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9to JTlaioretn Qat an* (&loriatn

«hP-*m* — ( o to ft r gift — Cldot

To ^dotiko pipXio tov Udv

♦: 2 r

PANPARADOX

PAN towards CHAOS

EMBODIES

Philosophy and mysticism around the
misrepresented contemptuous god
AND
black magical Chaos-
philosophy

* # *

With illustrations

By Vexior
218

mcmxcii-mmviii

•:j

Knowledge is not the same as Understanding.

This book is a black link to one's dark subconsciousness.
The bewitched texts in this book are partly intended to
wake the black flame of Lucifer, your enraged flame
in your spiritual inner. This is black Chaos magical
knowledge and some parts may suggest criminal deeds.
No criminal acts which are explained in this book are
recommended. And I, the author, Vexior, take no
responsibilities for the readers' development, nor

any deeds and actions.

The content in this book is all and nothing.

PANPARADOX

by Vex tor

reproduced or utilized in any form or by any means,

electronic or mechanical, without permission

in writing from the publisher.

Layout by Vexior and Ixaxaar.
Panparadox book seal, cover illustration

and concept by Vexior

Pan-head border by Chadivick St. John.

Baphomet symbol by Vexior and

Oblivion Creations.

Photography by Count Wrathven and Vexior.

Vexior as a Black Magician portrait

by Darby Lahger.

Illustrations by Vexior 1992-2007 and

Chadivick St. John 2003-2007.

www. inkshadows. com

jxaxaar fnbluittiin 2009

: 6 r

•
• •

PANPARADOX

Prceloquium by Vexior

•
• •

Capitulum

A Historical & Mythological

Narration on Pan.

Capitulum i

Pan Towards Chaos.

Capitulum ii

Paradoxical Panic Essence.

Capitulum iii

Papa Pestilent ice.

Capitulum iv

PanAgoceros.

Capitulum v

Loku

Capitulum vi

Loka Bok ok Hat.

Capitulum vii

Lucifer.

Capitulum viii

Liber 608 et VERITAS

105

Capitulum ix

Liber 391.

107

Capitulum x

Panic Entities.

111

Capitulum xi

Grimalkin.

115

Capitulum xii

Baphomet.

129

Capitulum xiii

Prcemeditatio Ritus Panos.

141

Capitulum xiv

Correspondences of Pan.

161

•
• •

IRIS SI MUM

•
• •

Ritus Panos.

170

Panic Ritual Area and Tools.

174

Panic Preludium Ritual.

179

Ccerimonia Panos.

181

Pan Pceanis.

183

Pan Ritual.

186

Panic Postludium Ritual.

188

• 7 ♦

3<5 Paul Ela fc parafron ftrakonta!

2$i* book ma* necer meant to gfo a full ffiuatratioa of

pan m a got, but merefc a rearing of tip personal

magical morittn£& oridj pan* Sljese art mp

conclusion* ana mp un&erstan&ing*,

TEfat testimony of mp magical

work; tfce gift to me

from pan:

SuteUegeutia mea
5 fi Pan!

131

I have never had a duologue with Pan.
I have only understood what Pan has been

divulging.

2Cip* book i* mj> rendering of tttf> understandings. .

•••9

prerionuiuttt

The appearance of Pan gave a reflection that spawned

the evil creation, Satan's horned and cloven-hoofed

guise,, . the light's eternal fright, which reveals a

black link between Chaos, Satan and Pan.

Pan, the untamed beast in demon-shape
(otrftiprilift), which strolls restless around our
woods and mountains, or rather, coils,
levitating through our filthy cosmic galaxies
(ttttpurua tostni), as a burning dragon, laughing
relentlessly at the creation of cosmos.
Pan is the god of wrath, which lurks in the
shadows and does everything to trip up all
cosmic slaves that pass by in the world of pests.
With wrath, I intend to convey the creative
ignition in our mind that releases 22li0 and
Sfrmgrtj to achieve our goals, and to fight for
what we believe in, and what we want to
accomplish. What I mean by "the creation of
cosmos" and "the world of pests" is the earth;
Tellus... the creation of the false god; the

: 10 v

Demiurge, where we, the humans, created as
energy-generators for the Demiurge, live in
slavery. We, according to Christianity, Islam,
Judaism &c, worship and uphold the powers
of the Demiurge, which means we generate
strength directly into the Demiurge's creation
- the cosmos. Therefore, having unconsciously
accepted this life in slavery, we automatically
become slaves in cosmos; the false sphere in
the mighty and black oceans of Chaos 1 .

If you do not agree with what I write, then all
in this book is false. It is true only if you think
it is true. This is Chaos-philosophy - gnosis
for those paradoxically initiated in the acausal
ways of thinking and living.,, for you who
are a black Chaos magus - as this is the book's
true epithet.

This book holds an anthology of manifold
angles, philosophies and analogies of the god
Pan. I will here present the doctrines granted
to me throughout more than eleven years of
interest in Faunus, Loki and Pan &c. These are,
you could say, brief representations of these
gods. It is not really my intention to describe
all of the assorted interpretations of these gods

1 And therefore, the true Satanist's epithet must be Nonserviam.

in depth; it is within the essence of Pan where
my passion dwells.

After Pan I emphasize more on Loki, so I will
bring him up and discuss the important
matters concerning this god and the analogies
between him and Pan. As I have been living
in Sweden my whole life, inspired by the
ancient Norse mythology since I was very
young, where this tradition and mythology have
become a part of me - I do not wear blinders,
thus it is the ancient Scandinavian mythology
and its black ancient magic which allures me.

I will also bring forth some facts of relevance
about Lucifer, because of the fact that Lucifer
is the most important god within the arts of
black magic and Chaos magic. Lucifer
consequently holds a black link to Pan, his
craft and current. Therefore, I will present
Lucifer as a god of importance and as a link to
the Panic arts and the Chaos-philosophy.

The above is a Chaos-Gnostic (Satanic) outlook
upon life, the view that, for example, awakes
the black flame within us. I found elements of
Chaos-Gnosticism and Chaoism or Chaos magic
to be foremost advantageous and creative for

♦: 12 r

the way I chose to live, think and work with
pure and true black magic. Black Chaos magic
is the designation I preferably choose for my
workings. Pan is my magical black wand
(oirga), my magical and astral consciousness.
Pan is my chalice (poculum), which relates to
my intellect - and the intellect is the
configuration of the knowledge. Pan is the one
who ignites the torch of Lucifer, which brings
forth the black flame (igtti* ttigranrit). Pan is
the one who creeps up behind, sprinkling
gasoline on your back, and flicks sparkling
matches at you. Not because of the fact that he
hates you, but just to get your attention... to
get you to wake up and for once, take your
existence or subsistence seriously. When you
have succeeded with that, then your work as a
magician can start — a magician who imposes
masterwork in black Chaos magic. For this is
what black Chaos magic essentially is all
about, to feed one's inner, to develop and to
transcend into Chaos. Whether Chaos exists in
one's mind, or beyond cosmos is irrelevant at
this moment, (even if I will get into this later
on, you can concentrate on that at another
time), what is important is one's awareness as
a Chaotic individual, a human in black magical
possession.

•: 13 :•

Are you confused? Good. Whatever your
answer is, it is correct. Pan is confusion, awe
and fear (inuotamu* re ma*ime furiftli* &eu* oe
nature, in nomine Dei fcfitoi noatri pan!) He begets
your woe and anguish, shoving fresh wood
into the volcanic fires of your panic attacks.
With these deeds, he repeats the mantra:

£>o ©Ijaf fljou milt, aljall be riie ©We of t%t la©,
(3 am 311, ultftl) 10 noting, uljitl) 10 Q(l).

•: 14 :*

So, what is black magical Chaos-philosophy 2 ? It
is quite simple, when it comes to black magic
and philosophy of course. Chaos-philosophy is
the fundamental discipline, which discusses the
matters and principles of all research and
existence, or subsistence, with psychoanalytic
and Chaos-theoretical explanations. Black
magic is a ritualistic work, which directs one's
psychoanalytic ego to establish one's existence or
subsistence in the principle called superhuman,
(even if you consider yourself a misanthrope).
With simpler words - to poke about in one's
subconsciousness, the psychologically
unexplained, and the existence or subsistence
of Chaos and mysticism - for one's own benefit;
to become tlitt.

This is needed, because you have to know
yourself, strengthen and fortify yourself before
you offer yourself to the dark gods of Chaos. This
is a process, which can last many lifetimes, even
for those rtjo&tu outfc. Satanic strength and
triumph is not an illusion, nor a simple thing
you can manipulate. To lie about it and to be
dishonest to pourfctlf and to your environment,
such as friends and relatives, only takes you
further away from it. Nothing can fool Chaos,
because it is the only thing that lasts. . . 10 Pan!

2 Art is Philosophic^ Malefica Magicatque,

♦ I) ♦

Iftoatt tt

What is black Chaos magic (3rti* PbiloftopbitCt
JTlalefittt /tlaeitctijut)? It is also quite simple;
it i* rfcr act of t%t ittDiuiDual auri-coamic tail!.
What is anti-cosmic Satanism? 3* i* tf)t true

cmnipcrtnr moraljip of Cfcaot 3 , mljaf tot rnfturr
btpouD if, iucluDiue forcta, bod* ere.

Iratvm Chaos.

: id r

Nopis - Sigil of Pan. 4

n<xv,

7caiepa 6>xov xcov aanipcov,

d) 7tepurrpe(p6nsvr| ^cropr) koXxxot^!

Kaiaq>epvcn>ns va 6o\)^e tu; x^^aSsq ^lopcpeq

aoi) Kav va ae Kovid^oufxe era ^tina!

Avepxp^evr| naupr) (id^a rr\q KTxup6xepT|<; duva\ir\q\

Oavepcbaov! Oavepcboov!

By&; xpexovrcu; euro to okoto5i ^8 xa ^ai3pa aov KEpaxa!

Oavepoxjou! OavEpcbaou!

4 Nopis- Sigil of Pan received by a secret order of Pan in the early 1990 's.

•: 17

If you do not know yourself,

how can you know your origin?

To worship your father is to try to become as

*&<£.

Only the elite can be triumphant!

Ave Victoria!

- jfrarer flefior

: 18 v

a Ifriaforital & /Biological
iQarration on pan.

Pan's mother was often said to be Penelope, and Fan's

shape as half man & half goat was said to be a result

of her being raped by Hermes in the guise of a goat.

Capirulutn o

♦: 21 r

lfrcflemafic /Tlprijologital 0rigm

Pan with Syrinx and shepherd's staff.

hen the worship of Pan 6 spread

outside Arkadia, his origin became

^significant and of speculation,

(t&ere 10 almost no bnotole&ge at all
about tkt mythological Pan before t?e toa* notices
bp tlje greater part of tlje [frrUenic people 490 b.c«).

5 "Pan with Syrinx and shepherd's staff 1 by Cartari, 1 64 7.

6 Uav

: 22 v

At least twenty versions of his birth seem to
be known, but Pan was seen by the most as
the son of Hermes 7 , and was initially a very
old god, connected with Mount Cyllene in
Arkadia.

Hermes is known for his seduction of nymphs,
in the shadowed depths of the woods, with
whom he was said to have had many
offspring... among them Pan.

Pan's mother was often said to be Penelope, and
Pan's shape as half man and half goat was said
to be a result of her being raped by Hermes in
the guise of a goat. Zeus and Apollo were also
looked upon as the fathers of Pan, but Hermes
seemed to be more fitting as a provincial
character. Another narration depicts that
Hermes made love with king Dryops' 8
daughter, as he tended sheep for this mortal
master. His daughter was a nymph. It does not
say explicitly that Dryops was his human

7 £pw

8 Apvoy

•: 2 j r

master, but it seemed so anyhow. Hermes won
her favor, and a short time after an abnormal
child was born, with hoofed feet and horns,
boisterous and laughing, with hairy pointy
ears and horizontal pupils like those of a goat.
The questionable mother sprang on her feet
and ran away soon after she had given birth to
Pan, She became terrified when she saw the wild
and bearded face 9 . Yet, Hermes took his son
on his arm, swept in hare-fur, and rushed to
Mount Olympus, where he let his son sit next
to Zeus and the other gods. All the immortals
looked upon the child with joy, especially
Dionysus. There the gods named him Pan, and
all liked him 10 .

9 And by that, she spawned a misanthropic and incensed behaviour in Pan, and
he came to prove that he was a link to the irate Chaos. "Come, come to us, your
children! Come to us, your servants and loving! Because we worship and love you!"

10 Compare to the relationship and acceptance between Loki and the JEsir in the
Old Norse mythology.

•:24

Another tale about Pan's mother surrounding
Penelope 11 , wife to Ulysses, is that some believe
Penelope was seduced by Antinous and driven
away by Ulysses to her father Icarius, and as
she came to Mantinea in Arkadia she gave birth
to the son of Hermes: Pan. There was also
mention of a Hellenistic temple where the
surname of Pan was Sinoeis, which Pan
adopted after a nymph Sinoe 12 , who, with the
other nymphs, nursed him on her own behalf.

There are old, obscure and very interesting
theories about Pan being a very ancient god 13 ,
the son of the Titan 14 Kronos 15 . This makes Pan
primordial 16 , (semi-) titan and brother to Hades 17 ,
also linked to the underworld; Tartaros 18 and
Khaos 19 , and at last this theory links Pan to Saturnus
and the forces of death. Pan is one of the scythe-
bearers, underworld-dwellers and Chaos-giants.

