because my parents told me that russia is shit, not very good, the communists are shit too, but in the yard it was a completely different situation, in the yard we all lived there without politics, so you can say, for childhood , that russia is there , that ukraine, well, everyone spoke in slur, the ukrainian school was closed, only in russia they told me that i was ukrainian, specifically, what my parents said, there, what grandfather said, there, babushka, well, you understand, there, well about the famine, such things were told all over there, in russia clearly...

in donetsk region, later integrated into environment of ukrainian artists and discovered ukrainian art for himself. i think you went, i think the lapotniks, there are great artists here, i met dychenko, i got acquainted with the balcony, and i completely decided not to leave ukraine, then i went to lviv, looked. i realized that ukrainian painting and sculpture is much more interesting than russian, and... when i participated in all-union

exhibitions, at youth exhibitions, we had our own hall, there, ukrainian, there armenian, there, the russians had a scroll, ukrainians were the most powerful. later, the talent of peter himself was recognized, he had numerous personal exhibitions both in ukraine and in other european countries. his paintings and sculptures are also widely represented in a number of state and private collections. monuments and art objects authored by petro antip adorn the streets of many ukrainian cities. for example, in zaporizhzhia , a fountain of life and a clock composition of lovers were created according to his design. the artist also co-authored the monument to the composer, the author of shchedrik mykola leontovych in pokrovsk. then peter antip no longer lived in his native donetsk region. the reason for the move was russian aggression. i knew there would be a war. i gave many interviews on this topic in 10-11-12. that's it. and i knew that before me p

on the eve of the full-scale invasion, he worked on projects in mariupol and bakhmut, not even suspecting that he would not be able to complete them, but it is with the greatest regret that he now recalls his workshop in horlivka, which he calls the best in ukraine. well , sculpture, but there were conditions, i had the coolest one in ukraine, the coolest, there i had all the conditions, there...

petro antip continues to create together with by the corsican museum in the premises of the museum itself. he is working on a large-scale project called cosmogony, what is cosmogony, where did we come from, who are we in the other world and what will happen to us. we do this work and as a philosophical treatise, we want to give our vision. the essence of the work is that there are five to seven parts. the first part is where it all started, that we are different views of different people, different religions, different peoples. different

scientists give this question, the next stage of the creation of nature is there, and we also give it everything, the creation of man, the creation of culture, and there the creation of the noosphere. and the future, and there is a discussion going around in the picture in plastic forms between different theories, between different myths, somewhere there will already be a leitmotif of our theory about all this, and we also want to discuss the topic when the idea of ​​cosmogony came to me, first of all, about whom i thought what this project can do is a cartridge type.

cosmogony is large-scale not only because of the size of the work, but also because of the depth of the issues that the artist tries to outline. he himself... tries to find an answer to them and invites to these reflections of the viewer. for me, the most important thing is that the whole composition, the whole painting should be whole, look, and already there in the details there are already many latin expressions there, there are a lot of all kinds of tripil signs, in short, there will be christian signs, there will be muslim signs, there will be buddhist signs, there religion, there is everything, it will all be composed, what humanity has done, in this plan, there is a question, what will be the future, and these are pictures.

petro antip believes in such a future of ukrainian painting, and not only believes, but also tirelessly works on cosmogony, plunging into the past for the sake of the future, because without knowing history, society once again has to learn

hard lessons in order to look back, ukrainians need courage. pages of our history, which until recently were considered... the blackest, are explored by the lviv territory of terror museum. the museum of the territory of terror is located on the territory of the former lviv ghetto and transit prison number 25, for the attention of visitors, our exposition in barrack number one and barrack number two was a space for discussions, presentations, and now we return to this format. the jewish ghetto in lviv was the third largest in nazi-occupied europe. when the communists regained control over this... they organized a remand prison here, it was one of the largest soviet prisons of its type on the territory of modern ukraine. the scale of the crimes that took place here is hard to fathom. we decided

