Hi 

Workbench 1. 1 software and J.1H ROM upjjra.de 

(*.Omplpt*J with manujli) 

:>n'y I 

VVmf Miench 2.01 software a.nd l.(M ROM upgrade 

(complete with manuals) 

iioo 



NEW LOW 
PRICES „ 



1 00% RATED! 



Graphics 
Tahiti 



Personal Paint 4 only ' I "■°» 
when, purchased wilUlTlMir 1 



AMIGA 

COMPUTING 

AUGUST »4 

The "maiing ncwi 

griphks [»W*t tor the I 
Amiga dEVEloped wllh I 
the h*lp of Fintl 
Computers. It^*md I 
in ST Format Janudjry I 

Itiuel Iteqiiirti I.hI 
WldrilWrB 

only £59.99 



V1DI I 2 Real Time £ I 34.99 

Real time colour digiliilhg from an» video 

'.inir i-f. F nil AGA iuppur[ 

VIDI 24 Real Time £204.99 

14 bit quality real time colour dlgltliln | from 
any vide a iDurte , Full ACA tu pport 

VIDI 12 AGA £59.99 

Full support for ACA chipset. Colour images 

rnpturcd in teal than a S.etond, mono images, | 
In real time with any vld*Q miircE. 
Mukitaiking nw, cut ft pa«e. 

VIDI I 2 Sound & Vision AGA| 

with built in Mesram Ik Matter £9 

TAKE 1 £35 99 

Features include load and layn from D. Piiptt | 
anintacioni and IFF files'. SuppOrTt HAM graphics. 

I Megamix Master. £26.991 

n bit. hfcj£h ip«, sampkr, Special effects Include 
echo that cm be added In realtime, ftrily multitasking | 
e. easy to usr- 



SCANNERS 



Alfa Data Alfa Scan 

handheld manner with lit grcyttaj« and up to BOO 
Opl 

nowonly £99.99 

Or £ I 39,99 wrthOCR software 

Alfa Data Alfa Colour Scan 

I a bit scanner with JStlC colours Inc colour correction 

now onty £299,99 
Power Scanner V4 £1 19.99 

With the latest version * slw far irl jht ft sharp grey scale I 

r es4errrtarice.HexlbletcaFriJimaj^dhplajitUI«p^ 
npiHHii, phn Clean up, embolden. retllC * Nip 

Colour vRr&iononly £239.99 

EPSON GT6S00 Colour Flatbed 

Only £564.50 pknntlDrdetuli 

Art DepartmenC Prg Scanner Si'W.,£ 1 09.9? I 

compatible With epton ES3DDC, ES*00C,| 
I ESaODC. GT*009. <jT*5(lu * GTflOOO 



MICE*4TRACKERBALLS 



Alfa Data Mega Mouse 

90% rating. 400 Dpi 

only £12,99 

Zydec Trackball only £19.99 

Alfa Data Crystal Trackball 

only £34,99 



DISK DRIVES 



AMITEC 

I mb3.S" 

drive 

Featuref Am Click, 
Arttl Virus, Sony Merit, 
J year warranty 

only£5«.99 



ACCELERATORS 



VIPER 68030 TURBO only £ I 59 9v 

oaOJO accelerator running at laMhi 

.-.p.indibu- to a Mb 31 Bit RAM (see RAH prices) 
Optional SCSI adaptor. 

ADDITIONAL RAM FOR 
VIPER BOARDS 

j u it add the price of th r RA M to the: V I pe r 
board to get your conflgurat Ion price 

I Mb SIMM ...£39.991 

J Mh SIMM .,£95 99J 

4 MbStMM . NEW LOW PRICE! ..£139.99 
8 Mb SIMM. W£W LOW PRICE! £269.99 
SUPRA 28 ACCELERATOR 

for the A5O0/A5OO + & A I 500,' 2000 

2 8 M hi . uses. AS 00 side pornu there It 

no internal fitting 

nrily £144.991 



PRIMA ROM SHARERS 



Tins iHgh quality ROM sharer features a fle*lble I 
ribbon cunneclion SO that It ran be positioned I 
anywhr-rr within four ASH* Plus or A690, Full 1 1 

fear replacement warranty 

nowonly 1 1 7 99 or £24.99 
for keyboard swttchable version 



ACCESSORIES 




Cumana3.5".... only£S6.99j 

i I megeiciemaldriw, The best name in disc drives 

A60O! 1 200 Internal drive £39.99 1 

ASOO internal drive...,...., £39.99 

A4000 internal HDdrive £99.99 



GENLOCKS 



noly£l3 «« 
£J».M 








m [« smSI sum H Bil 

hams ON DEMO NOW! 

The Professional answer 

hamal<H £279.99 

S- Video, and comfriislte eompat)bl( 

/iam3 290.....* > .,.. t .....£6S5.99 

S. Video, and tompotlte mining, plus far more 

hama A-CUT Video Editor 
£185,99^ B 
GVPGenlorri....,.,,.nniy iio4.99 

teaturei professional SVHS output 

Rocgen Plus only £16499 

Inc ludtadLUl CO rrtTOl tor overlay and ksyhulE effects, 
extra RGB pais thru. Check fnrcnmpatihility. 

Rendale 8B02 FMC.rmly £164 99 

Rocgen Rcurkfy only£l 64.99 

For creating special effects In video 

production with genlocks. 



Real Time A I JuQ internal cl oc k module.. 

MouseijuysLick ill aiui Jl po<1 1* itrhr r 

Amiga ASBuiHmi llOoPawer Supply...... 

Am li'a SM. 1 5» PI|*S kcybnard 

Aniga 5MrlusMii<hf1ii>drd ..... , , 

Aritfla SW Plus Cate ..„_,_,... 

QUALITY MOUSt MATS „„.... 

10 CAPACITY BISK BOX..,. __ 

2* CAPACITY DISK BOX , 

4Q CAP LOCKABLE DISK BOX 

O0CAP LOCKABLE DISK ftOK.-.,.,. 
■90 CAP STACK* BLl BANK BOX . 
*liB CAP STACK ABLE P05SO BOX.. 
*idd O.-M detvenj- •! fv«Hiwi( jucc one Ptsno or lint bop. Nurnlll 1 
H defwry v*«1 punMstd *H)i Olhpr product dt wsshi bupn| 2 Or foote f 

AMIGA ASDD DUST COVER.. .,„ 

AMIGA 440 COVER *2-W I 

14" MONITOR DUSTCOVER, mamH i4,*f I 

NEWTReyooard Membrane Coven -~CI4.n| 

AMIGA TO SCART CABLES.. 
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INTRODUCTION 



whole gaggle of foot- 
ball games have been 
released to capitalise 
on the football fever which inevitably follows the 



based simulations as opposed to tackling the manage- 
rial side of things. 

On The Ball aims to set that straight offering up to four 
players and involving a detailed journey through the qualify- 
ing stages to the world cup finals. 

It also features what the programmers describe as 
"Spectacular animated TV-style coverage" of the games, so 
that you tan see your players in action and curse as they miss 
easy chances or concede disappointing last-gasp equalisers. 

After the game you'll have to deal with the media, who will 
either tear you to shreds or hail you as a national hero. It's 
your task to make sure that your name is in the headlines for 
all the right reasons. 




Taylor failed, but can you 
succeed? Dave Cusick 
tries to lead England to 



During the 

qualifying ifagri, 

fhjs sumptuoui 

office ri yaur bait 

of oprrationt 



international glory in 
Ascon's foray into the 1 
football management genre 



f 



World Cup Edition 








- 



After* win tfwrt't no. better wry h> spend 
your t verting than pitting smashed in rh* bar. 
rfcat gi*if It tanking a tittle bit bendy,. 



Located on the desk in your office is a compact disc 
player, which you can use to select one of two tunes 
which tinkle away in the background during the off-the- 
field sections. 

Both tunes are passable but not particularly awe- 
inspiring, and to be honest you may well be tempted to 
turn down the volume and stick some decent music on in 
the background while you play, 

During the game, moments of drama are usually 
accompanied by suitable crowd sound effects. The closest 
you'll come to chants are the occasional "Eng-er-land" 
style messages which are interspersed with the commen- 
tary, but that doesn't matter too much because you'll be 
paying far more attention to the events on screen any- 
way 



Come on t*df. i 

wwit ha *e* you 

wasting tirrm. 

hacking their men 

and *fyv*y* taking I 

the dives. Vow un 

fpll this game was 

written in <5*rm»rty | 



Without a doubt the two top mar>- 
agerial games are Gremlin's 

Premier Manager 2 and Uomark's 
Championship Manager 94 
Premier Manager opts for a fast 
and friendly approach, where you 
are given the task of taking over a 
humble conference team and mak 
>ng your way into the top flight o J 
professional football. 

Championship Manager is prob- 
ably the most detailed game of its 
type ever conceived, boasting 
unparalleled attention to detail. It 
remains my personal favourite 
because you can immerse yourself 
in it for hours, 

On The Ball tries to break the 
mould in several areas, not only in 
its use of the numerous in-game 
action sequences, but also in opt- 
ing for a much less tent- bases 
approach than its rivals. 

There are far fewer player static 
tics than in Championship 
Manager, as a system of assigning 
traits or characteristics such as 
"Goal poacher" to some players is 
employed which works well. 



'■-= 



-. 



h ssnansi ii 







in 



jut ever actually having been an international football manager, I'm not 
•illy in the position to say whether or not On The Ball accurately reflects the 
a, today life of such a character. However, it does seem to include every aspect 
rfthc job, both on the field and off, 

can't think of another management game in which you get to plan out your 
payer's days in this amount of detail, or where all manner of actions from 
endorsing products to imposing sex bans on the Squad can be carried Out. 

The game sections themselves usually seem to reflect reality to some extent, 
^though after a while you do become used to certain animations and as a result 
can predict goals before they are actually scored. 

This doesn't really detract from the excitement however. You'll still have your 
*«rt in your mouth during penalties or free kicks from critical edge-of-bo* 
positions. 



80°/o 



^ 





an- 
n's 
ks 
J4. 
ast 

'OU 

r a 
3k- 

Df 

ib- 
rls 
ng 
It 
te 
elf 

he 
in 
nc 
It 

id 

IS 

ip 

as 

3 



Only >mv 
keeping hy 

thf ErUfland 

goalie 
denies the 

the chance 
of tat'rtg 
the lead 



- - 5 if 

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few management games are as 
visually pleasing as On The Sail. 
The programmers have clearly 
poured a lot of time and effort 
into creating a realistic and stylish 
game- throughout and the graph- 
ics certainly go a long way towards 
capturing the cor rett mood. 

The feel of every situation, from 
the quiet solitude of your hotel 
room office to the intense glare of 
a post-game press conference, is 
captured perfectly by the atmo- 
spheric visuals. 

For most of the game you'll be 
looking at these beautifully drawn 
static screens, but where the action 
really comes alive is during training 
sessions and matches. 

Here your players perform for 
you in a range of animated 
sequences, Despite the size of the 
players on the screen, these 
sequences are generally smooth 
and will certainly impress initially, 

Of course, whether you'll still be 
SO keen on them after you've had 
the game a few weeks remains to 
be seen, because it doesn't seem 
possible to skip these animations. 



80% 




Wednesday 13th October 1393 was the night on which football 
fans the whole nation over watched their national team miss the 
world cup boat. This was all the more shocking and disappoint- 
ing, coming as it did only three years after a heartbreaking and 
indeed quite unlucky semi-final loss to the eventual winners of 
the 1990 World Cup, Germany. 

Many fans agreed that had England beaten Germany In that 
fateful penalty shoot-out, they would have been able to beat 
Argentina in the final and Sift the cup for a second time. But in 
the three years since England's second-finest hour, much had 
changed. 

After two impressive World Cup campaigns, Bobby ftobson 
decided to return to club management, The FA appointed 
Graham Taylor, whose club credentials were impeccable 

With players such as Bryan ftobson and Peter Shilton at the end 
of their international careers, Taylor decided the time was right 
for wholesale changes and took several controversial decisions, 
such as dropping Chris Waddle and Peter Beardsley. 

He seemed unable to translate his club success to the interna- 
tional arena and adopted an alarming habit of playing men in 
rales other than their natural positions. 

After playing On The Ball, you will either feel an affinity with 
Taylor - perhaps he faced an impossible task - or have an ever 
lower opinion of him than when you started. This could largely 
depend on which difficulty level you play at. 

After failing to qualify for USA 94, Taylor resigned as England 
Manager. His three year tenure had been an often stormy voyage 
through the footballing ocean, and few were sorry to see him go 
in the end. 

Now Wolves fans will be hoping he can find his earlier club 
management success, He shall be remembered as the man who 
not only managed England's way out of the World Cup, but also 
for the improper use of the English language that brought him 
notoriety through the medium of national television. 

Indeed, that now immortal phrase which is adorning Fantasy 
Football League T-shirts the whole country over, accurately sums 
up for me the whole of Graham Taylor's international career: "Do 
I not like that?" 



fating the press 
it fine after a 

win. Jjuf if ffto 
result hasn't 

gone yOUf ivjy 

you coufrf be in 
for a gritting 



BRONZI 

WVVKI) 




Accomplished and enjoyable though it is, On The 

Sail: World Cup Edition still only simulates the quali- 
fiers and finals of the World Cup- 

International management is interesting enough, 
but for many there simply won't be enough involve- 
ment with the players on the almost personal level, 
such as that which can develop during extended 



sessions playing Championship Manager, 

To be honest I can J t help but feel that 
domestic league and cup competitions work 
better in a computer game. Also, something is 
definitely lost through the use of fictitious player 
names. 

However, there is still plenty of depth; taking one 
of the footballing minnows to the finals is a real chal- 
lenge on the higher difficulty settings. 
You'll need a hard drive for the A1200 version, 



although the A500 version won't call for one. Aiton 
say this is due to the improved graphics on the AG A 
machines. 

On The Ball is a good game by anybody's stan- 
dards, but for me it still doesn't quite top the league 
It's more a sort of Newcastle United, providing 
plenty of entertainment, but not quite at 
catch the Blackburn and Manchester Unite 
Premier Manager and Championship Manager 
respectively. 



- 



- 




INTRODUCTION 



Putty uses his pavren of plitbtiity t-o reach one af thaw 
important stjn which fortifier win* jim 1 his abilities 



wq years ago 3 game arrived on the 
Amiga games scene that redefined 
the parameters of the platform 
games character. Putty was its name 
and it was received well by press and 
gamesplayers alike- With scores that 
didn't go below 90%, Putty was a breath 
of fresh air in the dull genre of platfonners. 

System 3, responsible for such quality pieces 
of software as Myth, created Putty, a character 
who was able to stretch and morph his (her?) 
way to computer game success, There was so 
much more that you could do with your flexi- 
ble friend that it was quite unlike any other 



platformer on the market. 

Even though the idea was highly orig 
Putty also shone brighter in the graphics 
sound departments than anything that ■ 
gone before it. 

The sound effects such as carrots sh 
"Uzi 9mm" played a major part in the gam* 
success by making it far more entertainw 
and dare I say it more fun than a lot of i 
competitors, 

We're now heading towards the end of 19S 
and System 3 are back with a vengeance. TK 
sequel to their platform star of 1992, Put' 
Squad is about to hit the shop shelves and I 
looks bigger and better than its predecessor. 

I fear the world is about to go Putty mac 
once more. 




Potty faffs upon the powers of his 
mrihtp to help him get n'</ of his. 
ipfunrnf who ii secure in a bunker 



Sctniqally, Putty Squad is a notch above the rest The 

musical tune which runs throughout isn't too loud 
and although it sounds rather nifty, the volume is set 
at this level for one reason. The musical stars are, of 
course, the humourous sound samples which pop up 
every few seconds. 

Almost every character within the game has their 
own select sound. From when the Putty shouts when 
he collects one of his mates to the end laughter 
when you fail after losing all your lives, every sound, 
err, sounds great and I tan do nothing hut applaud 



the musk maestro- who put it all together. 

Just the introduction of these select samples 
makes the game more fun to play, inducing you to 
search out n*w characters just to see what they say. 

Perhaps the best use of the sound sample is whe^ 
you pick up the musical note icon. Sitting behind a 
pair of decks, the DJ promptly appears and spins an 
outrageous scratch-filled hip-hop record. 

Immediately, all the enemies stop doing whatever 
they were doing and start to dance their socks off 
for a good 20 seconds, allowing Putty to go about 
his business untroubled. A nice touch of the highest 
quality. 



w.-= 



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H jr«:niMi> : «i 



ADDITIONAL INFO 



■*» aim of Putty Squad li to rescue all your plasticine chums who are being held prisoner! of war by 
* evil cat tribe. Along the way through your miss ions the re are several objects which can be picked 
p Pick up ten stars and Putty will gain a more powerful punch, 20 will give you arrows to fire, while 

30' will give Putty an electric finger to zap his enemies with. 
Other goodies include food to top up yuur health, springs to reach those hard, err, out-of -reach 

Spaces and jars of nitra-glycerine which enable Putty to make bombs which will cause as much 

destruction as possible 




liUJIil 



'V. 



f 




Pu ji l h this pesky 
cat in Cfre guts and 
he falls to the 
ijrntind You can 
now bounce on his 
turn la re jth those 
hard out-of-reach 
pimt** 



My name is 

Mrthaef C.iirri' 

know what I 

•? Putty ttcms 

witw iperr and 

munitions for the 

part of Aifio,.. 



Using the 

hripfut .urvhip, 

Putty rescues 

yet anothnr MIA, 

but watch out 

for those ppiky 

rocket men 

when you tome 

back down to 

solid ground 




As you might expect. Putty Squad can- 
tains some of the best cartoon graphics 

you've seen in a long time. The variety of 
characters and the sheer quality of these 
finely sculptured pixels can't fail to 
impress even the most platform-hating 
game-splay er. 

The characters range from new stars 
such as bulbous toads and menancing 
magicans to Indian rubber men. The 
game doesn't forget old favourites such 
as the rampant rocket men and the 
maniac gun-toting carrot, who ingdently 
has changed his. tatchphrase to 
"achtung!". 

The backgrounds have also been 
improved upon, mainly due to the fact 
that the Putty Squad development team 
have now got access to AG A technology, 
The location of the game seems to be set 
in and around the far east with Buddahs 
dotted around the Arabesque landscape. 

The actual Putty character isn't that 
much different from the one that 
appeared in the first System 3 plat- 
former, but I guess he doesn't need to be 
vastly improved, simply because the 
game creators did it so well first time 
around. 

The blue blob can still squash himself 
to the ground for protection, stretch into 
the air to collect objects, form a fist to 
whack the enemy and can encase/morph 
into a baddie and take control of him. 

The animation is spot on and the 
smoothness by which the star of the 
game jumps and squishes around the 
screen is very impressive. 