11 UtrveXonn

12 Iivdrj

l} Probably older than Hellas' mythology itself,

14 Titans Timvec,

15 Kpovoc

16 From a cosmic perspective.

17 A&W

18 Tapxapoq

«: 25

Pan was called Pftu Iftnmio* after his father Kronos.

Pan was said to be one of the youngest
Hellenistic gods, together with Dionysus and
Herakles. But in ancient Egypt, the
Mendesians considered Pan to be one of the
eight original gods, who were the earliest gods
of them all. Therefore, the people of ancient
Egypt never sacrificed goats, neither male, nor
female goats. Their paintings and sculptures
of Pan were similar to the people of Hellas.
The Mendesians considered all goats sacred,
male goats more than female goats. Mendes,
in ancient Egyptian, was both the name of Pan,
and of a male goat 20 .

The Hellenistic stories mention that as soon as
Dionysus was born, Zeus sewed together his
thighs and carried him away to Nysa in
Ethiopia. When it comes to Pan, the ancient
people of Hellas did not know what became
of him after his birth. It is therefore obvious

20 Chnoum- Mendes in ancient Egypt was in an early stage identified with Pan.

•: u6 :♦

that the Greeks learned the names of Dionysus
and Pan later than the names of all the others
gods, tracing the births of both back to the
time when they acquired the knowledge.

So, there were two Pans that differed: one was
the son of Zeus and twin brother with Arkas,
and the other one was son to Kronos.
Compound names like Titanopan 21 , Diopan 22 ,
Hermopan 23 and even Aegipan 24 have been
discovered, variations depending upon which
father he has been identified with. And the
several and small PANS 25 (panifrfcoi), the
offspring of Pan, played similar parts as the
satyrs. Selinoi are much related to PANS, they
were the children of the satyr Selinous - they
were spirits of the springs and the rivers.
Selinous 26 was a drunkard, although a very
wise satyr, with great knowledge.
Also, others have speculated that Pan had a
darker, double side, his divine second self,

21 Tizavonav.

22 Aionav.

23 'Epfionav,

24 Atyinav.

25 naves.

16 Idrjvo^. Selinous meaning "He uho guides the satyrs" which is another epithet for Pan,

•: 27

««

♦

which may be the reason why the Hellenistic
people had two different Pans.

Most of the mythological books classify Pan
as one of the lower gods, higher than the
humans, but subordinate to the "higher" gods.
But as for the worshippers of Pan, this was not
the case. In one way or another, this worship
survived. This has made it hard for the
Christians to demonize Pan, and to make him
that evil goat-hoofed fiend, Satan.
Fauns, Paniskoi, Satyrs, Selinoi and of course
Pan were all beings of the woods who were
also associated with the goat. Around the
world, goats are also regarded as a symbol of
fertility, standing on their hind legs, and they
were used in ceremonies to celebrate the
fertility in nature and man. This was distorted
by Christianity, as the Bible was written to
separate the lambs from the goats. Goats then
became affiliated with the Devil.

: 28 r

Shadow-Pan 27

27 This is the true Pan, the horned one from the shadows - Satyrus Umbrarum.
Ail traditions 1 have come in contact with have shown that Pan and shadows are
related- Ex umbris appare! Qui rex occultus es.

♦: 29

an has many names 28 , as many
other gods, and the one that I
think fits his obscure essence
well in the northern primeval
woods is Grimalkin. That I chose the name
Grimalkin is purely personal, my taste and
receptiveness favor this name and therefore I
chose to use it before others.
The name has its origin in medieval Ireland,
and through Grimalkin-myths it wandered
throughout Europe and established itself in the
Scandinavian folk tales. As Grimalkin, the
witch-cat, he has stolen our hearts as Ptegga,

foalffcaaar, Iftaapar, Iftuurremurrt, Skuggabatour

and tftfttaiptn amongst others. Grimalkin is from
the beginning a witch-cat which was believed
to have been killed in the old Pan-legends, this
was found recorded in Ireland back in 1553.
It was shown that this witch-cat was a form of
the god of the woods - Pan. This can or will
make confusion, so let us take it from the
beginning of the Pan-narration, when he was
found by the ancient people.

28 Versipellis.

•: 30 :♦

Ctrttutmoa is a well-known name, and it should
ring a bell if you have any insight in world-
mythologies. This Celtic god of ancient Gaul
is probably known to be one of the earliest
deities on earth, that is to say during the era
of man. The ancient people and their primitive
period consisted for the most part of hunting,
breeding and survival. There could only be
one leader, one supreme tribesman.
So, it naturally shaped a multitude of qualities
which created an effigy of a divine being who
came out of the dark crypts in the woods. A
god which represented masculine strength, the
phallus, and the enraged nature which
enforced the man to a consciousness of
strength. The horned god is born of a virgin
mother, and he is a model of masculine power.
He has no father, because he is his own father. 29

39 Pan, as a dweller in the woods, got the epithet: "Lord of the hyle" .

♦: ?i :♦

In the ancient Hellas there was an original Pan
in Arkadia 30 (CaDutifer) which played an
important role in the rural civilization in that
period. He was one of the few earliest great
gods which were worshipped in Hellas during
that time, as Herakles, Dionysus and Pan were
said to be the youngest of the gods. Pan was
worshipped in the Arkadian regions of Mount
Lycaeum , where his temple lies... but the myths
speak of a desolate temple, guarded by the thick
primeval forests and the cruel chasms. Pausanias
says that Pan lies there waiting... 32
However, in Egypt Pan was seen as the oldest
of the gods and as one of the eight gods which
are said to be oldest of all; Herakles belongs

to the second Dynasty (the one of the so-called
twelve gods); and Dionysus to the third, which
came after the twelve. Pan was viewed upon
as earlier still; the years between Dionysus and
Amasis are lesser, and they are estimated by
the Egyptians to fifteen thousand. The
Egyptians said to be convinced of this, because
they had calculated and chronicalized it all. 33

7,0 Pan was so important to the Arkadians that they named Arkadia after him;

Panta.

3 ' Gr. Lykaio or Lykaion — Mount Lycaeum meaning "Wolf Mountain" .

1,2 "Pan Lycaeum" meaning that Pan was born on this mountain and it was

thus sacred to Pan.

3i Pan Great God of Nature by Leo Vinci,

•: 52

In Hellas as well as in Egypt found in the
earliest days, there are fragments of a Pan
character which lived amongst the primitive
people. The fact that he was important to them
is obvious, considering the fact that they
named a city Panopolis as a homage to him. The
Hellenes called Amon-Ra's holy city Chemmis
for Panopolis - City of Pan. They said that
Panopolis was inhabited by Pans and Satyrs.

"-J!

Like the Hellenes, the ancient people of Egypt
identified Min (Min; defender of the crops-
also called Amsu) with Pan at Panopolis and
Coptos. This is shown in the name Panopolis,
which the Greeks renamed after their mighty
god Pan. The Hellenes identified only the
essence, not the form, this is because Min and
Pan have no physical parables. In Mendes
in ancient Egypt the people worshipped
their god Min 34 as a goat, thereof the epithet
Goat of Mendes. ^^ Vinci explains his

appearance: **/Tliu (Or
ftfanftins wi'b bi*
rogtfbtr Ukt a
btlfc uprigb* in bi*
i* fctlft ftfifflp about
as if be mere about ro
ahull cap on bi* btat>
ana two arrtamtr*

3m»u) is fctpitfta

Itga placed figbrtp

tnummp. 9f flail i*

rigb* band tbat

and brijina bi* beat*,

efrikt, jTlitt bad a

toifb two bigb plutnte

banging uoton bid

back, ana be aluap* bao an trtcr pballua." 35

The same essence as Pan and Min is reflected
upon the old god of ancient Italy; Silvanus (or
Sylvanus). His name descends from the Latin
word Silva which means wood, and he is the
god of the uncultivated lands. Silvanus has the
same appearance as Pan, and shares many

34 Which they actually also called Pan.
" Pan Great God of Nature by Leo Vina.

functions in the religion and cults. The same
goes for the Roman god Faunus, which is
identical, both in essence and form, with Pan.
Doubtless the Romans have just taken the
ancient Hellenic religion and mythology and
renamed it all.

Both Min and Silvanus were gods of the
deserted lands, and their cults were always
centred there, grottoes still carry ancient
graffiti; memoranda from an ancient cult
which holds dark mysteries of the elder gods. 36

16 / will not go on further in this book in comparing these gods, but as a disciple of Pan
-you should.

•: ?5 :•

lfrpmit to Pan

Pana Ton Nymfagetan

Naidon Melim' Aiedo

Chryseon Choron Agalma

Kotilas Anakta Misas

Euthrou Sirigos Evron

Entheon Sirina Chevi

Es Melos The Kufa Venon

Euskion Pidae Kat' Andron

Pamfies Nomon Themas

Euchoreftos Euprosopos

Emprepon Xantho Geneo

Es Th' Olympon Asteropon

Erchetce Panoidos Acho

Theon Olympion Omilon

Amvrote Rasnisa Mise

Chthon The Pasa Ke Thalassa

Kirnate Tean Charin Sy

Gar Pelis Erisma Panton

O, I, Pan, Pan.

•: 16 v

topttm to pan

Translated into English

Pan, the nymphleader

Naead's eternal will

Statue of golden dances

You, who gains their respect

Fine cry of the flute

Giver of inspiration to the Sirens

Walking lightly in the songs

Jumping from the shadows against men

Forested ground's creator

Well-dancing, well-faced

Fine fair-bearded

To star-filled Olympus

He comes in singing and sounds

The Olympian ones

Providing with Ambrosia

Everything underground and in the sea

Is moving because of you

Because you are approaching each one's lusts

Oh Hail Pan, Pan

•: 37 v

pan Sowars* Cljao**

The image of Pan spawned the evil, horned and hoofed
appearance of Satan, this links
Chaos, Satan and Pan.

Capieulutn i

♦: 39

an, the Hellenic god of the
woods, who chases nymphs and
enchants them with his seven-
piped flute, is probably most
known by his rough appearance, similar to the
Christian Devil. Pan is also a symbol of the
Phallus, fertility, sexuality and perversion.

Hereby relates a side of Pan which has not been
actually explored; a theory and a philosophy
which brings forth the darker sides of Pan
and his connection with the black current
of Chaos. This is a black Chaos magical and
Chaos-Gnostic hypothesis of this incensed god.
Procul este profane.

This is Chaos-doctrine; which is all; which is
none; which is all; which is Pan; the everlasting
dragon which hovers around restless in our
atmosphere, throughout our universe, here, in
this false creation called cosmos, in quest after
the black flames which are burning in the very
essence of the human soul... the blaze which
flames the magical language of Chaos.

♦: 40

q Zov rj*\v<\

•: 41

So, what is all? Why did Pan get that name?
The ancient people of Hellas must have known
something very important about Pan.
They worshipped him as the god of lust and
festival; they had huge feasts in the name of Pan
and sacrificed blood, wine and food in his name
- they sacrificed wine and drank it with him.
They feared him as the god of terror and
distortion; the people were terrified of him,
because they knew about the dark sides of Pan,
they knew about the rage and terror he easily
spread upon people and cattle, and they used
him as protector (even the gods did, because of
his great power) and they protected themselves
from him, as he could come crawling in night
and haunt their dreams with panic and death as
an incubus; the vampiric rapist - maybe chief-
demon of Taraxippus. People that knew Pan,
knew about the Panic vampirism, the nocturnal
force which attacked its victims in their sleep and
drained them on energy and even raped them,
which resulted in the victims having very
terrorizing nightmares and as they woke up they

♦: 42 :♦

felt very effete and indisposed. It was never about
their physical blood.

They also celebrated him as the god of
perversions, because he often chased and raped
nymphs, and the people feasted and performed
perversions with each other, in the image of Pan;
this was of course, by Pan, a symbolic act and a
representation of the wild nature which he was
spawned from; the lusting as an action was never
a useless performance or instinct, it was a
symbolic effigy of something energetic and
vigorous - a dynamic allegory and manifestation
of the Disorder and Disturbance.
The gods which came upon Pan in the very
beginning must have seen something very
overpowering within him, something so giant
and imperative that even Zeus was amazed and
stunned. It is something within Pan's essence that
made both gods and humans fall down upon their
knees and upheld him as &U.
But again, what is &fl? Why did Pan get that name?
Was it because he had something inside that
represented everything in universe? Was it
because he was created out of pieces of
everything within cosmos? Was it because Zeus
accepted him? Was it because he was accepted
and brought into the kingdom of Mount
Olympus and of the Pantheon of the gods? Was it

♦ 4? •

because he was a part of that which is of the
below and above? Was it because of his origin
from the Titans; his blood from Prometheus fljt
Jflamt and Cronus fl>t Ifrarattttr, and blood-
brotherhood with Zeus? 37

Did the gods already know about the connection
between Pan and the anti-cosmic primeval
Chaos? Maybe Pan is the great force which all
the divine temples are founded upon, e.g.
Pantheon; ftmplt Of all fljt got**? Maybe Pan was
the malignant force Zeus filled the box with
and placed in Pandora's hands, in knowledge
that she would release the contents; hence her
name would be interpret as carrier Of "Pan, or
carrier of all: All as in confusion and tail. Maybe
this is Pan's spiteful name as the shepherd of
the horrid demons: "P&tt&ttnonium?
I ask again, what is all? It cannot be something
created by universe, because universe is not
absolute; it has restrictions, for example it is
limited to one time dimension and three spatial
dimensions, it is also causal, meaning bound
by the dependency between the cause and the
effect. Those examples are signs of weakness
compared to the anti-cosmic acauaal and patt'

i7 Compart this with the OldNor.se mythology; lj)ki's role and blood-brotherhood
withudinn, andlj)ki's derivation from the Giant -race, his connection with the
Flame, and Surtr. and Loki's place and acceptance with the gods in Asgardr,

•• 44 "

Dimensional Chaos theories.