to create a museum that would show the fate of people, ordinary ordinary people, through the prism of the eyes of these people, we had to show how the nazi communist regimes affected the destinies ordinary average. people, not only ukrainians, but those who inhabited western ukraine, jews, in particular. human centricity, attention primarily to ordinary people and their fate destroyed by terror. all this makes the museum unique. this approach helps to rethink with greater empathy all the pain and sorrow that totalitarian regimes bring. when we have these memories, we can tell about... well, the way it is, but not, but not the way propaganda paints it, and it is also thanks to oral history that we can also present the experience of ukraine in the second world war war now, again, we go to international conferences and see that everyone has forgotten about it, because it is believed that there is

the soviet union, there is russia and that's all, there is no one else, right? when we work with human disasters. we are dealing with the fact that the totalitarian regime cleans up absolutely all traces. plus, as we can see, the totalitarian regime is successfully rewriting history. and we feel us now. consequences, how the history of the great victory was rewritten by the totalitarian soviet union, then further used by russia now as propaganda and everything we see now. if the lessons of history are not learned, they are repeated. thus, in the 21st century, ukrainians once again faced an aggressive invasion of their territory. well, they started by taping the windows. at crosshairs, then little by little they organized work in new

conditions, well, and first of all, they threw all their efforts into the actual foundation work, into the preservation of exhibits, because war threatens not only people, but also exhibits, well, what every museum is in its essence, this is a collection, a collection, part of everything was from the very first days of shipment online, these are some valuable documents, or some of our funds that have been digitized, well, slowly, little by little , everything went, we also made a letter, such sheets, check-sheets, who lives where, is anyone ready to accept someone in evacuation, that is, we they started working and continued to be in contact all the time, because lviv was a checkpoint and a hub from the first days of the war, and you could call us and everyone called, well , that is, i was called absolutely... everyone i knew from the museum, non-museum areas, and international partners also called

primarily to us, because everyone else was either on the way or under fire, unfortunately. the territorial terror team quickly realized that their facility needed to provide a secure rear and support those in greater danger due to their proximity to combat. therefore, the museum began to help not only people, but also entire institutions for the sake of preserving historical memory. on march 3, the museum crisis center was created, an initiative that actually from march 3 until now deals with helping museum workers, that is, providing individual financial support, which they can already decide for yourself whether they carry out personal evacuation, whether they give money for gasoline to evacuate the collection from this aid, whether they remain under occupation or somewhere under shelling, but they have this extra money, so we are still dealing with this from march 3. thus, through the museum crisis center, only one museum in galicia managed to help more than a hundred

museums almost throughout ukraine. now, unfortunately, there is no region that would not be affected by the war, but we always prioritize such hot spots. an unexpected direction of ours activity, which began during the war, is the rescue of other people's collections. literally in the first days after the war, it was the beginning of march, probably the 22nd year, one of the kyiv galleries, whose works were stored and exhibited both in the dnipro and in kyiv, urgently decided to evacuate these works, the collection arrived, one batch, and the second batch, it was such a unique challenge for us, because there are not many people, and the collection is large, several hundred works, fine... art, how could the museum staff not allow these paintings,

these works of fine art to be preserved anyway, for this, they equipped this part of the room with special nets on which these paintings were hung, and now, i really hope, it has a more museum-like, decent look, in principle, we even plan to make such peculiar open funds from this from this parts of funds for visitors. this place is very convenient for the kyiv gallery from the point of view of logistics, since very often we, as their partners, now take part in moving these works abroad for exhibitions. currently, the life of ukrainian museums depends on the territorial one location. the further from russia, the better. because those museums that are located closer to the border with russia are either occupied, or

destroyed, or evacuated, and there it is impossible, well, to continue such a routine, normal museum life, the further from the border, the more museums try, for example, there in empty within the walls to organize some exhibitions, humanitarian hubs, art therapy, etc., that is , for example, kyiv-dnipro, and that is, there are examples, but what do they do? away, away, those, for example, there are evacuated collections, there are evacuated teams, it is possible to do something together, a museum that was destroyed, for example, like the okhtyr museum, they are starting now. to think about reconstruction, reconstruction, that is, where the bomb hit, they return to these economic issues and the reconstruction of museums, plus it is worth understanding that in many museums of the team, someone left, someone died, god forbid, someone is in occupation, that is, it also depends, to what extent your base, which was under your feet until the 24th, was preserved, and