85 fl /i 




The smell of plasticine is in the air. What 
else could it be? System 3 hits the stretchy 
platform trail once more and Jonathan 
Maddock is nothing but putty in their hands.. 



led 



ii4 1 1:1 i ii jmmi 


1 

i 


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i _ 




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OPINION ii un 



Mb quick marph later and Putty 
Ma transformed himself into one 
¥ *he rocket men 



I have nothing hut praise lor John Twiddy, the program- 
mer of Putty Squad because once again he has produced 
another quality piece of software. The 
graphics are beautiful and the ant- 
mation is excellent, especially 
on the main character, 
The sound adds a lot to 
the game, giving the player 
a lot of laughs as he/she 
makes his/her way through 
the various levels. The vari- 
ous missions start off easy 



AMIGA 




L 



AWARD 



and slowly get a lot tougher - even dedicated platform 
heroes might have a few problems later on. 

Thankfully the development team have put an ever-so 
useful level password option into the game. The only 
problem is that Putty Squad is for the A120O only, so A5Q0 
owners are going to miss out, but they should move 
with the times and get themselves a new machine 
because games like this are slowly becoming more 
commonplace, 

The control method, considering just what Putty can do. 
is very easy to use and becomes second natuie to you 
only a couple of goes. H is extremely addictive and 
hand on heart and recommend it to everyone. Die-hart 
platform freaks and Putty fans are going to Ion* 
death. 



^rlB 



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TRADE ENQUIRIES 
WELCOME- 



INTRODUCTION 



o-called interactive cartoons 
really got off on the wrong foot 
with the infamous Don Bluth 

Dragon's Lair games. Admittedly, the animation was nothing 
short of stunning, but once past the initial phase of drooling in 
wonderment, the astute gamer noticed a distinct absence of 
anything even approaching gameptay. 

Fortunately, over the last year or two many companies seem to have 
got the message and as a result, sprawling CD-based adventure games 
on the PC have increasingly combined superb graphics and animation 
with brain-taxing puzzles. The end result has been a succession of 
smash-hits with gameplay to match the visuals. 

Making good use of the huge storage capacity of a CD. 
Gremlin's Lit il Dhfil promises amazing cartoon-like action ^ 
and a lasting adventure challenge. Can it deliver? 



'Stunning animation maketh not a great game", \ 
some wise soul once said. Gremlin's later 
could change all that, as Dave Cusick has 

just discovert* 






- V JH 



*/ I* 



A bunth at xkefotvn* 
inhabit this ranch. 
dJthougft I don't likm the 
lo&k of that bull thing! 



7 " 



n -j,-. 



wr 



STORYLINE 



Mutt Divil is a highly ranked amateur 
sleeper with aspirations of becoming a 
professional in the near future. 
Annoyingly he's had to attend the 
annual Grand Council meeting in the 
Chamber of the Ancients, It might be 
the only thing that ever happens in 
the Underworld, but he'd still rather 
be elsewhere, sleeping. 

The Council are meeting to decide 
who will be chosen to go forth into 
the Overworld, through the Labyrinth 
of Chaos, to retrieve the Mystic Pizza 
of Plenty. 

Unfortunately, and also fairly 



A ( ypir.iHy pprplpmno puzzle, 
if Mutt isn't careful he could 
end up in thr vmd 



I've never really been 
interested In then - 
nprrially vuhtw the 
pieces are alive 



predictably, Mutt has drawn the short 
straw Sn this rather critical draw and as 
a result will have to attempt to com- 
plete this seemingly impossible task. 

Nobody really holds out a hope for 
him, except his trainer Vice Alderman 
Muzzle, because the task has yet to be 
completed. Still, everybody's thoughts 
will be with him, if only because they'd 
really enjoy a piece of that pizza. If 
possible, his fellow litil divils would 
also greatly appreciate it if he could 
get extra anchovies. 

Mutt's quest takes the form of wan- 
dering around the maze-like corridors 
of the labyrinth, entering rooms where 
he must complete tasks to progress fur- 
ther into the game. 



Obviously a reasonable proportion of the CD storage space has been given 

over to providing a decent soundtrack to accompany the action. 

While you are romping gaily around the 'Labyrinth, a selection of tunes 
ranging from cartoony themes to ail-action blockbuster movie-type things 
are pounding away, At times it sounds like a whole orchestra is packec 
inside the monitor, and the music always fits the scene perfectly. 

Our hero Mutt's large repertoire of moves have appropriate sample: 
sound effects, many of which are quite humourous. 



85 D /o 



What ghastly 

instrument at 

torturv iw Mutt 

about to find 

hintmtt the 

victim of? 




IK 



iw 



' ■ ' 











o 




INTERACTION 



Luckily Gremlin saw fit to think about the 
gamesptayer when producing this, piece 
of software, because for once there's 
actually sufficient depth and addictive- 
ness present to support the excellent 
presentation. 

Interaction is not limited to simply 
pushing the joypad in a certain direction 
at a certain moment, Mutt can perform 
all manner of tasks, from treading on 
spidery things to leaping across pits 
using a combination of buttons and the 
directional pad. 

Vour main problem may in fact be 
deciphering exactly which button does 
what, since in different rooms their func- 
tions are often totally different. 

As a result, whenever you enter a new 
location it is wise to quickly experiment 



so that you do not become caught in a 
tricky situation with no idea which 
buttons to press. 

Admittedly thefe are situations where 
you will be left with no idea what to do, 
and there are rooms whkh cannot actu- 
ally be completed until you possess cer- 
tain hems, either through picking them 
up or obtaining them from the store. 

If you don't have an item, it may not 
actually be obvious that you need it, so 
you could find yourself perplexed as to 
how to deal with the room. 

Still, unless you've failed in a room sev- 
eral times, in which case Mutt will auto- 
matically leave the location in disgust, it's 
always you who's in control and you 
don't feet simply like a spectator called 
on only rarely to make some decision. 

If interactive cartoons are to succeed 
then they will have to take a leaf out of 
iitil Divifs. book. 



C 



im U 



I 



£ 



vm ™ 

if I il II 




Divil 



CD32 






ut's get straight to the paint. Litil Divil looks wonderful. The backgrounds 

are moody and atmospheric with the puzzle rooms in particular being beau- 
t. fully drawn and boasting lots of colour. 

The Mutt sprite moves excellently and behaves realistically throughout. 
His range of actions is huge, yet he always moves fluently. He will often 
amuse thanks to some imaginative and cartoon-like animation. 

in short, this is one of the best looking games in a long time. True, the 
actual corridors of the Labyrinth are a little dull and very similar to one 
another, but this doesn't really detract from the overall effect. 

They add: to the interest because they make fend- 
ing your way around the 
maze all the more chal- 
lenging when one hallway 
looks much like every other, 








Well, since the CD32 itself is still a rela- 
tive newcomer, there have not really 
been many games on this platform that 



Litil Divil resembles. It would be unfair 
to group ft in with the Don Bluth games 
on other formats because they really 
are grossly inferior. Litil Divil is the first 
of what is sure to become a successful 
genre on the CD32. 



^^QE 



i 



There's little doubt that Litil Divil is an entertaining title which looks and sounds 
almost like a proper cartoon, Initially it certainly impresses and to be honest it's 
hard to fault the presentation in any way. 

tt is that most rare of products on the ZD32, a game which takes full advantage 
of the machine's capabilities and h not simply an Amiga port with additional 
music. 

Five levels, none of which are easy, should be enough to last quite some time- 
It's not the sort of game you would go back to once it has been completed, but 
then again I shouldn't think many people will finish it in a hurry anyway. 

Gremlin should be congratulated. In Litil Divil they have bor- 
rowed the best elements of the currently popular PC CD-ROM 
adventures and have produced one of the best 
s„ CX>32 games yet. It might not be the sort of thing 

you wilt want to play for hours in a single sitting, 
but there's enough long-term interest to warrant 
its purchase and will provide plenty of fun. 

And if Commodore are looking for a product 
which will show off the CD32 to prospective customers, 
then Litil Divil could be the ideal solution. 



AKffOf 

GOLD 

WWKO 



.. w 



■fl 



all oaks from Utile acorns 
grow", as they say, and 
although an old cliche, this 
certainly rings true in the ease 
of Manchester-based soft- 
ware house, Ocean. The story 
Begin? with the tale of two 
. urereurs with a vision, a vision 
to move into an emerging market of 
nome entertainment. 

And the rest is history, but it was 
obviously a decision that has paid off 
for the two entrepreneurs, Chairman, 
David Ward and Managing Director, 
.'on Woods, as they lead Ocean 
Software into its second decade, 

Starling in 1983 with only four 
staff, it has now grown into one of 
the largest independent software 
houses In the Worid. In 1987 they 
expanded into the French market, 
setting up Ocean France on the 



outskirts of Paris, and only two years 
later their rapid development wis 
increased further still with the setting 
up of Ocean US in San Jose, California, 
Ocean's foresight into the industry 
meant that they pushed the market 
forward in areas such as licensed 
games, and the release of their budget 
label, 'Hit Squad', in 1989 opened 
another market for budget software 
which as well as the top Ocean titles, 
also includes products from the likes of 
Electronic Arts, Domark, Accolade and 
Virgin. 

RELEASES 

In 1983 Ocean licensed its first coin- 
operated game and two years later 
they released their first mo vie- based 
game - a move which has led to the 
company being renowned for its 
licensed titles, including licenses from 



QQQQQ 



system q 



i 





Deep in the heart of rainy Manchester is a ray 



of sunshine hi the firm of one off England's top 



Miftwj f b hewjBt Tftn ftacftftt fait?? unwi tihf 



"i-wrr-vi.**TfliBff 



Ocean's tidal wave 



seven of the largest eight Hollywood 
studios. 

Ocean now has titles licensed by big 
names such as 'Rambo', 'The 
Terminator', 'Batman' The Addams 
Family' and more recently, the indus- 
try's first million dollar license when 
they signed to produce 'Jurassic Park'. 

As well as its film licenses. Ocean 
signed advertising tie-ins including that 
with Walkers Crisps and Quavers, 
resulting in their platformers Pushover 
and One Step Beyond. 

Ocean has also incorporated the 
charity aspect into the games with the 
release of Sleepwalker,, which used the 
voice of comedian Lenny Henry, and 
raised a considerable -sum for Comic 
Relief, 

The company has employed the tal- 
ents of pop giants such as Frankie Goes 
To Hollywood, Utah Saints and Alien 
Sex Fiend in their releases. 

Utah Saints worked on their track 'I 
want you', for Ocean/ID's game, 
Burning Rubber, while Nik and Mrs 
Fiend (Alien Sex Fiend) composed the 
sound track for Inferno, 

Ocean's development centre in 
Manchester has over 1D0 specialists on 
site, with another 25 in San Jose, and 
also have top name developers such as 
D-I.D. working for them. 

As well as the Amiga, Ocean has pro- 
duced software for many other plat- 
forms including those by Sinclair, Atari, 
and Amstrad, along with the IBM com- 
patible PC. 

So next time you're considering the 
merits of what Manchester has to offer 
while supping your Boddingtons and 
watching Coronation Street, think thai 
in the unlikely setting of a large city in 
the North West of England is one of 
Europe's top software houses. 



history.. 

1983: Humble Beginnings - Jon v 

and David Ward form Ocean Sol 

Limited and their first coin-op qa 

licensed 

1954; Ocean release their first ■ 

game 'Kong Strikes Back' 

1985; The man of muscle S 

Stallone and Ocean tie-in with the 

film license, Rambo, "First Blood" 

19S6: Ocean's first 16-bit game i 

'Eco' appears 

1987: Bonjour France, as Ocean ei^ 

across the continent with the open 

Ocean Pans. 

1989; Ocean go down a real 'hii 

'hen budget l.ihi 1 ! ' Hit Squad". 

1990: Ocean dig deep with their ch* 

release. Sleepwalker for Comic Relief 

1991: "Do they know it's Chn 

time?" Ocean did with their prod* 

one, two and three in the Chri 

charts. 

1992; Ocean move to their ci. 

Castlefieid headquarters, 

193 J; They celebrate their Tenih ai 

sary and make the Jurassic Park deal 



DwwtlyMd *>y M.iffnff <r. FMlk 
Chjai nutriti j refreshing rh.ing,- 

to The usual platformer ottering* 



A life on 



Amiga Owners are in for a barrage or releases from 
Ocean in the next few months and gamers can look 
forward to the sequel to the brilliant Desert Strike. 

Jungle Strike will make its appearance around 
November time and will continue from where its pre- 




JungJr Strikm 
has a lot to be 
warkrdon 
yet, but it 
loakiasltH 
will bw k 
fitting 
lutLciior to 
Desert Striftr 



decessor left off with the madman's son, Kilbaba Jr, 
continuing his Father's reign of terror over a Jungle 
scenario, 

He is assisted by the South American Drug Lord, 
Carlos Ortega, and it is your job to complete the nine 
campaigns to defeat them. 

Also in production is Mutant League Hockey which 
follows the same rules as Hockey- getting the puck in 
the back of the net scores a goal - but apart ftnm that 
it's a case of foul play wins the game, and you'll have 
to find a gory end to your opponents existence! Axes, 
sticks of dynamites and the like are available to use. 

Ocean will be bringing out another platformer. 
Mighty Max, and if it is up to the same standards as 
Kid Chaos then the platform genre will definitely 
undergo a change of imagel 

Colourful locations and a cartoony feel will make 



Mighty Maji will contain some impressive backdrops 

this a fun escapade as you play Max or his frienc 

against the evil Skullmaster - the bad guy who is trym 
to build a weapon powerful enough to destroy t* 
wofld. The weapons are hidden in separate location 



Mill 




IMM 




A drop in 
the Ocean... 

Over ten yean in the business and 
Ocean have a sonography of Amiga 
games to be proud of. We take a 
took at sonic of their finest 

• Kid Chaos - Ocean's recent plat- 
former developed by Magnetic Fields, 
stunned with its gorgeous graphics and 
fun garneplay. 

• Rainbow Islands - classic piatformer 
sequel to Bubble Bobble which involved 
throwing rainbows at baddies I 

• Parasol Stars - the sequel to 

Rainbow Islands. Similar to Bubble 
Bobble in, that the two-player mode 
adds to the fun. 

• New Zealand Story - piatformer 
action that is both highly playable and 
addictive. 

• Bart vs. the Space Mutants - car- 
toon style garneplay as the rogue him- 
self, Bart Simpson, 

• Robocop 3 - fun arcade adventure 
with the film license tie-in. 

• The Addams Family - platformer 
with nice animations of the film's main 
characters, 

• Pushover - Quavers advertising 

license which involved an ant! 

• Jurassic Part - huge film licensed 

game that managed to conjure the 
atmosphere of the film well. 



waves 





3 V 
at t 



I you will have to find them. Games players partial to 

rasional round of Golf will be treated to PGA 
bropean Tour, courtesy of Ocean and American pub- 
■r«f EA Sports 

. car play over five top-ranking European courses, 
-.; ading Wentworth and Valderrama, and in real 
European tournaments such as the Volvo PGA 
Bwnpionship and Canon European Masters, 

,■ features include the one-four player sodden- 
bath shoot-outs and improved wind and weather con- 
irons that effect the flight and roll of your ball. 

- 1 -Fu is also set for release before Christmas and is 
l fighting game starring the NBA star, Shaquille 0' Neal, 
'ou take on a number of opponents who are servants 
• 5i evil warlord and each have their own different 
Ighting moves and power moves, 
"ourflament mode is available for one or two players 





AhrtwiC lansru* Htxkmy mil tddtmw nvfet to «h* 
gjm* - fa other words, massacr* four opponents! 

and you will be able to choose to be any of the eight 
fighters. Locations will include everything from a 
Hindu Temple to a laboratory 1 

Racing roller-blade style is the order of the day in 



Skitchin'. The idea is to get across the finish line in the 
fastest possible time, finishing in the first four - t 
it is by some dubious means) 

Eliminate the other Skitchers with elbows, fists or 
even crowbars, and hitch a ride on passing cart Then* 
Ate 12 stages to complete, based in major US otic*. 
from Denver to Los Angeles 

Flight sim fans cam grab a copy of D.I.O's and 
Ocean's TFX this Autumn. You'll have the ooportunrrj 
to fly some of the world's most advanced milrtan; *.- 
craft such as F1 17a Stealth Bomber, the Lockhet 
Superstar or the Eurofighter 2000. 

with alt these play options it will allow thtgasat* 
be an arcade flight game, realistic flight simulator an* 
3D aerial adventure. The game will mvohrt **** 
World" scenarios and over 120 muttipie object*** 
missions. 



H® 






riginality is not usually a 
■ thing synonymous with 
computer games these 
W J days, so when Millennium 
announced that they 
intended to bring out a 
* based on a true story it was met 
•Ah 3 mixture of cynicism and hope! 

But on hearing the tale behind the 
game, it's not hard to sec why 
Millennium saw potential in a story 
that makes reality seem like fantasy. 

The game is Myster X, the story is of 
four martial arts champs who cycle 
around JDOO Titles, across the states, 
sparring in various towns. And talking 



to the team leader and the man who 
originally came up with trie idea for the 
game, it's obvious that this release is 
going to be more than a bit special, 

A man highly suited to his current 
role supervising a martial arts Sim, 29- 
yTar old Neil Axe has spent around 20 
years training in the arts and has an 
extensive and most impressive list of 
achievements in this field. 

Starting at the age of five, under the 
tuition of his father, Neil learnt a 
Karate-based style of self-defence. 
Moving on to various other forms of ori- 
ental disciplines including Kick Boxing, 
Wing Chun Kung Fu and Atemi Jutsu 



Karate, Neil became somewhat of a 
champion in his chosen sport. 

In l9Efl Neil came up with the idea of 
the cycling expedition. A team, led by 
him, would cycle the distance, sparring 
in towns along the way, ending the jour- 
ney with a huge tournament, 

RITUAL 

Originally it was intended that Neil 
and the rest of the team, Julian Carl i no, 
Graham Cradle, and Michael Graham, 
would travel atong the Great Wall of 
China, a ritual which goes back to the 
ancient martial artists, but restrictions 
with the authorities meant that they 



Master Axe 



money as they went along, they hadl 
give out an address far it to be ser ■ 

which, as you can imagine, isn't nr 
effective. 

At first it was intended that the wha 
team would cycle the entire distarw 
hut Julian began to suffer with his w 
leg. A van was hired, leaving the tea 
severely strapped for cash, with only Si 
a day between them. 

A new plan was decided. They woj 
all alternate between driving, navigji 
ing, sleeping and cycling except whe 
the temperatures became too low i 
night. This way one person would 5 
cycling at all times. And as if all the php 



The 



QOOQQ 



system 



Q4 

Q 




Last montt we looked at Millennium's forthcoming 



game based around the true story of Tour martial 



arts emierts. Tils iBEiTaia Hackett talks In the 



inspiration behind the game, Hal Axe. 



11- - 

IM' 1 

■ 





" T^ 


w 


i 

1 

j 

1 
1 








S\- 1m 


; 


1 











Th» maun are going Is he a-i euthmntft 'f posiible and Neil has 
morted closely uvith Millenium to make sure it stays, re jIji hc 



genesis 



could not actually cycle along certain 
parts of the wall and it was called off 
only weeks before they were due to go. 