All can only be something made of acausalitp,

the absolute; as in the primordial Chaos - the

pan-dimensional, the active and dynamic

endlessness beyond all forms.

Why name an apple "everything"? It makes

no sense. Pan must have had a very significant

and huge role to get such a name. Not even

the Cosmic Creator has such a name.

Is Pan the aim:purpose:end? Is that what they
meant with SHI?

Is Pan the connection:fusion:nexus between
911; as in Chaos was, Cljao* is and Cljaos becomes

all ano noting contemporaneous 38 ?

Is Pan the name and outcome of Ojaos* j&cut 82lifl?

Is Pan a god at all? Or a pan-intelligent essence
in the role of a nexus between Chaotic currents?
Is Pan the infinite creative mass which possesses
fije potential for causing constant eeolution?
Is Pan Potential ?titni*t& Energy dwelling within
the cosmos, fused with the 131'Currettf , or Lucifer's
lE&seuce?

Author's free translation of a quotation taken from Ltber Azeratt.

"45

What is All?
What is Pan?

•: 4<J r

/%A r^ r^^ &

The Devil.

'•47

♦

Pan strives opposite the course of cosmos. He
soars counter-clockwise through the universe
pranking the weak cosmic existence, and
mocking its life-force by manifesting his dark
nature, which is spurned by the beings of
cosmos, as awe possesses man. This leads to man
renaming the ancient god Pan their most feared
antagonist, the Primordial Antagonist, the
manifestation of evil, namely Luciftn fl)t Moil;
f!)t fienD; ft)t Priutt of Starfcntftt, and all other
"blasphemous" names they manage to coin.

Pan strives for Chaos by relentlessly perplexing
our environment on earth. He leads his
followers out to grottoes in the wilderness,
avoiding civilization, to satisfy his true will.
This often includes avoiding law, order and
other cosmic systems, which do not reach this
world's obscure deserts, or the forest's gloomy
mouth.

: 48 :•

In ancient Hellas, Pan's worshippers sacrificed
wine and food to the deity and they all feasted
on intoxicants and danced to music. They
clapped their hands and danced until the
ecstasy became a trance. At this point, Pan
would spread his madness amongst his
worshippers, and women usually adopted this
strongest. The crazed women often killed the
masculine members during the rituals,
immolating them to their great god Pan.
Sexual activities were a significant element
during these rites. The members of this cult
had orgies, and the orgasms were dedicated to
Pan. They also concentrated the energies into
magical objects devoted to the deity. Pan was
known to have affection towards incubi. He is
very fond of perversity and lust, which he has
in common with Inuus.

•:49

Pan in maelstrom of flames* 9

In esoteric satamc rituals Pan appears as an infernal and manifold Luciferian force.
This emergence wakes ideas and thoughts oflj)ki. The horns and hooves are Panic: the
flames are Lui'ifertan; the long hair, the prankster's face/ gaze and the masculine human
body are lj>kian.

*: 50 :•

Pan dwelling upon mountains is a symbolic
allegory; to be the ruler of earth's phallus, the
immovable - the enduring. He lives there, in
caves, and he brings his devoted disciples
there, into grottoes, an alternative location where
no cosmic gods journey, where the dark
harmonies lie undisturbed and tranquil, and
where you have full control of your surroundings.
The ancient Hellenic mythology mentions that
all the pompous gods dwell in the world of
the gods, where they relish in cosmic idyll,
and act as creators. And so, Pan enjoys the
world of men more, dwelling there frequently,
according to the people of the ancient Hellas,
and commuting freely between the worlds 40 .
Pan is a deity of Chaos, which reflects in his
perverse and aggressive wild nature. . . the very
nature the cosmic gods deride and try to
terminate. Pan is also, undeniably, Satan's
image... or rather, vice versa.
The image of Pan spawned the evil, horned
and hoofed appearance of Satan, thus, linking
Chaos, Satan and Pan.

Compare to the myth oflj)kt.

'•5>

There once was a cult of Pan in the ancient
Hellas, as I mentioned previously, which
spread itself from a narrow Arkadia to Athens
and the rest of Hellas, This cult worshipped
Pan, dressed in goatskins and played on their
seven-piped flutes 41 . The sacrificing of animals
was essential in their rituals. The cult took on
demonic characteristics.

Eventually, this cult died out (bur if afjoulo be
rtuiota once more). Of course, fragments of this
cult have always lived on in several traditions
and areas around this globe, and kept the flame
burning. However, the New Age trends have
tried to absorb the complexion of the ancient
cult and the knowledge of this ambiguous god,
but they only reach imperfection and
misfortune. Instead of listening to Pan, they
furnish the gnosis which they in reality are
lacking, altering it to best fit their trust in the
light. Pan's wrath is only destructive in their
possession.

Cuitus, Cultor, Cultrtx Panes.

•: 52 :•

Pan is one of the oldest gods on earth (and we
all know how fast a rumor dilates in a month).
So, the fact that the incensed dragon-god Pan
has evolved from a primitive god of Chaos to
the jeering wood-demon Grimalkin, or the
mawkish flute-playing kid, who artists in
all times have adored and represented, is
most natural in the development of man's
chronicles and Jk history.

When I invoke Pan, gi y^ we communicate
without value of g I I \ the name. If
the black flame ^_^^^A within you is
lit, you will know the power, whether you call
it Pan or Grimalkin, Sylvanus or Faunus. The
black current of Chaos has its own language,
which speaks freely and unchallenged during
rituals. To live with Pan is the purpose of
upholding the black fires of Chaos, and to
gather all black souls in aim to, with magic,
open the cosmic gates so that the black ocean
of Chaos can storm the creation of the
Demiurge and drown all within it. To do this
means that we will be free again, in Chaos, in
righteousness and love.

This is not intended to try and redeem folk,
rather to plant the verbal seeds of Chaos in the
human intellect. And from my throne of
mockery, I sit, grin, and rub my hands together

"5?

- scrutinizing their inner taking new turns,
directions and apprehensions.

poof! 5 baot mart* a ntto twir Ji formation,

tmrijin our titttt mt Ijaruumit cosmos*

Ifrutouka!

■•* 54 •"

Pan as Death leading blind man.

Et in Arcadia ego.

Think about

it!

This is to become deaf for an already

blind man, but love for me.

55 ••'

Pan became stationed in cosmos to remind us
humans of the Chaos and its eternity, the black
flame. And that is why he is a part of the black
flames of Lucifer, the light-bringer, which burns
fiercely within our immortal faith. This will end
when we all arise in a grand army of Chaos-
warriors, who shall embody the legions which
by magic shall triumph and abolish cosmos.
This perception speaks of the abhorrence that
dwells beyond the sharp grin of Pan.,, the hate
that whirls beyond the absorbing irises of
terror and aversion, which Pan sweeps upon
humanity. Pan hates human nature, revealed
by his Chaotic and dark past.
The ancient Hellenic mythology mentions that
Pan was rejected by his disgraceful cosmic
mother, who thought Pan as a child was
repugnant and was scared of his appearance,
and so fled. So, Pan's cosmic father Hermes
took him within a hare-fell to the Olympus,
where Pan was warmly received and accepted
by the gods. Because Pan was so cunning, from
that day on Pan gained full control over the
gods, doing whatever he saw fit without the
gods knowing, and in that way, was able to
fight the cosmic mockery and sham.

•: 56 v

Effigy I

Luciferian Pan in vex and scorn.

•: 57 v

Effigy II
Luciferian Pan in his objective guise.

: 58 v

Effigy III

Luciferian Pan - Incola Umbrarum.

Pan is seen as a god of many guises. He will
gladly come bursting out from the shadows
with a snorting nose and rough cloven hooves,
ripping up roots and scattering dirt and gravel.
And with a demonic look of abhor, he may bawl
in your face, with his eyes vomiting black
effulgence, so powerful that only experienced
human eyes endure to look into them.
I have personally been attacked by Pan as an
enormous black serpent, snapping at my face.
But he has never hurt me, only strengthened
me and my faith in him. This is a Pan that
often may divulge himself for the human
worshippers...

An aggressive behavior which allures a state
of panic and fear in the very roots of the human
soul; an invocation of your inner black current
which shall show both yourself and Pan that
you are one of his disciples.

/Cfcia i9 fci* nafurt. fbo not a*ft*

: 6o v

Pan as a demon child. 42

41 This is an illustration of one of the apparitions of Pan that I have experienced
during tnvocattve ceremonial meditation. Not just once, but several times, A very
aggressive and terrorizing force, but yet it has brought me understanding and
calmness in what one usually calls mental confusion.

: 6\ r

Additionally, you may also meet the calm
dragon-shaped Pan, who in an inferno changes
appearance, from a reptilian black dragon to a
prankster child, who always seems to run in
circles around you, without revealing himself
- laughing, giggling and taunting, divulging
fragments of enigmas, gnosis and a grave
intelligence of the nature of Chaos and himself.
In the apparition of a child, he generally
orientates in the type of magic Pan himself
wreathed in and which he wants to instruct
you in; Chaos' black sigil-magic, ritualistic
hymns, ceremonial witchcraft and all kinds of
invocations, &c.

To work with the deity Pan is to get deeply
involved with the uncontrollable and wild
forces of the state of mind we usually call
panic. To do this, you have to understand your
own psyche, and the state which is called panic
to be able to have some sort of control over it,
since it is the primary quality of Pan.

: 61 r

%%t panic: One often faces panic in the environs
of Pan. Why? No idea. Well, maybe because
one of Pan's grand talents is to terrorize when
he senses insecurity in man... to make sure that
one is strong before one is welcome to join with
the eyes of terror. For terror is what you
confront with Pan. He is a rotating inferno
which is abstruse and elusive. Many have tried
to clarify Pan, but very few have succeeded. If
I succeed, remains to be seen...
The humankind, that is Yahweh's invention,
presents naturally a cosmic interpretation of
Pan, about all light and harmony their little
hoofed god consists of. But the dark and
enraged creation he really is about is to be
avoided, as humankind regards it as too horrid
and brutal to be told to their fellow beings.

Panic is fear, a strong phobia for those things
that one does not understand. Everybody
becomes stricken by it, but some learn to deal
with it and understand it. However, that does
not mean one understands Pan. One must
restrain one's nature, which gives skill and
knowledge in strength and visualization.

♦: 67, v

Pan speaks to us, to musicians, artists, magicians,
authors, &c... to folk that are able to create a
decent effigy of him and spread his dark idyll,
deceived by falseness and deceived by truth.
What Pan tells is mostly riddles which make
many confused, doubtful, and stricken by
panic. He plays child's games with us, until
we understand that he seeks something within
us,., something that not everyone has yet
discovered... something that not everyone has
accessible. Then, this child's game becomes
more humorous. For malicious pleasure is the
true pleasure, isn't it?

But, for those who see what he seeks, a new
world opens, where all want to go, more than
anything, yet, you do not experience if you
do not "see". J7ou must Dare to sacrifice to win.

sgr

Pan coaches and disciplines one to live as one
wants, to do what one wills, without anyone
poking one's nose in. But you must always
think of the consequences. It is as important
as your will. If not, this way of living is
pointless. This particular subject is a circle of
black magic, to work with ritual magic, to
receive self-control, strength, triumph and in

♦: 64 :•

a way, to proclaim oneself as a god. Awaken
Pan in your thrashed mind... reach for
Lucifer's black flame and turn towards Chaos.

I quote Aleister Crowley
(the man they called PAN):

"&o mbae ffaou milf aba!! be f be mWe of ffae Lam"

er
"Luoe i« fl>e law, looe under mill".

Something interesting in the analysis on Pan,
an anti-cosmic god; a god of Chaos, is that in
the Hebrew Qabalistic Gematria, Pan's
numerical value is 131. In this way one can
easily see that it fits with the numerical value
of Samael and Baphomet, e g, which means
that they are of the same Chaotic current. And
in the number 131 we find the Chaotic number
13, both forwards and backwards. All this
binds Pan to the Chaos-Gnostic belief in Chaos.
It also links Pan to the darkness, a link that
separates Pan from all cosmic matter. Pan is
then of pure energies and with the pure gods.

♦: 6} r

One fact which is relevant is that Pan has
always been accepted by the humans, except
for the few times where Christian philosophers
and others tried to stop the nature of Pan by
calling him Satan, (not far from the truth if
you correlate him to Loki). And he did engage
in some pretty perverse games. Pan's main
pleasure, according to the ancient people of
Hellas, was to pursue nymphs.