what you should do will depend on this, and of course, the further away from russia the better. the farther from russia, the safer, this simple truth has been felt by all ukrainians, and although there is currently no safe place in our country due to enemy missiles and drones, the west of the country suffers from shelling much less than the front-line territories. the terror territory museum, in the first days of the war , emerg was actually engaged in the work of recording, if anything, of what was done, preserving what was done, and the whole of last year we actually. staggered to save our work, that is, if we have any digitized exhibits, we uploaded them online, if something is not digitized, we had a project to digitize the museum, digitization, that is, to have this copy of the museum in a flash drive, so that if something happens, there is something to restore from, this is a project that completely scanned our museum, that is, our two barracks, towers, wagon ,

tracks, how about from the point of view of the building, that is... we have such a version of our museum, inside the exposition, also scanned the most valuable exhibits, and all this is now online, and for example, we also took our audiogt in ukrainian-english and integrated it there, that is, in principle, you can now see the territory of terror from any part of the world, well, this is an online version of our museum for all occasions, you have a museum on a flash drive, you can evacuate wherever you want. the skairon team helped with the digitization of the museum's collection. even before the invasion, this organization scanned various objects of cultural heritage, including museum exhibits. we are working on capturing all the sights digitally as much as possible. our scans in

the worst situations, if something happens, as happened with warsaw, which was broken, will be restored there. this is based on old photos, there were no such drawings, we will already have highly detailed clouds of points. in 2019 , the notre-dame cathedral burned down in paris, but it was scanned by the same scanner in 2015, and restoration work is already being carried out on the basis of these materials. we realized after the first flights around lviv that we can... continue to scan our lviv architecture and save it at least digitally. skyron has been digitizing monuments of ukrainian culture and architecture for over six years, and now continues this work with even greater zeal, because now our cultural heritage is particularly vulnerable. one russian missile can

completely destroy a museum or any other institution or landmark. and because of the russian terrorist attack on kokhovy'. hess flooded entire cities in the lower dnieper. thus , the local cultural properties, such as the house museum of polina raiko in olezhki, were significantly damaged. this is why every person, despite sometimes very difficult circumstances, should continue his work. therefore, the team of the territory of terror museum is already recording the russian ones crimes of this war. during the past year , we managed to get in touch with the soldiers of our armed forces, and they gave us a number of objects, a number of exhibits, to the museum, these are things that our soldiers captured during a successful counterattack on broken russian positions, from these objects it was decided to form the victory collection, which even now testifies to

the victories of our armed forces, and we have hope, in the future will be such a clear, expressive testimony to... and victories, we are fighting not only at the front, but there is also a war of ideologies, these are the leaflets scattered russians among our soldiers, lies, for example, russian servicemen shoot at those who appear and so on, here is a peculiar highlight of our collection of victory, these are children's letters and drawings. which were sent in an organized manner to russian soldiers at the front, for example, a letter to a soldier from a student of the sixth b class of krasnodar.

god grant you to return to your relatives, let's not cry there, i still hope my writing will give you confidence, strength and power, do not lag behind your friends, kill more enemies, i want to become like you, strong, confident and courageous, it's okay, it's time for now. there are discounts on pulmolor tablets of 15% in the pharmacies of psyllium pam and ochad, there are discounts on

glicised and glicised max of 15% at the pharmacies of psyllium bam and ochad, there are discounts on quiet - 15% at pharmacies of psyllium, pam and ochad. there are discounts on vizyn - 20% in psyllanyk, pam and oskad pharmacies. exclusively on the air of our channel. congratulations, friends, politklub is on the air on the espresso tv channel. the most relevant topics of the week: russia's war against ukraine, the war in the middle east, the crisis on the border between ukraine and poland topics that resonate in our society. drone attacks on kyiv and other cities of ukraine, drone attacks on moscow and other russian cities. analysis of the processes that change the country and each of us. the country

should get the right to start negotiations on joining the eu. vitaly portnikov and guests of the project: we are bored because there is nothing to fight about. let's find out. they help to understand the present and predict the future. for the world, a second trump presidency will be terrifying. a project for those who care. and thinkers politclub every sunday at 8:10 p.m espresso. the premium sponsor of the national team represents. united by football, stronger together. verdict with serhiy rudenko from now on. in the new two-hour format, there are even more analytics, even more important topics, even more top guests, foreign experts, inclusion from abroad, about ukraine, the world,