Determined that all their intense 
training and 18 months preparation 
should not go to waste, it was suggested 
that the team should cycle across 
America instead, but this would almost 
double the distance meaning cycling 
nearly an extra 2OD0 miles. 

Many, including medical experts, 
believed the guys from Bucks were mad 
to take on such a feat, especially as two 
of the team have health disabilities - 
Neil suffers nerve damage in his lower 
spine white Julian needs surgical braces 
to even walk properly. 

Setting off from New York deliber- 
ately close to April Fools Day (everyone 
believing them to be fools), they began 
their arduous journey across the States 
to San Diego. 

One of the purposes of the expedi- 
tion, apart from the spiritual objective to 
find ones inner self, was to raise money 
for the Great Qrmand Street hospital. 

However, the fund raising aspect did 
not go as planned, Neil believes that 
some of the charities did not want to be 
associated with a sport that was of this 
nature. 

And in America the charity side didn't 
fair much better. When over there they 
were informed that they couldn't open a 
bank account which they had planned to 
keep money raised in, and while public- 
ity was good in one sense, it also meant 
that they were easily recognisable by 
gangs intending to roll them for the 
money. 

The team had to be on their guard 
the whole time. Instead of collecting the 




TVir gjnii> wilt actually include many o) 
the location* *h* i«m cycled round 




• nuiE'im 





•-ritminary sketches of the four cyclists and soon-robe {mow rpntti 







:ai trauma of the journey wdin'i 
enough to cope with, the route too J; 
iwrn through some of the most notori- 
ous neighbourhoods in America and 
: -ought them up against racial hatred 
n the extent where their lives became 
*reatened. 

In Yeso, New Mexico, a major "red 
K<k" area, the Ku Klux Klan took 
effence at the fact that white men 



would fraternise with 3 black and actu- 
ally threatened the team with death. 

The hostile weather conditions they 
came across, such as the sand storms in 
the dessert made things even more diff i 
cult, and despite trying to navigate the 
route from 7-11 stores, 12 days after 
their departure the team made it - 
against all the odds. 

A month after the trew had set out 



the journey was ever, They completed 
the ride by crossing over into California 
on May 6th, 19SS. 

But the celebrations came to a tragic 
end when Kay Baxter, a close friend 
and girlfriend of their host, died in 
a car accident in which Neil was 
passenger. 

This affected him immensely and 
although he only received minor 
injuries he suffered deep shock, Neil 
has dedicated the game and the script 
to hec memory. 

And it's this story of their epic jour- 
ney that is making its way into a com- 
puter game. But why choose this 
medium of all means? 

Well firstly, Neil sees the computer 
as the most modern way to convey 
such a tale, hut it's not the only outlet 
for his story. On their return, Neil and 
Julian worked on a script that com- 
bines fact with some fiction which 



Myster X 








■fiiii'itjriifr'&b 

HttLlh if if M£ «-*mrl*H 
u irr'H '*"» ■ im&tritistr it %/tmmnf 

riritrrmirti 1 iifk- pmVi.Jikr H..vtt*:<.u 
lmit\fli u itt lutP' tl'n- '■<■■-!"■ 

Mftitd. LbtlSmk tamrwmn^uL «£ 







Real life character r, tuch 
as the policeman (hey met, 
aoV an authentic tDuch 



they're hoping will be made into a film 

Neil is very enthusiastic about the 
forthcoming game and describes it as a 
"Martial Arts simulation" rather than a 
beat-'em-up, Neil has spent a great 
deal of time with Millennium, making 
sure the moves in the game will stick to 
those humanly possible - and if they're 
not realistic, they go. 

The game will also incorporate the 
places they went to and some of the 
actual people they met. Millennium 
have taken these real characters, for 
example the policeman they saw on 
the trip, and spiced them up a bit! 

As to the future and whether there 
are plans for any more trips, Neil points 
out that with all the current projects in 
production, time is restricted, especially 
considering the extensive training 
involved. But it's an experience he says 
he wouldn't have missed for the world 
and would consider undertaking again 

The cycle ride also led to an i nv it a ■ 
tion for Neil to lead a team over to Las 
Vegas a year later for a prestigtqus 
tournament. The British team took 
many of'the awards, including fi r st 
place in a Heavyweight Sparring Men's 
Black Belt, to second and third in Men's 
Intermediate Sparring. Neil himself also 
received a "Spiritual Warrior" award 
for services to the martial arts. 

STUDIO 

Neil's studio is based in Aylesbury, 

Bucks and houses the Axe Gar Kuin, 
which is the first full time martial 

arts centre to be funded by Focal 
government. 

In 19B9 the AGK academy played 
host to the International Martial Arts 
Goodwill Enterprises (IMAGE) Open 
Tournament and was attended by mar- 
tial arts celebrities such as Ted Tabura 
and Peter Kwong (famous for his roles 
in The Golden Child and Big Trouble m 
Little China). 

On the academy's emb - 
Neil's motto, "Never in Anger 
will you find honour* and t 
is this belief that he ; *>sr t 
into his students and the 
attitude that although 
you can learn, to defend 
yourself, the true an rs to 
condition the mind and 
focus on four aspects that 
must remain foremost in your 
life. These are work, discipline, 
control and dedication. 
Myster X is not about violence R 
is about these disciplines and a to to 
give the player an insight into the 
world of martial arts, rather titan T* 
usual approach of this genre to "« 
the game as gory and blood 1h**zy m 
possible- 
It is certainly different to taft a> a 
real live computer sprite a** 
refreshing to hear of a gam* 
more of an intelligent, as wdi i 
tnal, approach. Look fonMfd it fhi 
game around November 









White Knight Techno 

THE PROFESSIONAL -» nQQO 7H/ICOO 
AMIGA SPECIALISTS M UsfifZ " * l*K>oSJ 

SUPPORTiNfi ShRious users FAX 10am - 7pm Monday - Friday 

PO BOX 2395, WALTHAM CROSS, HERTS, ENS 7HQ 



rturaetfe i :.-jii 
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BLIZZARD SCSI-II l/F for 1230-11 £ 79 

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BLIZZARD 4030 TURBO 50MHz 68030 + 
MMU, Opt. FPU (For A3000/4000) £ 259 
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COMMODORE A3640 Card, 25MHz 68040 
(As Fitted In Amiga 4000-040 j S/H £ 539 
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. 50MHz 68030,0Mb RAM £419 



AUU PRICES /NCUUDE VAT 




AMIGA 4000 

• btl j> The EC-WJ0 has no MMU or FPU 
liMriMjtl TbeLC-040 has an MMU but 110 FPU 

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LIGHTWAVE 3D 
REAL 3D V2 New Price 

ART DEPT. PRO. V2.5 
BR4LL1ANCE 1 To Clear 

BARS* PIPES PRO V2.5 

MEDIA POINT V3,28 £ 229 
TVPAINT 2 (Picasso / Banna / Harlequin / EOS) £ 1 79 

SCALA MULTIMEDIA 210 (AGA) £145 

SCALA MULTIMEDIA 300 (AGA) £ 299 

SCALA MM 300 + ECHO 100 £ 389 

SCALA ECHO 100 Edit Controller £ 139 

PRO CONTROL (For ADPRO) £65 

ASIM CD-ROM FILESYSTEM (V2) £ 55 

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QUARTERBACK TOOLS DELUXE E 79 

MORPHPLUS £149 



(UK PAL V3.5) £449 

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E 69 

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MONITORS 



PHILIPS CM8833-II 14" PAL RGB, Y/C & 
Composite Input (0.38 dot pitch, Stereo) £ 239 

MICROVITEC CUB-SCAN 1438 14" 

(Multi-sync, 0.28 dot pitch, No Sound) £ 295 

MICROVITEC AUTOSCAN 2038 20" 
{Mulli-sync, 31 dot pitch, Digital Memory ) £1175 



CPU s & FPUs 



6B681 20MHz 
6B882 33MHz 
6&Ba2 £5 MHz 
66882 33MHz 
68682 40MHz 
68040 25MHz 
68030 25MHz 
68030 33MHz 
63030 50MHz 



PGA £ 29 63882 25MHz PGA £ 49 
PGA E 89 6B882 50MHz PGA £113 
PLCC - For A4000/030 etc. £ 69 

PLCC - For A4QQQ/030 etc, £ 89 

PLCC - For A4000/D30 etc. £ 1 19 

- For Upgrading A4O00-LC040 £ 185 
with MMU (PGA Style) £ 59 

with MMU (PGA Style) £ 99 

with MMU (PGA Styfe) £ 129 



VIDEO PRODUCTS 

DIGITAL 
BROADCASTER 32 

This Zorro III card performs the major functions of a 
Broadcast Quality, On-Line, Non-Linear, Digital 
Video edit suite [CC1R601 720 x 576 resolution} . It 
provides REAL-TIME, FULL MOTION JPEG (50 
fields / second) Capture & Compression, direct to 
hard disk. The video can then be edited and 
subsequently played back in REAL-TIME, at 50 
fields/sec in upto broadcast quality - direct to video 
tape etc The board has full LTC and VITC 
timecoding, both read & write (on ail connectors - 
Composite, Y/C and YUV). It also interfaces with 
the AD516 Studio 16, 8 track stereo audio card from 
Sunrize industries to enable simultaneous audio 
and video editing. It requires an Amiga 4000 or 
4000T with full 68040 processor, a large SCSI-2 
hard drive, and a fast SCSI-2 hard drive controller. 
Typical System : (Appro* £10,000 Inc. VAT) 
Amiga 4000-030 {2 +SMb, I .t)Cb HD) 
Digital Broadcaster M (Zorro III Card) 
Modi a Flex Producer! Editing Sottwiiivi 
Warp Engino 2KMHJ! U4tl wilh SCSI-1] 
2.1Gb Fast SCSI-2 3.5" HDfJor Video) 
Sunrise AD? 16 / Studio \h (Audio Gird) 
Cub-Seen 1433 Monitor (For Amiga I 
Sharp 14" TV / Monitor {Fur Video) 
Image Procetsing Software [ ADPRO t 
System Cuii figuration & Testing 
GIVING FULL, BROADCAST (Beta SP) QUALITY, 
ON-LINE, NON-LINEAR, VIDEO EDITING ! 
FOR FURTHER DETAILS, PLEASE CALL 

Dealers - We are SOLE UK Distributors - Caff 



OPALVJSJON 

MAIN BOARD (V.2) £ 379 

VIDEO PROCESSOR £ 879 

VIDEO SUITE Due Late 1994 



GVP TBE PIUS TBC card with 

transcoding PAL/SECAM/NTSC etc. £ 6fl5 
FRAMEBUFFER RAM for GVP TBC+ E 195 
COMB FILTER for GVP TBC+ £ 59 

EVP SPECTRUM EGS 

24-Bit Zorro II / III EGS Retargetlable Graphics Card. 
SPECTRUM With 2Mb VRAM E 345 

GVP G-LOCfi External Composite & 
S-VHS I Hi8 unit. S/W Controlled £ 265 



HARLEQUIN +{ 

With 4Mb Vram/double buffered E 1149 

VLdb Y/C Real-time Hi8 digitise r card E 349 

5VAVW77G4 // Stfigle Frame controller £ 349 



RETINA ZZ 24Bit Zorro III card, 1Mb £ 469 
RETINA Z3 24Bit Zorro HI card, 4Mb E 619 
RETINA DISPLAY CARD 2Mb £ 375 

RETINA DISPLAY CARD 4Mb £ 485 



PICASSO If RTG Card With 2Mb VRAM 
Now supplied with TVPaint Jr. E 339 

PICASSO //with Workbench & Kickstart 3.1 
Upgrade (A2000) £ 409 (A3000/4000) £ 419 



Many Other Professional Video Products 
Also Available - Please Call For Details 



L.OOK 

UPGRADE YOUR 

A4000-EC030 

TOANA4CHMI-040 

With The COMMODORE 
A3640Card. 25MHz Full 

6B040 With FPU & MMU 

FOR ONLY £ 539 



SCANNERS 

EPSON GT-6500 A4, 
24-Bil Colour with ASDG 
Software & Cable £ 699 



MICROBOTICS 

SX-1 

Expansion 1o r C D32 E 1 95 



SYSTEM 
BUILDING 

WE HAVE THE EXPERTISE 
TO BUILD A COMPLETE 

SYSTEM FOR YOUR 
APPLICATION - PLEASE 

CALL TO DISCUSS YOUR 
REQUIREMENTS 



SPECIALISTS 

WE KNOW ABOUT THE 

PRODUCTS THAT WE SELL, 

AND ARE MORE THAN 

HAPPY TO ADVISE YOU. 

SERVICE 

FOR A PERSONAL SERVICE. 
AND AFTER-SALES BACKUP 
THAT IS SECOND TO NONE, 
LOOK NO FURTHER 



DELIVERY CHARGES 

Express Smalt £ 6 
Medium £ 7 
For large items, please call. 



SURCHARGE 

II ordering with ACCESS or VISA 

there is a 2.5% surcharge. 

No surcharge for DELTA, 

CONNECT or SWITCH, 



HOWTO ORDER 

HAVE YOUR DEBIT OR 
CREDIT CARD DETAILS AT 

HAND, AND CALL :- 

0992 71-1539 

10-7 Monday - Friday 
Closed Saturday + Sunday 
BY POST :- 

CALL FIRST TO VERIFY 
PRICE AND AVAILIBILITY . 
BEFORE SENDING YOUR 
ORDER TO - 

"WHITE KNIGHT 
TECHNOLOGY'. 

P.O. BOX 2395, 
WALTHAM CROSS. 
HERTS. EN8 7HQ 









The ntrt H»*msrJn*s mn'M feaCure FTMny framwi of 
Animation jo th*T tfujf men* srtHMlliiy and rwmflrtkttty 



fhirr\ na rraiort to let a little snow hamper the 
proceedings, it mrkv* things more interesting 



QQQOO 





i 



hQ 



rom across the crowded room 1 saw her. She 

was partially obscured by the throng of drool- 
ing admirers, but from the brief glimpses I 
could catch, I could see she was a stunner, I 
could barely wait to thrust the contents of my 
pocket into her inviting slot. 

No, you haven't mistaken a steamy thriller for your 
copy of Amiga Computing and I apologise for lowering 
the tone of the whole magazine. 

You've just been reliving my first encounter with 
one of the most enjoyable coin-ops ever created, Super 
Sprint. It inevitably spawned a computer conversion, 
and 5 since then countless imitators have appeared, try- 
ing to recapture the high speed thrills and spills of that 
three-wheeled classic. 

Team 17 themselves have already ventured into the 
overhead driving game genre with the stylish 
Overdrive. To be honest, this was probably the least 
well received of all Team 1 7's productions. 

It seemed to lack a certain indefinable something, 
and it definitely missed a conventional non-modem- link 
two-player mode. All Terrain Racing, however, 
promises much more excitement with a whole host of 
impressive specifications. 

It is being developed by a two man team with a suc- 
cessful pedigree. Jamie Woodhouse, responsible for the 



coding, was previously 
involved in the production 
of Nitro and Qwafc. 

Graphics are being cre- 
ated by Danny Burke, who 
worked on the visually stun- 
ning Body Blows games. It's 
being written using the 
SNASM 2 development sys- 
j^^^» tem, with Deluxe Paint 

m^^ and LightWave involved in 

'^ the graphical production 

^^^P process. 

^^Ujjj^ This collaboration is 

^^^^ perhaps a little unusual con- 

^^^^ sidering the pair live appro*- 

^M^k imately two hundred miles 

K M apart. Danny lives in London 

^B^ while Jamie is from 

^00 Yorkshire. 

^^^^ They telephone each 

a^jjj^^ other regularly to discuss 

^^^^ the game's progress, but 

surprisingly they don't have 
modems for sending data to 
one another. Instead they 
survive using that tried and 
tested pre-information high- 
way method of transferring 
files - sticking floppy disks in 
the post. Despite the physical distance between the two 
men, they both have similar hopes for the finished 
game. Although this is the first time that Jamie and 
Danny have worked together, Alan Bunker, media man- 
ager for Team 17, is equally confident that they will 
produce the goods, 

"ATR is the next progressive step from Overdrive," 
he confidently proclaims. "The game runs smoothly in 
all directions, the speed is fast and the pick-ups and 




Thr peace at the calm and tranquil forest is 
shattered as the racen tear around another tratk 
with scant disregard for the countrywide todr 

weapons work beautifully. 

"ATR has been in development for six months, 
which time the game has steadily taken shape. We I 
no doubt that ATR will be well received - in partial 
the two-player mode is thrill-a-second stuff and re 
fun and frantic" 

If one player drops too far behind the other, he'l 
dragged along but will incur a time penalty, The pk 
with the best time at the end) of the race is the victor 

DEFINITIVE 

Indeed, the list of features which will be present 
the finished product suggests that ATR could 
become the definitive game of its type. 

In the one player game, five artificially tnteilic 
computer cars are involved in each race, and for ad 
clarity each car is coloured differently. 

The player can upgrade his or her car in terms 
steering, tyres and acceleration and so on. There | 
three standard types of vehicle on offer, each with 




1 


1 1 t 


W~-~W [ 


• 


•iigl 




Hung on, there'* no read. Public spending 
cuts Hart to bite in the world of A Tit 



Inevitabty A Ttt wili be cmmniarird with Micro M*cftvw 
and SJiH^rmirilf*- »"' will ATR live up to the chaltenmaf 



124 



1IH 



: 



tSYITE 

■in* 




■ "f bnngi a new meaning to the spate rare. This is just om of %ix tmrr*in type* 

- ch r«im 1 7 plan To include iri the finished version 



Despite hiving six cars on screen for * jwi' dw*t pf the 
time, the programmers say there'll be no slow down 




T 

we 
I 



tm 



>*ti unique abilities and handling characteristics, from 
r* four wheel drive truck thingy to the nippy space- 
age car. 

There are 36 different tracks in the circuit race mode 
, me, in six different types of terrain including forest, 
■wky canyons and even space. Tracks include such haz- 
rds as bridges, tunnels, ramps, jumps, moving barriers 
*-d short cuts, to name but a few. 

Various collectable bonuses are littered around the 
rack which i improve traction or top speed, or arm your 
«nicle with weapons such as horning missiles so that 
fOu Can quickly dispose of troublesome adversaries in a 
•milar manner to that of the aging SuperQrs games. 

.amie says that: "with ATR, I want to make it so you 
oentify with what's on screen. You know - if you have 
i rocky track, you feel as if the car's going over rocks; if 
rs a snowy track, you're losing control of the car." 

He's promising the sort of interaction that he feels 

rs The missing ingredient in Overdrive. Danny agrees: 
INe want to make it feel as if you're actually on the 
sack. 11 

Danny and Jamie intend to include everything that 
2uld be hoped for in a driving game, Adds Danny: "I 
jgn't want to look back at the game and realise what 
«t could have put in." 