: 66 v

Pan was not known to be of a kind nature, rather
very ugly. Pan had an appearance of raw
bestiality, so when the nymphs heard heavy
hooves beat down on rock and stone beyond the
shrubbery, they knew that Pan would come
rushing out from the shadow-draped depths,
with an erect phallus, joyously swaying his
mighty black horns. He often hunted them all
day long in immortal heat and lust. When he
caught them, one by one, he raped them,
laughing eagerly, as the poor nymphs helplessly
screamed, strove, and fought to get rid of this
monstrous god. . . but still they could not. Yet one
question torments my thoughts; were the
nymphs really that innocent and sinless?
According to many of the descriptions and
effigies (sagas even) I have come across, the
nymphs seem to enjoy to be powerfully taken
by Pan.

So, the beautiful and harmonious Pan may not
be so idyllic after all. Perhaps it was accepted to
rape if you were a god? No, people are just too
good at embellishing tales and allegories, when
the people, in fact, are of darkness. This is because
most people do not tell the truth from the beginning,
which ends up in blind alleys every now and
then, and they have to make up lies and false facts
if their fragile theories shall hold at all.

♦: 6*j :♦

parawec&I Panic Essence*

Pan; an irate paradoxical link between

the consciousness,

the unconsciousness and

the pan-dimensional? !

Capitulum ii

•: <?9

•»

ualism means to look upon
all as black and white, which
is viewed by Satanism as a
cosmic delusion.

Paradox means to look upon all as something
contradictory and absurd, but just as well
true and real. Which is viewed by Satanism
as a Chaotic harmonization.

Pan may be a paradoxical tentacle which
reaches out from the anti-cosmic Chaotic
maelstrom (or into it); from the pan-
dimensional plane, throughout an unknown
portal in the depth of our unconsciousness
or throughout the bottom of our soul; the
unconscious self or spirit which also is
called the black flame.

Pan may be a wrathful Chaotic god surrounding
us to lead us to gnosis and self impulse.

♦: 70

Pan may act as a guide with a torch in his left
hand in the darkest parts of your inner-core,
and he runs between the Ego 43 , the Self 44
and your possible root from Chaos; the pan-
dimensional plane beyond space-time
continuum.

To free your Self, you might want to consider
taking his hand, and if you are ready to begin
the destruction of the illusionary state;
the Ego, which imprisons your flame to the
causality - use his guidance.

Thus Pan is an incensed paradoxical link
between cosmos and Chaos.

"ftegarolt** if Pan i* a go* or nor.

Pan i* an aU'tmbracittg forte in our *ubtotwiou*

taljitf allots* u* to triumph itt our mirieitwial reality.'

The cosmic illusion.

M Which is beyond human limits and forms. The totality of our acausa I power's

existence, identical with the black flame. Liber Azerate, MLO.

♦: 71

Pan & Demon-Cat.^

45 This is a depiction of the folkloric Pan, noisy & mischievous, in company of the
demonic Grimalkin in the shape of a cat. Pan is a twin-god, he never appears as one,
and he is born immortal as a dual force. This is one of the reasons why people who meet
Pan a/ways believe to be aware of several entities surrounding them. This phenomenon
is represented by his two horns.

♦: ji r

Papa Pewilettfte

Pan has no form; meat and blood,

instead he leaves pestilence as fingerprints

on the human mind,

"73

8Sr Qfrbifni 0bacurique*
JUaqueor Jdcn

The papist possessed by evil powers.

he arbitrator (Elir 9frbifrii);

the one who infects everything in
his way with darkness' magical
correspondence - a spiritual
intelligence which conveys self-destruction
to the cosmic powers and substances.

"74

The darkness' rogue is unleashed in universe,
to pester and mislead the humankind to create
its own destructive collapse. He is never made
out of flesh and blood, instead he leaves pestilence
as fingerprints on the human mind, which
themselves transfer rot unto the human flesh.
He invokes terror and anxiety which the
human thought absorbs; the thought gets
defiled by the superiority of darkness' nature;
and reincarnates a personal darkness which
will end one's purpose of cosmic existence.
He entices the unsuspecting with cunning and
scorn.

He calls himself the horned Yahweh and opens
his infernal mouth in order the plague in the
shape of frozen darkness to sweep and ensnare
the human thoughts and minds, so that only
an empty and dying shell falls back into the
false illusory reality: Life.

He is uncontrollable: He who in madness
swings his mighty staff, round and around,
anti-clockwise, and releases confusion and
chaos. He laughs at plague and death, for
it makes him euphoric. He dreams of
corpses and parched and withered roots - of

"75

carbonized stars and all life sunken in oblivion.

Iftofttno* ffirgfitigttee.

Iftoamoa, %kmu kt ffirgfittgttee.

j£p Dee t a gflr Pan IptMig .

Pan only has one will, to get Yahweh to die
and Yahweh's world to get absorbed into
Chaos. So, as a Chaos-gnostic pestilent thought
and god; he only means good. To live with Pan
is to live in tranquillity with darkness.

•: 76 v

The sea-goat or
goat-fish.

Capitulutn iv

•: 77 :•

panQteoceroa.

s you probably already have
noticed, the ancient Hellenic
mythology holds very many
different versions of almost the
same saga - and the myth of Pan as Panagoctroft
is one of them. It is told e.g. that he is the son
of the goat Aix and foster brother to Zeus, who
Pan helped, which is well-known, in Zeus'
battles with the Titans. This was when Pan
discovered the seashell as an instrument to
spread his Panicky tone of voice (atnafor
Sfrepifu*) 46 , which he used as a trumpet to
make noises from, and by this got the Titans
to flee in panic. Later on when Zeus regained

i6 Philokrotus, Polykrotus.

: 78 r

power, he placed the constellation Qtgipfttt
among the stars as a gift and monument to Pan.
Qlegipan is often mentioned as another name for
Pan 47 and the constellation; Capricorn.

47 Also Silvanus andFaunus.

'' 79 "

The constellation Capricorn 48 was assumed by
the ancient Greeks to be the goat Amaltheia
which nursed Zeus with its milk. Some could
tell that it was Pan that transformed himself
into a goat. It was after this Pan was called
PattSfcOterofc, because Zeus honored Pan with
the constellation. "0f course ftft i* tf>t Sign Of

Capricorn in flje 2£le*t, usually callea *t\)t (Soar* but,
more corrttflp *rl>t ©ea-(5oar or Sta-jfis^ bttauae
if t* a soar ro rlje tnai*r *oum ana fijm a fi*l>** rail/' 49

This is descended from the old Greek
mythological sagas when Pan slipped on a
riverbank and fell into the water, but only his
legs were under water, and from that his legs
got transformed into a fish's tail.

Aegipan - Sidus Caprkornus.

48 Corresponding to terra andSaturnui,

49 Pan Great God of Nature by Leo Vinci.
^PanAhtos.

'i 80 r

LoW

Pan's corresponding link in the ancient
Scandinavian mythology.

Capifulum v

•: 81 r

Pan ana lohi.

: 82 v

oki; the trickster, the promoter of
the world's downfall 51 , the wolf's
father, the serpent's father, the
bringer of death, he who killed
Baldr, the troublemaker in the northern
mythology, the demonized figure who brings
evil and vex, mockery and frustration amongst
the gods, goddesses and the humans in Midgardr.
And every time he appears in the sagas, he
reveals his superior intelligence. We all have
some sort of an image of Loki, but are we
deceived by the deceiver?
Loki seems to be a pretty normal and simple
god at first sight, a plain jester who keeps
himself rather passive. But when one starts to
look into this odd deity, who often behaves in
an irritating matter, at the first glimpse, one
shortly notices a whole other side, and a whole
new god. As soon as one thinks that one is
getting a grip on Loki, he soon starts to wind
and wriggle one's picture and transform
himself into a number of mutually tolerably
inconsistent privacies, which stand out against
an interpretation to a simple but stable totality.
Loki is, what is not, what it is supposed to be.

,! The motivation, factor and engineer.

»: 8} r

Loki is the son of the hurricane- and thunder-
giant Farbauti (the one with a destructive
striker), but Farbauti's frenzy and fierceness
didn't show in Loki in the beginning, nobody
knew about Loki's secret plans of cosmic
destruction, brisk and cunning as he is, they
did not know what kind of unpleasant
purpose he had. Loki's appearance is
deceiving, it took the gods a very long time to
penetrate Loki's intent, but then it was too late,
Loki had already done too much damage, he had
rolled a dice which was unstoppable: Ragna Rok.

Loki is a very sharp observer of others'
characters, and uses it quick-wittedly to their
loss. That is, he misled and tricked everybody
and made a fool out of them. And when it comes
to Loki's sly plans, he is always long ahead, and
he always forms them so that the most maleficent
ones seem to be the most beneficent and
favorable. Wits, viciousness and bottomless
spitefulness is coalesced in the essence of Loki -
because it is his nature and function.
According to me, this wrathful, anti-cosmic
nature and function has a name; P9BQ.

: 84 r

Now, I understand that many are confused,
and wonder if I haven't got it all wrong. Well
as you surely know by now, I have given this
a lot of thought, and this is my conclusion...
It seems likely that Loki and Lucifer share
essence and they are the same god - it is
actually a fact. Loki is the doom of the cosmic
world and its gods 52 , the Chaotic fire-legions'
leader; the spearhead which will guide the
hordes of Chaos under Surtr's black and
burning banner to bring cosmos to its end.

Now, Pan is a multitude of labyrinthine
divinities. Pan is an inferno of flaming
enigmas and keys with the same traditions and
apparitions - thus a paradoxical reflection of
many things. In simple but significant words:

pan i* intangible.

I have worked a lot with both Pan and Loki and
I must say that I find this connection between
them which is so hard to put in words, I feel like

52 Loki and his counterpart; Gullveig.

: 85 :•

I've carried thousands of stones from site X to
Y, and when I finally stop for a second and
want to count all the stones that I've carried so
intensely to site Y, I don't find the stones, I find
a black whole. As if I've dropped the stones
over an edge. I know that they are there and I
can almost feel their presence, but I cannot see
them. Make any sense? So what I do is close
my blind eyes and search for those elements
connected with the "stones"; Pan and Loki.
I light the right incense, build an altar of
homage which corresponds to the essence, I
play on my flute, I meditate in the right
position, I breathe as if I had fire as breath, I
gaze into the equivalent effigy, I stare into the
flames on my altar, I vibrate their name into
crystal, I breathe incense-smoke until the edge
of fainting, I just throw myself into the lap of
the dark gods, and I try to learn how to
elucidate the idol.

I would say that Pan is not the same thing as
Loki, or any other god that I've been invoking.
Because when I invoke gods they come as a
massive energy field surrounding me, as if a
huge cloud landed over my head, house and
yard. Or as if my head, house and yard
disappeared and my naked spirit was left alone
in the omni-presents of the god, as if I fell into

♦: 8d r

an immense darkness. I don't really experience
that with Pan, he is more of SOmtfljittC that
surrounds me, but as an individual, something
running around, and wmtfltfttg which gladly
splits up and tricks my mind that it is several
aomtrijiuga running around.
I often comprehend that he follows some sort
of a model, like electricity, going from one
place to another in a predestine pattern, as if
he was showing me something by doing this
repetitive crazy game. That's why I often
compare the theories about Pan with mazes,
because that's exactly what he pushes me into.
He lures me to follow, sometimes very
aggressively, sometimes very gently. Lures me
to climb into a web, an illusionary map of my
individual path through the cosmos: Could it
be a backdoor out of my human form,
restrictions and causality? Is Pan the spider
and I am his pray? Or is Pan the spider and I
am his adopted disciple? Do I get the
opportunity to be Pan and Pan me? 53
My questions go further; should 1 use this
experience and draw my own Cliffoth or
Heldrasill? Should I use this experience and draw
my own runic arrangements? Am I a fool? Am I
blind?

5} Is Pan a spider called A kasual and I a magician called Dum-Azz?

*: 87 v

Whatever it is, I am getting stronger, wiser,
and my knowledge and understanding about
Pan and my Self only grows.

Going back to Loki, I effortlessly see a pattern
here; I see something about Loki which fits
Pan perfectly, or the other way around. This
predestined game-like situation which is so
very confusing and frustrating, which draws
up panic-attacks from the deepest and darkest
tracts of your soul. This terror within which
at the beginning feels so real, unstoppable
and uncontrollable; the death-striking fear
that drives you into the thoughts of suicide:
"2ftt onlp tnaj> to be fret of it!" This terrorizing
force may be the complex presence of Loki, the
genuine cognizance and consciousness of
something so wrathful and committed, that
one's spirit blacks out only of the bare
knowledge of its deep black shadow.
Panic is the key-word which absorbs you when
you welcome Pan into your life. Panic; au&fceti

great fear ulHcb cannot be atoppea. A force so strong

that your mind is not able to manage it, your
consciousness goes into shock and your whole
existence turns dysfunctional. This force is

♦:88 v

incredible; this power over you must be of
something very strong and controllable. This is
a weapon, or an inborn emanation in some
powers/demons/gods/giants which by instinct
emits this effect on other totfcfctr energies, like
the human soul or spirit.

This effect, the panic, is what I compare with
Loki's ways of causing other gods to die, get
in trouble and fell into sickness. Loki has this
consequential outcome on others; he gets his
S2lill through, to anyone, even "mighty" I>6rr
and 06inn. This powerful outcome requires
sundry factors, a chain of occurrences, because
it is the black arts.