the front, society, and also feedback, you can express your opinion on the day of the week for with the help of a telephone survey, turn on and turn on, the verdict with serhii rudenko, every weekday from 20 to 22 at espresso. channel espresso and ukrainian pen present project. proper names with myroslava barchuk. a series of conversations with ukrainian and western intellectuals who analyze and comment on the most relevant social debates. we will find out exactly what news the guests of the project will analyze this week and who will be the guest of the studio this sunday. undoubtedly, the topics will be relevant, the guests - special. proper names with myroslava barchuk. sunday, 17:10 at espresso. but is it worth immediately fixing all that? ukrainians are experiencing now, this is a very difficult issue, even for those who have been working professionally for many years historical memory. in fact, it is important that

time has passed, that there is a historical distance, it is important to document, and the way we are inside, then our grandchildren will really reflect, to whom we will hand over this briefcase, flash drives, i don’t know, there is this evidence, and they will already be there to understand what happened because... we are inside, we are traumatized, we are all affected by the war, we are all victims of the war, but there is one important nuance here: we are not ashamed to talk about what is happening, because experience, for example, which we learned, reading about the holocaust, about the famine, people were afraid to speak, they were afraid to tell about it even there to their relatives and friends, and it took many years for the grandchildren to start asking, we tell each other everything that happens to us world, we are together in this grief, and this is important, i think, for our common.

resilience, not to close in on ourselves and talk, talk, talk, the more talking we pass on to future generations for reflection, the better. this time we have to do everything it is possible that our descendants will learn the lessons of these events well, and that the aggressor will be condemned, the words will never again be an empty slogan. there is a large array of photographs that show life in deportation, resettlement, or even in a camp, for example, minlag. this is the 55th year in the russian federation, but this is a cemetery for political prisoners, there are only pillars and numbered plaques are pinned to the pillars. unfortunately, history does not always teach, but in principle one should learn from one's mistakes. in fact, what people experienced in those times, well, if we are talking, for example, about

the communist regime. then this is all very, very similar to what is happening now, the nkvedists, that is, the current thesbeshniks, they are the spiritual, ideological descendants of their predecessors, the nkvedists, the kgbists, and therefore here you can see these historical parallels, at least understand the reasons why events are unfolding now, they didn't even let me sleep, they forced me to settle down at night and long live the eighth roto, glory be to russia, those who...

we have the exact picture that putin's regime is already transforming from authoritarian to a totalitarian, real totalitarian regime, the same as in stalin's times, and you can see it almost one-on-one, if you went into the cell, you had to scream, namely scream, glory to russia, glory to putin, glory to the puck, almost every day workers came with an electric car and demanded to sing a hymn. sing in unison, sing separately according to the terms, the communist soviet regime was not condemned, it was not said that it was a crime, and that is why he continues to live, yes, that is , the final point was not set, these older people, they sometimes even come to us talk, but they are still afraid, they are afraid that someone will punish them for it, yes, and

here it is a question of freedom. i will never forget when one of our unheard people told me too: you have so much freedom to live the life you want, drive, speak the language you want, we didn't have that, that's why we all, each in his place, we have to work for victory, even if we have to do something that we have never done before or even planned. we went to uzhhorod to find out how the war changed this city and tell the story of a writer who became a volunteer. listen, tell me, please, this chain of nakas has arrived, and your car is being serviced, well, it’s already at work, well, let’s go to the old man’s place first, and then to yours, okay, let’s go. my name is andrii lyubka,

i am a ukrainian writer, translator and now a volunteer. my current main activity is to revive the automotive market in the uk by buying cars, diesel jeeps, diesel pick-ups and minibuses, preparing them for use in the war zone and handing them over to the official army unit. this is what i do all my time, and what is now my main and probably the most productive. kind of occupation how did the writer andrii lyubka start making cars for the military? there is a separate story about this, worth at least a story. it started before easter last year, the 22nd, with a call from me to my friend, who was a civilian until february 24th, and became a military man on february 24th. in april, i called him, easter was approaching, easter on...