Modestly described in the press release as "the 
yowling beast we've all been waiting for' r p ATft looks 
H though it will reach the usual high standards of 



Brimming 
over with 
ne*t graphical 
touches, this 
will definitely 
be one to 
watch out for 




If striving 

through 

rtrwams at 

high speeds 

n yuuj Idea 

of a good 

time then 

ATR will be 

right up your 

dirt track 



Team 17 software, being polished and playable in the 
extreme. 

To experience ATR you'll need a 1 Meg machine, but 
Jamie and: Danny are confident that even on an A500 

the game will be smooth and slick. 

It's due out in October, with an enhanced A12Q0 
version promised for release in November which may 
include graphical enhancements such as parallax 




The men 
responsible 

far bringing 

ATR to * 

monitor 

near you: 

Jsimrr 

Woodhouse 
and 0*nny 

Bmke 



scrolling. A CD32 version is also in the pipeline, which 
will no doubt feature an animated introduction 
sequence of some description, along with an imp#ovec 
soundtrack. 

If it can match Skidmarks and other such trtfts ■ 
terms of sheer addictiveness, then there's no 
that Team 17 will have yet another highly 
product on their hands. 



*- 



)T 





Out to Lunch 



QQOOO 



system <d 




French stereotypes a-plenty as top chef, Pierre 
goes on the trail of his missing ingredients. He's 
qne vegetable short of a casserole, so to speak, 
and you have to guide Pierre around the six dif- 
ferent countries and recover his escaped edibles. 
Waking life difficult is Le Chef Noir, Pierre'? 
arch-rival, and he will do everything he can. to 
release ail the food you have managed to 
capture. 

And what else must every good chef watch 
out for? Why, bacteria, of course! Bacteria and 
insects will try and infect the 
food, so you must stop them 
before they reach and. rot your 
farm fresh consumables. 

To help you there are col- 
"lectibles that will prove more 
than valuable. The most essential 
of these is the net that you use to 
capture the food in to tarry them 
to the cage. 

A minimum number of 
ingredients must be collected to 
reach the next level in a given 



This month Tina Hackett sees what's on 



the menu with Mindscape's latest and 



dons her flying jacket to take off with 



Core Design's CD offering. 




time limit. 

This time limit really does add some e*:' 
ment (and frustration) to what is simply a * 
ordinary, though very ccmpetfrit platforrne' 

The bonus level provides some variety w-^o 
takes the form of Pierre wandering arourz , 
supermarket collecting fruit, but it isn't all t&a 
spectacular or imaginative by any means. 

Graphically, it doesn't differ much from 9 
A 1200 version but sound -wise it really has 
well enhanced. Springs boing and the bat 
whinge to create some humorous sound effecs 

Out to Lunch is quite a fun title for a whl* 
especially for a Monday morning/Friday af* 
noon because it doesn't require any though 
real effort. 

The difficulty lies in having to jump acre 
slidy platforms and collect the food in time, b 
it's hardly demanding or particularly on; 
It's nicely done but at the end of the day 4 
only a variation on an overused idea. 

The password system would have been useH 
if it was given after every level, but unfor, 
nately you only receive one after an f 

world which becor 

Publisher: Mindscaie 

flBifBi&iiEf: In house 
Disks: 1 CD 
Price: 635.91 
Genre: Plarmrner 
Hard disk instill: N/A 
Control srstem Joypitf 



very irritating, ar 
the levels have to ( 
repeated a great dea 
If you're desperi 
for another pra* 
former to add to yo»i 
collection then by 
means buy it - it's - r 
that it is a bad garr* 
just not a very oi 
one! 



SUiOQrtS: CD3Z 
liEOiee&ded: N/A 



Wk 




Banshee 



Fancy being a super hero? Then take the part of Sven Svardensvart and 
save the Styx Empire from bad guy Qlardax Mai drear With only your trusty 
flying machine, the 'Banshee', you have to stop Maidrear from taking over the 
world. 

Courtesy of Core Design, you can now get this shoot-'em-up of the century for 
the C032. Scoring a deserved 88% {AMC76) for the A1200 version, it has now been 
ported over for all CD32 blood fest fans to get their mitts on. 

it's a vertical shoot-'em-up and although there is nothing particularly new about 
it this is a prime example of the genre. 

The scenario changes frequently, flying across different terrains and meeting 
increasingly challenging enemies. As ace pilot of this power-propped plane, you 
must blast the enemies and avoid their bullets. 

And ok, so maybe it's not the most politkalfy correct of games but after all that is 
nil it is- a: game. However, if you're the type who finds blasting people to bits a fit- 
tie sick, whether in a comical style or not, then steer clear - though you'd be missing 
out on one brilliant tetle. 

The two-player mode is a nice touch and you get the choice whether to split the 
power-ups or not - ideal if your friend is the bonus-hogging type! The three levels of 
dif%u!ty also add to the challenge. 

Graphically it is amazing. It's viewed from a top-down perspective with the 
ground below constantly changing to many different landscapes. One minute you're 
flying across the deep blue ocean, the next the Arctic Wastes. Most of the time you 




AWAHI> 



are rather pre-occupied with 
blasting baddies but when you 
do actually spot all the ittie details, 
you realise how wonderful the graphics really are. 

This is a terrific title loaded with atmosphere, packed full of objectives to 
complete and millions of baddies To kill. Sound effects add realism and 
all the bombing going off left, right and centre makes for a real feast 
of pure shoot-'em-up heaven. 





_ 



lir tlH 




DROME 



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MO O.fOp 

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ACCEttORIEt 

i[C*P D!5K60< 
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DUSTCWtiri |iflftM012«| 

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StoSBlAmCilSltii,. 
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...,r.ion|*iajiPnP| 
UWl-MfcMP! 
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...□.»c HbPtPi 



..EK,*Sfi each J E1 
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CATALOGUE DISK IS 7Sp OR 3 FIRST CLASS STAMPS . . . 

WE CAN GET ANY PD ADVERTISED IN THIS MAGAZINE 
LOCAL ENQUIRIES, PLEASE PHONE FIRST IF PICKING UP 



H No of DISKS 

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- 



UTILITIES 

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maovin Grantor. 
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UiSaO-COPV 3.1 Very powerful Ope* 

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U3I 3 UNDELETE CM OKk MMntalllM 
U29G MuSntEIASE EicMtant mWHU 

E*li intludi l'M*Hmt. nrnilng limg, 

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W»T SOCCER LEAGUE f aolv dilaDHD. 

Ut* <jr ilniltliu can b* «nlorws 

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1^57 DISK SALVAGE 2 Fiibi coi.up4 dUi 
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papular cixnmi pa£K*ga. 
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U2? GRAPH «*r>C™i«ftlraivgrBpiiB. 
UKfJ NUMPAD Givaa AKu a numbar pad. 
U«1 ULTIMATE ICON MAKER 
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IncraaHii up Id MJ^ HD Gpa«al 
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U 1 14 203 UTILITIES Vary varkmi 



GAMES 

Gl GT QRK ATTACK Drop rani on Urr.i. 

Gull* din. 
E I IT EXTERNAL ROME. Ureal ilralagv gama. 
G021 LARNEitallfni tot adwilura. ' 
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C14B-9 WDH OCTAHE |2; Gnod omihaad 

raring, 
til* SRADOh TILES Siurvungly gaod, 

ramdvta Iha-taM fSnangnai; game 
01 TO CAPT BONUS Good rip oil of -Prlnca nf 

Parua. 
Gl » LGADSAHClNEf ErDHanl trull 

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Gl!-1 M6IRAS.4 Hugcrala playing gaana I 
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GOlOWIlTY'S OUEST 
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ptaLiurnwr. 
C1« TOP OF THE LEACUE Craal iooly 



IN THIS ADVERT ALL TITLES WORK ON ALL AMIGAS 
UNLESS OTHERWISE STATED 



nh 



arna. 



Gl*3 TOADA Very gdffldivi Itpcjoar done 
GUM WDHIP OAJTS CHAMPION HMIIiK||> 
Gl« DRIVING MANIACS Aiinundinu 3D 

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G1J- STHIKE EjctlUfll I D-pn during gan.a' 
Gl«a DELUXE GALA GA 
Q191 HVPf HORIVE G.«i ' C 1 plnyr.i 

luauri|1lc lacing gima. 
GlU TETRlS PttO PcBBOh/rna ben TETRIS 

tlCM, 
GIGA GUBULttS Middamng addlcllvi puular 
Ci.'D TRAIL.B. AZER E.iarl replica ol Ihr 

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G1B3 KUNGFU CHARLIE 

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GIH2 LCD GAME&4 Mrdhald namaa 

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F1«H 8T.ACKB0A«ID *2.« 42 dlakal £*.» 
Earlier varaDn rated B*"^ CU Amiga. Nia 
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In the second of a two-part 
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music 14:3 

On-line help with all your sequence 
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Phi! South investigates the 
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'^ Funky Phil fades into obscurity 
> • with the aid of his latest 
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Home uidea 13B 

in part four of Gary Whiteley's 

guide to home video, he 

lists all the do s and don'ts 

for the big day 



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O 

Mm a 
always co 




n this age of instant everything- 
nsont mash, instant porridge, 
instant satisfaction and instant 
results - it's very tempting to forget 
&w planning and just do it. 

all. videotape is cheap, and you can 
cobble something together from 
it is you've shot light? WeH no. n 
l Tnis is almost always entirely the wrong 
approach, 

A good video production requires pianrwig, 
strategy and organisation. If you're one of 
those haphazard folks who just turns up with a 
camcorder and starts hosepiping away at a* 
and sundry, read an. If you're not read on 
anyway, you night learn something. 

The impetus For a successful shoot often 
begins In the planning stages- ft c during this 
time that potential problems can be identified 
and, hopefully, solved, thai shooting schedules 
are drawn up. storyboard5 consulted and all 
the loose ends drawn in before the expensive 
shooting actually takes place. 

You might think, that such planning is cory, 
necessary on big budget productions such as 
feature films and TV dramas, but you'd be 
wrong. 

Every type ol production, from holiday 
videos, weddings and birthdays to animation, 
commercials and features ail need some 
degree of planning, 

Obviously, the simplex thejob, the simpler 
the planning but nevertheless, planning rs an 
essential part of a video production, large or 

small. 

Have I got tne message across yet? 
Planning is important ok? 

How much planning you need to cto 
depends on the jyoduction itself. For jnstance, 
9 you're doing a home video for your child's 
Dtrtjtday party then you shot*! already be 
familiar with the layout of the location, where 
the best camera positions might be. how much 
light will be available at me time of day you 
wii be shoodng and where ihe power sockets, 
etc, are. 

But most of the time you won't \mns a clue 
until you've been and eye-balled the gaff for 

yourself 

Full-scale film and TV production puts great 
emphasis on planning and organisation - [hey 
roufi to because such large projects commonly 
tost megahucks and involve many people sr ** 

places. 

Besides the talent |actors, actresses etc] 
there will be a substantial technical crew who 
handle everything from the camera and its 
accessories, the lighting, set dressing d-x.1 



props, art direction, carpentry, decorating, hair 
and makeup, wardrobe, catering, driving 
duties, location management and so on. 

And then there are the directors 1 1st 2nd. 
3rd etc[, the producer[sj. and other occasional 
extra technicians and artistes brought in to 
carry out specific tasks. 

All these people have to be in the right place 
at the fight time, and ready to go when 
required. They have to be fed and watered, 
toilet facilities and transport to and from the 
location have to be provided as necessaiy 
A* this takes organisation and planning, 
even on a day-today bains. Every member ol 
the forthcoming day's shoot will recetve a 'Call 
Sheet at the end of the current day's shooting 
which details such things as how to get to 
tomorrow's locaoon(s|, where to park, what 
time the various cast and crew need to be on 
set, when the sun rises and sets, essential 
telephone numbers, which scenes are to be 
shot and where, and a selection of other 
perunent data, 

rerun 

Wow. I'm not suggesting that planning yew 
shoot nH2SSarly needs this amount ot detal - 
It all depends on the nature of the beast and 
how tar you feet like taking it. But how do you 
start your planning and organising? 

i . . •[ s take me example or a wedding video 
The bride's family [who are paying for the 
shoot] have already told you the date, times 
and locations of the wedding and recepoon, 
If you're smart, you II start to wonder about 

such things as lighting levels, power supf 

camera angles and sound problems at each of 
the various locations you'll be visiting - which 
will probably aiso include .ittending the bnde 
before she leaves for the ceremony, shooting 
the wedding through to the reception and the 
couple's eventual departure, 

you'll need to check out each ol the 
locations in advance if possfl*, and talk to their 
owners to ensure that it's OK to film, and that 
you tan drape your various bits of production 
gear around the place. 

Essential things to consider include such 
seemingly trivial rtems as where to park [so that 
you don't have to lug heavy equipment too far 
white rushing to the church|, what the weather 
forecast for the happy day might be and how 
you'll cope if rt does ram. 

when you go to each location, try to get an 
idea of how the place wil be laid out on the 
day you video the wedding - where the happy 
couple will take thei.- vows, how they wil' 




II enter 



and leave, and where you'll need Bo plate 




Plannin 



With qaur impertBe in uideaing mdu'ub been ashi 
to Rim the 'big faf. Don't get confetti in qour 
lens, get organised. Cam UJhitGleq shows moo hi 




t Hi SHOT QF DRIVE AS CAR 
HEADUi iWt V REFLECT ON 
GRAVEL i ( AR PASSES BY AM 
WE TILT UP 



I ..rnKIM '.,' A LONG DRW 
LEADING UP TO A MANSIOti 
SiNGLi UGHTlSONINTHl 
WINDOW 



2 HI SHOT OF WINDOW LAi . ! 
i UftTAMS BtLLOW !N Ml. 
BREEZi . THE CAMERA MOVSi 
IN SWIFTLY... 



2. ..THE CAR PULLS UP Ol I 
SIDE AS WE REACH THt 
DOW THE DOOR OPENS AND 
THE DRIVERS 
WECAMERA TILTSDOWk 
AND TO THE RIGHT... 



SicYboatiting it m vital etem*fl? ** «*V »*">*•' whtUt,^ it be «* jim* 
Jam9 * C»m.™i mm or jhht frf***'" wmOdmu to the h»f, iw*f Aw 



lights., camera|s| and sound equipment to get 
the best chance ol recording the ceremony 
and all its vanuus dramas And subtleties. 

For one-off live events like this it is much 
better to have as much knowledge as 
possible or what's Iftely to happen, and in 






E3 



The nitty gritty 

There are certain specifics, that you'ir need to consider carefully, Will the 
camera need a tripqd or will you be going hand-heW? Wl you need a 
tripod and dolly to get any tracking shots? 

Can you Irght the location successfully while keeping the 
atmosphere natural and inform*? wril you need to dose-mic the main 
action, because of ereeswe traffic, aircraft children or animal noise? 

How long do you need to set up in each location? Will 3 second 
camera help secure those hard-toget cutaways and establishing shots 
white the main action u being filmed, 

bw events dont usually offer much leeway for making mistakes 



and, unless, you have the time - and an undenstandmg minister - it 
IS extremely unlikely that you'll get a second chance if you miss 
something important. 

There's probably not much chance of getting the happy couple 
to go through the missing bits again, so you have to be on your 
toes -right from the start, and to do this your planning and 
organisation will need to be almost military in its precision. 

Of course, there win always be times when all your planning falls 
apart but if you're clever, and nimble-minded, you II be able to go 
with the flow and keep shooting, unphased by some unexpected 
departure from the schedute- 

|f you remember (hat Murphy's Law states that ^Everything that 
can go wrong. wiH' then you should be prepared for anything. 









what order, so that you catch everythref 
important and don't get caught out by 
something you didn't know about 

At each loca*Drt, make notes and 
diagrams to help you crystallise the 
jnfomwtiun that you're gathering, Imagr- 
where the sun for light sources.] wilt he m.z 
Lime you wi be shooting, flind out wn«| 
suitable power sockets are, too* for came 
positions you can use to get the various S" 
youl need tor the production 

Have me lurethought to work c 
of the day. how you get from A en B in tl 
fastest, and safest, way. Decide whether 
need PKtra help to move the kit ?round. 

tfmerever possible, make simple 
storytmrds. lists, scripts or shot descriptK 
to help you cover everything in the mos 
effusentway. 

There's no substitute for planning am 
orpnisation. no matter how you do it 
Remember ttvit there's nothing worse for 



1 



I 



— — 



Amiga Computing 



NOVEMBER 1994 






T 



TUTORIAL 




a perfection 



ENTRANCE 






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POINT 



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Equipment 
checklist 

1 x Sony SVHS camcorder 

1 x Tie microphones 

2 x Redhead" lights 

3 x Extension leads 
1 x Gaffer tape 

3 x Video cassettes f E40J 
f x tripod 



Art nmumpln Of .1 anralf checklist- Alvrayx 

malio «ur* to I iek oH the equipment 
when going te and from the toemtkm 



Contact me 

Gdry WhiteJey can Lie contacted by e- 
mail as drgazSkw.eompuiirrk.co.uk 
And. by way of a shametess plug, you 
could also buy his Amiga Desktop 
Video book |J5BN I-B982754B-4J from 
Future Publishing jTei 0225 8225 10| 
or from any good bookshop. 



I 



Home video Part 4 



4, taymft rrr.ip e<Wl 
help poll wnitmlwr 
!>m.ill rfcljrH luch 

potential eatnerj 
posrlronx, natural 
/rghf sources *nri Jf 

J/l 0Tt0/IXl~O/I Inarf 

wiYJ be needed. 
Don [ forget Id get 
permission Co shoot 

in Mw vcxlry as trpn 

couple sign trie 
regJater 




fyOUf clients orynur video business than 
ting 3 badly rhougnt-out video, 
feul probably feel terrible about it |unl«s 
. t one of the out and out cowboys thai 
: weryone else a bad name] and instead of 
i testimony to what many people 
■ to be one of tire happiest days of their 
. youll be deWvefJng a patchy, hasflr/shot 
tprobabty fairly incoherent apology of an 
i videotape of "Jack and Jill's Wedding 



Day'. Put yourself in your client's shoes and ask 
yourself what you wotrfd expect far the money 
you're paying. If Jt doesn't seem enough to 
cover The costs, say so before you take on the 
job 

Inform the client wnat they can reasonably 
expect to get for their budget and. jfthey 
aren't happy with it apologise to them and 
decline the job. Dirty deeds done cheap are no 
help to anyone- client or producer. The ctienr 



Storyboards 



anytooardJ are a sketch plan of a shoot, showing the main shots and actions. They 
<*-* usually prepared as a series of small drawings {which don't have to be 
lartktilarly artistic - they just need to be understandable! with short notes 
scribing specific details, dialogue and scene numbers as necessary. 

Bon/boardi not only assist In the planning of a shoot by abbreviating the flow of 

amduction in (he mind, but also serve as an aide memoire when you've become so 
rtfressetr In what you re doing that you've forgotten what comes next! 