This is where Pan comes in:
Ifrr ia t\)t nafurr - !jr ia rijr function.

; 89 r

Loki has the position to lead the way, but only
to the destination HE wants, even if you might
think something else. Don't forget that Loki is
the torch-bearer, the leader, the spearhead, the
bringer of the black light that is to guide the
perceptive throughout the false world (cosmos).
Loki is the one opponent, challenger, rival,
enemy of enemies, hero, and the mightiest of all
adversaries. He is the true QQlffll of Chaos.
In the Old Norse sagas Loki is jester-like, he is
the trickster which lures all the gods into
destruction, even himself, because he knows
what must be done and he does not hesitate
for a second - because bravery is a part of his
essence. This tells us pretty much about what
Loki is. It tells us that everything about Loki
is so very real and purposeful, that he sacrifices
his very own existence to follow his father and
the true SSliU of the deepest core of Chaos.

•: 90

ITORA.

The Panic sigil of Pan's function
corresponding to Loki's nature.™

* / received this sigil during Panic ritual praxis; this is still a mystery to me.

•: 91

Look at this bind-rune of the anti-cosmic black
flame; Chaos' black fe fires if you will,

it is a rune of Loki
are the fiery giants
purpose and
same Chaotic
This rune

it corresponds to
purpose, 2£[iU and
And within their

and Surtr. They
with the same
they are of the
essence and current,
combines them,
their essence,
derivation.
essence, we know that
there are more giants in analogy with it: I see
the Iss-rune within this bind-rune which
corresponds to Hel and Gullveig; I see the Sol-
rune within it for Surtr, Miispelheimr and
Muspilli; I see the Ken-rune within it for Loki,
Surtr and the black flame; I see Eihwaz-rune
within it for Fenrir.

I also see the name of Pan in this bind-rune; I
see his name in both Greek and Latin letters.
This is what I recognize as true black magic.

*: 92

I would like to call Pan:

The shadow of Loki

Loki's cunning

The blade of Surtr's wrathful and burning black sword

The salmon which Loki transforms himself into

The scissors Loki cuts Sifs hair with

The not sworn mistletoe which the "blind" H0$r

killed Baldr with p0kk

Gullveig's ice-cold heart in the ashes

The lightening bolt which struck Laufey

Pan is the evil genius in Loki's existence. Pan
is linked with Loki as Loki's intelligence is the
essence of Pan. Pan is Loki's schizophrenic
consciousness.

Pan is the right act and thought of Loki, always
at hand; a paradoxical manifestation of

malignance.

•: 9? :•

Pan is the pan-dimensional direction to Chaos
— The infernal compass which leads the fire-
spirits' legions.

2fte terrible JUki; Ktarir* ftanmeft aeroanf.

•: 94 r

JUIta fcok oft Itof .

A» anti-cosmic honorary poem dedicated to Loki.

Capimlum vi

•: QS r

his poem is very appropriate for
anti-cosmic ancient Scandinavian
rituals. This poem ought to be
used as a pure homage to Loki.

0. Shadow-Ofiinn, Baldr's Bane, The Evil!
Man's blood dribbles in your footprints.

The god's blood dribbles on the walls of the halls,

after that your destructive shadow covered them.

You bring whimper and disorder to Asgardr,

which in turn brings hate and ravaging,

like it is an airborne pestilence.

You are Chaos, Emptiness and Darkness.

You are eternal and one with

the black incensed oceans.

You are the symbol for eternity and tranquillity.

1. We, humans with your black flames within us,
are the doomed children who call for you, Loki.

//. Possess us with your anti-cosmic powers,

so that we can break the gates to Chaos' eternity.

III. 0, we are the voice in death's song.
We chant of cosmic death.
0, we, humans, the doomed children,
we uphold your infernal name.

*: Cf6 :♦

IV Loki, you almighty king of black magic,
you bring evil to Midgardr.

V Loki, you hissed perverse echoes from Chaos.
You devoured and reinforced, and awoke beasts.

VI. Loki, you awoke the Wolf which shall stand
beside you when you call upon Ragna R.0k.
We hail the Death-Wolf Fenrir!

Hail you Fenrir!

Macabre beast and cosmic destruction!
Your wrathful jaws shall devour cosmic
idyll and life!

You burn of evil and sweat corroding
fluid from Chaos' oceans!
And we love you for it!
Hail you, Fenrir!

VII. Loki, you awoke one of Chaos' black serpents
which shall crawl beside you when

you call upon Ragna R0k.

We hail the Hate-Serpent, j0rmungandr!

Hail you, ]0rmungandr!

Poisonous beast and circle of death!

Widen your poison spewing jaws and loosen your

tail so that Midgardr meets its downfall!

You are in control with Ragna R0k!

"97

You are the end of cosmos!
You are the destruction!
You are the love of evil!
J0rmungandr! You are Ragna R0k!
And we love you for it!
Hail you, J 0rmungandr !

VIII. Loki, you awoke Death which shall serve you
well and stand beside you when you call
upon Ragna R$k.

We hail Death which shall consume Midgardr;
Hel! Hail you, Hel!
The ultimate goddess of Death!
Prepare the path to Helheimr,
the world of death,
as Chaos will arise with vengeance.
Prepare Helgrind, which will stand wide open
as Ragna R0k shall reign.
Queen of Helviti!

You are the mighty goddess of Death who
absorbs cosmic life!
You are death! You are death!
Death, which with cunning and
abysmal hate shall reign!
And we love you for it!
Hail you, Hel!

: 98 r

JUtifer*

The bringer of the black flame.

Capifulum vii

*: 00 r

ucifer is the bringer of light; he
who bears and nourishes the
black fires in our souls. He who
spews a blazing inferno 55 from
Chaos to our tattered and enslaved wills and
thereby procreates new thoughts about a new
eternal darkness; the fusion with zero - Chaos
is all which is zero which is all. I am
philosophizing about the pan-dimensional
which is the source of the origin and all.

The important element in my thoughts is the
Lucifer who slakes my thirst for knowledge
and the search for gnosis - the enticement of
TEfat (frrfttt jEmerfilfc. The important element in
my philosophies is the incensed flames I feel,
that egg on my mind to search, poke about,
dig and devour the significant information
that the spiritual forces bear in front of me.
Each day I take pleasure in the surrounding
whining blizzard, where the snowflakes are
mentors with a Chaotic origin which are
trying to reach me. For I have generated a link
between my Qtlf and the Luciferian forces,

55 Chaos-gnosis: recreation in knowledge about one's Self and true nature seen from
an anti-cosmic view.

•: 100 :•

which invoke anti-cosmic powers and invoke
Chaotic demons' wrathful bawl of black fires
- this enraged link is generated in purpose to
absorb Chaos-gnosis. (Sfttfrftfe in purpose to

oegeuerftfe.

Through ritual sigil magic I have carved
Lucifer's sigil into my soul. I uphold this
wrathful name; <5 Lucifer; ©ftffttt, and I by
that open new portals into the shadowy caves
in the black abyss of my soul. There I reach
the dark domains which are blocked by false
cosmic illusions 56 - it is where I reach Chaos-
gnosis.

56 E.g. moral, predestine thinking and laws.

♦: 101 r

/ look upon Lucifer as Satan.

I look upon Lucifer as

my Chaos -fat her,

I look upon Lucifer as my

protector and hero.

1 look upon Lucifer as the black wild flame,

wherever my gnosis is descended from.

I look upon Lucifer's wings as the shadowy

manifestation which my temple rests

its strong black columns upon.

Hail Lucifer!
Hail Satan!

%■

Pan is the right act and thought of Lucifer,

always at hand;

a paradoxical manifestation

of malignance.

: 102 r

Pan has a much complex connection to Lucifer.
To reduce a whole bunch of in-depth and
enigmatic theories, I would like to put it this
way; if Lucifer and Moloch 57 are twin-gods,
then Pan is the Luciferian 58 shadow cast by the
twin-gods; and the black anti-cosmic force
which connects the gods.

Yes, Pan is a god of fire, philosophized by many
as a solar god; the god linked to the blati *uu
(aol ttigttmfta); the Sorathian force, the counter-
sun force. Vinci tells us that Pan was given the
eternal fire: "Pan raft* gioeu a tortlj rate auD tape
miri» a perpetual fire on t%t 3tropo(i*» after t%t battle
of /nararfjou; be a(*o baft a perpetual fire at ftlptnpia
tnljicl) mad feft from t%t altar of Zeu*. Jt afcouto be
aoteft tlje*e two ei ample* mere not tlje oulj> aite* uriiere
a perpetual fire mad *ept burning on pan* a behalf/' 59

51 Compare to Set-Typhon, Surtr-Loki &c.
*0rLokian.

* The ancient people of Hellas called him thereafter: "Phanos"- meaning light or torch &c
- "Pan Great God of Nature" by Leo Vinci.

•: 103

liber

%:%:»

mwzaQ.

Capimlutn viii

•: 105 :♦

an is a metaphor of the thought
of anti-cosmic paths, the
mysterious intuition of cosmic
destruction - to be one with Chaos,
Emptiness and Darkness.

Pan is the god and generator of inner strength to
win the will of Chaos.

Pan is the great god of nature; lover of noise;
invoker of death.

Pan is all which infects all by being within all.
Pan is the pest which all life bears.
Pan is your malignant thought.
Pan is your sickness.

Pan is a black dragon which travels throughout
cosmos in hatred and abhorrence. Like a serpent,
he hisses and spits at the false creation; which
lets us know that he himself is of this creation.

Pan is the strength and the intelligence which
dwells within the darkness of the forests. Pan
lives in the obscure grottoes within the woods -
in dusky depths.

Pan's weapon dwells within all — the Panic.

•: jo6 r

Liber

391

Cflpifulura rx

•: 107 v

0. I am the wild beast.

I am the coarse being with a crown of

ambivalence,

I am the musk in the forests' shadows.

I am cloven to foot, in heart and on my head.

1. Oh father, how I love you.

You gave me never ending wishes,

though I only chose three.

Oh father, how I love you.

You taught me the music, the lust and

my bestial nature.

II. I hunt nymphs with joy and exhilaration.
I stand on mountain peaks and snort after
being running around plateau like walls.

I am the 380 stars' centre.
My number is 391.

III. Hurry, hurry I come now,
as two from each direction.

I am quick, can you see me?
No, though I love you anyhow.

IV. Come to me into the shadows, where I live.
Listen to my tunes, tunes from my seven-piped
flute. Ah! Deity in your tree.

You can not hide, from me.

♦: 108 v

V Nymph of my pine, my spruce, my oak.
We belong together, you and L
Let us play, you and I.
I carry your link, and on mine.

VI. Come down, come down,
from the ladder to my stars,

which glow free and beautiful in your eyes.
I feel an immortal love here.
Here! Here!

VII. Oh father, how I love you.
The awkward dog of Cybele;
you are my wild nature.

Oh father, how I love you.
Regardless how I fight for your kiss.

VIII. When I come rushing with my head lowered,
when I am snorting ferociously and digging
with my cloven shoe.

Then I come to spread panic,
with noise, howl, scream
and clatter.

IX. I come to fight,

with my magnificent and fair horns.
My horns of darkness.
My horns of madness.

♦: 109 :•

X, Be gone as I come.

I am the mirror-surface of the water
which brings your mind to insanity.
And there, my beautiful, I wait.
There I wait in an eternity for you.
For you. For you.

XL It is I who hold the farces of the spring.
Arcanorum veris.

I am carrying the ecstasy's rainbow.
I am the phallus bringer.

XII. I know nothing but love.
I know nothing but hate.
I laugh at the unsolved enigmas;
the riddles which try to hurt me.

♦: no r

panic Bntitit*.

Pan i sons in the ancient Hellenic
mythology called PANS.

Capifulutn x

: ni r

his is a record of Pan's known sons
and their esoteric sigils. His sons
are called PANS in the ancient
Greek mythology. Nomius and

Agreus are sons of Hermes, but they are also

called PANS.

Qfegftoru*

(AiyoKepcoq)

£greua

(Aypeijq)

Cel&eneua
rt>e blftck one

(KeAmvos)

Qfrgttmua
ri>e aljittttittg out"

(Apyewoq)

Qfrgua

(Apyoq)

©ftpboeneua
rtjt reo one

(Aacpoivoq)

: 112 r

Eugeurioa At

rtje erne tnid> long beam ©lautua

(Euyeveioq) (Huxukcx;)

(No^ioq)

ffOfltniuft . ©mearer

jrjmtnu fte one afro ew« mew

(Q^T|aTfl)

PWamnua Pljobua

(Oaa^vo^) (Oopoq)

PJjorbaa Xanrtjua

(Ooppa^) (HdvGo^)

•: 113

(frriittalfcitu

A short note on Grimalkin and
the deathlike shadow he casts.

Grimalkin is a shadow of something in nature wild

and ravaged, who dwells deep in the soul of man,

a black echo which is bouncing around

in the dark abyss of the spirit.

Capimlum xi

♦: 115 r

Grimalkin mutilates the horseman,

■: n6 v

rimalkin has taken Pan's role in
the folk tales of old Scandinavia,
he is seen upon as something
mighty from the deepest tracts of
nature, the uncontrolled wildness from within
the desolated forests. The myths even reveal
that the trolls have a huge respect for him,
which says a lot, because trolls are the
Scandinavian demon-forms, creatures of the
nightside of nature, belonging to the Devil
and his black dominions. Pan had the role as a
protector, leader and king of all animals and
all entities, elves and trolls in the woods, and
as far as old folk tales spread from mouth to
mouth it is easily understood why there are so
many known names and different versions of
the same myths.

Some details in the Grimalkin-myths are
particularly interesting to me, first of all,
Grimalkin often seems to be killed, but he
always returns alive and smiling. This makes
me think of Loki in Old Norse mythology, he
always finds a way to stay alive and even finds
cunning ways to make everybody, even his
enemies, favor him. Metaphorically speaking,
Loki could have even tripped 08inn and fooled
OSinn enough to pat him on the back and
enduringly laugh about it. Also Gullveig,

•: 117 v

Loki's wife, comes to mind, because she is the
witch, blackest of them all, which got killed
and burned three times and always came back
to life to continue her maleficent workings.
Loki and Gullveig are looked upon as each
other's counterparts, the dual-force in
destructive anti-cosmic action. The second
detail is that Grimalkin is always very close to
wrath and it is his weapon against anything
that reminds me of the cosmic disturbance that
triggers the unbalance and vengeance in
powers of and from Chaos - the anti-cosmos.
Grimalkin is furthermore said to be pretty
small, like the size of a dog or wolf; well a
wolf is pretty big, but for someone that
everybody and everything is terrified of, even
the trolls who are usually explained to be tall
as trees and mountains, the size of a wolf is
not that big.

And finally, the black cat is often resembled
with witchcraft and witches - thus the epithet

toirtlKftt'

: 118 :•

My experience with this Grimalkin is scarce,
though I have had some understandings from
dreams and parts of ritual work. Nevertheless,
I have smelled the reeking fur of clotted blood
and wild animal, and had a glimpse in the oval
pupils of black fury - adequate to give me
understanding...

Pan has many names, as many other gods, and
one of them which I think fits his obscure essence
well in the northern primeval woods is Grimalkin.
That I chose the name Grimalkin is purely
personal, my taste and receptiveness favor this
name and therefore I chose to use it before others.
The name has its origin in medieval Ireland,
and through Grimalkin-myths it wandered
throughout Europe and established itself in the
Scandinavian folk tales. As Grimalkin, the
witch-cat, he has stolen our hearts as P1&00&,

&alfl>a*ar, 1fta*par, Ifttturremurre, 01iu00abatour

and Ift&fauptti amongst others. Grimalkin is from
the beginning a witch-cat which was believed
to have been killed in the old Pan-legends, this
was found recorded on Ireland back in 1553.
And it was showed that this witch-cat was a
form of the god of the woods - Pan.

*: 119 :•

Grimalkin may be an aspect of Pan; I call it a
demonic or satanic shadow of Pan's
multiplicities, essence and existence.
Grimalkin is a shadow of something in nature
wild and ravaged, who dwells deep in the soul
of man, a black echo which is bouncing
around in the dark abyss of the spirit. This
black echo is something deathlike, a forgotten
shadow which invokes death-essences, it
harmonizes with the spirits of the nightside;
some of them are roving energies which feed
on our life-forces, and therefore are attracted
by our black magic and necromantic
workings. Vampiric entities which are
antagonistic to life-forms on this plane, they
come from the black sea of Chaos, they are
trapped in the linear world of the "light", and
subsist as shadows poisoning cosmic alliance
and feed on astral energy - thus Grimalkin.

♦: 120 v

/5wo folfe mlea about Pan

These are two old Swedish folk tales about Pan when he
was called Grimalkin amongst other names.

Grimalkin as a raging demon-cat.

♦: 121 r

2^e S2liftl| fDtf cmo die meftd^se of Dearti

ou horseman with your servant on
my road, listen to my words: I am
the Witch Cat, hungry for your pale
and feeble flesh. I am the Witch
Cat, sacrifice your flesh and blood to feed me.

No said the horseman, instead I shall slay you;
you meager cat.

No said the horseman and he seemed to slay
the Witch Cat.

(8ff mnarto* tyt ZKLlifcft Cftf *t par* follow** ftt
Ijomrnen auo slew tf& aenmur .)

When the horseman came home, he told
about his journey to his wife.
When the horseman came home, a cat
listened to his story and said:

ifraue pou slain mp maarrr?
TZbtu pou *l)all oie,
Ifraue pou alain mp master?
Wm 5 *faH aueiijje (ftrimalMii.

And the cat attacked the horseman, bit his

neck and killed him.

While Grimalkin sat on the roof and laughed.

♦: 122 :♦

2Zfte tfjougfa encompassing (EtoutaUrin

oaning and wailing you could
"f hear from within the mountain.
As a troll-woman out from the
mountain spoke:

6rimalkin ba* &i*appeare&!
1ftil*upeu ba* fallen into tbe fire!

As another troll-woman heard her words,
she began moaning and wailing from the
thought encompassing Grimalkin:

Can pou anaroer me fbi** wfyp our motto* ana

apring* not murmur a* in otoeu sap*?

22ftj> nature** apmbote abrupt turnea

benumbed a* *balloto token* in tobicb no

fcioine power* receal?

ZJbt mp*teriou* anfc iucompreben*iMe t

urincii in otoeu top* breatbea tbrougb entitle*, rtjia,

©bar ©e callea tbe great pan, wbicb tnitb *oun&* from a

flute enlioen nature** *o(ituoe*

ZHtfa i* ab*ent ana lo*t t a* if Pan tnitb tbe

*ounD* from a flute fullea nature** *olitu&e*

$t ro*e a* a fog from out of tbe grounb*

an* tfgber, up in tbe *kp ana

oani*beo in tbe *tarrp nmn.

•: 123

toa l>a ba — Pan sato;

Ifrimger far &rart> groins (ike

fljf ^pirif in fbt tugljf*

(5rimal*itt calls for aearij (Use

rlje soun&s of rlje inind'* wailing*

Bearlj cornea as a corpse fcressea in a robel

©earl) cornea as a corpse fcresse* in a robe!

toa ba ija— Pan sai&:

pestilence in man's flesk

prariletitf in man's apirir.

©earl) cornea as a corpse fcresse* in a robe!

©earl) comes as a corpse ftresse* in a robe!

^oration

I have read many tales about Grimalkin, also
Grymalkin, the mischievous cat - the adventurer;
that is just a fairy tale figure, a pussy-cat
prankster rambling about and making trouble.
This character is NOT to be mixed with the
mythological Grimalkin I have presented above.
However, this fairy tale cat is an invention and
inspiration from the old mythological Grimalkin.

•: 124

3fatie* ooer t\ft ancient name* of

♦ : (5ritttalhitt u

Zbtzt mpt birftl name* art from all ooer Europe*

Jbalarrr

mi/ti ftjndjt

&alri>a*ar

jQartfar

Jbirrtlirre

pan

fouBru*

Plagga

£>agfar

Plar

ftinter

ftattgula

fcoai Binrtr LtUt

ftobrrr

IftfiEkfttttu

l\ua

Iftaapar

SfiaUrifi

•fftattt-murr

S&uggabafour

Wtt

Store Colin

Ifcuurrttnurrt

Srffltue

Ifcftlmiptti

JtlfiHmgegftrU

Lrilt iimue

iSfltut

CZ-Iji* iuutr can umtr be fulLD

•: 125

J am talking to pou
fib ptm wrathful in ri>e septlj* of aarkneaa

&lacl mtale

folatk Cljaoa'Sragon

Let go of pour black tail

9tat> let Cljao** black ocean deluge tfye ligljt

: 126 v

^ (^

ft« re* tt*l

127 r

iSbaptjotnet

An alchemist ic, elemental
& hermaphroditic pictogram.

Capifulum xn

*: 129

BAFOMET

I stood there on the ground,

my body was covered in blood and sores.

I hate them for it, man and woman.

My eyes were filled with blood, my ears were sealed

and my beard was blood-soaked.

Coagulation.

Blood ran everywhere.

And because my eyes were filled with blood and

tears, and because my ears were filled with

blood and disturbing words,

1 was supposed to turn away from the "lie".

But rebellious I stood unmoving and hateful and

shouted with my strong voice:

Love me in the black oceans of Chaos!
Agios Bafomet!
Agios Bafomet!
Reach me your hand my beloved!
Agios Bafomet!
Agios Bafomet!

My life on earth disgusts me,

my hands are bloody and my body is tainted by the

cosmic whores and shame.

But I stand strong and brave -

but I stand hand in hand with Chaos.

•: i}o v

/ shall kiss your womb,

I shall penetrate your black whole.

Bafomet, a starry sky oozes out of your nipples;

like a circle; like a vortex.

Bafomet, I have saved you a star.

I have written for 131 days; written about you.

Bafomet, you carry my soul before Lucifer.

Hail Satan for his gift to us!

A black link between us.

♦: 131

•»

♦

hen I think of Baphomet, I make
an allegory between the hyped
blood-thirsty image of Elizabeth
Bathory and the traditional
image of the beautiful goddess Lilith; carrying a
powerful Phallus, standing in a pan-dimensional
universe without stars; as its light is black.
And Baphomet chants for the Green Emerald
and stirs in a huge cauldron wherein human
souls drown, one by one — eternally. And from
the womb of Baphomet dark creations are
generated; mocking and writing on parchment-
scrolls - in pace with the drowning souls.

Baphomet is usually looked upon as some kind
of a ftuler Of &I00& among the traditional
Satanists, and some sort of a dualistic Satan-
character by the traditional occultists.
Baphomet has a more fateful side; Baphomet
is a symbol of regeneration*
Baphomet is something in the vein of what the
ancient Greeks once called Pan; PaugtttifOr-

pampbage 60 . This means all-gttitrator- all'

Otoasfafor, 61 Take this significance and loop it:

60 Panphage; all-devourer,

61 Crowley.

*: 132

To create to devastate to regenerate something
new, to remove order to create disorder, to
destroy the light (atatrutfiottttaa) to create
darkness (totmtrottioeueM).
That is to say; to penetrate the f&lftt Ugltf and to
uphold the true ligljt. That is why Baphomet is
calling for the Green Emerald.

•:i#

♦

Traditional Baphomet.

Baphomet is as misrepresented

and misinterpreted as Pan by

the mediocre cattle - the mass.

Illustration by Eliphas l^evi.

•sij4

jSbapijomet

So, what does the name mean? Here are
some sundry hypotheses:

* "bapb-merit/baplje merit", which is suppose

to mean; "alliance with wisdom" or
"initiation into wisdom" in semi-Greek.
Or was it pseudo-Greek?

* "rem Opb ftb'\ which Eliphas Levi claimed
to be a reverse shortening of the Latin
sentence; "jBtwpli omnium bomittum pftcit
abb&t". Which is roughly translated to
"(The God of) the temple of peace between
all humans".

* Esoteric traditional schools and
philosophies also have theories of that
a double headed eagle jSfcftl 0Jf 9fo is
connected with the name Baphomet
(Z'filtt fijf 3fo reads baf(ph)omet
backwards), and /gtmOf Qb is translated as
tuple* ftoit generation. Furthermore this takes
the theories to ancient Egypt, where it is
said that TStta is an epithet for Apep; the
Chaos dragon.

6} l find it very amusing to read about all philosophers who eagerly try
to crack the already cracked nut. That's the only reason I bring this
"name exploration" up.

". 135

Oph is translated urine** fttrptttf or aracon,
and lastly, <3b is supposed to mean mia&om,
tttU>tr*ffm&mg and will &c, and if you read
these three words backwards you get
Baphomet; in the meaning miugtD fcragou
of uisDom, uu&ersratt&iuB or mill.

* There are also speculations that the
word bapfr is nothing more than an attic
Greek noun meaning tyrt as in coloring.
In a ritualistic metaphoric meaning,
concerning the Greek word baptiftino;
iniriftrioti bp toattr. The Dead Sea scrolls gave
the idea that Baphomet was a code for the
symbol of wisdom; the goddess Sophia.

* Also an old Christian theory tells us that
the name Baphomet arrived from Islamic
religions. It says that it is a Christian
mispronunciation of the name Mohammed;
Mahomet. And that it was common to call
any idol Mahomet.

That the name Baphomet potentially was a

simple word used for oral sigil-magic,

can not be disregarded.

•: ijtf

Baphometic effigy of the anti-cosmic philosophy -
symbol of the bearer of Lucifer's black flame.

oat of Mendes, which is what both
Baphomet and Pan are called.
Apart from that, these two
"deities" have the identical looks
and they also share epithets. Therefore most
people at once take for granted that they
also share qualities, powers and essence -
but this is wrong; it is people like Levi
that gave Baphomet the appearance as a

64 AL is an ancient Scandinavian word for perfection and wholeness, and is also a
very primitive bi-name to the goddess He/.

*: \yj v

half goat and half human. By that, this
misunderstanding was spawned amongst the
mediocre cattle - the mass. To be honest, only
people who are unread and ignorant in the
occult studies and the esoteric praxis make this
mistake. The only spiritual thing Pan and
Baphomet have in common is the source of
knowledge; gnosis if you like. But if this is
the only important aspect, you can almost
compare any "deity" with Baphomet.

: 158 v

The anti-cosmic illustrative
Baphomet as an anti-god.

"Sdirij Wacfc magical Iptanrijropp transform
rije firtlf info a Math foapljomtt ."