In addition to the stary board, you'll find it hefpful to produce things like 

ripment Chert Lists and transport and movement detaifs. 

■y detailing all the equipment you'll need you can make sure that you have It all 

idy to go, right down to the last video cable and spare battery. 

Eventually, such detaifs become second nature, but its always as well to have the 
* bandy Just In case you ve had a hard night and still need to be efficient in the 







l 



gets a job which falfs snort of ther 
expectations and the producer gets a big 
headache, the makings ofatiukerand hardly 
enough change to buy some blank tape. 

Even if you're an amateur, try to base your 
video production on professional pttnclpfes. 
Keep everyone happy, do ttwjob to the best 
o f your ability land tfie budgets] (*nd dekver 
on Erne. *£p> ^f*w 

Mike some profir - r ■ i ,i dirty word - 
even make a dying from it rf you on. But 



Amiga Computing 



NOVEMBER 1 994 



whatever you do. don't forget that one of 
the most valuable Droduetmn values is ' 
found in the thoroughness of youi 
pJanrvng, organisation and research. 

Film and video production isn t at a* the 
'gianfiorotrs iHjsineSJ many people imagr* 
it to be. Jt Is often long, drudging, : 
wort So keep every** ng on cou- 
too much stress ana k. 
your results - by getting , ■ -rwig 

right first 




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NOVEMBER 1994 



M 



IUIDB I fll 






Udding panach 



00 spruce up your original 
Tutorial t text, we shall start by 
using more than one font, We'll 
alter the credits so that the job of 
each person is in one font and their name 
«s In another. 

To do this, use the Edit Text screen's 
Control Panel. When you initially enter the 
tdrt Text screen the Control Panel ii 
invisible, so clicK the right moose button 
and it will appear m the top right of the 
screen Clicking the right mouse button 
again will remove it... and so on. 

The purpose of the Controf Panel is to lei 
you access many of [he Edit Text screen's 
keyboard functions with the mouse, You 
will see that the Controf Panel is made up 
at a grid of buttons which can all be clicked 
on to achieve different functions. 

For our purposes we will use the Control 
Panel to change the font used on all the 
names rn our credits . To do this we must 
move the cursor to the first letter of the text 
we want to change 

This can be done by clicking on the 
arrow buttons, in the Control Panel as they 
operate identically to the cursor keys. Use 
them now to move the cursor to the letter J 
In the name Joe Bloggs on the second line. 

Now we will change the Font. To do thu 
with the mouse use the Font Selector 
which is accessed via the Control Codes 



" " Joe Bloggs 



Z3n Sound 
Dave Smith 

Lights 



Yau can vievr *JI your Control CotteS 

by amply promtirg tho CM *")/■ 

A*»lng the ritfht mouse button 
bring* up the Edit Toil nnnu 



H3IG3=[E[33LT3n32ii 

OE3O0E3OOO 

QDQiQOaOH 
II 
! E» 13 Q E O 

E3l3IE5E3-E3Q3u3E3 



a=-ssssss 



There are a various (Sf«ri«itni 
at Canlrat Codmm that vtlll affect 
your text fn ditfwm *jm 



screen. To get to the Font Selector first click 
on the button labelled cir.CD at the bottom 
left of the Control Panel. 

This will take you into the Control Codes 
screen - more on this later, In the middle of 
the Control Codes screen Dn the left there is 
a button labelled Font Selector. Click on it 
and you wiN have made it into the Font 
Selecta' 



In the second part of our Scrollers tutorial. 
SteuG White enplains how qou can add 
special effects to qour tent creations 



SELECtlflG 



The Font Selector allows you to see all 
the fonts currently available in memory dnd 
then select one for use. If you click on the 
dawn arrow at the bottom of the Font 
Selector you will be able to scrofl through 



Keypress: L shift F3 



all the fonts. You should see that the 
Rich60 font is highlighted as it n the font 
currently in use. For the names in the 
credrts we'll use Compact64 which is near 
the bottom of the list, though you can 
use any other font you lite. 

To select a font click on it and it will 
become highlighted. Information about 



ffnf |Esc 



MODBBfNQQ 

MDDERf 15/ 



SERIFS? 



Cdu cmn afao aecaaa rh* font Smfmctor from Mm Control Codes acromn. 
Rvrnvmbfr that channei to a font affect only tttut font and no others 



which Key combination is required to 
access it is also shown. To finish, drck or 
the button labelled £nr at the top right of 
the screen. 

Scroller? will then go bac* to the Edit 
Teat screen where you should see that air 
the text after and including the J in Joe 
Btoggs has been changed to the font you 



Camera. 

Bloggs 

Sound. 
D»ve Smith 

Lights 
Sarah Jones 



One* y<ju ere familiar with iha different 
Control Codex you can edit four text to 
your heart's content 



Thera m touts Jilw in 
suitable for m\) different 



If on can complately edit your text's site, 
whaap and format with the Control Code* 



Let it roll 

Now we've fixed up the text lets make the credit! roJi 
up the screen until they get to the Director's credit 
where. In time-honoured fashion, we wifl pause the text 
so that Director - Stella Adams stops midway up the 
screen and stay* there for several seconds before finally 
disappearing. 

The first part of this ii relatively simple, Instead of 
pressing to halt the scroll {as we did In Tutorial! f we 
can enter a Pause Code, Add four blank lines after Stella 
Adams by pressing return four times. Press Ctrl to make 
the Control Codes viiihle, press F4 to get to the Control 
Codes screen and then select the Pause 10 code (that's 



Amiga Computing 



NOVEMBER 1994 
~" " 1 



the box with a small clock In it and the number ID}. 

You may want to use the cursor keys to scroll do 1 
the character set in order to access the Control Codes. 
When you W' returned back to the Edit Text nr 
you should see the new Pause Code added at the Hon 
of the screen- 
Press Eic to return to the main menu and then F1 
test progress so far. The credits should scroll up and tl 
pause lor a moment when they reach the Directs 
credit. We can now add some better special effects. 

Re-enter the Edit Text screen and make sure that the 
Control Codes are visible. Move the cursor to Just a ft? 
the Pause Code, open the Control Codes screen are 
select the first Fade Dawn symbol |a large arrow 
pointing downwards In a doh) and return to the mair 



M 



i to ScrollerB 



TUIDfl I Rl 



Click on preset colourto select 



»F^F^. 


IMN 1 lUCtMC 1 Q< *»*> 


COLOUR BOX 

nxMntss 
ewNnttT 
1 coudi 


► 



Select disk drive by clicking on symbols 



SlTCflLiUHI Q [B 1 \CKfiRDUNnr,[JLD'Jfll 

■im i [PtM i| 



sc MAIN MENU 



F3I se* colour? ipehzi 

f4 sneouona [MioofSMiiQwtBtouri 


F51 SH CttLUJR 4 [P£M 4j r + 

F6 sneamua 5 lpen s> selector 

|P i SITCaLJiiB 6 EPtNB) 

>«7) |S«M 





Scra/ferZ attars *w WM chance tv ptovldm pr°t~**Hmal d.rtrop vld+o UUm* lor u» wilh- 
r vvr favoutiim vMaoa. ft i* w**¥ to u«* in** JmpliiBwK* * vary uawtrkmilty (nt»rfiK:<r 



riected, As with most of the layout 

■■■ tons in Scroller?, any change affects 

a* the text from the current Cursor position 

, irds. The reason far this lies wilhrn 
V* dark mystery that is the concept of 
SsaUert. 

Press the Ctrl key on your keyboard and 
you should see the letters CC appear next 10 
i Lentacje figure in the top left comer 
he screen. The CC tells you that the 
trol Codes will he made visible. 
Looking through your test you should see 
•vt lots of little boxes which contain 

: qIs have appeared throughout your 
Im. For example, the first Jines should look 
;nose on the screenshot. 
"ne httle boxes and symbols are cnlled 



Control Codes because they are used by 
Scrolled to control every aspect of your 
text. They are even used to add ipeudi 
effects like the fades and wipes we will be 
using later In this tutorial, 

ATTRIBUTES 

If we take the first four Nn« x an 
example, we can see that on the first line 
is a Control Code to centre our text, 
followed by one to turn drop shadowing 
on and then one to use font number 1 9 
jail fonts have numbers which they are 
referred toby|. 

A/I the text that follows a Control Code 
will be affected - so trie word Camera 
becomes centred with a dnop shadow In 




Don I forgot ta *awe pour tv*t ra^ulariy. 
Wm may call upon If i<* (It* nrnat ir*ue 



font 1 9, The second line starts with a 
Control Code to change to colour 2. so, Joe 
Hoggs appears in colour 2 [which Is 
currentty yeltow|, 

Then, after the bfank line on line three, 
line four starts with a Control Code to 
change back to colour 1 - white. 
Therefore, the word Sound appears in 
white, 

Try looking through the rest of the credits 
and working out what is happening. Once 
you have understood the ControJ Code 
system you should find that everything in 
Scroller? Is very logical 

If you want to maKe the Control Codes 
invisible, simply press the Ctrl key once 
agalr and rhey will disappear. As you 



Play the scroll with Fl and this time you should see 

cfee Director credit first pause and then fade away. You 

nould also see it re-appear again a moment later and 

: ntmue scrolling. This is obviously nut fight, so we must 

-tfc a couple more additions before we are actually 

rte- 

To correct this final problem we need to add two more 
Centra! Codes after the Fade Down code. The first Is 
—■111 1 1 Pause Code - this time Pause Code 2 - and then 
■e need to if sue the Clear Screen Code fCLS}. 

These two extra codes will ensure that after a slight 
MBit jto allow the fade to take full effect! the screen 
mm be cleared so that we don t gel a repeat of the 
•vector credit after the fade. 



Add the extra codes now and view the results. The 
e«tra codes that you have just added probably seem 
totally iftogical, However, there is a good reason for 
them. 

When Scroller* gets to the end of your title It 
automatically resets things like font, colour and 
justification to its defaults. On* of the other things that 
is reset Is the fade condition - If (t were not reset and 
you did a looping title that ended with a fade down, you 
would only be able to see anything the first time 
through. This Is because the text would stilt ue faded 
down. 

And that's ft, In neiit month's issue we will be 
providing a reference for Scroller* and some useful hints 
and tips. 



should h<we realised by npw, you have 
been using Control Codes aN along - it's 
just that you haven't been able to see 
them. 

If you have understood rhe rxtntiple 
or Scroller's Control Codet you will 
already have guessed that we need to 
put n font Control Code at the : 
of each line where we want a f 
change. 

The line of text after ,'oe Bloggse 
Sound which we want to appear ii 
n .inner f9 |Rich60|. the one h 
started with, 

To do thfs, Tirst move the or: . - 
theierter S in Sound an.;; ■- 
Font Selector again, ti 
PichGD. When you taseri 
you will see a font Coi 
added to you- text 
will only see it it Co 
visible. 



* 



M 




• • 



* 



Amiga Computing 



NOVEMBER 1994 





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Amiga Computing 



NOVEMBER 1 G94 



tSBHHRl 




est of the lime ARex* functions take 
care of any memory allocations 
required 3ur<jrriaoM*ly and 
transparency. Although rarely needed 
-wrmal scripts, there are, however, a number 
t Adyi to enplicJUy allocate system memory. 

You may, far example, want to set up a buffer 
pome temporary storage spate] at a known 
address and one way of doing this is by using 
- ARexx built-in GetSpaceff function; 

tMr*ii4et$ytet{i1it) 

■nere size is trie size of the memory area you 
•ant and address is its address 

ARexx re»eases this memory automatically 
• --en [he script terminates and so, 
sxtiy speaking, it is not necessary for a 
mpc to explicitly release memory acquired in 
-Tis way. 

To my mmd, relying on Ata* to do your 
reanrng up operations is a bad thing (if 
tilting else it encourages habits that will lead 
_*ou into trouble when working with other 
Bnguages). ARexx does in fact provide this 
■'eeSpatew function which allows memory to be 
■led: 

Very occasionally, a coder might need rather 
Txjre control over the memory allocation process 
and in these cases it rs necessary to use the 



memory 
test 



lower level memory handling junctions provided 
as part of the rexxsupport library. 

The AllocMemj) function provides control 
over the type of memory being allocated. It uses 
the same type of 'nags' as the underlying Exec 
function uses and you'll often see these flag 
values given in decimal form like this: 



Public Memory 


1 


Chip Memory 


2 


Fast Memory 


4 


Clear Memory 


655.36 



As well ai wondering about the purpose of the 
numbers themselves, you may well be ashing at 
this stage what a 'flag' rs. 
In the computing world, flags are simply bits 



Embedding 



Once you've got the hang of the general principles, memory allocation is easy enough to do, but 
embedding numbers jn the way I've just described is a bad practice. 

A better approach in my mind is to define some pseudo constants, te fwed variables, that act as 
constant values Being a diehard C coder at heart. I tend to adopt uppercase conventions like this 



HEAfJHrattt - ■DOQDDflOrn 

»ewf_[hjp = •mmwi 

HEHFJJIsI * 'DODDOCDv't 
PEHF ttE.tfl = 'OfJfllODOG'i 






With these definitions in place your scripts can then use express ions such as 
C2D(MEMF_CC£AIC|+C7D|M£MF_CHIP| to add the required flag vafues together, and then ui& the 
D2C(J function to produce the equivalent tour byte string needed for theAIFocMemJJ function. 

The need for the C?D(J and D2C(J conversion functions make the expressions a little more 
unwieldy than those coded in other languages, but this approach will allow you to write fiRexx 
code which makes it very clear which flags; are being set. 

Look for instance si the following rwo expressions, The second caN, despite the fact that it is a 
little more complex, leaves you in no doubt that 1 000 bytes of cleared chip memory ste berng 
allocated; 

*LlcdMi(f»M,J2tUS3Si+2)) 
ltlceKti(1IH,12tUZKNEIIfJlUIM21(IRNf_tllN)l 

When you experiment with these types of functions and want to view the flag values being 
produced, you can always use the C2X|| function to produce the hexadecimal output. For instance 
the statement: 



Sit [JKREIIFJHIPJ + LJKHEIIFJIEWt 

produces an output value of 010002 hex, confirming that the chip memory and cleaned memory 
flags are being correctly set in the resulting string, 

uVith AllecMem|J. unlike GetSpacefl, it u the responsibility of the programmer to return memory 
after use. and this is done using (he rexxsupport library FreeMernf) function. 

As far as using allorared memory is concerned, data can be written to memory locations using 
the built-in 5torage| I or Export^ functions. 

Similarly, Imporrfl can be used to read the contents of such memory back into an ARcxx string. I'll 
deal with these memory read/write functions next month 




■ Ttim teal way to gal IJ» ttaiyg at flay* 
and conversion function u^i 1 is iff 
»ffP«TN7ienl with short examples tike this 



present in a variable, or perhaps a 
microprocessor's hardware register, which have 
been assigned some specific meaning. 

They are yes/no (true/false) type indicators 
which require just a single bit of storage space. 
A fongword [four bytes] of memory can 
therefore act as a store far up to 32 different 
flag values, 

By convention, if a flag bit has the value I, 
then rt is said to be set (or true|. and if the bit 
has the value it is said io be clear lot faisef. 
The decimal form of combined flag values 
always tends to hide the identity of the (Tags - 
whaL is needed is an appreciation of the state of 
the underlying bits used to represent the 
numbers. 

As far as memory allocation is concerned, a 
number of standard flag values are provided in 
the eaeC^memCry.h arid memory, i system 
include files. 

ARe** COdeis do not need to contern 
themselves with these files, except for the fact 
that they must use the standard memory 
attribute flag values when allocating memory 
(because the system functions expect this]. 

The bit position definitions at the most 
common memory attribute flags in binary form 
are as follows: 



HE HI P-J6L1-: OODO D30D C'DflO DOC] C DOC OODO 


OODO 0OC1 


HE III CMP Hm OCDJ GDCD OCDO DOC a DC-Oil ODDfl 


DD1D 


PE1F FIST MOO OCDD DflDD ODDO OC'OD DDCC OCDO 


1199 


KEHF ClEWODOC ODDO DODO 0D01 ODDO DM CD DO 


MflO 



l'.-nv ilnl In All-: ■..;.■: .-'.:>: 'turn these become 






REHF PUBtIC 'C-0OC-DOD1 "» 

mtJM* 'DDOIMHfZ'i 
NE»F_FAST 'CDOCDOCt i 
HHF JlUi 'DDOlflODD-x 



So to allocate chip memory you'd need 
a flag value of WOQQWx. To allocate and 
zero a partrtular memory block, just add 
the appropriate memory type and memory 
dear flags together. The string 'QOOlOuLVx 
for instance would allocate cteaned chip 
memory. 



HREKH 




Don't let 
HHghh allocate 

memory for 
i|ou, got in 
control, Paul 
Oueraa shatus 
ijou hoiu 



Amiga Computing 



NOVEMBER 1994 





A double-decker that won't keep you waiting, 

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IT! 



COOMB E VALLEY SOFTWARE 



EDUCATION ADVENTURES 

Written by experienced teachers 

MATH! PHWHf, *g« *-1»* 

Designed to g iW J pt^KlKO in ihe fanf rirlns of number. Sum Type and degree of difficulty culs be 
selected. S*H in ihe ClTfnu of lh« Maths Dra^ii, yau mLsl resale ihe stuttered piece! of your 
train uD tram ihe omraclians of me baby oVooons 

REASONING WITH TROLLS. Aae. 1-13 

Yau play ihe par' of the Smallest B«lly Goat Gruff, who wanls to gel to the nlfmr utfe of ih* fi«r 
svdere k grasi is greenei. In aider to get tlvera you mini hdh n numbnr oi brxJan, kkI) with n 
resident troll. Safe paiKKje will dapend on yoi;r aniwen to a Hi d groaW HQVQning gi«ahcfn. 

TIOY THE HOUSE. Agai 5-9 

A, f m n.:K'rnluir nunia, Mt in ihft lomilar lerrilay el an wiiidy Koum, «+*re lh« pbyv rauH p*t 
ifieir ynungrr bratfinr cind liitnr roody 10 09 CUl and do bit of lidying Up at lt» sam« NlTW. Tin 
gam* (nips devilop r*oding ni»d kflybaqrd >hiMi, plus logical rfusught nnd plonning. 



TIME nil*. Agwi 8-13 

Fottvai' F"ine has gone oirt tar ihe day, kswing you to oog ui tf» Wotch Dog. He'i ooiy In lack 
uh&, |ust give him hii toad and *at*r nnd toks him tor a walk and he'll ba happy. Il'i o pily tho 
Tim* Flirn narti ool loos* but il you are good U jok™ lime pnoblomi, i^ey ihoiiin't bo too much 
Irouble. You let ihe typa 0> problem aitdlevsi ol diHicuiy 

UVB MAZE. Afful.ia 

A fir>1 ndvnniure for n dicjhrty cld=» age ronqK. You ha»a bcfriendeal o I oil. hungry and ilighlfy 
nwkword, baby bVoqon. All you have to da new il to find tin luiullbo*, ieca him and fan guide 
him home pair Hie obilodsi In □ main of cararni The aoms hatpi devetop reading and keypoard 
skilll pliw togircJ ttipucjht nnd plonnuirj 

PICTURE FRACTIONS. A g « 7-1 O 

This game a de^ignwi for ibosn wto hove |uit itaried badion vrafV nnd who Pro not y*4 tnody 10 
d$al with lUpi in pufflty nuirwkol tnrm Quoihioni are- pfEienled in ihe form of pldu*** ffOffi 
vdbick Ins player must work OUl a froxiian ond ttwn oniwu in, either Yrard or number fann. 