Baphomet makes the sign of the trident - points at the
black anti-cosmic moon and points at the underground.

♦: 139 r

The Horned One is the ancient shaman god or
spirit — which the primitive civilizations
worshipped as the supreme god on the regions
of earth. The Horned One was much more
primitive than Pan and Cernunnos, he was
more of a mighty god spawned out of a mix of
human and animal energies. A grand
terrestrial soul linked to the human psyche and
the spirits of the animals - a leader and a
harmonizer. The Horned One is the very
primordial origin of the idea of Baphomet.
Carroll, for example, says: "&&p&otnef i* flje
pftpcfric fielD generate bp ffre tGtutitp of lieiag
being* on flji* planet." He compares Baphomet
with the anima mundi, or the world soul. 65

Behold hereafter the horned lord Azazel 66 , the
goat which carries the flame between its horns,
he is of Luciferian essence. Azazel brought the
mysteries of the flames to man, and taught him
about flje forbi&fcen gnosis, alchemy and the art
of forging.

65 Liber Null & Psychonaut by Peter J. Carroll.

66 In Nephilimic witchcraft.

•: 140 :•

Pr&me&imrto Hima patios.

Sundry writings based on ancient Hellenic
worshippers of the saturnian god Pan.

Capitulum xiii

*: 141

jtogit atutn I

ellenic myths said that at midday
Pan slept in caves and if you
disturbed him at this time of day,
if you played on a pan-flute or
called for him, his wrath would be great. His
wrath would show in panic and severe
ttigljfmftrea 67 . This probably arrives from oral
folk tales from shepherds in ancient Greece;
they were commonly flute players and were
often connected to Pan. It was said that to
bother the god at this time at noon was to
mock the god himself. Pan favored people who
appreciated to take a nap at noon and thereby
respected his slumber. So it was best to spare
all activities concerning Pan at this time of day
because if he got disturbed it is said his rage
could manifest into a wolf and attack the
shepherds' cattle.

In several cultures, breaking the taboo of
working at noon has been considered
dangerous, because mythical-wise you would
be punished by demons if you did. In ancient
Greece Pan obviously had that demonic job.

67 Pan is said to be the initiator of all dreams and visions; and the agitator of
nocturnal terror as well.

*: 142 v

COglf at Uttl II Mweq

n the mythologies it is said that Pan
was in love with several Nymphs:
Sdtttt 68 - Titan goddess of the
moon.

pan rt>t jjifr of auotay wool, Srfea&iVa goo,
c ijanntti ana btguiltn jwu, Luna Sritue,
falling j>ou ro ri>e *>epd>a of ri>t wooaa;
nor Dfo you atom Ma c alL

lEfcljO 69 - Pan was in love with this Oreiad
Nymph, the Nymph of the mountain conifers.
He loved the chase and Ekho's secret voice.
Pan and Ekho got a daughter named lynx who
Hera metamorphosed into a bird; a nightjar
(Caprimttlgua europama). Mythologists imply
that this bird was important to Panic rites and
mythology.
This verifies his connection to the nightjar.

Syrittf 70 - The Naiad Nymph of the River Ladon
in Arkadia, a so called fresh-water nymph. She got
pursued by Pan, fled into the river Ladon, and by
her own will got transformed into a reed plant

68 ZeArfvrf

69 H X cb.

£vpiy£

*:i43

called Syrinx, which Pan then made his flute.
According to the myths Pan did not really
know exactly which reed straw she turned
into, so he desperately cut off a bunch where
he saw her last and used for his flute.

PifJW 71 - She was both an Oreiad and a Dryad
Nymph. She also fled to escape him as Pan
chased her in love and she got transformed into
a fir tree. After this Pan is said to have taken
the fir as his special tree, he took twigs from
it and wore them as a wreath on his head. So
did his worshippers.
This verifies his connection to the fir tree.

Pan came from ftlourxt Lptaeu*, rroume* miflj (>i*
mtmk of pine!

JEupbeme 72 - Who Pan got the son Krotos with.

71 niwq.
12 Ev(prj^rj.

•: 144 :•

Ciufoli Past or alt.

♦: 145 v

lbgltfttllttt III riime

he ancient people of Greece
thought that laughter was
strongly related to Pan in Panic
rituals. That Pan loved the sound
of laughter; they said it was a good gift to Pan.
My own theory about Pan loving laughter is
that laughter helps your spirit and body to
achieve euphoria and makes your will-strength
even stronger. This state of mind and spirit
would probably connect with Pan much better
than just a normal state. It has been shown that
laughter helps protect the heart and it is also
proven to strengthen muscles, thereby your
heart as well. It even relieves stress, and mental
or spiritual difficulties. I think the ancient
Hellenes knew back then about the saying
"laujjljrer it tift betr mttitiue" and connected it
with the worship of the god of the woods and
devilry - Pan.

•: 14.6 V

Cogifftfnm IV

he Hellenes often claimed that
Pan was a nocturnal god and his
powers were perceived and
strongest at night during the
sleep, the reason for this was that our censors
of our actions were shut off. Those who
managed Pan said that if you dreamt about
goats you experienced Pan.

•: J47

o summon Pan is dangerous and
craves much energy and strength. It
shall only be done by those with
great will-power. As the ancient
Hellenic traditions give it, you should be in a
desolate place; this is one of the basic elements
of Pan, and with his flute play the following
harmony:

)'V M

¥ an- flute notes.

The four notes stand for the four elements
Fire/ Lucifer, Air/ foetfetbutl), Earth/ &etial and
Water/ Lttriattj&tl. One should know that Pan
must not be summoned light-hearted or without
any purpose. Those unworthy, will be stricken
by insanity or worse...

: 148 v

JEogifttum VI

praise you with your true names!

You are my tongue as I love you

spiritually! You are my inner flame,

entangle with love
I caress your horns;
kiss your fine well-bearded face,
stare into your third eye;
I stare; I reach into it;
I find keys; I find love;
I find you...

Your bewitching look is
like an abyss,

I fall, I fall, I fall as the goat-son.
You are my mother,
you are my father;
and I am your serpent son -
as the serpent's son I fall.

•: 149 v

JCogifltfutn VII

Aipou (b [mivdiiEvs Sp&Ksl

II ndv, 6 n^XAxov tod XdoDc; ep7i£T6v!

Xaipe, 6 tt|c; ApKaSla^ KpaTai£ SpdKe!

Xaipe, (b tt]c; KdP&tic; opyia^^vo Krfjvoc;!

Ekodoudc; ekQt oe ^icu;, 6 ^£i8ubv napdcppov kd«v!

Oaivoi) £ipr|viKf|v irjv 6yiv Kai 56c; T]^iiv ay &kt\v kcu

a96voc;!

H^eu; oi ooi Dioi k' d^ia ^ia0r)T^, rcpoaKDvoD^iE ae

SKtivra; k' aiptivra; ae,

(b Kpaxai^ ndv, Sai^icov tod XdoDc;!

AipoD eK rriq epepcbSoDq xdcppoD tic, pa9t)T£pov

SpD^cbva,

Seupo £^(o9ev tod pa(h>T£poD arcr^aioD ood Kai bdq

j][ivv to 8K ood naiv6nevov ei56vai!

Q TidvTcov TidTep SfyoD tf)v acppayiSav TdDtriv!

Etii^cdv!

H SpdKOvra \le tov api0^i6 gkcitcW ipidvra 6va,

eiaai Ta Tidvra!

Epaorfj tod GopdPod!

A^^od to Scbpo ^od!

A^^od ttiv KO&f| ^od QDoia!

Zod 7iapa8iS(D ttiv hodoikt| ^iod ^oo tod

^i^od^£vod cpMoDTOD ^od!

Epaorf| tod Gopi>PoD!

♦: 150

Cogimtutn vm

Akoixje he!

Akouoe ttjv fiouaiKT| tcod cov acptEpcbvco!

flav ecro ttou q>6pv£K; tt]v Sucaioawr) !

flav scri) ttou q>6pv£u; ttjv aytijui!

Flav ecro tiou q>6pv£u; tt]v ataxia!

riav ecjij nou cpfcpveiq to OKot&Sil

Flav sou ttou q>6pv£u; tt]v 8uva|iTi,

riav sou ttou q>6pv£u; tttv KaXf]

Sucaioauvr] KaiTT]v 8uvaxf| Q£kr\or\\

Flav sou ttou (p£pv£i<; tt)v EipfjVT] ano tov aXri6iv6

K6a|iO.

riav, q>6p£ tu; okotciv^ 8uvti|i£K; a7i6 to x&o<;,
a'auttiv tov tioxTmo Kai ppw^iiKO k6g^io! Kai doe

t\q 7i6pv£^ tou (|kot6^ tou K6<J|iOU,
va 7rvryoi)V arouq fiaupouq xciM-Apcuc; 7rou 0a tou<;

KaTajrvl^ouv.

E\i£\q, 01 7ipoaKi)VT)T6c; aou aro Poppd, as xcuperouns

fi£ ttjv fiai3pr] 9x67a |ia<;!

XalpEllav!

XaipeX&o*;!

Xaips Flav a7i6 to Xtioc;!

♦: 151

nov!

this is for you only. Your true names and essence.
My sacrificial gift to you, you only...

nov!

•; 152

£Oglt ftfUttt IX &apt4a>c6q

Ijarmahoa is a person that was
used as sacrifice in ancient Hellenic
(Pan) ritual. The victim was chosen
by the high priest and it was a
worthless person 73 , based on priest's personal
preferences. They used criminals and others
for this purpose.

The Pbarmafcoa was sacrificed for a cleansing
purpose of the congregation, much like the
principles in old Jewish and Christian
ritualistic sacrifices, but they used goats. The
Jewish priests sacrificed goats like this, they
confessed the sins of their people to the goat
and either sent the goat into the wilderness or
aeuf flje Jjoar to 9(jajel (probably pushed him
off a cliff) - this is the scapegoat.
In ancient Hellas they slaughtered this person
or laid all their sins upon him and banished
him out of the country.

73 Homo nullus.

•: 153

iCOglf afUttt X Kpdrog

rotoa is an element in the Panic
ritual where you clap your hands.
It was common in the primitive
Hellenic rituals to honor Pan,
probably because Pan is a lover of rhythm in
music, and noises invoke him. The rhythmic
clapping of hands with dance and a good
portion of wine easily makes a trance-like state
of mind and automatically summons the
primeval human wild nature, somewhat of an
animalistic spirit. So don't be surprised if you
find Pan to be called Plfilolirotua which means
JUrotrtf wrist He has also been called polphrotua.

•:i 54

The entrance to Pan's cave.

♦

155.-

The entrance to Pan's cave.

•: i5<f r

The surroundings of Pan's cave.

•: 157 r

The surroundings of Pan's cave.

>: 158 r

RAK It KAA£.'

Hav £e AATrere '

r\oeol nA»o ZTH IAPKA M<>Y I
lH«£ HTM BAH dAlMcA^A fey XAcy} l

To xaoz nrene\ ha BAW\eH\ Ha ha^taI

£YX2MAI A/A lYNAMTHZo Jo* HANA }

6MAI H nr/sHl

£vj\\r\Ar° To Y-aozna A"°tzei utnrABt T*>r '

I £ XAtreT° g oee thz oprn$ i

HAA/ ArAHHTe oee Mvyt fiAt* ACAnHTt ees ma* j

^£t\A O nAPA$f>oN APAXWTAt

'•• ! 59

Ifrrmpottoettce* of Patu

Eapimlutn xiv

*: %6j v

Id2

Current: 131

Stone: Black Diamond

Animal: Goat

Color: Black and Brown

Constellation: Capricornus or Aegipan 74

Planet: Mercurius and Saturnus

Incense: Pine, Fir and fiery plants

Sites: Mountains, grottoes and rocky woodlands

Various: Satyrs and Fauns, Panic Demons,

smartness, wisdom, intelligence, logic, philosophy,

sharpness, enigma, secret, ambiguity, metamorphosis,

jest, laughter, scorn, cunningness, knowledge,

creativeness, constructiveness, destruction, death,

will, rage, hate, strength, power, energy, loyalty,

and self-command.

The power of will that cuts and burns away in purpose

to strengthen, that disintegrates all forms and

establishes formlessness, phallus, Satan's erect phallus,

concentration, purposefulness, masculine sexual power,

the opening of the locked portals, the annihilation of

the cosmic illusions, control, leadership, courage,

cruelty, Surtr's flames, LokVs cunning and strength,

annihilation of weakness, and superhuman.

74 This sign is related to Saturn which is associated with Cronos, and as the
ancient Greeks believed; Pan is connected with Cronos.

♦: \6-$ v

TZtut maoa^uoaia can only bt acfttotD tbtou$
tbt rijatmtllmg of fljt anfi-coamic taatuct.

•: 1^4 r

3fmaimuttt

£>lacfc Qfuri-coatnic /Hagic

•: j<*5 r

This small black anti-cosmic magic book
which I call Irissimum is a collection of my
Panic rituals I have developed throughout the
years of my ritual praxis. I've added
information for preparation so that it's easier
for the black magician to get ready and
perform these glorious rituals. I recommend
that you read PanParadox thoroughly before
practicing any of these rituals so that you fcttOtn
Pan's elements and are ready for some of his
paradoxical appearance* and tritk$.
Everything within Irissimum is high magic
and you as a reader and a potential practitioner
take your own responsibilities of what might
happen if you decide to try this out. All of your
own magical work has its individual outcome
and can only be controlled by you. I just
introduce the philosophy and guidelines and
you dive into the black Oceana by yourself and
stay in the black ooiD of Chaos by your own (2£Ii(l).

iDjaoa tecum

•: \66 v

Nocturnal Sigil of Pan.