IIULCTIOH OOBUNS. Aj«i ■-13 + 

\ gome which giiral cnoclite m ffaclioni. Any or all of the nflis et numW oon be lelednd. a: con 
ihe diHitulry level und 1ype of Irutlion . The simplest level will dllow ihe mQS> hontnni notneo to sue- 
rued 'utirle the hnrdcil will probably ieuuif* peOiil and puper FK> mdflBT how good you OTC 



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USERS SAT: 

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C«™nn bilk Sal. I am very impressed with the cpjokty oJ the gftlphics of Rvil pfsgrom Midi am 
•ncitod about re«i*inrj lh« rmtiro pragrnm " 

*.. Ihe word 5PCCtACUlAJ! is an undwiratoment The csneept i? tontoihc. the clarity of weech is 
wonderful and I wai Urnck by ihe amount oi vtKabvkay I vamvd I ontnnd to spread the ward 
about yaur prau/ain 40 every eduiatot I meet Ttumlt you (or this wonderful program " 

UVIEWERS EAYi 

'if you're |usl ifarting to learn a toreign buauagje, the Audio Gallery lariat il indispensable as a 
learning tool... If youVe plonnina a Inp abroad, o oood ptirunaoook. arid lit* OppTOpriOl* Audio 
Oallety litter v^ill pyvo you everyminci yoi/ need to know to iutvivh lis ihe lonpUDge. I tlianiy IVCCSfn 

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itsal'l. hilherto hngen ignored thfl nwishnnng of a toreinn language 

"TIh soflwort is deiigned to provide a complete korDry of everyday words its whole range of 
longuooes All in all it's o good packaae orsd idml kr |eadi»ig draldrHn. . . It could become the per- 
iectTeoming tool tor all ages ' - Amiga Compiling 

* All wards and phrases fully Digitized Speech 

* Imludes Dittionciry, Pronunciation Guide, Quines 

* 25 -30 Topic* tilth at Weather, Numbers, Food etc. 

» 7-8 Disk Set - Far the Student, Traveller, Businessman 



Coombe Valley Software * 18 Nelson Close * Teignmouth * Devon * TQ14 9NH 

Tel: 0626 779695 

Send SAE for details. Send 50p or disc for dorrto. Please specify your compuler and software in which you are interested- 



Amiga Computing 



NOVEMBER 1994 




he Ijeicester-based company 
must be one of the most 
established Amiga users in 
•ne business. Formed eight years 
ago and primarily concentrating its 
iinances on a wdeo camera and 
recorder. Alternative began life as t 
very small, fledgling video company 
headed by two partners, Give Warden 
and Stuart Hitking. 

After two yean of various videography 
LirojOCtS, Henri Bujko was fraught in as the 
third partner. Now heading the computer 
graphics side of the husiness. Henri explains 
why they mowed into the Amiga market. 

"We realised that we were paying so 
much everytime we went to a facility 
to get titles put on to a video and 
decided that the Amiga would be a 
cost-effective way of doing it so we 
Doucjht a 2Q0O.' 

Bujko continues: "I thought it was 
■tally amazing - it was only a 68000- 
based 2000 with 3 megs of ram in ir_ 
included with the machine was the ysual Dpaint 
and also Videoscape 3D. Hertn began to use the 
latter more and more, creating three dimensional 
drawtngs - 1 got obsessed with Videoscape 3D 
basically." 

As the company grew as did the computer 
graphics side of the operation, videos began to 
feature more and more animations and effects. 

Alternative Image were one of the First buyers 
of Commodore's 020 cards For the 2000 and 
added more memory and larger hard drives to 
cope with the inaease in computer-related work, 

Next on the shopping list were more 2000s 
and a smg*e 3O0D for rendering purposes only. 
Questioned Dn the lack Of a 4000 fcl their 
Commodore graphics a/senal, Henri is adamant: 
The basic 400O Isn't fast enough - because we 
are Fully 24-bit already, there's no real advantage 
in having the machine.' 

Their current set-up Includes four Amiga 






Blissful 



Part 2 




lOOO's. with the average spec fur each including 
an 040 accelerator card (nearly twice as fast as a 
4000 040-1, 34 megs of ram and a 500 meg hard 
drive - "just like a work station plus a 24-bit 
graphics card." 

On the software side, things have moved on 
somewhat from the carry days- J As graphics 
became mew e and more tD the fore, more and 
more people wanted sophisticated stuff so that 
side just grew and grew.' 

Now ADpro, Image FX„ Brilliance imagine 3, 
Real 3D v? and Vistaflro, as we« a Forge and 
Essence texturing make up the current toots for 
graphic creation. 

PROJECTS 

Some of Alternative's more recent computer 
wofk has been included in projects for Walkers 
Crisps, Caterpillar UK, Crookes HeatthCare and 
various fitness videos. 

They have also dabbled in pop videos and the 
X-MIX techno video series that features various 
animations accompanied by rave music 

At the moment, they are working on a secret 
project that Henri claims will be 'something that 
hasn't been done before," Take a took at some of 
the graphics go this page and you'll see that the 
underwraps 24-bit interactive game is looking 
rather special Expect a full report from Amiga 



union 





■ A *hip efognnt'jr duc«nrifc tv Hi* bottom 
at eh" ■*# »» dtfgftfwtf, attommins faces 
riro to gn*( ft - iff enatod on «*■( 30 vZ 
with (ft* Ji*lp ot a viooo cantor* for Ifw tacoa 



Commodore complaints 

Bujko is not a happy man when the words 'Commodore management" are mentioned within an 
Jbte range, 'I never had any respect for Commodore because, although they have put a lot of money 
.. . m the 1 ZOO as a games machine, their division for professional users is bad. Their marketing is bad, 
They just don't know what they are doing They missed out on so many opportunities,, you couldn't 

believe it " 

Indeed like Simon Hough of Crystal Haze last month. Henri makes it a rule not to tell clients that he 
uses Amigas to create graphics with 'What we rely on is showing people what we do and everybody 
that sees the Finished jesult thinks it's marvellous." 



A computer laed flight ovtrr A lattdicMpe, 
crwaiad on VlbmmPim for Htirotan 



Computing as soon as we are able to release 
more details. As For the Future, it would seem that 
the graphics side oF the business will grow to be 
larger than the video production-thai began 
Alternative Images steady climb to success eight 
years ago 

While the recession did hit hard and employees 
were laid off. freelancers now form a vita! part of 
the company structure and people like Yuri Urge, 
another staff member, and Martin BJbby, a highty 
respected Imagrne artist, continue to add to the 
company's calibre of talent. 

Henri's personal ambition for the oncoming 
years is to create an animation feature using 
computer graphics exclusively 

He also has plans to move on to the much 
heralded Lightwave at some point if he's 
convinced that it's as good as everyone keeps 
telling him. Looks like another sale for NewTe*. 



fflternatiue 
Image. 



commercial 

graphics and 



Amiga Computing 



NOVEMBE R 1 994 
I 





Mi 




INSIGHTDINOSAURS is the second title in the INSIGHT series, a lavishly 

produced title rich in multimedia. You can be assured INSIGHT:Dinosaura will 

be visually stunning and technically correct as the title is being produced in 

association with the British Natural History Museum, one of the world's 

foremost centres of excellence in the field of paleontology A unique title for the 

whole family, produced in a concise, easy to read style which allows it to be 

used for reference and browsing alike 

A comprehensive A-Z section gives in depth inform a! ion on the best known 
dinosaurs from Allosaurus to Velociraptorj 
Life of the Dinosaurs covers Anatomy, Attack And Defense, Herbivores. 
Carnivores, Climate, Pack Hunters, Lone Hunters, Herds, Scavengers, 

Descendants and much more. 

World of the Dinosaurs covers Death Of The Dinosaurs, Shifting Continents. 

Family Tree, Fossil Hunters and Hunting and much more. 









DlNO SAW is a Chinese jigsaw with 25 different dinosaur puzzles 

DINO PAINT is a simple to use children's colouring book with 25 pages for you 

to colour. 



A 



DINO QUIZ is a multimedia quiz for one or two players with questions on all 

aspects of Dinosaurs. 







TEXT - Comprehensive text coverage 




PHOTOS & ILLUSTRATIONS - Stunning photos and illustrations from the 
Natural History Museum and its comprehensive photo library 

GRAPHICS AND ANIMATIONS - Computer generated 2D and 3D animations 

bring to life the world of the Dinosaur 

NARRATIONS - Hear the story of the Dinosaurs. 

MOTION VIDEO - Video clips bring to life thfSlpst world! 

A comprehensive cross reference index and online glossary give you quick and 

easy access to the information. you need. \J£s*~~ 



CD32 

;DTV AND A570 VERSIONS AVAILABLE NOW 






£39.95 



INCP& 



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PANDORA'S CD shows you Just what can be achieved with multimedia end 

your Commodore CD system, an all original promotional disc containing 

f ame thing tor everyone. Five Senses production, the Nuclear industry, 

number counting game, Milton Keynes guidebook, jukebox, clipari library, 

photo library, textures library, sound effects library and a sampler o[ 
MSIGKT technology. Sample the wonderful world ol Optonica multimedia. 






TOM MORE INFORMATION OB PLACE AN ORDER PLEASE CALL OH FAX 

JENHV BURGEON TEL :0455'558ZB2 FAK:!WS5 4W3B6. 
PAYMENT PV CHEQUE OR POSTAL OB DEH, SORHV NO CREDIT CARDS 
PLEASE ALLOW 29 DATS FOR DELIVERY - USUALLY WITHIN 44 HOURS 
1 THE TERRACE, HIGH STREET, L UTTER WORTH, LElCS, UK, LE1T4BA, 



— — — — — 



;*: 



N 

I It sequencers provide editing facilities. 
I <ifthough they vaiy enofmously tBiti in 
UU| terms erf ihe facilities offered and *n the 
! gwen to the varxxji options, 
jnately, the more common editing functions, 
ncse which tend to be available on most 

cere, are usually easy enough to identify from 
-anuai 1 descriptions of what they da. 
Bm term Editing' is usually taken to mean making 
i to track ar sequence data after Jt has Been 
. (n practice, the user also has some control 
both the type of data to be recorded and the 
tm Bating track/sequence dat? snoiiW be 

"he usual arrangement is that the sequencer will 

a special 'global parameters' page, or list of 
\i options, whose settings, win govern the way 
sequencer actually behaves dunog use 

r s here that the user can decide whether the 
•Renter should use an internal or an external 
dDdi, whether it should provide an audiable 
-*"onome click or not whether it should 
jtnuousfy loop through an N-bar sequence or not 
msoon. 

Other settings may involve things like being at* 
jtecl a Midi channel from being Transposed, 
•jsmatically sending Midi start messages, or 
-. 7-ting gaps between groups of messages which 
right otherwise be sent as unnecessanty dense 
eB of Midi data. 

in addi&on to all this, there may be any number of 
je-record and post-record parameters and effects 
«nch can be selected. 

The difference ttftween these two classes of 
ramrols is well worth mentioning: Prerecord 
srameters wilt govern the type of data actually 
sored in the tracks and sequences. Post-record 
srameffirs govern only how the stored Midi data e 
aayed baclt 

A good example of a common global facility is that 
y Midi message fifterrng and remapping. There are a 
w occasions when it is useful to be able to restrict 
ne sequencer's recording or use of certain types of 
V6dl messages. 

Similarly, it's often handy to be able to ask ihe 
:«|uencer to modify certain types of events. The Midi 
zcho/Thru option, which allows you to change the 
'.nannel number of incoming Midi data before it is 
awed and retransmitted, is one example of a pre- 
■ecord effect but usually much more can be done. 

Sequencer One, far instance, has a 'Set Filter 
option which allows many other rypes of Midi 
-nessages to be filtered and/or modified. 

Note on/off, pcrfyphonic aftenouch, program 
rfwnge. pitchbend, and controller information can ail 
x selectively filtered oyf. It's also possible to convert 



Getting 
it righ t 



[tr*irimt:t*fiV\Mt Pmf«ii«Mt/&iPirlr l0Pu/Ernidtnhiri twit.iw 




channel aftertuuch messages into controller data 
remap controller numbers or even convert controller 
data into channel aFtertouch messages. 

These particular Sequencer One facilities are all or 
the pr e-record' type, ff, for example, you decided to 
set the Sequencer One up so that it would filter out 
prograrrKhange messages, any track data 
Subsequent recorded would end up containing no 
program change messages at an |any program- 
change messages that might haw been present in 
the original Midi input stream get lost forever] 

Most sequencers provide these types of pre-cecord 
filter options and Dr Ts Tiger Cub, Music X etc., all 
have simitar lalthcmgh not completely identical) 
facilities. 

Some sequencers are also able to produce filter 
and conversion effects after the data has been 
stored. These are post-record options and here the 
effects and settings work cm the output side of the 



Repeat performance 

At the highest level you can, if yon make n mistake while you are recording your fittest 
masterpiece, delete the trach «r sequence and Hurt again - recording, and re-recording, 
until whatever it is that you are trying to pMy sounds perfect for as near perfect as you 
need lt|. 

Sometimes, if you've made a complete hash of it, that's probably the easiest thing to do 
anyway! Usually thing* are not quite that bad and you simply find yourself In a situation 
whereby most of What you we played sounds title - but there are Just a few places where 
sJJps have been made. Wouldn't it be nice if it were possible to go back and change these 
bits that weren t quite right. 

Nowadays, of course, you Can and with a sequencer it it actually possible to look at the 
individual notes in the track or sequence, remove ones that shouldn't be there, add notes 
that should be there or perhaps alter the pitch or duration of some existing nates- 
Having made such changes, yon just hit (he sequencer's play' burton and the corrected 
version' will sound the way you wanted it to sound in the first place. 



■ Soqttencurt Ithw Bar* 
* fip*w Pre provide 
•xtraflMty powerful 
ettitlnn tacilitioi 



sequencer (Bars&Ptpes is brilliant as far as this 
particular area is concerned and Music X is also good 
in this respect,. 

If you used a post-record filter option to remove 
program-change messages, you would not prevent 
these messages from being stoned in the (rack or 
sequence but even though they ended up being 
present, any programchange messages would be 
snipped Over [>.e. ignored) when the data was 
pfayed back. 

IT1E5SHGES 

The tog difference of course is that if, m the latter 
scenario, you cancelled the program-change filter 
option, any hidden' program-change messages 
would be brought to life and would again become 
part of the sequencers output stream 

Post-record opoons have the benefit of flexibility 
because you can always undo a particular setting. 
Prerecord fining options, however, do still have a 
use as far as the elimination erf the storage of 
unnecessary information is concerned |used to be 
handy on machines where memory was tight] 

They have, however, become increasingly less 
aitractwe as the general editing facilities of 
commercial sequencers hiive beepme more 
powerful. 

Nowadays, it is normally Feasible to record 
everything and then decide, retrospectrvefy, what 
Midi data is to be kept and what data should be 
discarded. 

Sequencer One. for instance, includes facilities for 
selectively stripping out particular event types from a 
given track. Again, most sequencers offer similar 
facilities and with some it is possible not onry to strip 
events, but to divert Irxwe isolated events to another 
trackl 




• • 



1 *■■ . * 




Paul Oueraa 

ShDUf5 MDU 

ham to Edit 
W\ sequences 



Amiga Computing 



NOVEMBER 1994 

r 



HSA IS HOT CHARGED Z^TZZZ "___*- _:«__?«"■_■■ 

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I here comes a tune in ewrje man s life 
I when lie realises he has a spiritual side. 
| 1*5, I'm nor going to start chanting, 
here seems to be a thread running through a lot 
y Net life that everyone has a number of mystic 
ides to their personality and they use me Net as 

jpportunity for expanding these Beliefs and 
ensuring that as many people as possible get the 
feenefit of their ideals. 

Some people just collect odd beliefs and add 
nem to the growing number of weird and 
uerfui fires you can read on the Met. 
The most interesting stuff is centred around the 
wnous bogus religions which haw surfaced over 
'ecent years, which & the same ume lampoon and 
compete with the very religions they are set up to 

mimic 

Discordkinism is one of them, and the Church 
of the SubGenius is another, other Buff is just odd 
tnowiedge with nowhere else to go. like 
anformation about UFO contactees. JFK theories 
and other life deforming nonsense of every other 

:ur or another. 

You can loosely categorise the mystrcal aspects 
of the Net into these groups: 



• HighWerrdness 


• World Religions 


• Bogus Religions 


• Weird Science 


• Conspiracy Theory 


• UFOs 


• Mag* and Occult 


• Herbalism 






All these topics are readily discussed, and okay, 
you might not be looting for a new religion right 
now. Who is? But it is absolutely fascinating and 
well worth the time it takes to seek it all out 

So here rs a roundup of various hits and bobs 
I've been reading over the past few weeks. Mast 
sources cite other sources, so by copping a feed to 
one source you are connected to other sources of 
info at the same time, 

• Bogus Religioni - the best chat about bogus 
religion, and also some of the funniest and oddest 




There is something for Bi/*rybcniv 
on Ml* fnd of the phone 



On the 
other side 




people an the Net are to be found in: 





all. stack 

ilt.JiuortHi 

■ttJUolitti 



Sfctcfc is the SubGemus newsgroup, discordia is the 
Discordians, and Hluminati is based on the 
excellent religiaui/poliScal conspiracy theories of 
Robert Anton Wilson. Great stuff, Ybu might also 
try to FTP to: 

<qjj-::.rLlg«-s.lllu> 

in the directory: /pub/subgenius/* as this also has 
some very good SubGenius stuff, including the 
infamous SG newsletter. 

• World Religions - if you want to know more 
about, or flame people who believe in any world 
religion which takes your fancy, here are the 
groups you should be joining: 






■U,rtUfi«i.uiiit<>L»tf 

iit.rdiginn.shinr.lsi 
*Li. pagan 
pli.ia-.jnin 
sot.ralisien-.bahai 
w.rftlginn.clnitian, 
sOt.rtUginfl-t'Stt'n 
scr.-rl'SHn.-slii 
loc. religion. qiHkar^ 
see . rilisior-.s* iimi si 
tat t . r*' L 19ion .■'. St 
tali. rtHflM.ntu age 





Obviously, making people in the Satanism 
newsgroup mad with you is not to be 
recommended. 

• I/FOj - if you've been abducted by aliens, then 
these are the groups where you ease your pain 
with a group of like-minded individuals: 



ait.parinet.atouci; 

att.pl*ifl«!-paranc?ail 

i.r.parannl.ifitnn 

lU.paran-tt.iieflHl 

ilt.parintt.u'o 



Obviously if you can't get a Usenet fed in Alpha 
Centauri, then you're stuffed, 

■ Conspiracy - just because you're paranoid, 
doesn't mean they'/e our to get you Of course 
those guys across the street in the Range Rover 
with the tinted windows might just be lost and 
looking for directions. For solace, and even more 
things to get worried about, try these newsgroups: 



alt.iindcgniro 




and then , wait, what was that funny noise 
outsrde? 

■ High WeirdneH - the ultimate guide to high 
weirdness on the Net is the High Weirdness By 
Email guide, available oy anon FTP from; 

<5Lop**s.PlM"l.hnrm.eoi> 

among others. Usually to oe found in the 
directory. 

ipjb/n(irdnMS^Bird2j,«ot 

Look out also for weirdPJ .sup, a supplement to 
the guide 

• Magic, Magick. and other Occult Stuff - 

Eye of newt and toe of bat, ah yes, the black arts, 
Let's cast an eye into the crystal ball and see what 
floats to the top, errf 

TO find terts and documents ay the completely 
bat's ass Aleistet Crowley, you need only FTP 
to: 

<iL»ptjia.ilb.ifaH,»irrficoi> 

in the directory: 

I'pjbiiagiikJiB^cliT.roiiliy." 

Also try the Wiretap Gopher, one of the best 
sources for nard-toget info, by gopher on: 

<nirel»p.ipits.i:W> 

and check out the Occult Ratings. 

• Weird Science - the odd. biza-tre world or 
alternative science. I love it to death and so will 
you. Perpetual motion machines, forgotten 
patents, suppressed Information You'll find it all 
here. 

Interested in cryonies.7 Well get you hence by 
anonymous FTP to: 

<r if i. pit.edu> 

in the dlrtctory: 

^un^itnet^ne^.ansyersHflfeiiitS-faq/* 

and all wIN be revealed, It might be an idea to 
wear a good stout jacket, because it's a bit cold m 
there. 
Try also a gopher to: 

tyirelap. spies, tam> 
the standard repository ' w ^^ info 



Amiga Computing 






Phil South 
looks at 
miisticism on 
the Det. 



NOVEMBER 1994 



Acorn S 
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■ • • 

I essing about with screen colour* is a bit 
I erf a chore in Amos, as the program lacks 
^^^| any really simple palette Of colour 

inipulatron cools. Mostly you have to resort to 
ticks and ups which other people have coded - 
.-.nich rs ewictiy where [his little beauty from Mart 
Orfies In 

But this rs doubly fiendish, as Marc has figured 
out a way to itrobe the background colour on an 

os screen, and does it very elegantly. 

The code is a really good ejcampte of how to 
iweak colours in a user friendly way. its also 
making extensive use of PROCs. which as anyone 
wno Knows me will tell you I prefer not to use. but 
tsgoodnonetneifv; 

Whar? What do I use instead of PflOCs? Why 
sub-routines of course. Call me old fashioned but 
sub-routines work faster and are easier to debug 

PI?OCs need global variables to be set and other 
like that That's just my idea, and the other 
way worm just as well. Anyway, back to Marc's 
program. 

First a global variable assign: 

Global tlltt 

meaning that the vanable CBACK can be used by all 
other parts of the program, including any PROCs. 
Next we tell the program that CBACK fs equal to 
2ero in hex: 

CIMtcfl 

pne We're obviously going to dD a little bit of 
?c*adecimal work here Next a little looping 
structure to controf the action: 



for (=0 Td ;o 

•:B;nndita9b)] 
nm i 



Thii calls the CB procedure, then returns and calls it 
again, over and over until your eyes cross. 
And finally the procedure: 

Prottdtire (BIB] 

first define it, then dimension your arrays, two at 
them G and R' 



Then we do a little fine shuffling of the colours: 




The mod is a mathematical term which enables us 



Monitor it 

Obviously If you re running Easy Amos or 
Amos Pro, then you will be able to run (h* 
program with Monitor and *e* the effect 
of each function H U rxecutcj 

Its also a good idea to clear the screen 
to the background colour, or you will 
have a big brown square in the middle Of 
the screen. I alio printed an IFF (He 
containing lame tent to the scre*n, using 
Load IFF, but that is simple to do. Enjoy! 




Fade to m 

bach 




to cycle a variable through a repetitive series of 
values. It stands for modulo and works by 
returning the remainder after a division. 

SO for exampPe A=B mod C is the same as A=6- 
Jnt(B/q*C This sounds complicated out it really 
isnt. It does however produce 3 number of 
interesting effects, like allowing you to toggle 
between two values. 

to as A increases In value, B mod C creates a 
series of numbers ranging from D to C-1 . Anyway, 
bat* to the program, Having pumped your series 
of numbers to get a nice useful series of semi- 
random numbers under 4D%. you then set the 
repeat until loop in motion 



ReS-sa' 






If 4(0)>R(Cl 


rhtn (It 


Itp] 


If Id) 






to) rrirn »« 


tffj 




11 EC! 






Ml Ibtt Hi 


Uli 




it im 







■ Now you r.-in 
IweiV colour* 
awut creflt* tfyllMh 
and vaiaartul 

JCMWIS 



And carry on until a certain circumstance exjsts; 

Until WflH»*HI*t(1>Mfcitt)) «*"-• 

Then you can eno the PROC: 
End Pf dc 

And there you have it. It's a nice simple program, 
but the maths is a little complicated, 

Try pulling out the mod part of the program 
and running ft as a loop so you can see how the 
program generates its numbers and therefore 
how it uses mem. 

rt'5 easy to do mis, as you simply add a status 
fine into the program after each mod line, like so; 

Print Ml,- - -jlft!;' - •;«{»/ - '}UV 

ami (he same for the G(J array, and as the 
program rvns it'fl print out the figures which 
created that event. 



This looks at the numbers you've created, sorts _ 
thern. and INCs and DECs the final figures 
accordingly. Lastly, the figures are fed to a Colour 
Back command, wfuch cycles the colour of the 
background in a pleasing way: 

CiUur hfMStWZWtHWMttH Vien 

Then wan a bit: 

Halt 2 



Write stuff 

If you have an Amos question, or a routine you'd 
like to share witn the world, then p^ase write to 
Phil South, AMOS Column, Amiga Computing, 
Europa House. Adlington Part, Macclesfield, 
SKI0 4NP. 




Hmos cade 
head Phil 
South looks 
at a niffti 
routine for 
fading the 
background 
tolour. 



Amiga Computing 



NOVEMBER 1994 




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Amiga Computing 



NOVEMBER 199 4 

i 



s== 



Id ne of the most annoying things about 
I fonts, including some expensive 
H professional ones, a that they don't 
j contain a full character set. 
lire, all the standard tetters and numbers are 
?, but sometimes there are punctuation marks 
g. or foreign characters that you absolutely 
: do without, or, as is the case with many 
rare fonts, the good old British pound 
al isn't there. 
*hat can you do? Well, you can buy a 
ssronal font that contains everything you 
and this will set you frack perhaps £30 - or 
?,1>e five Dr six times that if you have to buy an 
■v; family 
; Alternatively, you cauid invest in TypeSmith fif 
ck naveo't already] and fix it yourserf, Let's go 
roi>gh the steps required with a real world 
■ -Tiprf ■ the Times-Bold CG font from Gold Dish's 
Zufcne Fonts Pack, which has no fraction symbols 

Luckily for us, the standard Workbench 
; JTime; font does have fraction symbols, so we 
pinch them from that. 



fJlPDRT 






The first jab is to mm TypeSmith and import the 

ries.fcnt file from FOI\fTS;_buiret_outlines, 

- en import the rimes-Bold fib file from CGFonts: - 

one will come in with C5 Times Bold as the 
-sane of the font, whereas (he Workbench font is 
..Hied CG Times. 

Organise the two windows on the screen so 
nat they aire both visible and you can see a full 
fiaracGer in both. Click In the CG Times window 
jnd select Show Overview from the View menu. 

Click on the quarter symbol' m the overview 
jnd press RightAmiga< to copy that character to 
:he clipboard 1 . Mow close that overview, click in CI 
Tunes Bold window arid show the overview for 
chat font. 

Again, clic* on the quarter symbol jit wiB be 
white, indicating that no character exists in that 
nolef, 'and press RightA/niga-V to paste In the 
quarter symbol. Do the same for the other 
fractions if you like, 

When you are finished you can close the 
Workbench CG Times font as we no longer need 
to use it. 

Double click on the quarter symbol in the CS 
Times Bold overview to open a window for that 
character. At the moment that symbol has a width 
of zero, so the first thing to do is give it a width. 

Ensure the quarter symbol is the active 



HI I change 





Step 1; copy the qumrtar symbol from 
CG FIdm into tfw clipboard 




Don i torgci Ic uivm your 
characters it width! 



window, then select Metrics from the Edit menu. 
In the Width gadget type 9O0, press Return and 
hit the Use gadget. 

You should see a vertical dashed line appear to 
the right of the quarter symbol. Dp the same for 
the other fractions if you have added them to this 
font. 

Right, that's the widths sorted, The final step 
before exporting the font is to adjust the 
appearance of the fractions slightly so that they 
better fit the design of a bold font. 

Click in the quarter symbol window and press 
RighCAmiga-A to select all the points, then select 
Scale Irom the Path menu. Ensure that you have 
the top radio gadget selected so that the scaling 



ouer again 



If you ever need to add to thrs font again, you should start from scratch using the qriginai Times- 
Bold, lib file otherwise even more points per character will be added, and after only two generations 
the font wiU become almost half a megabyte tug and fail to display. 

Vou can type the new quarter symbpl in ProPage in two ways: either press AJt-5, or hold down the 
Aft key and type I SB on the numeric keypad - 186 being the number of the quarter symbol in 
ProPage's character set. 

The half symbol is number 1 89. three-quarters is I "90. (These character numbers are defined in the 
cg.ehardaia file in the CGFonts: drawer. | 

Naturally you can alter and add to fonts for use m other packages - I've used ProPage and Times- 
Bold merely as an example. Another candidate for alteration are the CSTimes fonts that come with 
PageStream: these don't have the @ "at" symbol m them, which again you can pinch from 
Workbench's CCTFimes font 

One last thing before J leave you to it. If you ever find that your new character won't display, it'll 
almost certainly be because you forgot to give it a width m TypeSmith, 





















r l| | | ■ | L 
























— ' 







A 



Slop 2: part* the awartmr symbol from 
clipboard litis the CS T7m*i Bold font 



r -r , *,, ■ it. -i flj ' mi >w,.fc«^ 




ItMB thm Scale Icalurc fo nipjr* Ifw 
flrwetions bailor fir (he Sold deeion 



is performed relative to the centre of the 
character, type 1 20 into the Horizons! gadget 
?nd hit OK, 

This will sJightly fatten the verficaf Strokes of 
the character so tfiat it is m keeping with the fat 
vertical strokes of the rest of me font- Mote that 
we cannot scale the character vertically 
otherwise n wiil become taller than all the other 
characters and Ipa* weird- 
Again, do the same fo; the other fractions. 
Ana that's it. All that's left is to alter our font 
attributes to grve our font a unique name and ID 
so that it does not affect the old Times-Bold font. 



IDEnilTV 



So select Font Attributes from the Edit menu 
and change .both the FontName and the 
FullName to CSTimesBoldQTR, and change the 
Font JD number to, say 999 - nothing much on 
the Amiga uses (his font 10 number, but u would 
be wise to change it anyway; create your own ID 
system if yqu like, Don't change anything else m 
the Font Attributes window Jteave the copyright 
message alonef| and nit OK to finish 

Mow we can export it as a CG font, not 
forgetting to select the gadget that ensures the 
,dat and . metric files ate created for ProPage. for 
heaven's sake, don't overwrite the old Times- 
Bold .lib file - you might need it again some time 
- call your new font Tfmes-BoidGtr.Jib or 
anything else you fancy. 

The filesize of this new font will be quite a lot 
bigger than the old Times-Bold, lib file. That's 
because in the import/export process TypeSmith 
has had to add more points to every character. 




Sen Pointer 
stows w 
how to add 
those missing 
characters to 
your fonts 



Amiga Computing 



NOVEMBER 1994 



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Arnicas in the mowes. Round-up of sound samplers and i 10 1 
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COMPUTING 


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The Future of computer games explored. What will they look lite <n 

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Price 


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1 




3D TeHtures ardBf form 



PttiM Mud m« Alt«nurtlvt 3D Textures Vol 3 

(ttw full product) it £31 .SO 

OmlVSftSL. 

Name (MrrTUrs/Mis&Ms) , 

Address — 



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I ] Tfc* (his box it you do rtef iWsd te racsive promotional maitriat (flam otner caTTpanias 



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NOVEMBER 1994 

T 





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Alternative but we made a mistake on the 
upgrade coupon for the Alternative 3D 
Textures. The price is not £21.50 but 
£51.50 (including VAT and P&P). Once I 
again, apologies for any inconvenience. 


i^Bi^HB 






£ ■ ~ 

■ ■" it- ; < 
1 1 






■ 


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Order hotline. 0793 490988 

PR 

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Professional Clipart, Fonts, Objects & Sounds for all Amigas 




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CCMA10-5 MAMMALS 2t ID UO 
Mivn Anunal irrj^rir; 
CCFIMF10WEF5TWO E8.M 
50 flwrs ni?*fKs 



/llono Clipart 



\a disk,. 




w:» nq in. WLVfcrt; 
ART9 OFFICE . 



ART?-! HOUSES 
Thaler- cllUi**. Hals, DulWiU' "« 
ART3-3 RELIGIOUS 
HfTilflft. PrmbiF. r_-'&va« c-li; 
ART* WW1 AIRCRAFT 
I a/iy. n wirjfl ol arcnsil rn j-jk 1 ^ 
ART5-2'MEN Funrilii mwtno 
AfiTS-2 WOMAN 
ART7-2 K.IOS Kdr: Eluvinp 
ARTS BUSINESS Hscpta 
akii-j ■■ 
am, paper. 
iSP* dos. jpnonotnlc 
AR110 STUDENTS 
ART1 1 SALETlME MV OH. 
SALE. 'ribionlCSir. Hun-^ oln 
ARTt2-3 XMAS 
HuOQ r^nijp r:l Xmni in-hincii 
ART14 ANIMALS 
AMUS CATS 
ARTI15 SILHOUETTES 
ART17-2 SCHOOLS 
ART1H BABIES 
ART25 HOLIDAYS 
ftjcltol ana spyjc leivs jmtirfJIa 
ART27 ART HOUVEAU 
ART28 BUTTERFLIES 
ART29-2 FOOD 
ART33 HOHNBACK 
ART34-2 TEDDY BEAHS 
Playnn, punliiiij. -.im'a-ii--j i?ic 
ART33-2 VANITY FARE 
ART36 HALLOWEEN AHT 
ART37 SHOWTIME 
AHT3S VEGETABLES 
ART39 FLORAL 
ART1U MfTHS 
ART41 DOGS 
ART«CAT5[:*i™gH 
ART43 AFRICAN 
ART44 AMERICAN 
AHT45 ARCTIC 
ART46 FARM 
AHT4/ MIXED ANIMAL 
ART« BIRDS 
ART49 MORE ANIMALS 
Lnaoa mriiH ifisccluDMtf StiRM K* 
D ARTM ANIMAL LINE ART 
taAO Cfcrwt I'M}* an or wy ligh Qiittv 




MDSP7-3 SPORTS 
l-anlbil tans, gall Etc £7 





MOWAfrZ COMCAL 

Cirtoon tips. *KH * cf *» 




. ^ 



r^ti* 



WOWES-2 WEDDINGS 
BrHH, ijnooms, ohu, rmgi 



FONT SETS 

Fan** 1 Fanis? Fonra^ 
"IFF & Chp fonts to nit m OwIuiih PsiW 
"Bitmap fonts can be used in D*Pami, 
Penpal. WiKtivur-.itrt- Kwthvarde etc 
'CompuoraphK & Adob4 taftf* 
sie okay witn PagB Stream. PrvPBgB, 
Wtmfsuerlh and mom 
■. . VBS FONTS -by W» Dartt Lo»d 
V153 VFPD IFF FONT PICS 1 
VJ64 FONT AND FONT UTILS 
. ¥653 FONTS 
V40? IFF FONTS 
VW IFF FONTS 
, V1502 HEADLINE FONTS 

visas FONTS 

V171B HSl DEMO-MAKER FONTS 

V1721 EXILE COLOUR IFF FONTS 

V2Q56 RSI FONT EDITOR 

V214S IFF FONTS AND LOGOS 

V2146 HEFTY FONTS! 

V2339 FONT FARM 

V2S29 IFF FONTS 

V2B69-.J atTMAP FONTS 

V2803 GELIGNITE COLOUR FONTS 

V29rS-4 COSMOPOLITAN FONTS 

V2947 MINI FONTS II 

V30O7-5 COLOUR FONTS 

V30131-2 COMPUTER FONTS 

V3030 COLOUR CUP FONTS 

V3031 GELIGNITE FONTS 2 

V3A63 FONT VIEWER 1.2 

V3M1-2 AOOSE FONTS 1 

V3393 CG FONTS 

V3533 FONT FARM 3 

VJ6HB COMPUGRAPHIC FONTS 

V3691 POSTSCRIPT FONTS 

V3734-2 PICTURE FONTS 

V3736-Z FONTS & TEXTURES 

V3B04- 10 COLOUR TEXT FONTS 

V3BS0-1OPAGESTREAM FONTS 1-10 

IMAGINE 3 FONTS COLLECTION Vol.1 

A froe disk collodion ot 60 Sup#rb postsenpt 

tonle 1hat tiork with Imagine 3 Superb tot 

rtnd*rinj Jlurwig togos ate. . IFD 9-S £9 00 



E2 uc 



LA DISK, 



P 



V393 ULTIMATE ICON UTILS 

A roHtrfflnn ol icons & icon edhc<s 

V1 146 ICON MAGIC 

V1 866 ICON DISK 

A l.ii no ccAedion of WB 1 3 eons 

V2527ICONSFORALL2 

V3S46-3 ICONS PLUS KS2/3 

T'iii* Jisks lull of snazzy new cons 

V.TBR7 CUSTOM ICONS KS2i'J 

V33D9 ICON EDi 

KS?.'3 itfln edile: 'i 

V4O90 AG A ICONS 

Suparti <:iir;fi 1(K WB3 

V4flt31 EIGHT COLOUR ICONS 

Qrearl loi uso wnh hiagk: WB 

V40S3 16 COLOUR ICONS K.SZ.'S 



BOX OF TEN QUALITY BLANK DISKS 
WTHEl/ERY PURCHASE 0VEfiE25 



PROFESSIONAL CDROM TITLES 




i\ 1 1 



Suitable for any Amiga configuration fitted 



^ZJ 



SNELLFONT 



H/rv«+ 



a CDROM drive. Floppy drive & keyboard 



rr/Hor/ 

BOLD'n'BIITE 




PROFKSSIONAI KJNTS CD 

it ^oflfj ^ri'.gw ■'.•Hi 1 i-i-.ui'-. jvj mm •ftmcJjQcM ■: J ■ 

u 1 ■ ixijJrUiru OT firTirj, lukJ jIvlaJiiHil'-. '■.' i iVrTiiT 

WW 



Ml I I IMMHA TOOLK1T2 

YAimui.r.'i i<ti Klkl'l ".^.1. ■ ' 1.1.I...1'. "I I G I... h 

i. tuimtmfmm, ^ fcwdTifi ",'.: u- <w„ , 




CLIPAkl Ll> 

I f.i.r. :i m,'. l inwniriu,r-. in rr, 1 nilmrlFF. 
1 Pfwitoi. LPS. raaritnff. facf it'^--wi ■' "■ .1 
I Canri Pwntjjinmifl J^-W 



Priority Order Form 

Nan* , 

Mores 



DVID4-] TTTLEXXX- 1 iJuLh 



Orel sir VsiluE* 






Ajrup model .,. 
Credit Card No,, 



Payrnnll 



i- 



ii r-ipari imigH ** Itowd 11 IFF bo Iney can beuwd m tnf *n*01 rjrrPar(X«H 

;k»jo. Gods are riur MH Cl'i a Ir » pencil 

41 Imagne ctiech rsqiMS Kjctslait 1 w J ta apBtaJe. 

M Sflnsles'Snij-ilFX nrn IFF K run hr iBAd wim arrf music PBEloga «' UiiscX, 

vOSmoil Siunil Tiaulmi bil. 