This is an illustration of
"the nature and function" '.

•: idy v

An illustration of a typical black magical Pan sigil,
which I received in a non-ritualistic situation.

♦: itf8 t*

Circle & broken circle.

The circle is the perfect form symbolizing Pan;
as it is a symbol of his name and essence.

The broken circle is even more fitting;
as it shows his frenzied effect on cosmos.

•: i<*9 :•

All rituals and all the ritualistic theories in this
book have their foundation in the ancient
Hellenic Pan-worship and rites. This is ritual
praxis that I have modernized and formed to a
correct and adapt way of Chaos-gnosticism.
Pan is a pretty complex and labyrinthine god,
or a very complex and labyrinthine god. To
balance this, you should tend to your Panic
rituals in a very simple and primitive way -
thus a three-day session with masses and a
whole congregation singing praise to Pan
is nothing but unnecessary and a waste of
time.

Always bear in mind that everyone who joins a
Panic ritual must be very sure of why they are
there and that their mill are true; that their
ambition and aim are very clear. If a ritual in
Pan's name is practiced without any aim and
half-heartedly, it could have devastating
consequences. You could release something
that you can not or do not want to control,
something can come to terrorize you and/or drive
you insane; literally: The ancient ones named

ffce ouerpoweriug fear wljitb make* pen act
irrational aut> ljpaterit after Pan for a reason.

♦: 170 :♦

Offerings are very important and somewhat of
a must in Panic rituals. Some examples of good
offerings which were used by the ancient
Hellenic people, including the demonized cult
of Pan, were honey, milk, cookies and fruit.
These gifts should always be offered to Pan in
your rituals, have small bowls beside and upon
the altar.

Other splendid sacrifices they offered Pan in the
primitive days were animals such as goats, rams,
lambs, pigs, horses and cows (preferably black
as a symbol of the underworld). This is of course
illegal today and is classified as animal cruelty
and it is contrary to the animal rights.
I bring this up because this kind of sacrifice
was a big part of the ancient Panic traditions
and praxis.

Other gifts like different kinds of alcohol are
appropriate too, wine fits the old Greek
traditions well. Pan loves wine and Loki loves
pure and strong liquor. Imbibe some of the
alcohol together with Pan to share the
celebration of this ceremonial act. It is said that
it is not "polite" to let the gods feast alone.
The ancient cults of Pan in Hellas got
traditionally very wasted from the wine during
the Panic rites and danced and drank till they
reached some kind of an ecstasy which often

•: 171 :•

resulted in Panic experiences, understandings
and wisdom. If you like to have your Pan-rituals
accurate you should look upon every ritual as
a festival with dance and noise, food and
drinks sacred to Pan.

As Pan is a nocturnal fiery god all rites should
be held during nights, fires shall burn wildly
and the altar shall face south.

Warning!

Pan is no god to play around with.
Weak people and inexperienced black

magicians should not invoke Pan.

I have more than eleven years of Panic

understanding and I have experienced

everything that is written and allegorized in

this black book.
Be mentally prepared...

♦: 172 r

£DnIp when you know your Self, Actions and
Pan well enough you are ready to use Pan as
your guide on the left-handed paths.
Always appreciate the graveness of the Panic
workings - as it is much more than a goat kid
dwelling in the darkest shadows.

•:i73

panic ritual area aim foote

Ifor black atui'Coamic magical praiia
fcitual area

A desolate forest should be found, amongst
hills and rocks; preferably high on a hill or
mountain, far away from civilization where
you can work in solitude. Pan adores and
relishes in places like this and it is said in the
mythologies that he lives in caves.
When you have found your spot, make a forty
feet wide circle with eleven big stones, this
connects it to Chaos. Make a big fireplace in
the middle of this area, encircle it with eleven
stones, and put the altar in the south. This
makes a good Panic ritual area.

9Htar

The altar should be made of stone as a symbol of
dead matter and something lasting. A good
working space is always nice, so a five feet wide
altar is perfect. The altar should have Panic
inscriptions on it, here are some proper ones:

Pan, oh black serpent of Chaos!
"ft Flav, 6 \itXkcov tod X&ouq ep7irr6v!"

♦: 174

♦

Panic Ritual Area.

'75 "

Come forth, oh wrathful dragon!
"Aipou (b \iaxv6\iEve 5p&Kov!"

Pan, bring forth the dark powers of Chaos,
into this ugly and filthy world of cosmos!
And let the black rivers flood and
the whores of the light drown!

"Ilav, (p£pe tic; okot€iv&; Suv&hek; and to %&oc;,
o y axndv tov &oxc\\io kcu ppw^iiKo k6o|xo!
Kai doe tic; ndpvec, tod (pcot6^,
tod Kdofiou, vanvxyovv aroix; fiaupoix;
X£i|x6poi)<; nov 9a zovq KaT(urvi^ouv!"

jTl&sic&l meapmta attD fool*

Two ££*<;£ candles.

Chalice.

Dagger.

Wand.

Pantacle.

All with Panic inscriptions.

Other useful tools are sacrificial bowls for all
offerings, and a Pan-flute as a symbol and an
instrument to invoke Pan's essence and harmony;
all with Panic inscriptions.

•: 177 :♦

StiRrrVS
C\\AOS

A Panic synthesis.

I would say that Pan is the synthesis
of the conflict between cosmos and Chaos.

Pan is the eclectic effect
caused by the anti-cosmic counteraction.

•: 178 r

panic preto&ium |\imal

&laclt Magical 9tori'CO*mic Panic ftpeniug ftifual

Stand facing south.

/ hail you Pan, in the south and in the sign of fire;

Wrathful serpent dragon of Chaos!

Hail Pan!

Stand facing east.

/ hail you Pan, in the east and in the sign of air;

Mocking hater of the civilization!

Hail Pan!

Stand facing north.

/ hail you Pan, in the north and in the sign of earth;

Fertile wild beast of the shadows!

Hail Pan!

Stand facing west.

/ hail you Pan, in the west and in the sign of water;

God of love and strength!

Hail Pan!

Stand facing the altar or the ritual fire.
Pan Pamphage; All-devourer!
Immortal god in my heart; Chaos eternal Will!
Come triumphant from the night's darkness!
0, I, Pan! Pan!

♦: 179 r

In the mighty name of Pan I declare this ritual
opened!

Emis I proskinites su sto vora, se xeretume me ti

mavri floga mas!

Xere Pan! Xere Xaos! Xere Pan apo to Xaos!

ELA PARAFRON DRAKONTA!

♦: 180 v

Cfcrimotua Pano*

folatfc Magical Stori-cosmic Ctrtnump ro patt

Caerimonia Panos means Pan's Ceremony, and it is
meant to be used as homage to Pan. Remember
that this text must only be used by those adept
in the Panic workings and Understandings.

Hail Pan! Wrathful serpent dragon of Chaos!
Hail Pan! Mocking hater of the civilization!
Hail Pan! Fertile wild beast of the shadows!
Hail Pan! God of love and strength!
Hail Pan! Pan Pamphage - All-devourer!

Immortal god in my heart; Chaos eternal Will!
Come triumphant from the night's darkness!

0, I Pan! Pan!

Pan, nymph-leader!

Son to your self, your own father and mother!

Come from Arkadia, come from the deserted lands!

0, I, Pan! Pan!
Come to me my brave dragon!
Roaring like a Chaos-dragon!
Dancing to the music you are given!
Laughing like the madman's protector

•: 181 r

Coiling like a Chaos -serpent!

0, I, Pan! Pan!

Clattering with you black hooves!
Swinging with your wrathful horns!
Playing in your incensed bliss!
Come; come to me, your child!
Come to me, your servant and loving!

0, I, Pan! Pan!

I am your valorous warrior,

with faith of fire and love of stone!

Come; come to me!

Over the black seas to the north, where I hail you!

In the north! In the north!

0, I, Pan! Pan!

Emis I proskinites su sto vora,

se xeretume me ti mavri floga mas!

Xere Pan! Xere Xaos! Xere Pan apo to Xaos!

ELA PARAFRON DRAKONTA!

: 182 :♦

pan P&atii*

fotetk /ttagital SInri-tomnit Paeau to Pan

Pan Paeanis means paean to Pan, and it can be
used as homage to Pan in rituals and ceremonies.

This is the song of madness,

in bewitched word of our mighty Pan.

My vox is a song,

a song of death and cosmic scorn.

My damned words are a song,

a whisper which echoes in infinite.

This is a poem of madness,

a great paean to our mighty Pan.

The Dragon.

You are like a burning globe of the

hatred of all men.

You are like a tvrathful beast in my heart.

You are my weapon of madness.

You are my black flame and dragon.

Tanin'iver Liftoach Niaf

The Serpent.

You encircle the earth's sick soul and destroy it.
You loosen your poisoning grip about the light.
You loosen all and let the black ocean of Chaos
drown what is left of mother earth.

♦: 185 :♦

You are my J0rmungandr in my
black chaotic ocean.

The Vampire.

You devour in the blood of the light

and cosmic energy.

You are smart and voracious,

you are ruthlessly thirsty.

You are, you are forever...

The Ram.

Are you a wolf under the ram's shag?
Are you a false image of a lie?
Are you the great god of nature,
or Satan's disciple?
You are fire, shadows, cold, plague,
the breath of hate, death's likeness
and darkness.

The Shadow.

Oh, eternity's raging darkness!

Oh, I love your raging, rotating and mocking

physical darkness!

Oh, I fear your embitterment and disgrace!

For your flogging kisses my charred lips!

Oh, I adore you!

Oh, I love you:

: 184 r

The Wrath.

Yahweh nourishes violence.

Violence nourishes

violence nourishes the human mind.

Violence nourishes the false creation's destruction.

Violence nourishes

violence nourishes the stars' collapse and

swarthiness.

This is the song of madness,

in bewitched word of our might Pan.

My vox is a song, a song of death and cosmic scorn.

My damned words are a song,

a whisper which echoes in infinite.

This is a poem of madness,

a great paean to our mighty Pan.

: 185 r

pan Ritual

&tecfi /Tlasital Qtori-costmc 3toDOtariott of Pan

Tan, god of the deep mountainous forests.

OTan, son to yourself

Tan, stun us with your sweet music from Syrinx.

OTan, awake us from our primitive and deep dream.

Tan, show us the way to your mighty forest kingdom.

Tan, let us follow, in your wander through the

forest's richness.

I, (name), call upon Tan!

Let your powers convey us to archaic idyll,

to the world where Chaos ' law is ours and

our law is yours.

Where the dream is a reality and the forest our home.

Spread your wings and anneal us with your fire.

The instinct, the primitive force, the destruction,

the upholder, arise from your own flames.

Come forth out of the nothingness and

let us behold your gaze.

I, (name), call upon Tan!

OTan, great force on wham the keys to all riddles rest.

Tan, let us fall in your arms.

Tan, arise from the wells of the forests and

♦: i8tf r

fulfill our desire.

Tan, arise with your wand of eternity and

your sweet instrument; Syrinx.

OTan, great force,

let this enchanted moment be emanated by your essence,
let this enchanted moment spawn power for our minds,
let this enchanted moment convey our inner-selves to
the forest kingdom, your nature masters.

I, (name), call upon OTan/

: 187 r

panic poartuoiutn |\imal

&teck Alagical 9tori'CO*mic Panic 0**ing ftifual

Stand facing the altar or the ritual fire.

Pan Pamphage; All-devourer!

Immortal god in my heart; Chaos eternal Will!
Come triumphant from the night's darkness!

0, /, Pan! Pan!

Withdraw now, to where ever you came from,
mighty Pan!

Return to your own realms; to your own thrones!
And protect me from dangers and harm!

In the mighty name of Pan I declare this ritual
closed!

Emis I proskinites su sto vora } se xeretume me ti
mavri floga mas!

Xere Pan! Xere Xaos! Xere Pan apo to Xaos!

: 188 :•

Alea Iacta Est

*: 190

The names below are Grand people or my
inspiration sources throughout the years:

Gunnar Kont
*

Sataros Martin Matsson

Darby Lahger

Bj'o'rn Pettersson

Magnus Skogs

Olle Ferner

Joakim Karlsson

Nemidial

Manias Pettersson

Kristina Lin db erg

Loke Svarteld
*

My family

CHAOS VOBISCVMI

•: 191

Authors, philosophers, fools, worshippers &
scientists I would like to name;

My Brothers

Peter Glas

Leo Vinci

Phil Hine

A leister Crowley

Viktor Rydberg

Arthur Edward Waite

C. G. Jung

Peter J. Carroll

E lip has Levi

Count Wrathven

Draenzarth

HAN

min inre svarta flamma

CHAOS VOBISCVM!

192 :♦

XI n<xv, d) ixsXkcDv tod X&cnx; 8p7l6TOv!

•: 193 :*

Cum His Verbis Cosmos Rimas Aget

•• J 94

Ave Victoria!

♦: 195

♦

Finis

♦: ig6

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