OTVI I Cik.^l'll.l SCONVI KI1 K fl njr 



Arm rani <lf Packn 
oii».jMi h 1 1' 1 1 



Prices per disk 

• Iviim-7 Tm_t;<rin , >lii:iii-.t>i 

QlM 



Orwltcrrn 



Ql¥ 



Ts ii ill pjodf vatae 



hlM 



'■'"■■ 



A I'iIlLiIIL 



■iniiuiiii .iilIih..j 



■=£ 



- E 



:i' i 1 I k. 

ii . 



[k Maimang, FlrFl Flow fMtt*. V<1mi» Cm*», I3B 139 
Vnn)nfl«Rd, SwUriafi, Vltf- SHI 3BU TaN OT-93 OIHWg 




S(HM)S IKKKLHt' lOcuahiCD) 

-iiiir. JWi>ilhVilfr. ■■ 
" mt*} "mi 1 .nil 1 vtimtti 
I Caw^hanfrir 1 nun 1.ni^n ■■< i"<" ^ ^V ^ 



4r¥4llrrtnfl J*J H«4 

SiiTiilr tffrt 1* d »nnfn mJn ma j 1"^- -ii "i^ J"^ v"*j 
rainrr. ur »i"Hj ***■ il'r ^■m 1 '. -ii ilirrjlrt yiutv.ure.ii' 

■ n J'tur ruuv *rJ jldrt», it ih-ic lF phMI^THY ihtt rmx nd 

vi'il ^ jjiTi! -wti lii pjnTnTHv Hpv MWpin|. tlfl-IW 
Yuicu iffftniikiii. SW^i. ^ : hl 

I mIUt Lii.L .IbA, 
1-1 . J ■. ■. ■ ..- -, . .illnlnl sjtir jjs. "MJI :1 >iur iMiiu !■■ 

■i.ii.- In -.- iikiw iilnit in i few hm uiuFJkuj to pafl >r 

OkIHIJ ivdm SV »rti iiv <-■■ rJrw *M L I lK> til ■»* 

nllr«*mJ\ # j mi.ni.ii.nl " inlj.«Pf4r 
PVhuibe m I'kUth 

Hif*«l iJ-J 1 iy-P.ll "I S^ BP s-'«' i«<£' 'I 'n Wr UK Tiir 
.J, .1,1 i. I aJke jci C t> in L'K Uhmcift 
prandbr tn ,!■■■• ■' ' ■- 



■kajc *iil Ll iJI0> t^M.fl CuL.1i 

idtltUKrCUhjOyrjilTtw 



C ,- r lllMl,^ 

nil lirin jrfHriiwd ■-Iriilil ^ vl >!ii jtf Amik'j unk** 
.i 'i iii.-jit> ihui i. iirf> «ciij -ra AlKwA-WBP 
itil 1 ■ nit j..-, ma :ite refm^ -r *£*&** *,#&•* I juo 

* N"1lV Hl^ fc« phiim 
Tn pl*.T in "i.lr- nnn Ift pnirftC JiljiplH LJll UIJ MtTK 

-I 
■.inlil ljiJ ihl.nl- irJ ifec *tW yw ' 



Other CDRom T/t/es 

COPO 2 or 3 £1 9. 99 «nch 

CDPD III 1 1 1 'ii' 

GDPC1V tlS.49 

iii'Sarn. cC^ecli.. Ipdb Fiili, oiitv^ nic 

DEMOCDII L1S.99 

MULTIMEDIA TOOLKIT £19.39 

AMINETII |M,,r,-nnj| !. VJ '.<'.' 

AMINET III u^ 9*| El 9.99 

ThOuaarxlB 0» Wdl. cum**, damaa. cbpdi nvar 

I S nig rr data an ana- CD 

LOCK N LOAD GAMES C19.H 

Cwr l.Daa log tngi |pmH, ArcgUa, Puiite 

HLnlloin Shoal imua etc 

17 BIT COLLECTION £39,99 

1 7 BIT CONTINU ATI ON £ 1 9.88 

ADULT VISION Vol. 1(1 fl) E19-95 

Ovit l 000 OIF Imtdt* /gurifirr M ,i ..i.ursi'i.1^ 

FRED FISH COLLECTION E29.99 

Tiiecuniplclei rariut 1-1.0O0. Icwlt darnas, 

QAines nnliwirwrq sb; 

NETWORK CO £14.99 

FifM BOO 975. Hurdnrti of Imnqsa, DcMODllnci 

laab 

FONTS * CLIPART CI> £19.99 

Thcmincs ol Ailabe. CG ''jnla And dpan Inugac. 

□nun lor DaEh Tua PubUthtra. 

EUHOSCENE 1 £14.99 

Hundreds a I Tie luleM ^nv iT*ao* m W «1«1 

□'lipliK l*T5 li IXlflfl fanj»"l taijrrn ccdo n ilea 

f$alu».pd <hi mrt J4jpart CD. 

AMOS PD QD 1 1 9.« 

Must amoum nr .fljura srxiicc- cede antl MomplM- 

f D3t? SPECIALS 

BUBBA & STIX FOR CD32 £10.99 

Sape* tew ptafwi aar"* f»»n*"B m^ 

Sfllmo*C*l BOd ID! fli^phtJ and Hu-d 

CHUCK ROCK FOR C032 tl0.» 

An M imv «*«lr cHar^rn qwn* o«»i! IMWa I* 

And cjuahjes 

DEEP CORE FOR CDW CS.H 

RRE FORCE FOR CD32 

rw idinn tfiao* m * &rt» t £ 



flrwK i BfcoaV grohn 
MEAN ABf. 



FOHCS33 



PREMIERF r CP :~: 
Sme-w n i— ' »■ 
■it lalfjBi 



w«m« AMIGA INPUT/OUTPUT PORT 

mtatt: dniCM 1 1 Ot**fc* mta&afc Up to 13 tj* to »#« 12 arabg fpds 
Eaijlsp«egannAMGABABC.AMOSGF*SHSor 

r-pagaUsBrMiniBl'*wl(iiBliu!Blite^-p™dpira'!jlKf*Twi *!.(»» 
"An aUS&tfrig «M rji mcraypiodiJcJ" Amp Corpjlrrj 
DUAL MOTOR CONTROLLER - ONLY C19J5 



SwfctKcrijt Amu*w automaton pragramrrwig ctek E1C.95. 
B omfgjpjyigijilwill iin> port_ 



WAZING SENSOR & CONTROL EXPERIMENTERS KIT 



i pluf-n Pnoetta Ms sMw ng requiied inckflesreBfiiiwe m;ic nr^'is-i - e*d saiicn 
igr-tbub, 4 LEDs. poweilulsjltwa*^ dish anc FHEE 'Guce in /miqa Inlerlatmg* 



ROBOT BUGGY KIT CI 7.95 Meeds maltfdWE Tcdule 5 iMWwrner Ena 
qrjin*itd lo move iDiwwd. newrso. Mm. diawshapas efc Requires bOFarltOual Molw Control* 
jf 17 95'itMaiiva aaapleMCr.HrhBugw dirt CT' MrwplcH; parkaoj i,encl. I-'Q Poti^EU. 




Temperature & Light Exparimentflrs KH t ^ll ,&£ i 

Tnmmn & PliotD sensun phja mlu firiAloq ilprfS + £.*k»1i software 

Mains Controller Module £22,9$ ;tfl«M!d rami memi; hjmhi is. imps 

FHEE*FDWVr<ON PACK ON All PPflOUCTS: PLEASE PHONE OP WHITF 

Ptanw Hrntch*qil« pauicil* loSWlTtH'Bflf Tor ring SwUAtOll 
on 033$ J6S? 73 
SW1ICH5CFT lnclud»C1.5DP(lP. hf[l»> odd S* 



Halm 

Power 
Supply 



m 



Real Time Clock 

A120Q AB0D/A500 

This compact battery-tracked clock measures just 7 x 6 x 1 cms! 
Installation is easy, It simply fits onto the parallel port (keeping 
your warranty intact), and incorporates a throughport enabling ill 
other peripherals It be used 

It comes complete with a disk containing some useful utilities, 
including a calendar/diary program with a multiple alarm facility. 

Now just: £1 3.99 inc VAT (plus II p&p) 



Kyle Products, 45 St Ladoc Road, ^ 
' Keymham, Avon BS1 8 2DR ^ 
Tel: (0272)400805 







FAST AMIGA REPAIRS 



FAULTY TROUBLESOME COMPUTER ?? 

SEND OR DELIVER TO THE EXPERTS FOR FAST REIIABIE REPAIR OF YOUR BELOVED AMIGA 500 

FOR ONLY £44.00 INC/ 



DRIVE OR KEYBOARD REPLACEMENT +C1D 



WE ALSO REPAIR 
A600. 1200, 1500, 
2000, 3000 + 4000 

* FREE QUOTATION * 



COLLECTION SERVICE 

AVAILABLE 

DOOR TO DOOR 

ANYWHERE IN U.K. 

£5 EACH WAV 



EXCHANGE SERVICE 

MODULATORS £19,50 

PSU.- ., „£19.SQ 

D/DRIVES £25.50 

K/BOARDS ....... £25 50 



WE Rf SERVE THE RIGHT TO REHJ&E AW MACHINE ' 



FAST COMPUTER SERVICES, TOWER BRIDGE, LONDON SE1 2HG - TEL: 071 252 3553 



AMtGA ADVERTISERS' INDEX 



17 Bit software. ..60 

1st Computer Centre 74,108,109 

Analogic 138 

Artworks ..,..„..„., 148 

BAK Distribution ...............130 

Bitcon Devices 140 

Blittersoft , 30 

Brian Fowler Comp 58 

Bus Stop PD , 130 

Capri CD Distribution ,......, 130 

Compo Software.. ....134, 135 

Coombe Valley Software 140 

Dart Computer Services. 74 

Delta Pi Software ..64 

DeltraxPD. .....98,99 

Direct Computer Supplies ......70 

Direct Software... ................144 

Easy PD ........82 

EM Computergrapfiic. ...........76, 77 

Epic Marketing SO, 81,153 

ESP 115 

Eurolmage. 130 

Europress Direct 150, 151 

Europress Software 36 

Express Pd: 148 



Fast Computer Services 154 

Five Star PD ...90 

Future Software .....138 

G.T.I ..,64 

Gasteiner .......69 

Gordon Harwoods 38, 39 

Greytronics 47 

GV Broad Enterprises .,...130 

Hagars Electronics , 130 

HIO 72 

HiSoft ..........8 

HornesoftPD. 130 

ICPUG 130 

Indi Direct Mail , IFC, 3, 18 

Jorvik Computers 130 

Kew=il..„. 130 

Kontax 72 

KUMA Books Ltd ......130 

Kyle Products.,.., 64,154 

Ladbroke ,. 52 

LazycatPD 130 

LCL... 72 

Maverick Mail Order 138 

Megasoft.. 130 

Micro Mania...... 44 



Microvitec 20 

Northern Amiga Users Grp ..,..,...,,..55 

Optonica 142 

Owl Associates .105 

PD Drome.., 126 

PD Soft 89 

Power Computing ...13, IBC 

Premier Mail Order,,..,.. 105 

Premier Vision .........24, 25 

Rombo 0BC 

Seasoft Computing ...66 

Selectafont Company 148 

Silica 15,63,95 

Siren Software... 17 

Softwood Products 48, 49 

Special Reserve 6. 7 

Switchsoft... 154 

Total Computers Suppliers.. .......85 

Trevan Design ....64 

Trilogic... 42 

Underground PD , 105 

Weird Science .11 

Whiteknight Technology 122, 123 

Wizard Games. 74 



m 



Amiga Computing 



NOVEMBER 1 994 



Viper 68030 Series 




VII 




RAM upgradable to 128MB* ' 

Full Kickslart remapping** 

Optional SCSI-1] adaptor 

688S2 Maths Co-processor 

Onboard battery backed clock 

Instruction & Data burst modes 

Much faster than an Amiga 4000/040*** 

•Unit tn VJ|Kir Mim *-Unly mi Vlpci 2SW**OiIt in flptC M\/W 



VIPER 28 

Full 030 with MMU at ZBKEfe FPU upto 50MH* 

Bare board £ 1 49 

4MB 28MHz FPU £299 

4MB33MlfzfPU £359 

4MB40M!lzFPU £3 79 

4MB 50MHz FPU £3 99 

VIPER 40 

Full 030 Willi MMU at 40MHz FPU upto 50M1I/ 

Rare hoard , £219 

4HB2*>MrfeF?0 . . .£369 

4MB33MHzFPU ...,.,.. £389 

4MB 40MHz FPU £429 

4MB 50Mili FPU £449 



VIPER 50 

EOD30 Kunnirsg at 50MHz 

Bare board , £249 

4MB20MHzFPU ...£399 

4MB 33MHz FPU £419 

4MB 40MHz FPU £459 

4MB 50MHz FPU ,....,. ...,£479 

CO. PROCESSORS 

mmgftv £25 

SMOGrfm - £60 

40MHKKPU £80 

SOMHz FPU £120 

SftH-] I Adaplor £79 

8MR SIMM for any board £3 19 



Power Drives ® 



XL I .76MB DRIVE 

The XL Drive can he used with any Amiga 
Computer, and allows you to store a massive 
1J6MB on a high density disk. The drive 
also acts as a standard &80K drive and cam 
read and write A4O0O high density disks, 

XI. Drive 1.76MB External £89.95 

XL Drive 1.76MB Internal £79.95 

XL Drive I.76MB Internal A400Q .£89.95 

INTERNAL DRIVES 

w'e use the same drive mechanisms as 
Commodore, 

HC881 A500 Internal drive .£40 

PC882 A2000 Internal drive £40 

PCSS3 A6M/I200 Internal drive £50 



£60 




POWER DRIVE 

The Power Drive is the most impressive drive 
of its kind on the market and now includes 
Blitz Amiga and Floppy Expander. Floppy 
Kxpander allows you to compress files only on 
floppy disks by up to 50% 

SPECIAL OFFER 

•For an extra ten pounds Cyclone copier can 
he purchased with the Power Drive, 

Floppy Expander (Pwdua<dM$*Htelf) £9.9S 



POWER DRIVE FEATURES 


Kuwr 


Alllllrt 


Ami-click • 




Aittl-vLrus • 


• 


Klcippy- Exjjadtr* • 




.Hiirty iturliaiiism • 


• 


Iswlaiion switch • 


• 


2 year guarantee • 


• 


Tliru'port * • 


• 


Upgradable tn 1.76MB • 




Cyclone onmjinl hie chJp • 




BuJlMn backup hardware 




Amis* VomM HuH • 




liiiu Compatible • 




Disk drive rnwilfn<atto& by S*ny • 




to slop flkkrins LED 





Hewn;, fllckfrifll Uilf i tui yuui iM dti>u IllLifi Unit 1h« dim OB DPI 
kin in.-Iil .ill" Son) fi '''■'-• hi .i;h i'-;ii|i.m luiil'. 



All price! include VAT and arc subject to change 

without notice. Prices correct for month of 
publication only. Delivery extra. E & OE. 




Power Computing. Ltd 
44a/h Stanley Street, Bedford MK41 7RV 
Til 0234 ■ 273000 F.i 0234 3 




Steps to 
Frame Grabbing 




1. Capture your picture 




2, Convert it 




rom 1 



3. Use it 



ROMEO Productions Limited, 
2B Young Square, 
Brucefield Industrial Park, 
Livingston, Scotland. EH54 9BX. 



Frame grabbing couldn't be simpler and more 
satisfying and is probably the best function that you 
can add to your Commodore AMIGA, 

The Vidi AMIGA range has been developed to meet 
this requirement at an affordable price and an 
unequalled performance level. No matter what your 
needs are, from hobbyist to professional, there is a 
Vidi to fit the bill. 

The Vidi AMIGA helps you place pictures within 
publications, animate or just have fun with digitised 
images. Connection couldn't be quicker and simpler, 
I hey're designed to exploit your creativity and 
imagination! 

Vidi AMIGA 12 

Excellent value 12-bit digitiser, captures colour HAM 
pictures in less than 1 second. Delivers good quality 
grabs from composite or S- Video sources. Minimum 
recommended system: A500 with 1MB RAM. 
Only £99.95 

Vidi AMIGA 12RT 

A superb real time (fast scan) digitiser, grabs 24-bit 
images in l/50th of a second, Similar to the Vidi 12 
but with many additional features and higher quality 
output. Vidi 12RT can be upgraded to the Vidi 24 RT. 
Minimum recommended system: A 1200 with 2MB 
RAM. 
Only £199 

Vidi AMIGA 24RT 

Identical ro the Vidi 12RT but with more video RAM, 

Can grab in formats up to 24-bit and produce full 

overscan images in HiRes interlace. Professional 

quality capture. Minimum recommended system: 

A1200 with 2MB RAM. 

Only £299 

All Vidi digitisers have common built-in features such 
as sequence editing and playback essential for 
animation and sophisticated image processing 
software. All have composite and S-video inputs and 
are fully AGA compatible. 

The Vidi AMIGA range is available from your 
authorised reseller or from ROMBO. 
For more information or to place your order phone 
(1506 414631 or fax 0506 414634,